The Deep Purple Podcast

Check out more of Nick on his podcast “Pod of Thunder” here: PodofThunder.com

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  • 2021-01-31 – Moodman79 – FIVE STARS!
  • Deep Deep Purple!
  • This podcast is a true deep dive into Purple. No stone left unturned in this podcast as Nathan and John explore those wider family tree branches (not sure that makes sense but i’m sure you get the drift!). These guys deserve your time as they explore one of the greatest bands Rock has ever seen!

Lead up to the Album:

• Ozzy was in LA auditioning guitarists and hired Randy after two auditions, though Ozzy was so intoxicated he seems to think it was only one.
• They two of them jammed with Dana Strum and Franki Banali.
• After auditions Ozzy returned to England where he met Bob Daisley.
• Management was reluctant to hire an American guitarist as the lineup was intended to be all British.
• It’s said they wanted to recruit Gary Moore but that he wasn’t interested in the project.

Personnel

• Bass Guitar, Harmony Vocals, Gong – Bob Daisley
  • Previously with Khavas Jute, Mungo Jerry, Widowmaker, and Rainbow, where we last left him on the show.
  • Daisley and Ozzy met at the Music Machine in Camden Town in Northwest London.
  • Ozzy suggested they form a band with Randy Rhoads having just met him in Los Angeles.
  • Would later leave Ozzy with Kerslake to join Uriah Heep for two albums, “Abominog” and “Head First.”
• Drums, Percussion, Tubular Bells, Timpani – Lee Kerslake
  • Previously in The Gods, Head Machine, Toe Fat, National Head Band, and of course with Uriah Heep through most of the 70s, 80s, and 90s.
  • He met Ozzy by chance in an elevator at the Kings Cross Hotel in Australia and Ozzy decided to hire him for Blizard of Ozz.
  • Worked with Ozzy on his first two solo albums until his mother became il in 1981 and he left the band to care for her.
• Guitar [All Guitars] – Randy Rhoads
  • Recorded two albums with Quiet Riot.
  • Ozzy was in LA auditioning guitarists when Dana Strum called Randy Rhoads to persuade him to audition.
  • Rhoads said he never met Ozzy during the audition as he remained in the control room and told him he got the gig.  It was Dana Strum to came out to tell him got the job.  Rhoads said he played only a few riffs.
• Keyboards – Don Airey
  • Covered extensively on The Deep Purple Podcast.
• Lead Vocals, Harmony Vocals – Ozzy Osbourne
  • You know who Ozzy is.

Technical:

• Engineer – Max Norman
• Producer – Daisley*, Osbourne*, Kerslake*, Rhoads*
• Mastered By – timtom*
• Chris Tsangarides was originally hired to produce the album but was fired as the band was unhappy with 

Album Art & Booklet Review

• Photography By – Fin Costello

Thanks to Our Core Level Patrons:

• The Episode $6.66 Tier
  • VACANT with Richard Fusey’s upgrade!
• $5.99 The “Nice Price” Tier
  • Fielding Fowler
• $5 “Money Lender” Tier
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  • John Convery
  • Arthur Smith
  • German Heindl
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  • Jesper Almén
  • Oleksiy The Perfect Stranger Slyepukhov
  • James North
  • Mark Hodgetts
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• $3 “Nobody’s Perfect” Tier
  • Peter Gardow
  • Ian Desrosiers
  • Mark Roback
  • Anton Glaving
  • Will Porter
  • Andrew Meyer
  • Duncan Leask
  • Stuart McCord
  • Dr. Gill Breese

Album Tracks:

Side One:

1. I Don’t Know (Daisley, Osbourne, Rhoads)
2. Crazy Train (Daisley, Osbourne, Rhoads)
3. Goodbye to Romance  (Daisley, Osbourne, Rhoads)
4. Dee (Rhoads)
5. Suicide Solution (Daisley, Osbourne, Rhoads)

Side Two:

1. Mr. Crowley  (Daisley, Osbourne, Rhoads)
   • Airey claims writing credits on this song.
2. No Bone Movies  (Daisley, Osbourne, Kerslake, Rhoads)
3. Revelation (Mother Earth) (Daisley, Osbourne, Rhoads)
   • Airey claims writing credits on this song.
4. Steal Away (The Night) (Daisley, Osbourne, Rhoads)

Thanks To Our Foundation Level Patrons:

• $1 Made Up Name Tier
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  • Raphael Choury (Raff Kaff)
  • Spike, The Rock Cat
  • JJ Stannard — NEW PATRON ALERT!

Reception and Review

• According to Daisley, “When the album was released the words ‘Ozzy Osbourne’ were in bigger print than ‘The Blizzard of Ozz’ which made it look like an Ozzy Osbourne album called The Blizzard of Ozz. Randy [Rhoads] was never one to rock the boat. He knew he was in a situation which was a good opportunity for him being relatively unknown, so when Lee (Kerslake) and I were ousted, Randy had no allies and the act became ‘Ozzy Osbourne’ and no longer a band.”

For Further Information:

• Sabbath Bloody Podcast – † Ozzy ’79 ‪†‬
• Sabbath Bloody Podcast – † Ozzy ’80 ‪†‬
• I Am Ozzy by Ozzy Osbourne and Chris Ayres
• https://en.wikipedia.org/wiki/Blizzard_of_Ozz
• https://www.discogs.com/Ozzy-Osbourne-Blizzard-Of-Ozz/release/1508701
• https://bravewords.com/features/bass-legend-bob-daisley-talks-about-the-blizzard-of-ozz-his-battle-with-the-osbournes-and-more-diaries-of-a-madman
• https://www.loudersound.com/features/carry-on-screaming-blizzard-of-ozz-and-the-rebirth-of-ozzy-osbourne

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Subscribe at Apple Podcasts, Stitcher, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, or search in your favorite podcatcher! 

How To Support Our Show:

• Leave us a 5-Star Review on Apple Podcasts
• Buy Merch at Our Etsy Store!
• Become a Patron on Patreon
• Donate on Paypal (Donate one time or click “make this a monthly donation” box)

Thanks to Our Executive Level Patrons:

• The $20 “Shades of Deep Pockets” Tier
  • Ryan M
• The $15 “Highball Shooter” Tier
  • Alan Begg
• The Turn it up to $11 Tier
  • Frank Theilgaard-Mortensen
  • Clay Wombacher
  • Mikkel Steen
• $10 “Some One Came” Tier
  • Steve Seaborg (NameOnAnything.com, Alltheworldsastage.net) – Paypal
  • Jeff Breis
  • Gerald Kelly – Paypal
  • Victor Campos

Social Media Update:

• Deep Dive Podcast Network
• Merch at Etsy Shop
• Apple Podcasts Reviews
  • From Denmark – 2020-09-13
  • Vix Steen – 5 STARS!
  • Perfect (Strangers) Purple Podcast!
  • All the way from Denmark! And yes, spreading the word over here constantly , ‘cause this is a bloody awesome podcast. Very interesting, clever, funny hosts, stories, reviews etc so you never lose attention. I had a small problem in the beginning with the low audio during the songs, but I see (and hear) the point now. Plus it makes me play the records REALLY loud after end episode. Thanks a lot guys and keep up the good work! (And let me know if you’re coming to Denmark, then you can stay in my flat and we can all go Jesus Christ Superstar nuts!) BUUUUUUUUUUUUURN!!!!!!! \m/

MTV in the 80s

Our Friend Scott on MTV’s “Total Request Live” – Scott on MTV

Getcha Rocks Off with Mick Wall – 20: The Man in Black – Ritchie Blackmore

Deep Purple’s Roger Glover Guest VJ in March 1987

Thanks to Our Core Level Patrons:

• The Episode $6.66 Tier
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• $5.99 The “Nice Price” Tier
  • Fielding Fowler
• $5 “Money Lender” Tier
  • Greg Sealby
  • John Convery
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  • Jesper Almén
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  • James North
  • Mark Hodgetts
  • Kev Roberts – Paypal
• $3 “Nobody’s Perfect” Tier
  • Peter Gardow
  • Ian Desrosiers
  • Mark Roback
  • Anton Glaving
  • Will Porter
  • Andrew Meyer — NEWS FLASH: ALSO A DOCTOR!
  • Duncan Leask
  • Stuart McCord
  • Dr. Gill Breese

Listener Q&A:

simon.berglund_

If you could change one event in Deep Purples history, what would it be and why?

Duncan Leask

@purps70

4h

Replying to

@DeepPurplePod

Which member (or ex) member of DP do you think you could get an interview with? Supplementary question, same as above but for split bands? Or is that giving the game away too much?

Bill Berry

@realbillberry

11h

Replying to

@DeepPurplePod

During album reviews, why do you keep the sound of the music so low compared to your voices?

