Author: Nathan Beaudry

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Lead up to the Album:

• This album came on the heels of the double live album “Live . . . in the Heart of the City.” That along with “Read an’ Willing” had both done very well.
• The follow up, “Come an’ Get It” was recorded at Startling Studios, Tittenhurst Park.
• Tittenhurst was a Georgian style country house on 72 acres of land in Berkshire.
• Tittenhurst was owned by John Lennon before he sold it to Ringo Starr when he moved to the US permanently in 1973.
• This is where Lennon recorded Imagine and where Marsden had just worked on a solo album.
• Allegedly Lennon bought it for 145,000.  He sold it to Ringo.  The ex-president of the UAE bouthg it for 5 million.  Sheikh Khalifa bin Zayed Al Nahyan of the UAE for $105 million
• Murray says they used the studio there but it wasn’t that big so they recorded the drums and keyboards.

Personnel:

• Bass – Neil Murray
• Drums – Ian Paice
• Guitar, Backing Vocals – Bernie Marsden
• Guitar, Backing Vocals – Micky Moody
• Keyboards – Jon Lord
• Vocals, Written-By, Backing Vocals – David Coverdale

Additional Personnel:

• Coordinator – Magnet (9)
  • John Ward – used to work as a roadie for Led Zeppelin and Deep Purple before becoming Whitesnake’s tour manager.

Technical:

• Producer, Engineer, Mixed By – Martin “Sir Larry” Birch

Album Art & Booklet Review

• Illustration – Malcolm Horton
  • https://www.malcolmhorton.co.uk/
  • Also did some solo album art for Bernie Marsden.
• Photography By – Fin Costello

UK and US Album Cover Comparison:

Album Tracks:

Side One:

1. Come an’ Get It (Coverdale)
   • In Popoff’s book Bernie Marsden talks about claims of a Foreigner influence on this song.  He says that he liked “Feels Like The First Time” but doesn’t think any of the other guys were even aware of the band at that point.
2. Hot Stuff (Coverdale, Moody)
3. Don’t Break My Heart Again (Coverdale)
   • Marsden says he did one run through of the solo and that Birch said, “Okay, that’ll do.”  He said he thought he was just doing a run through.  He did it five or six more times but Birch insisted that they got it.  Marsden said he was like an additional member of the band being able to make great production decisions like that.
   • This song was about Coverdale’s daughter Jessica.
4. Lonely Days, Lonely Nights (Coverdale)
5. Wine, Women an’ Song (Coverdale, Moody, Marsden, Murray, Lord, Paice)
   • David, Bernie, and Micky do backing vocals.  Also known as “The Three Piece Suite.”

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Side Two:

1. Child of Babylon (Coverdale, Marsden)
   • Marsden said he worked very closely with Lord on this one.  He said he explain to Jon what he wanted it to sound like and Jon fleshed it out.
   • Marsden talks extremely positively about Jon Lord.  He said he would always suggest alternative ideas that made songs better.  He said that he was very gracious and he said Jon should have gotten writing credits on a lot more songs (including this one) but Jon would shrug it off and say he wouldn’t have had those ideas if the ideas brought to him weren’t so strong.
2. Would I Lie To You (Coverdale, Moody, Marsden)
   • Coverdale says this song title was from a pin a female fan of the band had given to him in Southampton.
   • Bernie says you’d think this was a love song but it was about their manager.  I think he said it as a joke.
   • Popoff asked Murray if there was Coverdale’s one-track-mind as far as writing ever got to the rest of them.  Murray said, “Ues amd you now, here’s tat stubborn mentality that if you criticize him for it he’ll do it more.
3. Girl (Coverdale, Marsden, Murray)
   • Coverdale says Murray wrote this from more of a fusion perspective.
   • Marsden said it was about a girl they saw on the side of the road.
   • Coverdale says: “Most of the songs are about my old lady.”
   • Coverdale also says that most of the songs he’s been accused of being the most sexist in are about his daughter.
4. Hit an’ Run (Coverdale, Moody, Marsden)
5. Till the Day I Die (Coverdale)
   • Marsden says this was the peak of David’s writing.

Reception and Charts:

• Went straight to No. 2 in the UK when it was released.
• Coverdale said in interviews that after five years the band was trying to enter a more American approach to the music in the early 80s.
• Murray says it’s between this album and “Ready an’ Willing” that are his favorites in Whitesnake along with the 1987 but given the choice he’s probably choose “Come an’ Get It.”

Reviews:

• Martin Popoff says of this album: “Sacrilege perhaps in the utterance, but this one is utterly ruined by Martin Birch and Ian Paice, two nearly unassailable rock icons who should know better.”  He says this whole album seems stiff and classical in its approach.
• A sampling of reviews courtesy of Jorg Planer.

