Episode #276 – Deep Purple – = 1 (Part 2)

Link to video episode on YouTube: https://www.youtube.com/watch?v=ZUgCzjKZx8Q

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Album Tracks:

  1. I’m Saying Nothin’
  2. Lazy Sod
    • “Recently, a young journalist asked me how many songs I had written in my life. I replied that the last time my assistant counted, twenty years ago, it was over 500. I felt quite accomplished until she pointed out Dolly Parton’s 5,000 songs, calling me a lazy sod. I couldn’t help but agree and wrote down the exchange in my notebook.” Ian Gillan in a recent interview (ROCKS magazine, June 2024)
  3. Now You’re Talkin’
  4. No Money To Burn
  5. I’ll Catch You
  6. Bleeding Obvious

Real Time Unboxing!

The Deluxe box set came during the recording and Nate unboxes during the show!

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Postcards From The Edge . . . OF CONNECTICUT!

  • From Ireland, Massachusetts, and beyond!

Bustin’ Out The Spreadsheet

Reception and Charts:

  • In Classic Rock UK Ian Gillan says: “I didn’t want to conceptualise the album, but I wanted some common thread. There’s no literal connection, it’s just a mood thing. They feel like they’re all coming from the same room.”

Reviews

  • Classic Rock interview from June.
  • Power Play Rock & Metal Magazine
  • Rasmus Heide in The Highway Star
  • ROCKS Magazin #101 (Translation by Raff Kaff)
    • Deep Purple =1
    • A classic
    • When Deep Purple announced the definite departure of Steve Morse, who worked for Deep Purple for nearly 3 decades- longer than any other guitarist- and who built an era with the band that had late career highlights with the release of the album trilogy Now What, Infinite and Whoosh, you could have bet that that was it for the hard rock troopers that entered the ring in 1968.
    • However, Deep Purple have always been a band that lived and played by their own rules.
    • The sympathy, that one would like to extend to him ( Morse) after the first incredulous listen is insofar no surprise. He, who kept Purple alive for so long and accomplished great things, but who, for many, played too delicately, with too little power and, after all, not dominantly enough.
    • What had happened? The gentlemen that had turned gray in dignity stand at the very front of the stage together with their new guitarist Simon Mc Bride and stick their bare behinds with delight and in unison into the faces of the notorious nay-sayers, for whom DP ceased to exist after the final exit of Ritchie Blackmore in 1993.
    • =1 is an inspired, hard and playfully fresh album whose obvious guitar sound surprises the listener and which excites with attainable songs. [An album] that pushes all of its classical characteristics through the filter of time (?). All that with a belligerent and physical presence, that even the comeback album from years ago “Perfect Strangers” lacked in some places.
    • It only takes the first one and a half songs to be sucked deeply into =1. The record begins with a percussive guitar-figure that goes on to become the first significant guitar riff of the Mark 9 incarnation throigh a very poignant tonal sequence.
    • As soon as Don Airey’s meaty organ passages set in, that McBride answers forcefully with mighty rhythm salvos, the sound and effect of “Show Me” result in some parallels to “Highway Star”- performed with the maturity of a band that has nearly 60 eventful business years to show for themselves. Anyhow, the organ and guitar point, time and again, to the legendary double Lord-Blackmore.
    • Following up, “A bit on the Side” with its trudging Bass goes much furtherand lets their ( the band’s) unbrifled greed for jams shine through, from which DP shape their songs these days. A short Synth-solo in the middle, an Organ-Drum break ( Ian Paice is THE swing machine anyway and simply the bomb!), then it continues with the remainder of the verse. And then, when everything could be well and over with, McBride comes along with a teeth-baring solo, as if there was no tomorrow- a dream of a Jam-inferno, much too short for a record, that Airey rekindles time and again with his organ passages. You just have to sit down for a bit afterwards!( like you have to catch your breath)
    • Also “Sharp Shooter” lives on a surprisingly hard guitar riff that is kept on a 70s level by Airey’s smacking organ. Shortly before and during McBride’s lead entry there are indeed a few “Space Truckin'” moments: Whoever struggled with the more mellow guitar work on the Morse-era albums will be absolutely delighted. Especially by the brooding “No Money to Burn”. “A Portable Door”, with its majestic shuffle groove, is the catchiest and by far the most classic (i.e. most MK2 -like) Purple piece in a thousand years, in which organ and guitar align first, then hiss and spit (like a cat)  at each other.
    • “Old Fangled Thing” is a playful piece, during which it seems that Alice Cooper might have shown up in the studio. There is a second Cooper moment on “Lazy Sod” that, aside from that, could have easily been created with Riff Master Ritchie Blackmore himself.
    • “If I were you”, as a focused power ballad, could pass for a sequel to “When A Blind Man Cries and possesses a touching, sentimental quality only in part due to the age in Gillan’s vocal delivery and the added strings. McBride’s power-blues solo reminds, in its singing tone and expression, of Gary Moore as well as Warren Haynes. Deep Purple saved two of their most genius numbers for last: The highly dramatic
    • “I’ll catch you” begins almost like a depressing Broadway-bar number, Ian Gillan’s story-telling in the surrounding of his band gives goose bumps that McBride intensifies with his lead interjections. And when 
    • “Bleeding Obvious concludes the album, raising a crazy Prog suite that gives a Purple nod to Kansas, Dream Theater and even briefly Iron Maiden, the craziness is complete. As fantastic as the precursors with Steve Morse may have been: maybe they were “merely” the groundwork to this unbridled album with brutally strong and memorable songs, with which the British gentlemen give Simon McBride an unshakeable place in the band’s history and take him along to the Pantheon of rock history.
    • “Machine Head” and “In rock” do not shrink by a millimeter if one states the truth: =1 is a classic!
    • 10/10