Roger Maybank

@RogerMaybank

4h

Replying to

@DeepPurplePod

Could you create your perfect five piece Deep Purple line up from the thirteen members that have featured in the band down through the years?

Arjun Mohan

@ArjunM1412

10h

Replying to

@DeepPurplePod

Joe Lynn Turner’s version of The Battle Rages On got my attention. Was it ever recorded? Were there any other songs by Joe on his solo albums that came from there? Blood Red Sky sounds like a Deep Purple song, and One Man’s Meat became Stroke Of Midnight.

Gill Breese

@DrGillBreese

10h

Replying to

@DeepPurplePod

Do you intend to follow a chronological pattern with DPP or will you jump around more with timelines and DP tree ?

Alan Begg

@77alanb77

10h

Replying to

@DeepPurplePod

You can borrow a time machine once and once only. Which gig, Purple or family tree, are you going back to?

Kev Roberts

@BluebirdKev

10h

Replying to

@DeepPurplePod

Ian Paice is the only member of Purple who hasn’t been replaced. If that had ever happened, who would be your choice to fill his boots?

Black Sabbath Fans

@sabbathfans

11h

Replying to

@DeepPurplePod

Actual Q? Uh… Out of all the “What if” scenarios with Purple (New Purple continuing, Ritchie never leaving, Bolin album 2, etc), which do you wish would have happened more than the others?

Davi Leão

@DaviMatosLeao

12h

Replying to

@DeepPurplePod

Do you guys plan on revisiting Whoosh? Maybe after doing all the albums up to InFinite

Georg Baumbach

@BaumbachGeorg

10h

Replying to

@DeepPurplePod

How did you guys become Deep Purple fans yourselves?

Derek & Dave Philpott

@DerekPhilpott

6h

Replying to

@DeepPurplePod

Is this a better cover?

Steve Hunt

@Huntersway67

6h

Replying to

@DeepPurplePod

Do you guys envision a DPP meet up someday/somewhere?

Ariel_SN.

@ArielSNavarro1

6h

Replying to

@DeepPurplePod

What do you think of the possibility to bring Coverdale, Gillan & Hughes together in a show? I know it sounds as an unreachable dream, but it would be good to know your opinion. I am from Cuba

and I follow your profile (twitter) every day. I think you are doing a great job guys

Mike Ladano

@MikeLadano

12h

Replying to

@DeepPurplePod

Beard grooming tips, please.

Norman Weichselbaum

You guys have been in a band together, right? Let us hear some of your stuff!

Jerry Bloom

If you had to be stuck on a desert island with one of Deep Purple who would you prefer it to be?

Darren M Brock

A couple of questions.

Can the shows be made shorter, like an hour? My heart sinks when I see a new show in my feed but….the running time is 2hr 15mins, because I think, I don’t have the time (or patience) to watch it all ?

Also, can the music you play be a little louder? I know you want to talk over it but we also want to hear it.

The title music is very loud, then you guys talk and it’s much lower but then you play a track and it’s lower again

Rich Shailor

Assuming someone had never heard the band, What ONE DP song could you play for them that would give them the best feel or understanding of what the band is about?

Thanks To Our Foundation Level Patrons:

• $1 Made Up Name Tier
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  • Raphael Choury (Raff Kaff)
  • Spike, The Rock Cat

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

Subscribe at Apple Podcasts, Stitcher, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, or search in your favorite podcatcher! 

How To Support Our Show:

• Leave us a 5-Star Review on Apple Podcasts
• Buy Merch at Our Etsy Store!
• Become a Patron on Patreon
• Donate on Paypal (Donate one time or click “make this a monthly donation” box)

Thanks to Our Executive Level Patrons:

• The $20 “Shades of Deep Pockets” Tier
  • Ryan M
• The $15 “Highball Shooter” Tier
  • Alan Begg
• The Turn it up to $11 Tier
  • Frank Theilgaard-Mortensen
  • Clay Wombacher
  • Mikkel Steen
• $10 “Some One Came” Tier
  • Steve Seaborg (NameOnAnything.com, Alltheworldsastage.net) – Paypal
  • Jeff Breis
  • Gerald Kelly – Paypal
  • Victor Campos

Social Media Update:

• Deep Dive Podcast Network
• Merch at Etsy Shop
• Apple Podcasts Reviews
  • This week coming to us from Great Britain!
  • Andy USSR, 30/12/2019 – FIVE STARS!
  • Purple people podcast
  • This is a really enjoyable podcast about the best rock band ever (Deep Purple if you didn’t know!) plus the entire Purple family tree. Give it a listen and you will be entertained by the music and the banter between the two hosts!

Lead up to the Album:

• Tony Ashton had previously worked with Jon Lord when Ashton, Gardner, and Dyke had worked with Jon Lord on his movie soundtrack for “The Last Rebel.”
• It was recorded at three studios: Air Studios, Apple Studios, and De Lane Lea, all in London.

Personnel

• Tony Ashton – Hammond organ, piano, vocals
• Jon Lord – Hammond organ, piano
• Carmine Appice – Drums
• Cozy Powell – Drums
• Terry Cox – Drums
  • Best known for his work with Elton John and David Bowie.
• Ian Paice – Drums
• Frank Ricotti – Percussion, vibraphone
  •  
• Jim Cregan – Guitar
  • Was the bass player in Family working with Tony Ashton on the “It’s Only A Movie” album.
• Jerry Donahue – Guitar
  • Danny Gatton praised him for being the”string-bending king of the planet.”
  • Part of the folk group Fotheringay with Pat Donaldson
• Peter Frampton – Guitar
• Mick Clarke – Guitar
  • http://www.mickclarke.com/
  • Not verified on Discogs
  • Sent email to Mick looking for clarification
• Pat Donaldson – Bass guitar
  • Part of the folk group Fotheringay with Jerry Donahue
• Dave Caswell – Trumpet
• Mike Davis – Trumpet
• John Mumford – Trombone
• Dick Parry – Saxophone
  • Worked with Pink Floyd and provided the solos on the songs “Money,” “Us and Them,” and “Shine on You Crazy Diamond.”
• Howie Casey – Saxophone
  • Featured on Malice in Wonderland
  • Also worked with Paul McCartney in Wings
• Madeline Bell – Backup vocals
  • http://www.madelinebell.com/
  • Vocalist also featured on Jesus Christ Superstar album
  • Worked with the Rolling Stones, Joe Cocker
• Tony Ferguson – Backing vocals
• Jimmy Helms – Backing vocals
  • Vocalist from The Butterfly Ball
  • Also a member of Londonbeat
• Kenny Rowe – Backing vocals
• Graham White – Backing vocals
• Jo Ann Williams – Backing vocals
• Roger Willis – Backing vocals

Technical:

• Engineer – Alan Harris
  •  
• Engineer – Bill Price
  •  
• Engineer – Geoffrey Emerick*
  •  
• Engineer – John Middleton
  •  
• Engineer – John Mills
  •  
• Engineer – Martin Birch
• Producer – Jon Lord, Tony Ashton

Album Art & Booklet Review

• Photography By – Peter Howe (4)
• Design [Cover] – Kosh*
  • https://en.wikipedia.org/wiki/John_Kosh
  • Art director for Apple Records.
  • Created the “War is Over” campaign for John Lennon and Yoko Ono

Thanks to Our Core Level Patrons:

• The Episode $6.66 Tier
  • Richard Fusey – Paypal
• $5.99 The “Nice Price” Tier
  • Fielding Fowler
• $5 “Money Lender” Tier
  • Greg Sealby
  • John Convery
  • Arthur Smith
  • German Heindl
  • Adrian Hernandez
  • Kenny Wymore
  • Jesper Almén
  • Oleksiy The Perfect Stranger Slyepukhov
  • James North
  • Mark Hodgetts
  • Kev Roberts – Paypal
• $3 “Nobody’s Perfect” Tier
  • Peter Gardow
  • Ian Desrosiers
  • Mark Roback
  • Anton Glaving
  • Will Porter
  • Andrew Meyer — NEWS FLASH: ALSO A DOCTOR!
  • Duncan Leask
  • Stuart McCord
  • Dr. Gill Breese

Album Tracks:

Side One:

1. We’re Gonna Make It (Ashton, Lord)
2. Downside Upside Down (Ashton, Lord)
3. Band of the Salvation Army Band (Ashton, Lord)
4. Silly Boy (Ashton, Lord)
5. Surrender Me (Ashton)

Side Two:

1. Celebration (Ashton, Lord)
2. I Been Lonely (Ashton)
3. Shut Up (Ashton, Lord)
4. Ballad of Mr. Giver (Ashton, Lord)

Thanks To Our Foundation Level Patrons:

• $1 Made Up Name Tier
  • Ells Murders
  • Spacey Noodles
  • The “Sickly” Leaky Mausoleum
  • Michael Vader
  • Stephen Sommerville The Concerto 1999 Fanatic
  • Raphael Choury (Raff Kaff)
  • Spike, The Rock Cat

Reception and Review

• hh

For Further Information:

• Zermattitis – A Musician’s Guide To Going Downhill Fast by Tony Ashton
• https://en.wikipedia.org/wiki/First_of_the_Big_Bands
• Help from the archives of Jörg Planer

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

Subscribe at Apple Podcasts, Stitcher, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, or search in your favorite podcatcher! 