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For Further Information:

• https://en.wikipedia.org/wiki/Come_an%27_Get_It
• https://www.discogs.com/release/1429071-Whitesnake-Come-An-Get-It
• https://www.malcolmhorton.co.uk/blog/painting-whitesnakes-come-an-get-it-album-cover-40-years-on/
• Sail Away: Whitesnake’s Fantastic Voyage by Martin Popoff
• Help from the archives of Jörg Planer

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

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Album Tracks:

1. Breakfast in Bed (Blackmore, Turner, Glover)
2. Love Conquers All (Blackmore, Turner, Glover, Lord)
3. Fortuneteller (Blackmore, Turner, Glover, Lord, Paice)
4. Too Much Is Not Enough (Turner, Bob Held, Al Greenwood)
5. Wicked Ways (Blackmore Turner, Glover, Lord, Paice)

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  • Will Porter
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• Tim “Southern Cross” Johnson

Reception and Review

• With Gillan out they changed the set list up quite a bit, even working in songs such as “Burn” that Gillan would have never agreed to sing.
• The live set included six of the nine tracks form Slaves and Masters though “Wicked Ways” was dropped after only a few shows.
• Fan reaction to this lineup and album was largely negative.
• In “The Complete Deep Purple” Michael Heatley calls “Slaves and Masters” “the definitive Rainbow album.”
• It entered the UK charts at number, seven places below, “Nobody’s Perfect,” which was not widely regarded as a success. Then it dropped out of the charts. It was their least successful album since Mark 1.
• In the US it was number 87.
• JLT says of this album in Kerrang that this album wasn’t as forced as the Rainbow albums he’d done.  What he means is that they were more of jams than composed.
• JLT also says, “If I hear ‘Deep Rainbow’ again I think I’m gonna puke. Think of something else. There are four of the five member of Purple, three of five members of Rainbow.”

Reviews:

• The album was met with mixed reviews.
• The press seemed to be largely positive about it but fans were not.
• Simon Robinson in Darker Than Blue #40, November 1990:
  • “. . . I know damn well that if someone had sent it me out of the blue by a new group, it would have got the one play and be in the bin . . . by now.”
  • “With this new one it’s all ended. Nothing here demands of me that I should zoom to the record deck every so often to assault my senses with it. If this is really the way they think music should be going then we’ve reached the parting of the ways. Nobody wants to live in the past, but they’re damn well giving me little choice.”
  • He goes on to say he has nothing against JLT, considers him very competent. Just does not like his vocal style.
  • “It’s hard to listen to the album and ignore the JLT favor, but when you do much of it is pretty ordinary anyway.”
  • “The idea of evolving the album from jamming has given a laid back feel which might have been better tempered by a hard edge at times.”
  • On King of Dreams: “I’d like to hear mixed without vocals. Granted poor old Ian PAice sounds like he’s falling asleep (Maybe the dreams are his?) but it chugs along with some inspired keyboard work.”
  • He calls “Breakfast in Bed,” “Breakfast in Bed (Crumbs In The Duvet).
  • “. . . Ian Gillan has to be agreed with  when he says he found it almost impossible to get inspired by the stuff when he was being sent the first demos. The addition of his talent on some of the tracks might have cracked it, but elsewhere we’re looking at a group who seem to have lost all sense of purpose. Roger Glover has written off House of Blue Light as a totally wooden album in recent press articles and it makes me wonder if I’m going crackers. Sure it had its disappointments but Bad Attitude, Spanish Archer, STrangeways, and Dead or Alive wipe the floor with this one.”
• Neil Jeffries writes in Kerrang:
  • “Deep Purple’s new studio album “Slaves and Masters” is OK . . . and no-one is more surprised than me. It does lat grab-you-by-the-throat impact but it’s not the disaster I had feared and expected.”
  • It may not sound at all like “In Rock”, “Machine Head” or even “Perfect Strangers” but it doesn’t really sound much like Rainbow either. In fact just like “In Rock”, “Burn”, “Come Taste The BAnd” or “Perfect Strangers” it sounds like a band making a fresh start.
• JLT: “In my opinion the best of this album is still lying on the cutting room floor.  We’ve got some racks  you’d fuckin’ die for but we never finished them.”
• One of the things they did on tour was to open up the set list, something Gillan had also wanted to do but Blackmore had fought him on.  Gillan felt like they were just playing Made in Japan every night. The set lists for this tour were much more adventurous.

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For Further Information:

• Help from the archives of patron Jeff Breis
• https://en.wikipedia.org/wiki/Slaves_and_Masters
• https://www.discogs.com/release/15935685-Deep-Purple-Slaves-And-Masters
• Child in Time by Ian Gillan
• Black Knight: Ritchie Blackmore by Jerry Bloom 
• A Hart Life by Colin Hart with Dick Allix
• Darker Than Blue #39, July 1990
• Darker Than Blue #38, November 1989
• More Black Than Purple #32, 2006
• Darker Than Blue #41, May 1991
• Darker Than Blue #42, December 1991
• Deep Purple Slaves And Masters: In-depth by Laura Shenton
• The Complete Deep Purple by Michael Heatley
• Smoke on the Water: The Deep Purple Story by Dave Thompson

Listener Mail/Comments

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• Hans Lilja (Hank The Tank) – 5 Stars!
• Hey! I wanted to leave a 5 star, but I can’t connect to Apple bla bla bla.. So, if this counts I’ll do it here. I really enjoy your show and I really want to hear that flexitone? or whatever the the name is.
• It’s actually the only pod (besides Popoff) I listen to. Old (as fuck) Purple fan so I enjoy you guys talking about what I belive is the best band ever. Therefore, 5 star of course. Keep up the good work. Cheers
• P.S. I started to play the drums because of Ian Paice.