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Episode #274 – Gillan – Live Edinburgh 1980

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Technical:

  • Directd by Haldane Duncan
    • https://en.wikipedia.org/wiki/Haldane_Duncan
  • Executive Producer
    • Peter Purnell
    • Worked for Angel Air.

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The Venue:

Setlist:

  1. Unchain Your Brain
  2. Trouble
  3. If You Believe Me
  4. Mutually Assured Destruction (M.A.D.)
  5. No Easy Way

BONUS ARCHIVE FOOTAGE

6. Vengeance

7. Smoke On The Water

8. Sleeping On The Job

BONUS FEATURES

1. “Cannonball”-G.M.T.-Bernie Torme, John McCoy

2. In depth interviews with JOHN McCOY,

BERNIE TORME, COLIN TOWNS and MICK UNDERWOOD

3. History of GILLAN by Joe Geesin

4. Photo Gallery

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Episode #273 – Deep Purple – Days May Come And Days May Go

Link to video episode on YouTube: https://www.youtube.com/watch?v=9PPucj7XNh0

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Lead up to the Album:

  • In April 7, 1975 Ritchie played his last show with Deep Purple at a show in Paris.
  • In May 1975 the future of the band was uncertain. Lord and Paice weren’t entirely keen on the idea of carrying on in the band without Ritchie.
  • Hughes and Coverdale, on the other hand, wanted to keep things going.
  • They were all living in LA at the time so they rented a rehearsal space at the Columbia Sound Stage in Hollywood.  The sound stage had been used for Columbia studio and was the location for a lot of horror movie shoots prior to World War II.
  • Robert Simon, who had been doing front of the house sound for rock bands, served as the sound engineer. Simon had been using this space as a rehearsal area for bands, letting them come to him rather than traveling and constantly being on tour.
  • This new facility was called Pirate Sound Studios. Simon moved out a bunch of old props and soundproofed the area.
  • While Deep Purple was one of the first to use the space it would go on to be used by Frank Zappa, Black Sabbath, and Fleetwood Mac as well as many others.
  • Simon had worked with a company called Tychobrae which worked as a company doing sound for live shows, including California Jam.
  • Simon had worked with Deep Purple in 1972 and 1973 and was called in by Colin Hart when the band was having sound issues in 1974.
  • Deep Purple still needed a guitarist and had abandoned the idea of convincing Jeff Beck to join so they approached Clem Clempson and invited him to the studio.  After a few days they agreed there was no chemistry and that’s when Tommy Bolin was brought up. Robert Simon had worked with The James Gang and said he was a very promising player.
  • Colin Hart proposed this guitarist to Coverdale who had already heard him on Billy Cobham’s “Spectrum” album and had him on his list.
  • Once everything worked out and Tommy joined Simon taped the rehearsals so the band could hear the progress they were making on the songs.
  • The tapes were, as many were in those days, reused.  However, some got put to the sided and wound up being put into storage in a rental garage in LA.
  • Simon: “I must have dropped them down onto cassette and then forgotten all about them. On one I even taped a Wet Willie show over one side, can you believe it?” Overall two hours of the rehearsal were left.
  • The tapes were not always rolling but Simon would occasionally start up the tape when something was coming together.