How To Support Our Show:

• Leave us a 5-Star Review on Apple Podcasts
• Buy Merch at Our Etsy Store!
• Become a Patron on Patreon
• Donate on Paypal (Donate one time or click “make this a monthly donation” box)

Thanks to Our Executive Level Patrons:

• The $20 “Shades of Deep Pockets” Tier
  • Ryan M
• The $15 “Highball Shooter” Tier
  • Alan Begg
• The Turn it up to $11 Tier
  • Frank Theilgaard-Mortensen
  • Clay Wombacher
  • Mikkel Steen
• $10 “Some One Came” Tier
  • Steve Seaborg (NameOnAnything.com, Alltheworldsastage.net) – Paypal
  • Jeff Breis
  • Gerald Kelly – Paypal
  • Victor Campos

Social Media Update:

• Deep Dive Podcast Network
• Merch at Etsy Shop
• Apple Podcasts Reviews
  • Stephen Somerville, 03/08/2020
  • Greatest Deep Purple Podcast
  • As a Purple fan, I have been following them since the age of 2 and listening to the Concerto 1999 at that age was something really bissare, but that was my first introduction to the band and Pictured Within has become the song in which I have gotten into music today and Purple and then 13 years later getting to go to the Albert Hall for the Jon Lord tribute concert was something I will never forget and getting to live that like the 1999 concert was something special. I first saw this podcast when I saw a review of the video version to the Butterfly Ball concert and I immediately got into it just because of how they can review all sorts of purple family tree content and I have become a huge fan of it and hopefully many more great episodes to come. I would recommend this to every Purple fan there is.

Lead up to the Album:

• The album was recorded in April and May of 1979 at Clearwell Castle in Gloucestershire using the Rolling Stones Mobile.
• Marsden says it was freezing cold during the recording.  He said the cold and “soulless” nature of the castle made you work harder.  He says there were enormous banquets at night with a lot of drinking.
• Marsden says they put a sign up at the castle entrance saying that it was closed because John Travolta was filming a movie there.  He said this was right after “Grease” was released and the people nearby went crazy trying to get in.

Personnel

• Bass – Neil Murray
• Drums – Duck Dowle*
• Guitar, Slide Guitar, Vocals – Micky Moody
• Guitar, Vocals – Bernie Marsden
• Keyboards – Jon Lord
• Vocals – David Coverdale

Technical:

• Engineer, Producer – Martin (P.C.) Birch*
• Bernie Marsden said he felt almost spoiled having worked with Martin Birch so much early on, praising his work as an engineer and producer.
• Moody also talks about how Birch would see the best qualities in everyone and was really great at bringing them out on the record.
• Murray also sings Martin Birch’s praises saying that he was really laid back but also didn’t let any bad mistakes get by.

Album Art & Booklet Review

• Art Direction – John Pasche
  • http://johnpasche.com
  • Worked with The Rolling Stones and designed the famous Lips logo.
  • Also worked with Fleetwood Mac and a number of other bands
• Artwork [Logo] – Jim Gibson (2)
  • Also worked on several Jethro Tull albums

• Illustration – Chris Achilleos
  • http://chrisachilleos.co.uk/
  • http://en.wikipedia.org/wiki/Chris_Achilleos
  • Did illustration for Uriah Heep’s “Fallen Angel” album, Heavy Metal The Motion Picture.
  • It’s been reported that after designing this controversial cover he had a policy of not working with bands.  Chris debunked this in a discussion with the show.
  • The original artwork for this album was stolen and sold to a private collector.
  • https://magpiehtx.com/chris-achilleos/
  • The official word from Chris Achilleos in discussion with The Deep Purple Podcast:
    • I am quite reluctant to talk about this artwork to strangers. I have been stung before in the past and don’t want it to happen again.
    • I just want you to know that the painting was taken from me in good faith by someone I came to trust as a friend from LA in the ’80s, together with six other important paintings and then just disappeared on me! 
    • The Whitesnake a/w was listed to be auctioned in the ’90s by someone, but I put a stop to it when I heard about it. The painting was never returned to me by the NY auction company, in spite of me asking many times for its return. They claim that it’s somewhere in there building, but they cannot find it! 
    • If somebody has claimed that they have it, then they got it by not legal means. The rest of the paintings turned up in NY. Somebody bought them for nothing from a street market but refuses to deal with me. The world is full of bastards! 
    • I do still have my prelim/master drawing for it if you know of anyone who might be interested in it.

• Photography By – Hiro Ohno
  • Worked with Whitesnake on a number of albums after this.
  • Also worked with Dr. Feelgood (the band, not the Motley Crue album).
• The cover obviously caused some controversy.
• Marsden says that he doesn’t remember that much push back about the cover.  Marsden remembers that “Come an Get It” caused many more problems and had to have an alternate cover in America.

• https://twitter.com/laurenosaurusd1/status/1029810805565476864
  • Walked into the room at a charming bed and breakfast in Ireland… and then things got metal.
• https://twitter.com/iheartguitar/status/1031488809936928768
  • Whitesnake Lovehunter cover!!! Immediately after seeing that for the first time I went through the entirety of puberty in like 5 minutes and emerged with a beard and a soothing baritone.

Thanks to Our Core Level Patrons:

• The Episode $6.66 Tier
  • Richard Fusey – Paypal
• $5.99 The “Nice Price” Tier
  • Fielding Fowler
• $5 “Money Lender” Tier
  • Greg Sealby
  • John Convery
  • Arthur Smith
  • German Heindl
  • Adrian Hernandez
  • Kenny Wymore
  • Jesper Almén
  • Oleksiy The Perfect Stranger Slyepukhov
  • James North
  • Mark Hodgetts
  • Kev Roberts – Paypal
• $3 “Nobody’s Perfect” Tier
  • Peter Gardow
  • Ian Desrosiers
  • Mark Roback
  • Anton Glaving
  • Will Porter
  • Andrew Meyer
  • Duncan Leask
  • Stuart McCord
  • Dr. Gill Breese

Album Tracks:

Side One:

1. Long Way from Home (Coverdale)
   • Was the first single issued from the album.  It reached No. 55 in the British charts.  B-side was “Walking In The Shadow Of The Blues.”
   • Marsden says that Coverdale delivered this song pretty much as is to the band and that he just dubbed guitar parts.  He said David did very good demos.  “Good song, very good song.”
   • Foreigner had had a hit in 1977 called “Long, Long Way From Home” so even though Coverdale pretty much says the same thing in this song they decided to take one Long out of the title to avoid any confusion.
2. Walking in the Shadow of the Blues (Coverdale, Marsden)
   • Marsden says this is one of the best songs they ever wrote.
3. Help Me Thro’ the Day (Leon Russell)
   • Marsden describes this as a follow up to “Ain’t No Love In The Heart Of The City.”
4. Medicine Man (Coverdale)
5. You ‘n’ Me (Coverdale, Marsden)
   • This was recorded first for Bernie Marsden’s solo album “And About Time Too.”
   • Coverdale suggested they do it with the band as well.
   • Marsden: “It’s just the usual kind of rhythm and blues, girl meets boy, girl loses boy, man loses girl, kind of thing.  Nothing too deal, really.”

