Episode #58 – James Gang – Bang

Link to video on Cocoscope: https://www.cocoscope.com/watch?v=59081

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Lead up to the Album:

  • Previous to Tommy being in the band they’d been a power trio with Joe Walsh on guitar/vocals.
  • The band went through six other guitar players before Joe Walsh joined.  Phil Gialombardo was on keys and vocals with a slight overlap with Joe Walsh taking over vocals.
  • Their first album had Tom Kriss on bass before Dale Peters joined for the remainder of the band’s existence.
  • Jim Fox was the only original member that stayed throughout the band’s history.
  • When Joe Walsh left they hired Dominic Troiano and Roy Kenner to take over guitar and vocals respectively.  Both had been members of the Canadian band, Bush.
  • They did two albums with Troiano. 
  • Drummer Jim Fox said that they weren’t happy with the direction the band was going but Bolin joining gave them the energy they were looking for.
  • In interviews Jim Fox has noted that Troiano was a great guitarist but never really clicked with James Gang.
  • Walsh recommended Bolin.  The group was familiar with him from his work in Zephyr.  Later they would discover “Spectrum” and fall in love with that album as well.
  • Dominic Troiano was a great player but he had a strong R&B style that the others felt didn’t work well with the band.  He could play rock but his heart wasn’t in it.
  • When Joe Walsh recommended Tommy that was pretty much good enough for the band.
  • Their road manager, Roland Paquin, picked up Tommy from the airport.  As a joke he told Tommy that if he wanted the job he had to explain to the band how important R&B was to him and tell them that his favorite artist was Al Green.  Jim Fox said in an interview that their jaws hit the floor when they heard this but they all had a good laugh.
  • Jim Fox said that Joe Walsh and Dominic Troiano could play anything.  The difference was that Tommy could play it and mean it.  The others could play it if it was requested.

Personnel

Album Art & Booklet Review

  • Art Direction, Design and Photography
    • David Larkham
      • Elton John, numerous albums, Van Morrison, etc.
    • Ed Caraeff
      • https://en.wikipedia.org/wiki/Ed_Caraeff
      • Bread, Tim Buckley, The Mothers of Invention’s “Uncle Meat” album, Zappa’s “Hot Rats”
  • Design – David Larkham
  • Photography By – Ed Caraeff
  • The original picture was of Domenic Troiano on the right.  They couldn’t reshoot the album cover because all the props had been disposed of so they simply added Tommy Bolin’s face over Toiano’s.

Technical:

Credits:

Album Tracks:

Side one:

  1. Standing in the Rain
    • Written by Tommy Bolin
    • Tommy Bolin on backing vocals with Roy Kenner
  2. The Devil is Singing Our Song
    • Written by John Tesar, Tommy Bolin
  3. Must Be Love
    • Written by Jeff Cook, Tommy Bolin
  4. Alexis
    • Written by Jeff Cook, Tommy Bolin
    • Tommy Bolin on lead vocals
    • Coverdale said in an interview that he’d wanted to record “Alexis” for “Come Taste The Band”

Side two:

  1. Ride The Wind
    • Written by Roy Kenner, Tommy Bolin
  2. Got No Time For Trouble
    • Written by John Tesar, Tommy Bolin
  3. Rather Be Alone With You (A.K.A. Song For Dale)
    • Written by Roy Kenner
  4. From Another Time
    • Written by John Tesar, Tommy Bolin
  5. Mystery
    • Written by John Tesar, Tommy Bolin
    • Jim Fox on piano
    • Bolin said in an interview that the song was originally over 10 minutes long but they reduced it down to 6 for the LP.

Reception and Review


Review from the Ann Arbor Sun by Stanley T. Zillifro.

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Episode #57 – David Coverdale – North Winds

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Lead up to the Album:

  • David Coverdale’s first solo single ‘Whitesnake’ from 1977
    • David Coverdale’s first solo album following his departure from deep Purple was the aptly named ‘White Snake’. This is the first single “Whitesnake” and it is taken from the program “Juke Box, Un sur Cinq”, seen on the French TV channel A2, in 1977.
  • Released ten months after “White Snake.”
  • There was no tour to support “White Snake” as Coverdale was still under contract to Deep Purple.
  • Albums came out on Purple Records.
  • In Martin Popoff’s Book, Sail Away, Coverdale says, “Yes, another scam.  It’s funny, when I joined Purple, I was going, my God, telling my friends they’ve got their own record company!  But it was just a scam by the management.  They would go get the advance, they would take their hefty percentage . . . “
  • Coverdale goes on to say since the band had their own label it meant the management got more and the band got less than if they’d been on Warner Brothers or EMI.
  • Glover returns to produce.
  • Ronnie and Wendy Dio provide backing vocals. In “Sail Away” Popoff mentions the opening track “Keep on Giving Me Loving.”  On Wikipedia they mention “Give me Kindness.”  In Purple Records 1971-1978 Neil Priddey says they sing backup on “a song.”  In Simon Robinson’s liner notes he confirms “Give me Kindness” with the addition of Jon Lord’s wife Judy.