Core Band:

Technical:

Album Art & Booklet Review

From Liner Notes:

Recorded during studio rehearsals in the summer of 1975 with their new guitarist Tommy Bolin, this previously unissued set includes early versions of “Come Taste..” album tracks, and several lengthy instrumental jams.

Track 10 is not mentioned in the booklet, or in the Tracklist on the backcover. It is an impromptu version of “I Got You Babe” by Sonny Bono.

Recorded at Pirate Sound Studio, California, USA, June 1975.

Sound Restoration done at SRT Studios.

All Tracks published by Purple Music Ltd.,

except Track 5 published by Peer Music UK Ltd.

Credits:

Our thanks to Robert Simon (aka Captin California), his wife Rita (and Buzz the parrot) for their hospitality during a couple of memorable days in snowy Lake Tahoe and to Mark Maddock for his company. Also to Tony Edwards at Deep Purple (Overseas) Limited; Nick Robinson for the cyber connections, Mike Richards and Martin Ashberry for their input; Nick Watson for his incredible work on the sound restoration; Steve Church for his enthusiasm; Mike Drumm at the Tommy Bolin Archives for helping it happen; Ann Warburton for (still) letting me do all this – and to everyone out there who has waited patiently for this release.

Thanks also to the Official Deep Purple Appreciation Society.

Gallery:

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Album Tracks:

Notes taken from Simon Robinson’s liner notes for the CD release.

  1. Owed to G (Bolin)
    • Tommy wrote most of the instrumental part to this song at Pirate Studios.  He later said: “Jon and Glenn were going to call their half ‘Gersh’ and I was going to call my half ‘Win’ but we though that’d be a little too sick!”
  2. If You Love Me Woman (Bolin, Coverdale)
  3. The Orange Juice Song (Coverdale, Lord)
    • Jon’s part is based on Rodrigo’s Concerto de Aranjuez (our title is how many orchestral players refer to it!) with David doing some fine seemingly improvised singing. Simon notes that it seems to be reminiscent of “Need Your Love So Bad” that would later serve as a Whitesnake B-side.
  4. I Got Nothing For You (Bolin, Coverdale, Hughes, Lord)
  5. Statesboro Blues (Blind Willie McTell)
    • This is a well known blues standard that Tommy likely played as a young blues player.  Simon notes that it’s not very often we get to hear Deep Purple playing material like this.
  6. Dance to the Rock & Roll (Bolin, Coverdale, Hughes, Lord, Paice)
    • During the 1974 tour “Space Truckin” was reworked to give Glenn a chance to take lead and where Coverdale would join in.  This section evolved out of those jams.
  7. Drifter (Rehearsal Sequence) (Bolin, Coverdale)
    • There were a couple of goes in about 15 minutes of tape on this song with Glenn and David working out harmonies.  The opening banter features “Nicky” who is roadie Nick Bell. The other voice is Tommy Bolin.
  8. Driver (Version 1) (Bolin, Coverdale)
  9. The Last of the Long Jams (Bolin, Coverdale, Hughes, Lord, Paice)
  10. Untitled Song (impromptu version of I Got You Babe) (Sonny Bono)

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  • Øyvind Fjeldbu –
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  • Ruinous Inadequacies
  • Corey Morrissette
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    • Purple Swede
    • David Hattam
    • Jellybean

Bustin’ Out The Spreadsheet

Reception and Charts:

  • It was from these June rehearsals that Tommy went off to start work on his solo album.
  • The band then reconvened in Munich in August to record “Come Tast The Band.”
  • Tommy is said to have wanted to use the guys in Deep Purple for his solo album but was unable to as they were unable to record in the US for copyright reasons.
  • The studio at Pirate Sounds was divided so two bands could use it at the same time.  While Deep Purple were using it he was contacted by Ritchie Blackmore who wanted to use it to audition players for Rainbow. He told him who was using the other part of the studio by Blackmore didn’t care.  He thought Blackmore may balk at the price but he didn’t and so it was that both bands ended up showing up. Deep Purple were not very happy about this arrangement.
  • Robert Simon had hoped Ritchie would take him on tour with Rainbow to do sound but it didn’t happen. Later Deep Purple would get a sort of revenge on Simon by stating on the liner notes for “Come Taste The Band” that it was “written and conceived at Musicland.”