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• I started listening to your show late last summer. Went on Spotify and wondered if there was a DP podcast and boy am I glad you called it ‘The Deep Purple Podcast’! Or else I don’t think I would have found you guys so easily. Never listened to a podcast before so you guys are my first.
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• It was about 99/00 that I heard Jon Lord’s intro to Knocking At Your Back Door from Nobody’s Perfect and from that moment I was hooked. I went through every CD and LP that my parents owned.
• In Rock (this I did not listen to!), Fireball, Machine Head, Burn, Stormbringer, Perfect Strangers, House Of Blue Light, Slaves and Masters, Battle Rages On, Purpendicular and Abandon. A couple of compilations and Nobody’s Perfect.
• By the time I was 15 in 2004 I owned every studio album that they had released on CD. I bought In Rock that summer and I had heard Speed King, Child In Time and Black Night from the 24 Carat Purple compilation record before. 
• But when I played In Rock in it’s entirety for the first time… I mean.. Come on! What. A. Record! The intensity of the band, Gillan’s singing, Jon and Ritchie’s solos! 
• Bad production or not, it’s a epic and a groundbreaking record. 
• Played that record on repeat the whole summer. 
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Lead up to the Album:

• Gillan says that with “House of Blue Light” that as long as Blackmore was happy with the guitar parts then everyone was happen. Ian says that wasn’t good enough for him.
• While RItchie recovered from a broken finger (the result of misjudging his timing when catching his guitar) Ian and Roger went to work on “Accidentally on Purpose.”
• Gillan said that when the tour resumed that the spark had gone.
• They had an odd route through their European tour and when asked about why at a press conference Ian Gillan said, “Because Bruce Payne is an asshole.” Something he regretted and said out of frustration.
• Things were very tense between Gillan and Blackmore.  It all came to a head when Ritchie burst into Ian’s room holding a plate of spaghetti which had been covered in ketchup.  Given the tension between the two Blackmore assumed it was Gillan.  He said, “Did you do this?”  Gilland says before he could answer Blackmore had smashed the plate into Ian’s face “as if it were a custard pie.”
• Gillan claims at that point Blackmore started dancing around holding up his fists and saying, “Come on! Come on!” To which Gillan replied, “I don’t want to hit you, Ritchie.”  He said he turned around and went into the bathroom where he cried with frustration.  He said, “I quit” out loud then changed his mind.
• Ian had already started working on his side project “Garth Rockett and the Moonshiners” and there was the sense he wasn’t giving his all to Deep Purple.
• After this they worked on Nobody’s Perfect.
• After this Deep Purple returned to Stowe for sessions and Ian was invited not to attend.
• Ian said he finally did show up at the sessions but ended up at the bar and was drinking very heavily.
• Gillan burst in on Blackmore and his girlfriend who were having a fight and ended up falling onto a sofa and knocking over a huge glass shelf.  He was wearing nothing.
• Darker Than Blue #38 for November 1989:
  • Article describing “Vocalist Wanted” advertisements in Kerrang! And speculating they may be for Deep Purple.  They’d previously speculated about Brian Howe from Bad Company being a potential vocalist.
  • Blackmore ended up playing on Howe’s solo album which Darker Than Blue said: “. . . to be cringingly called “Howe’d Business” (guaranteed to git it bargain bin status within weeks!)”
  • They also go on to say that Joe Lynn Turner has been on people’s minds as well as Ronnie Dio. Interestingly the Dio rumor came from none other than Don Airey who said he’d heard Dio was auditioning while he was woring with Whitesnake.
  • Coverdale also came to mind quickly to reprise his role replacing Gillan.  Whitrsnake wasn’t exactly stable but their latest album “Slip of the Tongue” was selling quite well.
  • Doug Pinnick of Kings X was also considered.
  • Word from MTV was that JLT had turned the job down.
  • Rumors were that Paul Rodgers auditioned and was “found lacking.”  Hard to believe with Blackmore’s admiration for Rodgers.
  • Jimmy Barnes was rumored to have taken the job as well.
  • The next name was Kal Swan from the band Lion.
  • Jamie Jamison from Survivor was another rumored name.
  • According to Sounds magazine Gillan was fired.  According to NME Gillan quit.
  • Jon said he’d like to work with Colin Hodgkinson again but couldn’t due to the BMG contract running until 1991.  There were so many delays from Deep Purple that Jon Lord ended up touring with him anyway with John Mayall.
  • Simon Robinson says that seeing JLT do Deep Purple material  made himn think they’d need to really rework the set to make it work.  HE said this is ironic considering this seemed to be the main stickign point with Gillan who really wanted to rework things.
• ++++ Black Knight
• Tensions were rising between Deep Purple and Polygram. In interviews Jon Lord said they got the impression that Polygram did not consider Deep Purple to be a current group.
• IT was decided in 1989 they would take a break from touring and focus on a new album.
• Lord stated they had six nearly completed songs and another six that they were working on.
• Blackmore wanted this album to go into a more commercial direction.  Gillan wanted it to be something a little more quirky.
• Gillan wanted to record in a New York studio.  Blackmore hated the idea and Lord said, “The idea of recording in New York fills me with dread.  This upset Gillan and lead to Blackmore calling a recording session without Gillan.
• Raymond D’Addario: “You almost thought tha tIan wanted to be kicked out.  That’s the impression I got.”
• Artie Hoar: “I was there when Gillan got fired. WE were in Vermont and Deep Purple was rehearsing. Rich and all of the other band members (except for Roger) went home without telling Gillan that he was going tobe replaced. I left with Rich so I guess Roger told him he was out.”
• Blackmore had lead the charge in ousting Gillan but the rest of the band backed his decision.
• Lord: “Ritchie is like a terrier or pit-bul, he gets hold of something and won’t let go. HE ahs a vision of what he wants, and he’ll fight and fight until he gets what he wants. He’s rarely wrong, and if he is wrong, he’ll admit it with utmost graciousness. Until he’s proven wrong, he won’t budge. I love him the way he is.”
• Roger said in an interview in Kerrang! “Sacking Ian Gillan was not personality clash, it was not about behaviour, it was a decision taken by all of us in the band, however painful that was.”