Side Two:

1. Mean Business (Coverdale, Moody, Marsden, Murray, Lord, Dowle)
   • Marsden says this was the only time he and Coverdale had a disagreement in the studio in the early days.  Bernie thought it was too heavy metal.  He didn’t think it’s how the band should be sounding.  He says over the years he’s realized that David was right.
   • Marsden says he doesn’t think there’s a heavier Whitesnake song up until the 1987 album.
2. Love Hunter (Coverdale, Moody, Marsden)
   • Martin Popoff says of this track: “It has a bit of a Kiss vibe down Gene Simmons’ side of the stage.”
   • Marsden says he wrote the riff and verse, Moody wrote the slide parts, and Marsden wrote some lyrics something along the lines of “looking out for your, babe.”  He says David went off and came back with better lyrics and that it was recorded very quickly.
3. Outlaw (Coverdale, Marsden, Lord)
   • Coverdale calls The Allman Brothers’ first album his blueprint for Whitesnake.
   • Marsden says Coverdale told Bernie this was his song and Lord didn’t even want writing credits but Marsden insisted given how much impact his parts had on the song.
   • Sort of made it into a tradition of Marsden getting a vocal on each album.
   • Marsden says there’s a little Thin Lizzy in there as he always respected Phil Lynott.
4. Rock ‘n’ Roll Women (Coverdale, Moody)
   • Marsden thinks he may not play on this track and that it happened from time to time.
5. We Wish You Well (Coverdale)

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Reception and Review

• Marsden said that critics were starting to take the lyrics of the band too seriously and that they didn’t take themselves very seriously.  Marsden: “Lie down, I love you; it’s not Shakespeare.  You know, if somebody’s going to say that, it’s like, seriously, what do you think? No, of course I’m not being serious.”
• Ian Paice joined Whitesnake so soon after recording that Coverdale wanted to have him do the drums over but management vetoed the idea for financial reasons.
• Marsden says this is a transitional album. He says Lovehunter is where they started to blossom in terms of signs and performances.  Marsden says the first to albums before Paice were solid but they lacked direction.
• Trouser Press’s Jon Young:
  • When a heavy-duty macho band starts to slow down, or exhibits less than blind certainty about what it’s doing, expect trouble. The problem isn’t that Whiesnake is engaged in a rehash of boogie/Bad Co. riffs (though that is certainly the case); the fatal flaw is they sound like they’ve heard it all before. How many ways can you thump your chest and grunt?”
• Moody says that the budget on the first two albums was pretty limited.
• Moody and Marsden seem to credit Ian Paice with putting the band more on course to what it would inevitably become.
• Marsden says they toured mostly in the UK and Europe and that they were accused of being “unfashionable.”  He says that when they realized they were selling out all the venues on the tour they said, “Well, let’s carry on being unfashionable.”

Reviews:

• Melody Maker
• Sounds
• New Musical Express
• daily Express
• Record Mirror
• Rock Steady!

For Further Information:

• Sail Away: Whitesnake’s Fantastic Voyage by Martin Popoff
• https://en.wikipedia.org/wiki/Lovehunter
• Help from the archives of Jörg Planer
• https://www.discogs.com/Whitesnake-Lovehunter/release/1484470 

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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  • The Real Fielding Fowler, 03/07/2021- FIVE STARS!
  • Spike Approved!
  • With faces for radio, and voices for podcasts, Nate and John bring an awkward enthusiasm for Deep Purple and the extended Purple family. Their banter is genuine, and even when it goes off-topic, it remains entertaining and an easy listen. I will definitely remain a patron, at least until the pandemic ends and the strip clubs re-open. Raise your glass of coffee milk, cheers to Deep Purple and the Deep Purple Podcast! This review is approved by Spike the Rock Cat.
  • Chlll Gill, 20/03/2021, FIVE STARS!
  • Deep Purple Podcast #100
  • I’ve just been listening to these 2 great guys- Nathan and John- on this DP podcast for short while now and love their interaction as they really feed and bounce off each other
  • Gone back to start and onto episode #14 while keeping up with latest episodes
  • Perfect Strangers was that reincarnation Mk2 for me having been fan since original Mk2 in 1969
  • They have great knowledge DP and what I also like is the branching into what members of band past/ present / dead or alive got up to when not in DP
  • Highly recommend take a listen as easy to get hooked by the format and chat and fascinating pieces info pick up each episode Keep it up guys Gill in Wales UK

A Note From Jeff Breis:

• Hey Nate,
• I just now finished listening to your 4 part series on Jesus Christ Superstar, an album that I only occasionally pulled out in the past four decades.
• You guys did a wonderful job presenting this work.
• As a Catholic up until 12th grade (38 years ago), I was inundated with these biblical stories, so I shied away from this album for many years.
• I enjoyed the performances by everyone on it, but I didn’t really care about the subject matter much.
• Well, you three guys brought a new light to an excellent piece of work, with Paul adding a lot to the story with his knowledge of the subject. Very well done.
• Thanks for making me a fan of an album I didn’t know as well as all the other Deep Purple related music that I enjoy. I have been playing it all week.
• One more thing, your friend Paul Hughes made me think of one of the voices inside the piano on Frank Zappa’s Lumpy Gravy album, and that’s a good thing.
• All the best,
• FOLLOW UP:
• Because of your show, I ordered the JCSuperstar DVD. I have not seen it since I was a kid.

• As for Paul, he sounds like the guy in the piano who seems like the leader, who tells the others about the ponies and pigs and the smoke, the big note.
• Lumpy Gravy – Part One
• Lumpy Gravy – Part Two (Paul’s vocal doppelganger starts up at the beginning of this one)
• Check it out.

Personal Memories:

• Paul and John backstage on the 1993 Jesus Christ Superstar tour.

Personnel

• Reprising roles: Yvonna Elliman, Barry Dennen
• Only Barry Dennen and Josh Mostel had ever been on camera before.
• Dennen suggested to Norman Jewison that he should make a movie around this album.
• Norman Jewison said he was very moved listening to the record.
• Barry Dennen says that they were in Yugoslavia filming Fiddler on the Roof and he approached Barry Dennen about it after discovering the album.

Cast:

• Ted Neeley as Jesus Christ
  • Was playing the lead in Tommy.
  • He was wearing a false beard when he met Jewison to see how Jesus would look.

• Carl Anderson as Judas Iscariot
  • Jewison says he had someone else in mind but ended up going with Carl Anderson.  He tested 4-5 other actors.
  • He was hesitant about casting Carl Anderson because he didn’t want it to come across that the black man was the traitor and the white man was the son of god.  Jewison eventually decided he couldn’t do that because it would be denying him the role because of being black.
  • Played Judas during pre-Broadway but wasn’t given the role.
  • Understudied for the role of Judas but wasn’t given part on Broadway under Ben Vereen as he had more star power.
  • Was on Stevie Wonder’s “Song in the Key of Life” album but is not credited.  Stevie performed two songs from the album at Anderson’s funeral.

• Yvonne Elliman as Mary Magdalene

• Barry Dennen as Pontius Pilate

• Bob Bingham as Caiaphas
  • Was int he originally broadway version.
  • Mother passed away right before they were about to film then got sick with measles.

• Larry Marshall as Simon Zealotes
  • He acted over the top at Jewison’s direction who thought he wasn’t being over the top enough.
• Josh Mostel as King Herod
  • Talks about the Golan Heights and that they’d be shooting guns at them from a distance.
  • He’s wearing his high school basketball jersey when they get off the bus.
  • Talked abotu staying by pool and playing volleyball as he only had one scene.

• Kurt Yaghjian as Annas
  •  

• Philip Toubus as Peter
  • Known as Paul Thomas.
  • Began acting in Hair.
  • Went on to a career as a porn star and moved to directing.

Movie Tracks

1. “Overture” – 5:26
2. “Heaven on Their Minds” – 4:22
3. “What’s the Buzz/Strange Thing Mystifying” – 4:26
4. “Then We Are Decided” – 2:32
5. “Everything’s Alright” – 3:36
6. “This Jesus Must Die” – 3:45
7. “Hosanna” – 2:32
8. “Simon Zealotes/Poor Jerusalem” – 6:28
9. “Pilate’s Dream” – 1:45
10. “The Temple” – 5:26
11. “Everything’s Alright (reprise)”/”I Don’t Know How to Love Him” – 3:55
12. “Damned for All Time/Blood Money” – 4:37

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1. “The Last Supper” – 7:12
2. “Gethsemane (I Only Want to Say)” – 5:39
3. “The Arrest” – 3:15
4. “Peter’s Denial” – 1:26
5. “Pilate and Christ”/”Hosanna (reprise)” – 2:57
6. “King Herod’s Song” – 3:13
7. “Could We Start Again Please?” – 2:44
8. “Judas’ Death” – 4:38
9. “Trial Before Pilate (Including the 39 Lashes)” – 6:47
10. “Superstar” – 3:56
11. “The Crucifixion” – 2:40
12. “John 19:41” – 2:20

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For Further Information:

• Superstars – The Making and Reunion of the Film

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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  • Congrats on the 100 shows. In honour of this landmark I’ve finally dipped my hand into my pocket and subscribed, which I’ve been meaning to do for ages! Loved the SBTE episode. Other highlights for me are the Rising episode and WDWTWA. Look forward to many more!

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  • Kobaia2112, 2019-06-21
  • A great Purplecast
  • Always cool to hear other fans talking about a band you like. Great podcast with some good research and cool infos. Don’t miss it if you’re a fan of Deep Purple and its extended family.