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Episode #272 – David Coverdale – Into The Light (Part 2)

Link to video episode on YouTube: https://www.youtube.com/watch?v=1H7TbEPa9Fc

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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How To Support Our Show:

The Deep Purple Podcast is 100% listener supported and ad-free! If you receive value from our show please consider supporting us!

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New Patron/Patron Upgrades:

  • Sarah Sanders joins us at the $5 “Money Lender” Tier
    • I started listening to Deep Purple a couple of months after discovering Rainbow from a recommendation while listening to a certain Kelly Clarkson song.
    • I started slow and didn’t really catch onto anything until watching the video of their live performance of No No No from a German broadcast the Beat Club. After watching that video I think everything fell into place and I’ve been listening ever since.
    • I discovered the show pretty early on to listening to Purple which has been a few years from now. I saw a lot of DPP posts on various social media platforms and I thought it was cool how extensive the show went into various branches of the DP family tree. Started listening only recently, but I regret not tuning in sooner, great podcast, can’t wait for future episodes!
  • Joe “Dopefish” Siegler joins at the $3 “Nobody’s Perfect” Tier
    • Greetings and Felicitations. I should be somewhat known – if you do, it’s probably cuz I run the Black Sabbath site over at www.black-sabbath.com. #KeepItWarmRat Finally caved in and signed up as a Patreon member. I wanted in on those ranking episodes.

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Album Tracks:

  1. Cry For Love (Coverdale, Slick)
  2. Living on Love (Bossi, Coverdale, Slick)
  3. Midnight Blue (Bossi, Coverdale)
  4. Too Many Tears (Coverdale, Vanenberg)
    • Guitar [Synth] – Doug Bossi
    • Written-By – Vandenberg*
    • guitar:
    • Doug Bossi and Earl Slick
    • keyboard:
    • John X. Volaitis
    • After hearing the original version on “Restless Heart” the singer Chris Isaak suggested doing this in the style of Roy Orbison. Coverdale said he was a huge fan of Roy Orbison and decided to re-record it in this style with a new arrangement.  Vandenberg was not a fan of this idea saying that there was already a great version of the song.  Coverdale replied: “It’s totally great, but I just wanted to see what it’s like with some different colors.”
  5. Don’t Lie to Me (Coverdale, Slick)
  6. Wherever You May Go

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    • I see DC
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    • David Hattam
    • Jellybean

Bustin’ Out The Spreadsheet

Reception and Charts:

  • released by EMI on 25 September 2000 in the UK and by Dragonshed on 21 November in the US.
  • Peaked at #5 in the UK rock and metal charts.
  • In an interview with Classic Rock magazine in 2000, Coverdale stated: “The whole premise of my new record, Into The Light, is about coming out of what I felt was a dark period. […] I didn’t really know who I was, using the illusion of David Coverdale I’ve created, or that other people have. I got tired of trying to live up to that, which is not necessarily who I am.”[3] Despite Restless Heart being released under the Whitesnake name, Coverdale considers it and Into the Light “brother and sister albums”.[4]
  • There were several songs written for these sessions that were later released on the 2020 compilation “Love Songs.” These included the tracks, Yours for the Asking, With All of My Heart, and Let’s Talk It Over.  The first track was written about his wife, while the last was written after a four-day “misunderstanding” between the two.  Coverdale hoped to record Let’s Talk It Over with Tina Turner.
  • The song Flesh & Blood was also written for this album but did not see release until the album by the same name was released in 2019.
  • A supporting tour for the album never happened.  Coveredale said the cost of touring as an individual solo artist was too high.
  • Coverdale started working on a follow up solo album but stopped in 2002 and re-formed Whitesnake.