  • Glover goes on to say it was a difference in songwriting. Gillan wanted to go in a different direction.  He also says it’s painful to talk about and they are still great friends but that his dismissal was necessary.  He concludes with: “In many ways, I miss him a lot.”
• At a video shoot for MTV Jon Lord said he was glad that Ian had left and said it had gotten “as bad as it was the first time he left.” This caused Bruce Payne to shake his head as this was done on camera.  Several sources cite this including the Kerrang interview with Roger Glover as well as a few of the books.
• In Colin Hart’s book “A Hart Life” he mentions that Bruce Payne sided with whoever had the most power in the band. At this moment it was Ritchie.  That would change in the future.
• BMG was not happy about this change as they’d signed the Mark 2 lineup and now they did not have their signature singer to record their next album.
• The remaining four members did not have any particular singer in mind to replace Gillan.  They auditioned potential singers.
• It was during this period that Ritchie met Candice Isralow at a charity soccer match.
• Jon took the opportunity to team up with Pete York and Tony Ashton and others and they toured Germany under the name Olympic Rock and Blues Circus. By the time the tour ended they still didn’t have a singer.
• Some singers that were auditioned included Jimi Jamieson and Terry Brock.  The former was the singer in Survivor and allegedly was offered the job but refused it at the advice of his management.  Jon Lord said that’s who he really wanted but that Jimi was afraid of his managers.  He said they were “Italo-Americans; that says enough.” Brock was less well known from a band called Strangeways. There were rumors that he and Blackmore had a big altercation with Brock walking out.
• Jimi Jamieson turned down the band, opting to go with a solo career.  He ended up doing the theme song for Baywatch.  In Colin Hart’s book he says, “Good choice, Jimi!”
• It was at this point that Blackmore suggested Joe Lynn Turner. The other band members were initially not interested in this idea but eventually they relented, perhaps due to Ritchie’s pit-bull tendencies.
• When Roger first heard of the idea his first reaction was “No Way! Absolutely Not!”  He went on to say that it wasn’t for any personal reasons but he just felt it was the wrong move.  He said he though the “Deep Rainbow” criticisms would be “flying thick and fast.”
• Jerry Bloom states in Issue #32 of “More Black Than Purple” that these complaints could have been nullified given Lord and Paice joining Whitesnake and the sound staying relatively the same.  I would contest that that may have had something to do with neither of them taking much of a songwriting place with that band.
• In a 1984 interview with Mick Wall Blackmore talks about the differences between Rainbow and Deep Purple.  “. . . I feel that although Rainbow did some good stuff, it didn’t ever have the identity that Purple has.”  He goes on to say that in Rainbow he was able to have everything exactly how he wanted it but it didn’t seem to appeal to the masses.  He admitted that him in 100% control didn’t equal the best results.  He then goes on to compliment Gillan: “Ian Gillan . . . will come up with melodies and lyrics to things I’ve written which I would never have thought of. That’s part of the chemistry and magic of Purple. Nobody has a voice like Ian Gillan’s and you can’t say that about the Journeys, Foreigners, Survivors or Rainbows.”
• Joe says that when he walked in to her audition the band was playing and Ritchie went into “Hey Joe” by Hendrix and Turner got right on the mic.  It’s alleged that Roger Glover has a recording of this in his session tapes.  He goes on in Kerrang to say “I recorded that, I have it on a 12-track, and it was really good. One day I’d like to release that.”
• Glover in Kerrang: “I don’t think the real test is how well Joe performs the old songs, it’s how well he performs the new songs and how much of a career we forge from here . . .”
  • Glover goes on to talk about whole Who Do We Think We Are didn’t produce any songs that translated into live numbers so they just went back to Machine Head which is just Made in Japan.  He really wanted to focus on getting back to some old 
• Joe Lynn Turner goes on in interviews about how Ritchie was the band leader, he sided with Ritchie, and Roger and the others sort of did their own thing.  JLT has some somewhat unfavorable things to say about working with Jon Lord, a rarity in Deep Purple circles.  “I can remember Jon saying ‘Love Conquers All’ was shit and it wasn’t a good song and I said, ‘If you play it right I’m gonna sing the hell out of it and it’s going to be a great power ballad so just shut the fuck up and get started.”  He goes on to say that Ritchie had been wanting to say that to Jon for years
• JLT described Lord as being critical but not very involved in the writing “Jon would never write and he’d be sitting there drinking his glass of wine reading his book listening to classical music.”
• Despite the fight with Gillan about recording studios they ended up at Greg Rike Productions in Orlando, Florida to record “Slaves and Masters.”
• This was their first time in a proper studio to record an album since “Come Taste The Band.”  Wonder if this made Gillan mad?
• In an interview in Metal Hammer from December 1990 Jon Lord says (about why they went with an established singer instead of someone new like they’d done with Coverdale): “We area band of a certain age. And most singers we got audition tapes from were guys of 20-22 years. And two things would happen if we took a guy of that age. One it would look wrong. And two the poor guy would not stand the chance.”  He goes on to say that a young, inexperienced singer wouldn’t be able to “control the band from the front.”
• Jon said in interviews that Ritchie was the leader of the band and it wasn’t Purple without Ritchie.
• They played one show with Joe Lynn Turner but Jon Lord opted not to play as it was a very cramped venue.
• After that Colin Hart arranged a location in Altamonte Springs, Florida, north of  Orlando called Greg Rike Productions. He mentions that the band was tired of the snow.
• Colin Hart said it took six months to record.
• Ian Paice: “The thing that’s different is that Joe has the ability to sing anything well, and because of that it opens up more possibilities than ther ewere before. I mean, I an was a great rock’n’roll singer, David was a great blues singer, but Joe has the ability to do anything and everything, so where there were certain limitations on what we could do before, at the moment anything we can think of he can do.”
• During press conferences JLT wouldn’t miss an oppotunity to speak negatively about Malmsteen and pump up Blackmore.
• JLT: “Before I joined there were certain restrictions and conditions that I flet had to be met. Ome was that I’m not just gonna come into the band singing someone elses’s drivel.”