Album Tracks:

Side Two:

1. Perfect Strangers (Gillan, Blackmore, Glover)
   • Released as a single with the B-side of “Son of Alerik” which would later be released as a bonus track in later releases.
   • Glover said this was one of the best tracks he’d ever been involved with either in writing, producing, or playing and it was his favorite track on the album.
2. A Gypsy’s Kiss (Gillan, Blackmore, Glover)
3. Wasted Sunsets (Gillan, Blackmore, Glover)
4. Hungry Daze (Gillan, Blackmore, Glover)

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    • Copy of Elements with review on the cover “Mostly Mellow Jazz”
    • Hey guys, I thought this was funny so I had to share it. I picked up a copy of Elements on vinyl the other day. It’s a white label promo copy. The funny thing is that someone wrote “mostly mellow jazz” on the cover” it looks like someone also scratched “rock &” in between the words mellow and jazz. So it could have read as “ mostly mellow rock & jazz” if the “rock &” part had been in ink too. The picture doesn’t really show that though. I don’t think I would use those adjectives to describe this album, but okay… 
    • Now since this was a promo copy, it makes me wonder if the person who originally owned this received a lot of promo records and marked all of them this way by writing directly on the album cover? It seems like a barbaric way to catalog something and one that would only be employed if you received so many albums that you no longer cared about them. 
    • Anyway, I thought this was funny. It adds a bit of mystery to the ownership chain of the album if nothing else.
    • Picture attached. 
    • Kenny Wymore
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Reception and Review

• After a few weeks of recording Ritchie and Roger flew to Hamburg to mix the album.
• Ian Paice said in Tommy Vance interview that he hoped they could inject a little more thought and class into Rock and Roll.  Described what was going on with pop in the mid 80s as a “fashion show.”
• Ian Paice: “It’s kind of annoying because all the exciting bands seem to be coming from America at the moment and that’s not the way that God intended it.”
• The CD and cassette original release contained the extra track “Not Responsible.”
• The CD re-release contained the bonus track “Son of Alerik” a solo Blackmore composition which was released as a B-side to the Perfect Strangers single.
• The album was a huge success.  It reached #5 in the UK charts and #17 on the Billboard 200 in the US.
• It was the second album to be certified platinum in the US after Machine Head.
• The following tour was such a success that they had to add many additional dates as shows sold out very quickly.
• Their 1985 tour was only out-grossed by Bruce Springsteen that year.
• Roger Glover has said of this album, “A great moment in time, but, as an album it doesn’t quite hang together.”
• Paice: “To me, it’s a natural progression from [the] earlier records, but with a ten-year growth period in between.  It was a revelation to capture the spirit of the Mark II Purple once again . . . very refreshing.”
• Lord: “a perfect album. IT said everything about the band that needed to be said.  We weren’t trying to be a super new 1980s band, and at the same time we weren’t just a nostalgia band.”
• Ritchie: “We put [Deep Purple] back together to annoy the press, basically.  Give them something to btch about. That really is our No. 1 priority — to upset the critics.”

Reviews:

• https://www.rollingstone.com/music/music-album-reviews/perfect-strangers-194042/
• Perfect Strangers
• 2 Stars by Deborah Frost
  • The title track comes blasting out of nowhere, like an I’m-alive-and-well message from an old friend you’d given up for dead. With its steamy vocal and genuine, if uncharacteristic, touches of wit throbbing above Deep Purple’s heavy signature sound, “Perfect Strangers” sets the tone for this venerable band’s reunion album. Lead singer Ian Gillan — who’s never been in finer, and deeper, throat — sinuously glides into lyrics that suggest these veterans have something to say about where they’ve been in the last few years (“Can you remember, remember my name … I am the echo of your past”) and have lots more to offer in the future. For a moment, you almost wonder why Purple ever faded away in the first place. Until, that is, you hear the rest of the album.
  • Excepting the title cut and the rambunctious but less effective “Knocking at Your Back Door,” the material consists of hastily knocked-off jams that allow guitar demigod Ritchie Blackmore to whip out his finger exercises in public. The band spent about six to eight weeks recording this comeback. (The current lineup is actually neither the original nor the final Deep Purple but the most successful — of “Smoke on the Water” fame.) It doesn’t sound as if they spent much more time thinking about it, either.
  • Blackmore’s Strat has such a great roar that you’re willing to just let it reverberate in your eardrums for a bit. And it’s nice to hear Jon Lord’s unsynthesized organ squalls, Ian Paice’s meaty pounding, Gillan’s howls and whispers and Roger Glover’s solid bass lines once again. Eventually, though, it’s “enough of the sound check already — where are the songs?” Instead of Glover, an outside producer might have forced the band to tighten up its licks and arrangements. Then again, did Deep Purple ever have more than one or two really good, concise numbers on an album? Maybe they’re just making the kind of record they always did, the only kind they know how to make.
  • So why are they doing this? To cash in on the current heavy-metal craze, in which dozens of young upstarts are making fortunes playing Purple riffs? Following a recent meet-the-press shebang promoting the album and impending world tour, the band members (minus the temperamental Blackmore, who, true to his “enigmage,” didn’t show) insisted they don’t need the dough. Perhaps the answer lies in “Wasted Sunsets,” a portrait of an aging rock star who’s got “gold and silver for the blues” but nothing to do except drink the nights away. It’s nice that Perfect Strangers got the Purples out of their respective mansions; too bad they didn’t venture farther from home.
• LA Times Interview
• https://www.latimes.com/archives/la-xpm-1985-01-27-ca-9632-story.html
  • http://www.deep-purple.net/DPASmags/dtb30.htm#perfect
  • The album hit the record stores here on October 29th, though most London stores held out for the official release date of November 2nd. The cover appalls me; looks like something a thirteen year old would carve into a school desk in a moment of boredom. The music; you know damn well that what went down at those rehearsals and in the studio must have been electric, yet the energy doesn’t always communicate itself to the listener, which is a shame. The temptation in reviewing it is to get carried away by the fact that they are back together, and rave about the goodies while playing down the more mediocre stuff. That would be wrong.
  • ‘Knocking At Your Back Door’ effortlessly crosses the gap between commercial and hard rock in a way Rainbow tried so long to achieve… lovely chugging strings at the intro, Paicey lays into it, the Hammond swirling about, and a very typical Blackmore riff. Polished performances all round and disgustingly catchy. ‘Nobody’s Home’ is a hard rocking steal from ‘Lay Down Stay Down’ amongst others. ‘Mean Streak’ doesn’t consist of much at all – pounding bass, hi-hat and what sounds like good organ work buried in a really muddy sound. I find it hard to say a lot about the title track. It is everything Purple ever were to me, if I had to justify the reunion to anyone this cut would suffice. Ian’s vocals charged with emotion, all set over a gorgeous piece of work from the band. It belongs up there with the best of everything they’ve done before. ‘Wasted Sunsets’ is nicely predictable. It could have made a blinder, I’d have liked a quiet start, taking it up gradually to increase the power. ‘Hungry Daze’ is a bit of a let down, the best bit being the middle part – Third Stone From The Sun revisited!
  • The Burn album is probably the closest point of reference in terms of how I feel about the album overall. That too was recorded quickly, and showed a marked change of style. This time we’ve been prepared somewhat with Rainbow, and the shadow of that band is fairly strong. More variety in the manner of Gillan’s output over the past few years wouldn’t go amiss.

• Kerrang review by Geoff Barton
• Melody Maker review by Barry McIlheney
• Sounds review of the “Perfect Strangers” single
• UK Review
• http://www.deep-purple.net/reunion/deep-purple-reunion-2.html
  • “Leaden Grandads” Record Mirror; “Some things never change, and this is one of them.” Melody Maker; “Bland and sluggish” Bury Times; “Dated plodding heavy metal” Music Week; “Old gits” NME. Great reviews for what most fans still regard as one of the best tracks of the reunion to date.
• After the album’s release the band would embark upon 

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For Further Information:

• Smoke on the Water: The Deep Purple Story by Dave Thompson
• Black Knight: Ritchie Blackmore by Jerry Bloom
• Child in Time by Ian Gillan
• The Complete Deep Purple by Michael Heatley
• A Hart Life by Colin Hart with Dick Allix
• https://en.wikipedia.org/wiki/Perfect_Strangers_(album)
• https://www.discogs.com/Deep-Purple-Perfect-Strangers/release/4810055
• http://www.deep-purple.net/reunion/deep-purple-reunion-1.html
• http://www.deep-purple.net/DPASmags/dtb29.htm
• http://www.deep-purple.net/DPASmags/dtb30.htm
• http://www.deep-purple.net/discography/pstrangers/DiscogPS.htm
• Deep Purple – The Interview Album
  • Deep Purple – The Interview Album on YouTube
• The archives of Jörg Planer
• The archives of Jeff Breis

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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  • Welcome, Stuart!
  • Dear Nate and John, thanks so much to both of you for this brilliant pocast. As a huge fan of Purple and the extended family since 1995, I’ve been spending many a really enjoyable evening over the past couple of months firstly playing my vinyl of one of the albums you’ve covered, then listening to the episode to hear the record again along with you guys with a nice couple of large whiskeys. Your chat about each track is always hugely entertaining, with excellent insight into the history and making of the albums. Many thanks and really looking forward to more great episodes. Best wishes Stuart (Hove, UK)
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  • Author of Postcards from Hell: Notes from a purple mind
  • A journey through a man’s journey through depression, low self esteem and borderline alcoholism through to acceptance and forgiveness of himself. Using the music of Deep Purple as a reference point the book is a series of short stories explore such concepts as institutional abuse, violence, loyalty, betrayal, love, loss and death
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  • Spike is well versed in all genres, but for purposes of DPP, he will be known as the Rock Cat. Don’t get too excited though with the extra cash. Unless you start having scantily clad women on the show, that’s all you are going to get. Congrats on 100 episodes! 