Personnel

Album Art & Booklet Review

  • Original cover which made its way to the printer was scrapped at the last minute.
  • Replaced with a cover picture of the moorland.
  • It was redone for a second print as the first print was deemed too dark.
  • Coverdale requested that the song “Northwinds” be swapped with “Keep on Giving Me Love” and this was done by the third printing.
  • Design [Cover] – Peter Shepherd (2)
    • Album covers for Isaac Hayes, Cliff Richard, Sheena Easton
  • Photography By [Front Cover Photo] – Peter Lavery
    • Album work for Pat Travers, Christopher Cross, and others
  • Photography By [Inner Sleeve] – Tom Schmid (2)
    • Only credit on Discogs

Album Tracks:

Side one:

  1. Northwinds
  2. Keep On Giving Me Love
  3. Give Me Kindness
  4. Time & Again

Side two:

  1. Queen Of Hearts
  2. Only My Soul
  3. Say You Love Me
  4. Breakdown

Reception and Review

  • “Shame on the Devil” and “Sweet Mistreater” were recorded between White Snake and “North Winds” and were included on the re-release of “North Winds” as bonus tracks.
  • A list had other songs that were not included on the album whose master tapes are likely lost including: Sunrise to Sunset, Til the Sun Don’t Shine, It Would be Nice, and Love’s a Crazy Game.
  • Purple Records was coming to a close by the release of this album and Coverdale’s contract moved to EMI.
  • Album did not chart in the UK.  Four tracks were used on the “Snakebite” double EP and billed as Whitesnake’s debut album.
  • Discogs Review:
    • abracadava
    • March 27, 2010
    • edited over 7 years ago
    • referencing Northwinds, LP, Album, 1C 064-60 414
    • i sold this release for £3 to my mate Martyn who added it to an enormous arsanel of seduction tools, which included a bookcase full of Jane Austin novels & a poster of a puppy.
  • Geoff “Three Stars” Barton review in Sounds in 1978.
  • Robbi Millar in Sounds in 1982: “. . . isn’t anything to get excited about.”

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Bonus Episode #6 – Interview with Ray Fenwick

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In this bonus episode we interview Ray Fenwick. We talk about his beginnings as a session player, his time working with Joe Meek, The Spencer Davis Group, Fancy, his solo album “Keep America Beautiful, Get a Haircut,” Jon Lord’s “Windows” project, The Butterfly Ball, Wizard’s Convention, Eddie Hardin, Ian Gillan Band (“Clear Air Turbulence” in particular), his single “Queen of the Night,” what he’s working on now, and more!

Episode #56 – Ian Gillan Band – Clear Air Turbulence

Video on Cocoscope this week:
https://www.cocoscope.com/watch?v=54270

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Lead up to the Album:

  • When we last left IGB Mike Moran was on keys.  He had since left and been replaced by Colin Towns on keys.
  • Ray Fenwick looks back on IGB in “Smoke on the Water: The Deep Purple Story” by Dave Thompson: “The first album was very, very good, I thought.  The thing with it was, Ian suddenly found himself in a band with a bunch of session guys and, of course, session guys like to play as much as they can when they get a chance.  In that situation, we were given a bit of room and rope, so we let the rope out a bit.”
  • Dave Thompson also says that the punk scene was huge in the UK at this point.  Rainbow took advantage by spending much of their time in the UK and Japan during this time.  IGB spent most of their time in the UK and didn’t get a lot of traction.
  • The band was under fire by the music press as well.
  • Even Deep Purple fans weren’t on board with Ian Gillan Band.
  • Fenwick stated that fans were getting a little unhappy about the funky elements in Ian Gillan Band.  “. . . by the time of the second album [Clear Air Turbulence], that terrible word ‘jazz’ was coming in.  But the worst thing we could have done was be another Deep Purple. We started to really experiment and, by the time we got to the third album [Scarabus], although we started doing shorter songs because we were thinking about radio play, we were also getting into some really strange stuff.”
  • The band settled down at Kingsway, owned by Gillan himself, where they would have as much time as they needed to record.
  • The album was recorded twice.  The first attempt was not satisfatory to Gillan so they cancelled their 1976 tour and re-recorded it.  Scarabus would be released just six months later.
  • They toured in 1977 and released “Live at the Budokan” which features mostly Clear Air Turbulence.
  • Gillan wanted Clear Air Turbulence to set them apart from Deep Purple and even the previous IGB album.
  • Gillan says in his book, “Child in Time,” that he got a new manager named Gerry Black.  He admits to signing a contract blindly.
  • Gillan says that at Island records they had signed people like Steve Winwood.  Gillan said at Island he’d spend many mornings playing pool with Bob Marley.
  • Gillan also said that bands like IGB were considered second division.
  • Gillan also tells a great story in his book about how he was tired of the band constantly taking taxis to go get cigarettes, strings, etc.  He told management to buy a car to save money. He came in and saw the car parked in his spot at the studio. He looked in and there was nothing in it: no seats, no steering wheel, no dashboard, nothing.  “. . . not a bloody thing. I was just a shell.”