Personnel:

• Bass – Roger Glover
• Drums – Ian Paice
• Keyboards, Organ – Jon Lord
• Lead Guitar – Ritchie Blackmore
• Lead Vocals – Joe Lynn Turner

Additional Personnel:

• Management – Bruce Payne
• Orchestra – Jesse Levy
  • https://www.discogs.com/artist/292826-Jesse-Levy
  • George Benson, Peggy Lee, Bette Midler, Barbara Cook, Carly Simon, Lou Rawls, Paul Simon, Lena Horne, and Gloria Estefan
  • Played on numerous film soundtracks.

Technical:

• Producer, Mixed By – Roger Glover
• Producer [assistant] – Raymond D’Addario
• Engineer, Mixed By – Nick Blagona
• Mastered By – Greg Calbi

Album Art & Booklet Review

• Artwork [enhancement] – Ralph Wernli
  • Worked on album photography  for numerous others including Art Garfunkel and Kool Moe Dee. While a photographer he is credited with artwork on this album.
• Photography – Didi Zill
• Art Direction – Roger Glover

Thanks to Our Core Level Patrons:

• The $7.77 KeepItWarmRat Tier
  • Michael Vader
• The Episode $6.66 Tier
  • Steve Coldwell
  • Arthur Smith
  • Anton Glaving
  • Mike Kattan
• The $6.65 “Almost Evil” Tier
  • Kenny Wymore
• $5.99 The “Nice Price” Tier
  • Fielding Fowler
  • Robert Smith
  • Peter from Illinois
• $5 “Money Lender” Tier
  • John Convery
  • German Heindl
  • Adrian Hernandez
  • Jesper Almén
  • Oleksiy The Perfect Stranger Slyepukhov
  • James North
  • Mark Hodgetts
  • Kev Roberts – (courtesy of his wonderful children: Matthew, Gareth, and Sarah)
  • Will Porter
  • Zwopper The Electric Alchemist
  • Tim “Southern Cross” Johnson

Album Tracks:

1. King of Dreams (Blackmore, Turner, Glover)
   1. Glover says in Kerrang: “King of Dreams is a perfect case point. That came out of a couple of days of frustration, the atmosphere in the studio was like pea soup, everyone was really down in the mouth. Then Ritchie just started playing a completely different riff. He only played it once cos when we’d done it I said “That’s really good, let’s work on it’ – but Ritchie wouldn’t!  We came back to it a couple of weeks later, did a few overdubs, I got Joe in to work on a set of lyrics I’d got, then by the time the band came in we had a song. It’s not perfect by any means. We tried to improve it, but it wouldn’t be improved. It just lived the way it live . . .”
2. The Cut Runs Deep (Blackmore, Turner, Glover, Lord, Paice)
   1. In Black Knight Joe Lynn Turner says that Jon Lord started playing the keyboard intro at his audition in Vermont and Turner started singing the vocal line “What about the heartache? What about the emptiness inside?”
3. Fire in the Basement (Blackmore, Turner, Glover, Lord, Paice)
4. Truth Hurts (Blackmore, Turner, Glover)

Thanks To Our Foundation Level Patrons:

• The $3.33 Half Way to Evil Tier
  • Raff Kaff
• $3 “Nobody’s Perfect” Tier
  • Peter Gardow
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  • Spike, The Rock Cat
  • JJ Stannard
  • Hank the Tank
  • Private Eyes
  • Ashen Lionel

For Further Information:

• Help from the archives of patron Jeff Breis
• https://en.wikipedia.org/wiki/Slaves_and_Masters
• https://www.discogs.com/release/15935685-Deep-Purple-Slaves-And-Masters
• Child in Time by Ian Gillan
• Black Knight: Ritchie Blackmore by Jerry Bloom 
• A Hart Life by Colin Hart with Dick Allix
• Darker Than Blue #39, July 1990
• Darker Than Blue #38, November 1989
• More Black Than Purple #32, 2006
• Darker Than Blue #41, May 1991
• Darker Than Blue #42, December 1991
• Deep Purple Slaves And Masters: In-depth by Laura Shenton
• The Complete Deep Purple by Michael Heatley
• Smoke on the Water: The Deep Purple Story by Dave Thompson

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Subscribe at Apple Podcasts, Stitcher, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, or search in your favorite podcatcher! 