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  • peanutbotticelli, 2019-12-01
  • smokin
  • a very well made podcast. the hosts are really funny.

Lead up to the Album:

• 1978 event planned?  Jerry Bloom’s Black Night, page 255.
• For years there had been rumors of a Deep Purple Mk 2 reunion.  In late 1982 it had come very close to becoming a reality.
• Gillan said in his book “Child in Time” that he’d been over to Ritchie’s to meet with Bruce Payne but says he got extremely drunk and probably spoiled any chance at an ‘82 reunion.
• The ‘82 attempt was discussed by Roger in an interview in the LA Times shortly after the release of “Perfect Strangers”:
  • “Ian came over from England to talk to Ritchie and me about re-forming Deep Purple,” Glover recalled. “He had been singing in some bands, but none had been that big. He was just about to join Black Sabbath, but what he really wanted was a Deep Purple reunion.
  • “We had dinner in a restaurant and Ian got totally drunk by the end of the meal. Ritchie and I looked at each other and said: ‘Do we really want to deal with this?’ The answer was no. So Ian went back to England with a terrible hangover and no Deep Purple.” 
• There was even a rumor of a 1982 reunion as David Coverdale was approached and reportedly turned it down. 
• Things weren’t going great in Rainbow.  The US tour they embarked on in 1983 was one of their smallest ever.  There was even talk of canceled shows due to poor ticket sales.
• Colin Hart writes in his book “A Hart Life” that Ritchie Blackmore was not a fun person to be around at this time.  The recent shows had included Blackmore including Deep Purple classics into the setlist to get more interest from fans.  Hart says these songs were a little outside of Joe’s wheelhouse.
• Bruce Payne had seen the writing on the wall and had already been in contact with Gillan. 
• Jon was playing with Whitesnake, Gillan with Gillan, Ritchie and Roger with Rainbow, and Ian Paice was with Gary Moore.  This was right around the time Gillan had suffered vocal nodes and for whatever reason the 1982 reunion never came together.
• Ian Paice was back home and enjoying his time as a highly sought after session drummer.
• The five members met up in April of 1984 in Kentucky for talks.  Blackmore called Jon Lord personally to ask him over.
• The band members had mostly been in touch for the previous 9 years but the five of them had not been together since 1973.
• In DPAS Issue 29 there was talk of a Swedish newspaper ran a story in 1983 that there was a Deep Purple reunion in the works with dates as the summer of 1984 pending Jon Lord’s agreement.  This seemed to be mostly dismissed as rumor but it turns out it may have been the case.
• Gillan said that Blackmore and Payne were looking to get Blackmore 50% of the writing credits for the reunion and it was up to the rest of the band how the remaining 50% was split.
• Gillan, not surprisingly, didn’t go for this and they agreed on a three way split between Blackmore, Glover, and Gillan.
• Gillan admits to being foggy on the financial details and says he could have asked Ian Paice if he was more interested as he seemed to be very good with the numbers.
• Bruce Payne represented everyone in the band but Ian who remained represented by Phil Banfield and still does to this day.
• Gillan and Glover reportedly tried to get the five way split they had in the early days but Blackmore held firm and it remained a three way songwriting split of Gillan, Glover, Blackmore. It would remain that way until Blackmore left in 1993.
• Tony Edwards and John Coletta were still around, the duo who had managed Deep Purple from 1968 to 1976.  They saw that Bruce Payne was in a position to take over and they were not happy with this turn of events.  There were a lot of legal battles that would be fought.
• Gillan also owed Virgin Records one more album. 
• On April 18, 1984, all five members met again at Thames Talent in New York and signed a contract to reform the band.
• Colin Hart tells of picking them up and booking them separate rooms for the negotiations.  He said he was worried about what they would be like but he knew he’d be able to read the expressions of Ian and Ritchie.  He was worried that they’d be glum and the deal would be off but he said instead they were chatting like old school buddies.
• The announcement of the reunion was made on April 27, 1984 in the Evening Standard as well as on BBC Radio One on the Tommy Vance programme.  Vance had gotten the scoop from Gillan the previous day.
• Bruce Payne is said to have told Joe Lynn Turner that Rainbow wasn’t disbanding but merely being put on a hiatus of sorts.  It seems that he was likely hedging his bets, not sure of the longevity of the Deep Purple reunion.
• Rainbow played one last gig at the Budokan in Tokyo with the band performing “Difficult to Cure” with an orchestra with the orchestrations written by David Rosenthal.
• According to the DPAS magazine Tommy Vance teased it by saying he had news that a very big band from the 70s was about to reform.  He said, “I’m going to play four records which featured the members of this band before the group was formed.”  The first single was a Ritchie solo single and it became very clear what was happening.
• Colin Hart was given instruction to find them a place in the Northeastern US to record.  He booked them a place in Massachusetts called Bass Lodge.  It was an ideal location but it was so isolated that they eventually decided the band would have nothing to do with their leisure time so they found a new location in Vermont which Hart was familiar with as Rainbow had rehearsed there previously.
• Gillan said in his book that once they started playing together the magic was back and he couldn’t keep the smile off his face.
• Gillan describes the band getting together, coming in one by one and him just sitting there with a smile on his face thinking that these were the best players he’d ever worked with.
•  
• The album was recorded at “Horizons” in Stowe, Vermont with Le Mobile Studio.
  • Horizons: https://www.discogs.com/label/454853-Horizons-Stowe-Vermont
    • A large house in Vermont.
  • Le Mobile: https://en.wikipedia.org/wiki/Le_Mobile
    • http://lemobile.com/
    • A remote recording truck based in Carlsbad, California since 1984.
    • Used by Gwen Stefani, Eric Clapton, Peter Gabriel, Roger Waters, Herbie Hancock.
    • Still in use today.
• Le Mobile was unfortunately drew too much power so they had to have an electrician wire it directly to the electrical pole with extra breakers so they didn’t start a fire.
•  
• John Lord said in an interview with Tommy Vance that he arrived in Vermont with “bits and pieces” of ideas that he’d had in the back of his mind but that Ritchie arrived “bursting at the seams” with ideas and songs so Lord said he basically just threw all his stuff away.
• Jon Lord also says “If it didn’t have Ritchie in it, it isn’t really Deep Purple.”
•  
• Gillan and Blackmore both said in interviews that they felt an enormous relief in not having to be the overall band leader, manager, etc.  They both seemed to really like the idea that they could settle back and be a lead guitarist or a lead singer with all the other stuff being handled by other people.
• Gillan cites his experience in Black Sabbath as getting a taste of that and really enjoying it.
•  

Deep Purple Reunion Press Conference announcement 1984 – October, 1984

Deep Purple 1984 Reunion announcement on USA TV.

Personnel

• Bass – Roger Glover
• Drums – Ian Paice
• Guitar – Ritchie Blackmore
• Keyboards – Jon Lord
• Vocals – Ian Gillan

Technical:

• Producer – Deep Purple, Roger Glover
  • Glover said from the beginning in the meetings that he didn’t want to be the producer.  He said he wanted this to be a representation of what the band was.  It turned out to go back to the old way with the band doing it.  After about a week Ritchie had been asking Roger for help and against his wishes he fell into the producer role. He said he didn’t want to be a scape goat either if things didn’t go quite right.
• Engineer [Assistant] – Bernd Reiger
  • Only credit.
• Engineer [Assistant] – Cliff Bonnell
  • Worked with Peter Frampton, Rufus & Chaka Khan on Stompin’ at the Savoy, Kansas.
• Engineer [Assistant] – Drafi Deutscher
  • Worked with a lot of German acts going back to the 1960s and was a songwriter in his own right.
• Engineer [Assistant] – Ronald David
  • Worked with a number of artists including Roy Orbison and Rod Stewart.
• Engineer [Creatively] – Nick Blagona
  • Long time engineer with Deep Purple, Gillan, Glover.
  • Also worked with Crack the Sky.
• Producer – Deep Purple, Roger Glover
  •  
• Management – Bruce Payne
  • Long time manager or Rainbow, Cozy Powell
• Mastered By – Greg Calbi
  •  

Album Art & Booklet Review

• Ritchie Blackmore originally suggested that they title the album “At Last, the 1974 Album.”  Like most things with Ritchie it’s not clear how much of this was serious and how much was a joke.
• A lot of fans were looking for the follow up to “Who Do We Think We Are” but Jon Lord wanted the album to sound like 1984 not 1974.
• Art Direction – Bill Levy
  • Album covers for John Coltrane, Jesus Christ Superstar, Zzebra, and Cybil Shepard.
• Design [Album] – George Corsillo
  • Did covers for Elvis, Stevie Wonder, the Grease Soundtrack, The Commodores, Bob Dylan
• Design, Concept By [Logo] – Craig Sprovach
  • Only credit on Discogs.
• Illustration [Logo] – Glenn Dean
  • Only other credit is The Allman Brothers – Brothers of the Road
• Photography By – George Bodnar
  • Worked with Motorhead, UFO, Whitesnake.
• Photography By – Mick Gregory
  • Worked with Gillan and Nightwing.