Personnel

Credits

Album Art & Booklet Review

  • Painting [Sleeve] – Chris Foss (2)
    • Only 3 other entries on Discogs
    • https://www.chrisfossart.com/
    • Thousands of science fiction books, Asimov, Philip K. Dick, Frank Herbert (Dune), Arthur C. Clarke
    • Created the original line artwork for “The Joy of Sex”
  • Gillan, discusses working with Chris Foss in his book “Child in Time”: and calls it “the bumble-bee spaceship.”

Back of the Album:

Many thanks for the enthusiasm, support and professional services

Gerry Black

Gary Lee

Byron Orme

Ezee-Hire

Maurice Plaquet

Percussion Services

Album Tracks:

Side one:

  1. Clear Air Turbulence
  2. Five Moons
  3. Money Lender
    1. Per “The Complete Deep Purple” by Michael Heatley, Gillan is referencing his former manager, Bill Reid.
    2. Gillan claims to regret this, “In truth, I had not a single reason to think badly of the man.”  He had just gotten a tax bill for £385,000 and was looking for someone to blame.

Side two:

  1. Over the Hill
  2. Goodhand Liza
  3. Angel Manchenio

Reception and Review

  • From Pop: Zweitling vom ex-purple-sanger und seiner band, in der nach wie vor erstklassige typen mittun ( ). musikalisch ist die truppe. bei alter harte bleibt der sound uberall transparten und grazil. trotz-dem fehlt etwas: gute songs, melodien, knuller. das lobenswerte teamwork (all songs enstanden in gemeinsamer arbeit) erbringt nur heisse luft.
  • Second of the ex-purple-singer and his band, in which still first-class types now (Ray Fenwick, John Gustafson). the group is musical. with old hard the sound remains transparent and delicate everywhere. Nevertheless, something is missing: good songs, melodies, pacifiers. The commendable teamwork (all songs were created in collaboration) only provides hot air.
  • New Musical Express references the canceled tour and refers to the band as “Clean Air Turbulence.”

Re-mixes available:

  • The Rockfield Mixes
  • The Rockfield Mixes Plus

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Listener Mail/Comments

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Episode #55 – The Ronnie James Dio Tribute Special (with James Curl and Claude Schnell)

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History: 

Personal intros to Ronnie

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Favorite Dio Tracks From Different Eras:

Interview with Claude Schnell

  • Full interview available as bonus episode here:

Dio in Modern Culture 

Favorite Moments:

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Episode #54 – Dance with the Devil: The Cozy Powell Story (with Laura Shenton)

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In this episode we interview Laura Shenton, author of Dance With The Devil: The Cozy Powell Story, and break down some of Laura’s favorite Cozy Powell moments!

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Interview with Laura Shenton, Author of “Dance with the Devil: The Cozy Powell Story”

Laura’s Top 5 Cozy Powell Songs

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Episode #53 – One Year Anniversary Extravaganza

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Show Updates:

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    • Lionel_Hutz_, 04/10/2020 – FIVE STARS!
      • Unbelievably Researched Deep Dives
      • On some timeless classic albums, and some pretty terrible ones. It’s been great to hear the backstories on some of my alltime favorites, like “Machine Head” and “Burn”. But even better, hearing 7+ hours of indepth analysis of a talking animal concept album is what has kept me sane through quarantine.
    • Dubbleagle , 04/17/2020 – FIVE STARS!
      • 1st listen
      • I saw this show when it first aired , 14 years old I was .
      • Huge impact on my rock n roll sensibilities.
      • Great to hear your thoughts !

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Ian Desrosiers wishes the Deep Purple Podcast a happy anniversary.

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Q&A: If you could do a band podcast about any other band, what would it be?

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Peter Gardow’s Year in Review

From The Providence Journal Bulletin – June 16, 1997 by Cristy DeAuraujo
From The Providence Journal Bulletin – June 16, 1997 by Cristy DeAuraujo

A review of the 1997 Providence Journal slang article by Cristy DeAuraujo

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