How To Support Our Show:

• Leave us a 5-Star Review on Apple Podcasts
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Welcoming Our Newest Patron(s):

• At the $3 “Nobody’s Perfect” Tier
  • Øyvind Fjeldbu (EYE-VIND FJELBOO)
  • “Thank you for doing this great show. Some time last year I searched the Internet for possible podcasts on Deep Purple, and your podcast naturally came up. I started listening and realized quickly that this was the perfect podcast for me as I’m a huge fan of DP and related bands and output. I thoroughly enjoy it, usually while walking our dog, and I learn and laugh a lot! Looking forward to the forthcoming episodes and especially when you reach the Morse era. Keep up the good work!”

Thanks to Our Executive Level Patrons:

• The £10 Tier
  • Dr. Jill Breis
• The Turn it up to $11 Tier
  • Clay Wombacher
  • Frank Theilgaard-Mortensen
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  • Mikkel Steen
• $10 “Some One Came” Tier
  • Ryan M
  • Jeff Breis
  • Gerald Kelly – Paypal
  • Victor Campos
  • “Better Call” Saul Evans
  • Richard Fusey

Show Update:

• Nate & John (and assorted patrons and listeners) will be in Florida in February, 2022 for the first two Deep Purple shows in nearly two years!
• February 10, 2022 – Hollywood, Florida – Hard Rock Live Arena.
  • Tickets: https://www.ticketmaster.com/event/0D005B4FDCAFD529
  • Meet up: TBD
• February 12, 2022 – St. Petersburg, Florida – Mahaffey Theater
  • Tickets: https://www.ticketmaster.com/event/0D005B52C1FCD2C9
  • Meet up: TBD

Deep Dive Podcast Network:

• Deep Dive Podcast Network
  • http://deepdivepodcastnetwork.com/
  • Twitter: https://twitter.com/deepdivepodnet

See our original episode here:

• Episode #45 – Weird Versions of “Smoke on the Water” (Part 1)

The Weird Versions:

• Smoke on the Water [Bardcore]
• Deep Purple, Smoke on the water – Maël Isaac
• Deep Purple-Smoke On The Water Gayageum ver. by Luna (posted by Raj Kohli on Twitter: https://twitter.com/HantsRajKohli)
• Smoke On The Water in NEGATIVE HARMONY! (riff and solo)
• Deep Purple – Smoke On The Water [2021 Summer Remix]
• SMOKE ON THE WATER

Thanks to Our Core Level Patrons:

• The $7.77 KeepItWarmRat Tier
  • Michael Vader
• The Episode $6.66 Tier
  • Steve Coldwell
  • Arthur Smith
  • Anton Glaving
• The $6.65 “Almost Evil” Tier
  • Kenny Wymore
• $5.99 The “Nice Price” Tier
  • Fielding Fowler
  • Robert Smith
  • Peter from Illinois
• $5 “Money Lender” Tier
  • John Convery
  • German Heindl
  • Adrian Hernandez
  • Jesper Almén
  • Oleksiy The Perfect Stranger Slyepukhov
  • James North
  • Mark Hodgetts
  • Kev Roberts – (courtesy of his wonderful children: Matthew, Gareth, and Sarah)
  • Will Porter
  • Zwopper The Electric Alchemist
  • Tim “Southern Cross” Johnson

More Weird Versions:

• SMOKE ON THE WATER (Deep Purple) Harp Twins – Camille and Kennerly HARP ROCK/METAL
• How To TRIGGER A Show-Off Musician Pt. 2
• Song No.322 “Smoke On The Water”｜Deep Purple｜Contemplative Piano Edit by Marcel Lichter Island Piano (from Jorg)
• KID ABELHA NO PROGRAMA LIVRE “SMOKE ON THE WATER”
• If Deep Purple was Delta Blues… Smoke on the Water (Slide Guitar Cover)
• Joint at Venture – Smoke on the water (Deep Purple Cover) – ein echter Rock – Klassiker

Thanks To Our Foundation Level Patrons:

• The $3.33 Half Way to Evil Tier
  • Raff Kaff
• $3 “Nobody’s Perfect” Tier
  • Peter Gardow
  • Ian Desrosiers
  • Mark Roback
  • Duncan Leask
  • Stuart McCord
  • Flight of the Rat Bat Blue Light
• Øyvind Gjems Fjeldbu – NEW PATRON ALERT!
• $1 Made Up Name Tier
  • The “Weird Version of a Gravesite” Leaky Mausoleum
  • Stephen Sommerville The Concerto 1999 Fanatic
  • Spike, The Rock Cat
  • JJ Stannard
  • Hank the Tank
  • Private Eyes
  • Ashen Lionel

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Subscribe at Apple Podcasts, Stitcher, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, or search in your favorite podcatcher! 