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Album Tracks:

Side One:

1. Knocking at Your Back Door (Gillan, Blackmore, Glover)
2. Under the Gun (Gillan, Blackmore, Glover)
   • When asked by Tommy Vance about what his favorite solo is that he ever recorded Ritchie said he couldn’t really say but added: “I’m quite pleased with the solo work I did on this new song, ‘Under the Gun.’ That wasn’t bad.”
3. Nobody’s Home (Gillan, Paice, Lord, Blackmore, Glover)
4. Mean Streak (Gillan, Blackmore, Glover)

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Thanks To Our Foundation Level Patrons:

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  • Spike, The Rock Cat – NEW PATRON ALERT!!

For Further Information:

• Smoke on the Water: The Deep Purple Story by Dave Thompson
• Black Knight: Ritchie Blackmore by Jerry Bloom
• Child in Time by Ian Gillan
• The Complete Deep Purple by Michael Heatley
• A Hart Life by Colin Hart with Dick Allix
• https://en.wikipedia.org/wiki/Perfect_Strangers_(album)
• https://www.discogs.com/Deep-Purple-Perfect-Strangers/release/4810055
• http://www.deep-purple.net/reunion/deep-purple-reunion-1.html
• http://www.deep-purple.net/DPASmags/dtb29.htm
• http://www.deep-purple.net/DPASmags/dtb30.htm
• http://www.deep-purple.net/discography/pstrangers/DiscogPS.htm
• Deep Purple – The Interview Album
  • Deep Purple – The Interview Album on YouTube
• The archives of Jörg Planer
• The archives of Jeff Breis

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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• Deepdivepodcastnetwork.com
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Thanks to the Patron Saint and Archivist of The Deep Purple Podcast:

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Show Updates:

• Comments from social media.
• Tommy Bolin Memorial Statue Fundraiser
• New Apple Podcasts Review – FROM OTHER COUNTRIES!!!
• This week, a review from Australia:
  • FIVE STARS!
  • Electric_Mayhem!, 31/10/2020
  • One Of Rocks Best
  • DP as a band & their contribution is criminally underrated – this is a great podcast that shines light on the band, it’s members & their musical family tree. Great listen!
• Thank you to all the listeners that we don’t hear from!

The songs!

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

Subscribe at Apple Podcasts, Stitcher, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, or search in your favorite podcatcher! 

Thanks to Our Show Supporters – Three Ways To Show Your Support

• Become a Patron on Patreon
• Donate on Paypal (Donate one time or click “make this a monthly donation” box)
• Leave us a 5-Star Review on Apple Podcasts

• The $20 “Shades of Deep Pockets” Tier
  • Ryan M
• The $15 “Highball Shooter” Tier
  • Alan Begg
• The Turn it up to $11 Tier
  • Frank Theilgaard-Mortensen
  • Clay Wombacher
  • Mikkel Steen
• $10 “Some One Came” Tier
  • Steve Seaborg (NameOnAnything.com, Alltheworldsastage.net) – Paypal
  • Jeff Breis
  • Gerald Kelly – Paypal
  • Victor Campos
• The Episode $6.66 Tier
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• $5.99 The “Nice Price” Tier
  • Fielding Fowler
• $5 “Money Lender” Tier
  • Greg Sealby
  • John Convery
  • Arthur Smith
  • German Heindl
  • Adrian Hernandez
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  • Jesper Almén
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  • Peter Gardow
  • Ian Desrosiers
  • Mark Roback
  • Anton Glaving
  • Will Porter
  • Andrew Meyer
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Thanks to our Brothers at the Deep Dive Podcast Network:

• DeepDivePodcastNetwork.com
• Ry @ Sabbath Bloody Podcast
• The Simple Man @ Skynyrd Reconsydyrd
• Terry “T-Bone” Mathley @ T-Bone’s Prime Cuts
• Paul, David, and Joe @ In the Lap of the Pods
• Scott @ The Magician’s Podcast

Thanks to the Patron Saint and Archivist of The Deep Purple Podcast:

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Buy Merch at Our New Etsy Store!

Show Updates:

• Comments from social media.
• Tommy Bolin Memorial Statue Fundraiser
• New Apple Podcasts Review – FROM OTHER COUNTRIES!!!
• This week, a review from Great Britain:
  • FIVE STARS!
  • TrancaRua, 27/12/2019
  • Good stuff, fun to listen!
  • The most unlikely duo possible getting along too well and making really good things together. One of them is so quiet, an old soul (in fact as young as the most talking one) but full of catchy phrases and shows interesting knowledge of Deep Purple. Enjoying a lot, actually. Give a go!
• Thank you to all the listeners that we don’t hear from!

Lead up to the Album:

• Don Airey decided he was going to join Ozzy full time to work on Bark at the Moon.
• Ritchie said in interviews that Don was “best friends” with Cozy and when he found out Cozy was being replaced he became furious and left the band to tour with Ozzy.
• Roger Glover quit the band to just do production but was convinced to rejoin on bass by Bruce Payne.
• Rosenthal joined the band straight out of Music College.  He was asked to contribute with the songwriting but was told he would not get a full writing credit.  Rosenthal had the foresight to get a lawyer to deal with the contract.
• Rumors are the Bruce Payne wanted Rainbow to attempt to make a go of it without a keyboard player but that Ritchie wasn’t having it.
• The recording took place at Le Studio in Morin Heights, Canada.  The weather was exceptionally cold and snowy.  It was in a beautiful 10-12 bedroom lake house with the studio at the other side of the lake. The band had two sets of equipment, one at the house for them to write and practice, and another at the studio.
• Ritchie, of course, played a prank on Rosenthal but moving all the furniture out of his room and putting it in the cold and snow.  The next morning Rosenthal was still freezing because he’d had to sleep in a freezing cold bed that he’d lugged back into the room himself.
• Joe Lynn Turner said that Blackmore had warned him that moving more into this AOR direction was going to get him a lot of flak from the fans.  Blackmore told Turner that for every one Dio fan they lost they’d pick up two new fans.  Joe Lynn Turner said, “And that was the truck, literally.  For example they never had any women at the concerts.  So everyone loved that including the crew — it was thank God we have girls in teh audience now, we could compete . . .”
• The first album with JLT where it was more cohesive, everything being done in one studio and together rather than the patchwork that was Difficult to Cure.
• Ritchie admitted during this time he was more focused on song writing and was even struggling with solos.
• Ritchie: “Unquestionably, we’ve turned in a more accessible direction on the last few albums.  A few years ago I would have insisted that selling records means nothing.  I realize now that a statement like that is made only by someone who it’s selling many records.”
• Joe Lynn Turner says: “I’m an incredibly varied singer. I just grew up that way.  . . . I love blues; I love ard rock and heavy metal, love country music s well.  I listen to everything and just soaked it up; jazz and Etta James –I love that shit. I listen to sax players for vocal phrasings, just like guitarists do.”
• JLT:  “Sometimes people are surprised that I can sing R&B. I mean I grew up in a gospel church, in a black Baptist church.  I’m a black man in a white man’s body –it’s unbelievable.  If I really turn it on and go to the R&B side, it would just be too black.  Glenn Hughes used to do that and do it real well, but he got killed for it.  They used to say he’s too funky, he’s too black.  You know what? He’s too gifted, so fuck you!”