Reviews

  • https://www.allmusic.com/album/into-the-light-mw0000106539
    • 3/5
    • Into the Light Review by Alex Henderson
    • In 2000, David Coverdale was officially a full-time solo artist, but it wasn’t like the former Whitesnake and Deep Purple vocalist had never recorded an album by himself — his first solo project, Northwinds, came out in the late ’70s. Although not groundbreaking, 2000’s Into the Light is a decent solo effort that should please those who admire his ’70s and ’80s output. In fact, this isn’t a radical departure from the British singer’s work with Whitesnake and Deep Purple. Instead of attempting to be relevant to the alternate rock scene of 2000, Coverdale sticks with the type of commercial hard rock, arena rock, and power ballads that he is best known for. And even though the songs (all of which he wrote or co-wrote) aren’t quite in a class with his best Purple and Whitesnake offerings, they are enjoyable; Coverdale’s die-hard fans will find that he is as confident and assured on bluesy rockers like “Cry for Love” and “River Song” as he is on the power ballad “Don’t You Cry.” Into the Light often sounds like it could have been recorded in the 1970s or 1980s instead of 2000, which is just as well — Coverdale aficionados won’t find innovation on this CD, but they will find that the singer is still quite capable of holding their attention.
  • Llewellyn, Siân (18 September 2000). “David Coverdale – Into the Light (EMI/Chrysalis – advance CD)”. Classic Rock. London, England: Future. p. 63.
    • 4/5
  • Sheils, Liam (4 November 2000). “David Coverdale – Into the Light (EMI 5281242)”. Kerrang!. No. 826
    • KKK
  • Mineur, Matthias (2000). “David Coverdale – Into the Light (EMI)”. Metal Hammer. Vol. 17, no. 10. Munich, Germany: AS Young Mediahouse GmbH. p. 86.
    • 6/7
  • Kereiff, John (15 September 2001). “Into the Light – David Coverdale (Dragonshead)”. Red Deer Advocate. Red Deer, Alberta, Canada. p. 22. Retrieved 26 November 2023 – via Newspapers.com.
    • https://www.newspapers.com/newspage/558845425/
    • 5+ stars
    •  INTO THE LIGHT David Coverdale (dragonshead) Mister Whitesnake is back, kicking butt and taking names.
    • Had a bugger of a time getting this; special-ordered this U.S. import and waited forever a small price to bask in its greatness. Coverdale sings instead of the hysterical screaming he’s known for, the songs are more believable than the hair band tripe he peddled for much of the ’80s. “Into The Light” is a refinement of what he does so well. He’s always been a great voice but now treats his gifts and craft with respect.
    • “Light” sticks close to the blues-based rock that is his forte and the quiet stuff feels on the mark, not mawkish radio swill. He throttles back and still delivers but if it’s top speed highway screamers you need, David doesn’t disappoint. Kudos too to an excellent backing band that features Denny Carmassi (ex-Heart, on drums, bassist Marco Mendoza (currently with Ted Nugent) and guitarist Earl Slick. This is an excellent album, one of the year’s best your only chance to likely catch an earful is to place your order and wait patiently, for several months if need be, as I did. KEY CUTS: Cry For Love, River Song, Don’t Lie To Me.
  • David Coverdale – Into the Light”. Rock Hard (in German). Vol. 161. 20 September 2000. Retrieved 9 March 2021.
    • 8/10
  • Kane, Peter (2000). “David Coverdale – Into the Light (EMI: Chrysalis 5281242)”. Q. London, England: EMAP.
    • 2/5 stars
  •  Mattila, Antti (9 July 2009). “David Coverdale: Into the Light”. Soundi (in Finnish). Pop Media Oy. Retrieved 9 March 2021.
    • 3/5 stars
  • Q Magazine – November of 2000 by Peter Kane
    • First post-Whitesnake solo venture from the preening double entendre.
    • 2 stars
  • QMagazine – December 2001
    • 5/10 review?

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Episode #271 – David Coverdale – Into the Light (Part 1)

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Lead up to the Album:

  • In late 1999 and early 2000 there had been rumors that David Coverdale was being considered to replace Gary Cherone in Van Halen. David Coverdale said it was possible as he had been approached to replace initially when Sammy Hagar left.
  • Rumors also began circulating that Coverdale was working on a solo project.  These turned out to be true.
  • Coverdale mentioned that the name of the album was literal in that he felt he was coming out of a dark period and trying to rediscover who he was.
  • Coverdale rented a house near to his own which they used for writing and rehearsing the songs on the album. He said this was one of the most prolific writing periods in his life.
  • They submitted over twenty songs for the album and ended up letting the producers choose the songs that would go on the album.
  • They spent three months at a studio in L.A. and three more at Coverdale’s home studio in Lake Tahoe.  According to Coverdale he had missed out on so much of his daughter growing up that he wanted to stay close to his wife and son so that he didn’t miss as much this time around.
  • This is the first album that Coverdale recorded completely digitally using Pro Tools. He had long railed against digital recording because it lacked the “warmth” of analog but after being exposed to this way of recording he considered himself a “digital convert.”  He is quoted as saying that there is “really no difference” between the sound of digital and analog recording.
  • In interviews Coverdale said that he felt this music was “more honest” and that he didn’t have to suit his songwriting to a particular band. He was able to use whatever musicians he want that would best suit the tracks at hand.