How To Support Our Show:

• Leave us a 5-Star Review on Apple Podcasts
• Buy Merch at Our Etsy Store!
• Become a Patron on Patreon
• Donate on Paypal (Donate one time or click “make this a monthly donation” box)

Apple Podcasts Reviews:

• I love mags (from the UK)
• 5 Stars!
• Great fun podcast on Deep Purple
• I found out about this excellent podcast by accident and I absolutely love it. It’s a great fun listen. I’ve only played a few episodes so have loads to catch up! The House of Blue Light review was interesting. I saw Purple on this tour at Wembley London UK. On that eve Blackmore refused to do an encore! So Lord and Glover played lead. It was definitely an interesting version of Smoke on the water! Having seen Gillan in mind blowing vocal form (the band) live in 81, it was noticeable Ian had lost some of his range/power by 87/88. Overall he was/is still great. Keep up the great work, thank you! Ps The latest “Accidentally on Purpose” episode was excellent, I had forgotten how good this album was. Like you l appreciate it more now. I bought it when it came out and wasn’t sure I liked it back then 🙂

Big thanks to Brendan Ashbrook who designed our logo!

Thanks to Our Executive Level Patrons:

• The £10 Tier
  • Dr. Jill Breis
• The Turn it up to $11 Tier
  • Clay Wombacher
  • Frank Theilgaard-Mortensen
  • Alan “Ain’t Too Proud To” Begg
  • Mikkel Steen
• $10 “Some One Came” Tier
  • Ryan M
  • Jeff Breis
  • Gerald Kelly – Paypal
  • Victor Campos
  • “Better Call” Saul Evans
  • Richard Fusey

Show Update:

• Nate & John (and assorted patrons and listeners) will be in Florida in February, 2022 for the first two Deep Purple shows in nearly two years!
• February 10, 2022 – Hollywood, Florida – Hard Rock Live Arena.
  • Tickets: https://www.ticketmaster.com/event/0D005B4FDCAFD529
  • Meet up: TBD
• February 12, 2022 – St. Petersburg, Florida – Mahaffey Theater
  • Tickets: https://www.ticketmaster.com/event/0D005B52C1FCD2C9
  • Meet up: TBD

Deep Dive Podcast Network:

• Deep Dive Podcast Network
  • http://deepdivepodcastnetwork.com/
  • Twitter: https://twitter.com/deepdivepodnet
• Sabbath Bloody Podcast
  • “A Sabbagraphy for the masses!”
  • Podcast about all things Black Sabbath
  • Twitter: https://twitter.com/sabbathbloodypc
  • Hosted by Ry
• Skynyrd Reconsydyrd
  • “The podcast where I review every Lynyrd Skynyrd song for some reason.”
  • https://skynyrdreconsydyrd.wordpress.com/
  • Twitter: https://twitter.com/skynyrdpodcast
  • Hosted by The Simple Man
• The Deep Purple Podcast
  • “A fan podcast dedicated to the history, music, and people behind the band Deep Purple . . . and beyond!”
  • http://www.deeppurplepodcast.com
  • Twitter: https://twitter.com/deeppurplepod
  • Hosted by Nate and John
• T-Bone’s Prime Cuts On The Other Side
  • Terry T-Bone Mathley interviews some of the rock legends he worked with during his 32 year run in the music industry.
  • https://www.tbpcpodcast.com/
  • Twitter: https://twitter.com/TBonesPrimeCuts
  • Hosted by Terry T-Bone Mathley
• In The Lap Of The Pods
  • “Podcast casting a critical and honest ear over the work of the band Queen. “
  • http://lappods.co.uk/
  • Twitter: https://twitter.com/lappods
  • Hosted by Paul, David, and Joe
• The Magician’s Podcast
  • A band-endorsed podcast where Scott reviews every song on every album by Uriah Heep.
  • http://www.scotthaskin.com/uriah_heep_podcast/
  • Twitter: https://twitter.com/HeepPodcast
  • Hosted by Scott Haskin
• Hawk Binge
  • “A journey through the Hawkwind discography with someone who has never heard any of the albums before.”
  • https://hawkbinge.buzzsprout.com/
  • Twitter: https://twitter.com/hawkbinge
  • Hosted by Andy and Matt
• Maiden A-Z
  • “An alphabetical journey through the discography of the mighty Iron Maiden, one song at a time!”
  • https://www.planetn.se/maiden-az
  • Twitter: https://twitter.com/maidenazpod
  • Hosted by Eric and Jonatan
• Diary of the Madmen
  • “Jump aboard the Crazy Train with two lifelong Ozzy fans who will bring you two unique perspectives on his legendary career.”
  • https://dragometalhead.podbean.com/
  • Twitter: https://mobile.twitter.com/diaryozzy
  • Hosted by Daniel and Josh
• Universally Speaking: The Red Hot Chili Peppers Podcast
  • “We are Ben and Sam Townsend, Two (young) Brothers (on a hovercraft) who love to get together, have a beer and talk about all things Red Hot Chili Peppers.”
  • https://www.bentownsendmusic.net/rhcp-podcast
  • Twitter: https://twitter.com/universallyrhcp
  • Hosted by  Ben and Sam
• Metal Gods Podcast
  • The podcast dedicated to discussing all things Judas Priest. Your hosts George and Tom are two crazy fans who love drinking beer and talking about metal. Join us every Friday as we dive deep into the songs, the albums, the live performances, the history, and the memories. Stay locked in, and keep defending the faith!
  • https://www.buzzsprout.com/1848981
  • Twitter: https://twitter.com/metalgodspod
  • Hosted by George and Tom
• The Podcast Will Rock
  • A podcast dedicated to breaking down the entire catalog of the mighty Van Halen, one track at a time.
  • https://anchor.fm/and-the-podcast-will-rock
  • Twitter: https://mobile.twitter.com/PodcastWillRock
  • Hosted by Casey and Mark

Lead up to the Album:

• The first album had been recorded in the US but for the second album Roger Glover brought them over to England to record.
• Recorded at The Manor which had opened in 1971 by Richard Branson.
• Discogs lists over 1900 recordings taking place at The Manor.  This would have been one of the earlier recordings.
• David Feinstein left the band after the first album and was replaced by Steve Edwards on this album.