Personnel

• Bass [Hondo Longhorn 4 & 8 String] – Roger Glover
• Drums [Yamaha, Sonor & Paiste] – Bobby Rondinelli
• Guitar [Fender Strat, Marshall] – Ritchie Blackmore
• Keyboards [Oberheim, Moog, Roland, Hammond & Hohner] – Dave Rosenthal
  • http://www.davidrosenthal.com/
  • https://en.wikipedia.org/wiki/David_Rosenthal_(musician)
  • First Credit on Discogs is this album with Rainbow.
  • Worked with Bruce Springsteen, Robert Palmer, Steve Vai, STevie Lauper, and Yngwie Malmsteen.
  • Played on Roger Glover’s album Mask.
  • Worked with Steve Vai, played on Whitesnake’s “Slip of the Tongue.”
  • Went on to work with Billy Joel.
• Vocals – Joe Lynn Turner
• Written-By – Bobby Rondinelli (tracks: B4), Rosenthal* (tracks: B2), Turner*, Blackmore*, Glover* (tracks: A2 to B1)

Additional Credits:

• François Dompierre – orchestra conductor
• Raymond Dessaint – orchestra lead

Album Art & Booklet Review

• Artwork – Jeff Cummings (2)
  • http://www.jeffcummins.com/index2.php
  • http://www.saatchiart.com/jeff.cummins
  • https://jeffcummins.wixsite.com/jeff
  • Worked for Hipgnosis
  • Designed album covers for Graham Bonnett, Paul McCartney, Whitesnake’s “Live in the Heart of the City.” 
• Artwork [Concept] – Mr. B (16)
  • Only credit on Discogs.  Can only assume this is Ritchie.
• Ritchie says that the album title was from when he bumped into Jeff Beck at a bar in 1967 after he’d just seen Hendrix.  Jeff Beck told him that Hendrix’s playing hit him “straight between the eyes.”

Technical:

• Mastered By [Digital] – Nick*, Roger*
• Mixed By [Digital] – Greg Calbi
• Producer – Roger GloverEngineer – Nick Blagona 
• Engineer [Assistant] – Robbie Whelan 

Album Tracks:

Side One:

1. Death Alley Driver (Blackmore, Turner)
   • Written by Turner about route 109 in New Jersey and how it was so dangerous to drive down.
   • About a “drug run” in south Jersey where people would run massive amounts of cocaine and heroin.
   • In some interviews JLT says it’s about these drug runs, in other he says he was involved in one of the drug runs.  He claims that he was friends with a guy who was a doctor who was analysing the cocaine.  He tells the story of being caught up in this drug run unknowingly.
   • Video shot at a graveyard in Connecticut that was banned by MTV.
2. Stone Cold (Blackmore, Glover, Turner)
   • Joe Lynn Turner says this was written in the studio.  He said he came up to Roger who was looking really depressed and when he asked Roger what was wrong he said, “She left me stone cold.”  He was going through a difficult divorce at the time.
   • JLT said he heard him say that and said, “Wow, there’s a great song title!”
   • The part at the end with the ad libs about a “Deep freeze” etc. were done in the moment as it was recorded during a blizzard.  JLT describes the mood created with giant icicles hanging in front of the windows as they looked out at the frozen lake.
   • Single released ahead of the album.
   • Reached #40 in the US and #34 in the UK.
   • Another video was made for this song.
3. Bring On The Night (Dream Chaser) (Blackmore, Glover, Turner)
   • Joe Lynn Turner says that he and Roger both set to write lyrics for this one and both had very different lyrics.  They decided to combine the two into one song hence the parenthetical title.
   • Ritchie is on record as being a huge Abba fan.  He would say that he was writing Abba-style songs disguised as hard rock.
4. Tite Squeeze (Blackmore, Glover, Turner)
   • A favorite of Roger Glover’s.
   • Turner says it wasn’t about any particular woman that he could remember.
5. Tearin’ Out My Heart (Blackmore, Glover, Turner)
   • This was about a Canadian girl that Joe was in love with.
   • Joe says the girl was with him while he was writing it.

Side Two:

1. Power (Blackmore, Glover, Turner)
   • JLT wanted this to be a huge arena rock anthem.
   • JLT claims that they were criticized because this song was too commercial.
   • JLT says this was an autobiographical song which came from him realizing how much personal power he had.
2. MISS Mistreated (Blackmore, Turner, Rosenthal)
   • Ritchie was talking about some girl he was interested in and Joe said, “She sounds like Miss Mistreated.”
   • Revolves around the question of in a breakup who really hurt who?
   • JLT says Ritchie told him to write it when he revealed the title and said he wanted to “shove it up Purple’s ass.”  He then said, “Let them suck on that for a while.”
3. Rock Fever (Blackmore, Turner)
   • Turner says again he was aiming for an anthem.
   • Ritchie: “We’ve got to be more mainstream, Ritchie.  We can’t just keep writing about dragons.”
4. Eyes Of Fire (Blackmore, Turner, Rondinelli)
   • Ritchie had wanted to do a track with an orchestra on it and tasked Rosenthal to write the orchestration.
   • Turner says he went to the bar one night and caught a glimpse of girl int he mirror behind the bar.  “… her eyes were just incredible–she had that bewitching siren look. This is absolutely true. It sounds kind of sappy, but it’s really not;it’s what dreams are made of.”
   • “Her name was Erica Varga; I’ll never forget this girl. She was just stunning, platinum blond hair and these incredible green eyes that would turn colours, almost like red to green to brown. It was very strange; I’ve never seen a person like this before.”
   • JLT goes on to say that this is one of his wife’s favorite songs.

Reception and Review

• In retrospect Blackmore says he remembers these albums as “fuzzy memories.”  He says his main criticism is that they were so focused on making them perfect with their production that they lost a little of the more improvisational quality they’d had in previous albums.
• Roger Glover: “ This is an album that should appeal to everyone. What we’ve done on this album is strike a balance between the accessibility of the last few albums and the progressivism of the earlier ones.”
• The tour included the support acts: Iron Maiden, UFO, Riot, Scorpions, Krokus, 38 Special, Saxon, and Girlschool.

For Further Information:

• Sensitive to Light: The Rainbow Story by Martin Popoff
• Black Knight: Ritchie Blackmore by Jerry Bloom
• A Hart Life by Colin Hart with Dick Allix
• The Other Side of the Rainbow by Greg Prato
• https://en.wikipedia.org/wiki/Straight_Between_the_Eyes
• https://www.discogs.com/Rainbow-Straight-Between-The-Eyes/release/1595738
• http://www.deep-purple.net/DPASmags/stargazer25r.htm#str

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

• Touched by Magic: The Tommy Bolin Story by Greg Prato
• Tommy Bolin – in and out of Deep Purple by Laura Shenton
• Deep Purple: A Matter of Fact by Jerry Bloom
• Smoke on the Water: The Deep Purple Story by Dave Thompson
• The Road of Golden Dust: The Deep Purple Story 1968-1976 by Jerry Bloom
• Child in Time by Ian Gillan
• Deep Purple and Rainbow 1968-79: Every album, every song (On Track) by Steve Pilkington

• Deep Purple: Complete Uk Vinyl Discography 1968-1982 By Neil Priddey
• Purple Records 1971-1978 by Neil Priddey
• THE DVD RELEASE OF THE BUTTERFLY BALL CONCERT from RogerGlover.com

• Deep Purple: Complete Uk Vinyl Discography 1968-1982 By Neil Priddey
• Glenn Hughes The Autobiography: From Deep Purple to Black Country Communion by Glenn Hughes
• Sail Away: Whitesnake’s Fantastic Voyage by Martin Popoff

• Child in Time by Ian Gillan
• Deep Purple and Rainbow 1968-79: Every album, every song (On Track)

• Deep Purple – Nasty Piece of Work by Jerry Bloom
• Sail Away: Whitesnake’s Fantastic Voyage by Martin Popoff
• British Rock Guitar by Mo Foster
• Help from the archives of Jörg Planer

• Sensitive to Light: The Rainbow Story by Martin Popoff
• TRAPEZE – A BRIEF HISTORY (1969-1994)
• Black Knight: Ritchie Blackmore by Jerry Bloom 
• Country Boy: A Biography of Albert Lee by Derek Watts
• The Complete Deep Purple by Michael Heatley
• Dance With The Devil: The Cozy Powell Story by Laura Shenton
• Ronnie James Dio: A biography of a heavy metal Icon by James Curl
• https://www.tommybolin.com/history/james-gang/
• A Hart Life by Colin Hart with Dick Allix
• Jon Lord: All Those Years Ago
• The Other Side of the Rainbow by Greg Prato
• Chasing Shadows: The Search for Rod Evans by Adrian Jarvis
• Rock Opera: The Creation of Jesus Christ Superstar, from Record Album to Broadway Show and Motion Picture by Ellis Nassour
• Get Onto My Cloud: The Tim Rice Podcast – Jesus Christ Superstar – the early days
• Unmasked: A Memoir by Andrew Lloyd-Webber
• Oh What A Circus by Tim Rice
• http://www.deep-purple.net/tree/gillan/gillan-1.htm
• Born Again! Black Sabbath in the Eighties and Nineties by Martin Popoff
•  

Lurid

Nasty

Revolting

Macabre

Sickly

Petrifying

Traumatic

Fearsome

Pantasmal