Core Band:

Technical:

Album Art & Booklet Review

  • photography & creative coordination by russell young.
  • art direction & design by stylorouge.
  • midnight blue angel: cynthia
  • Russell Young – photography, creative coordination
    • Did early photography for R.E.M. and The Smiths.
    • Photographed the cover for “Faith” by George Michael.
  • Stylorouge – art direction, design
    • Did many album designs for Siouxiee and the Banshees, Dr. John, The Cure, and many more.
  • Koh Sakai – liner notes (Japanese edition only)

Liner notes:

produced by david coverdale on behalf of 8 Angels Productions.

associate producers: bossi, mcintyre, thorsrud and x mixed by: john x volaitis.

tracks engineered by: rich veltrop and doug bossi d.c. recorded by: michael mcintyre.

pro tools engineers: bjorn thorsrud and michael mcintyre

assistant mix engineer: dylan vaughanmastered by: george marino.

management: morey management group – jim morey, andrew leff and jason morey

business management: gelfand, rennert, feldman and brown – nicholas brown, stephen marks, rhoda weintraub and trevor robinson, legal: russells of london: tony russell, chris organ and alan lander. photography & creative coordination by russell young.

art direction & design by stylorouge. midnight blue angel: cynthia. all songs published by north C music 8 Angels Productions and north C music are subsidiaries of w.r.e.i.

technical support:

144 gigabyte of thanks to bob cacciatore and wolfgang at xistor.com for pro tools support and the ‘coolest hard drive systems on the planet, bob and greg at bizarre guitar, terry and scott at starsound audio, bobby and anthony at mates, andy at apogee, tim godwinn at line 6, Di Aural Inc., bitheadz.com

very special thanks to:

geoff brandenberg, christie lee, holly beatie, roberta lew, peter darvis, bob blanchard, johnny morris, tu bears, verlyn cutler, The Magnificent Seven and Sarah Divine rupert perry, tony wadsworth, mark collen, trudy bellinger and all at emi, nicholas and jim, jen samaria, bobby collin and all at mmg, the x factor, dave thomas, clarissa and bryce, denny and lori, caroline, leah, maggie, beth and linda, debbie and richard poudrier, nick the teeth duncan, harry dash, dr. edward kantor, dr. emily smith, dr. louis bonaldi, the ministry of blues, syl and mare-y, pam, ron and c.j., chris blanchard, russell young and finagle, mr. ugly pants, lake tahoe, paul newman, dalai bob, adrian, saskia and mickey (like the mouse), koh and masa, kim mongillo, charlie jacobs, the barker family, frankie the cheese, the boners, gary marks, chris and sue wilson, masta killa b, johnny hair, the atkinson family, joyce and kerry at incline travel, Gaia, the chateau marmont, bar marmont and the sheraton universal, the b.v.d.’s, julie nails, claudia and enrique, laura velasco, soundwaves, stephen barr, skip at northern light, the wild alaskan fish company, whitesnake, deep purple, austin powers, lava lamps, candles, essential oils, crystals, jimmy page, the witches of incline, kipper, marco pierre white, tony z, t.j. and winnie may, isis, sabu and floyd, my beloved children jessica and jasper and the love of my life, cindy, Lord Michael and the Beloved Presence of God.

Let Light, Love and Power restore the Plan on Earth.


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Album Tracks:

  1. Into the Light
  2. River Song
    • Guitar [Intro] – Doug Bossi
    • Guitar [Outro] – Doug Bossi, Earl Slick
    • Jasper Coverdale – shaker
    • This song was originally written for a possible second album with Jimmy Page. Coverdale is said to have had this song back in the 80s and there is a demo version on the 35th anniversary edition of “Slide It In.”
    • Coverdale says that this song is a tribute to Jimi Hendrix. Finnigan, who plays keyboards on this, also played on “Electric Ladyland.” Finnigan was meant to only be on this song but ended up playing on several tracks.
  3. She Give Me
  4. Don’t You Cry
  5. Love Is Blind (Coverdale, Slick)
  6. Slave (Coverdale, Slick)
    • Guitar: Doug Bossi and Earl Slick
    • Coverdale is credited for music, Slick for lyrics.
    • This was released as a promo single and reached #33 on the BIllboard Mainstream Rock Charts.