Personnel:

• Bass – Craig Gruber
• Keyboards, Vocals – Micky Lee Soule
• Vocals – Ronnie Dio
• Drums, Percussion – Gary Driscoll
• Guitar – Steve Edwards (3)
  • Newly added to the band.  His only credits appear to be with Elf.

Additional Personnel:

• Clarinet – Ray Swinfield
  • Credited on many albums by people such as Lionel Bart and Irving Berlin.
• Performer [M.d.] – Martyn Ford
  • Friend of the show interviewed on our first bonus episode: Bonus Episode #1 – Interview with Martyn Ford
• Strings – Mountain Fjord
• Trombone – Chris Pyne
  • One of the best English trombonists. Frank Sinatra insisted that Chris Pyne played on all of his European tour dates.
• Trumpet – Henry Lowther
  • http://www.henrylowther.com/
  • https://en.wikipedia.org/wiki/Henry_Lowther_(musician)
  • Worked with the Keef Hartley band and even played with him at Woodstock.
• Vocals [Singer] – Barry St. John
• Vocals [Singer] – Helen Chappell
• Vocals [Singer] – Liza Strike
• Choir – Manor Chorus
  • Also credited on Mike Oldfield’s “Tubular Bells.”
  • Potentially St. John, Chappell, and Strike?
  • Tubular Bells lists it as “Choir” and the Wikipedia entry says it’s “unknown” who was in the choir.
  • Kevin Ayers’ 1973 album “Bananamour” also lists the “choir” as these three singers.

Technical:

• Arranged By [String Arrangements], Producer – Roger Glover
• Engineer – Simon Heyworth
  • https://www.superaudiomastering.com/
  • UK engineer and producer, famous for being instrumental in launching Virgin with Richard Branson. He started his own company Super Audio Mastering in July 2002. 
• Engineer [Mixing] – Lou (Conway) Austin
  • https://www.louisaustin.com/about-2/
  • Worked at De Lane Lea studios
  • Worked with Fleetwood Mac, Queen, The Butterfly Ball, Deep Purple (Fireball), Hardin & York, Thin Lizzy
• Mastered By – Pecko, Melo
• Mixed at Kingsway Recorders.

Album Art & Booklet Review

• Photography By – Fin Costello
  • Legendary rock photographer.
• Art Studio – Nesbit Phipps and Froome LTD
  • Worked on Deep Purple In Rock and Burn. 

• Original US and Japanese release as “L.A. 59”
  • Art Direction – Sheri Leverich
    • Worked on albums for The Osmonds
  • Elf Illustration – Nigel Brook
    • Couldn’t find any additional information

Thanks to Our Core Level Patrons:

• The $7.77 KeepItWarmRat Tier
  • Michael Vader
• The Episode $6.66 Tier
  • Steve Coldwell
  • Arthur Smith
  • Anton Glaving
• The $6.65 “Almost Evil” Tier
  • Kenny Wymore
• $5.99 The “Nice Price” Tier
  • Fielding Fowler
  • Robert Smith
  • Peter from Illinois
• $5 “Money Lender” Tier
  • John Convery
  • German Heindl
  • Adrian Hernandez
  • Jesper Almén
  • Oleksiy The Perfect Stranger Slyepukhov
  • James North
  • Mark Hodgetts
  • Kev Roberts – (courtesy of his wonderful children: Matthew, Gareth, and Sarah)
  • Will Porter
  • Zwopper The Electric Alchemist
• Tim “Southern Cross” Johnson

Album Tracks:

Side One:

1. Carolina County Ball
2. L.A. 59
3. Ain’t It All Amusing
4. Happy

Side Two:

1. Annie New Orleans
2. Rocking Chair Rock ‘N’ Roll Blues
3. Rainbow
4. Do The Same Thing
5. Blanche

Thanks To Our Foundation Level Patrons:

• The $3.33 Half Way to Evil Tier
  • Raff Kaff
• $3 “Nobody’s Perfect” Tier
  • Peter Gardow
  • Ian Desrosiers
  • Mark Roback
  • Duncan Leask
  • Stuart McCord
  • Flight of the Rat Bat Blue Light
• $1 Made Up Name Tier
  • The “North and South of Drippy Graves” Leaky Mausoleum
  • Stephen Sommerville The Concerto 1999 Fanatic
  • Spike, The Rock Cat
  • JJ Stannard
  • Hank the Tank
  • Private Eyes
  • Ashen Lionel

Reception and Review

• On some European releases the first song is listed as “Carolina Country Ball.”

For Further Information:

• https://en.wikipedia.org/wiki/Carolina_County_Ball
• https://www.discogs.com/release/4841186-Elf-Carolina-County-Ball
• https://www.loudersound.com/reviews/elf-carolina-county-ball-album-of-the-week-club-review

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.