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Episode #270 – Deep Purple in Popular Culture (Part 1)

Link to video episode on YouTube: https://www.youtube.com/watch?v=vYwQytkdX7I

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Deep Purple in Popular Culture Clips

Deep Purple performing on USA TV with Hugh Heffner in 1968

Clip with hush

The missing Jon Lord on The Dating Game segment

The Simpsons – Homer Smoking Marijuana

Jojo’s Bizarre Adventure

Bette Midler in The Stepford Wives (2004)

  • Around the 21:00 mark in the movie.

Tony Soprano digging some Deep Purple

Better Call Saul – Buttholes

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Cruella-Estella | Hush

Legend of Zelda / April

Almost Famous (2000) 720p HD “I Am A Golden God / Tiny Dancer” Scene Clip

  • Around 1:50 mark in the clip, walking through the hallway.

Twister, the movie and music (1996)

Jimmy Fallon Introduced Bernie Sanders to Cover of “Burn” by Deep Purple

The School of Rock -An inspirational scene

Spender S01E02 – Half a Ton of Heartaches

John’s Facebook Marketplace find discussed on the episode.

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Episode #269 – Dio – The Last In Line

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  • Jellybean
  • Hi Nate, thanks for the message. I’ll go by “Jellybean”, my nickname when I discovered the band.
  • That would have been 1971, when I was 11. Was visiting the kids next door, a couple years older than me, they were playing this wild music – Purples eponymous third album. Hooked! That organ – you didn’t hear that sort of thing on the single radio station in our small rural town. I was learning organ at the time and wondered why I couldn’t make such sounds!  
  • They dubbed me a copy and ai played it so much I wrecked it. So went and bought a real copy. Saw a bunch of other Purple cassettes there and a few weeks later went and got their new release “Burn”. So good. Still my favourite Purple album. 
  • I remember telling another neighbour “Deep Purple are releasing a new album today – Stormbringer”. Off I go to the music shop again. I didn’t have a lot of cash, so I bought very few cassettes in those days. It would have taken months to save up for one.
  • Sometime after that, I was listening to music with my cousin, he says what do you think of this song… wow, oh wow. Didn’t know the song but at all but knew it was Ritchie playing. Was told it was something called Black Night. So I went from Mark I to Mark Iii &IV and not heard Mark II at all. Back to the music store, pick up a cassette called “24 carat purple”. A Mark II compilation. Floored all over again. 
  • Eventually I get a bit of a job and a record player, start buying the back catalog on vinyl, the older stuff. Went in reverse order – Who Do You Think We Are, then Machine, Fireball, In Rock, thinking these guys are getting better!
  • Favourite band then and still now over 40 years later. And Burn is still the best. 
  • I got to see the band only once, their 1984 comeback tour. Dec 4th in Melbourne. So loud, so amazing. 
  • Then I lost track of the band, moving around the country for work and life stuff. Thanks to the podcast which I’ve been listening to this year, I’ve listened and learned about the extended family. Thanks heaps to you Nate and John for the shop. Glad to be a supporter. 
  • Cheers, Jellybean. 

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Core Band:

Technical:

  • Producer – Ronnie James Dio
  • Recorded At – Caribou Ranch
    • Caribou Ranch was a recording studio built by producer James William Guercio in 1972 in a converted barn on ranch property in the Rocky Mountains near Nederland, Colorado, on the road that leads to the ghost town of Caribou. The studio was in operation until it was damaged in a fire in March 1985.
  • Engineer – Angelo Arcuri
    • Previously worked on “Holy Diver.”
  • Engineer [Assistant] – Rich Markowitz
    • Previously worked with Al Di Meola, went on to work on Michael Jackson’s album “Bad.”
  • Mastered By – George Marino

Album Art & Booklet Review

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Album Tracks:

All lyrics written by Dio.

Side One:

  1. We Rock (Dio)
  2. The Last in Line (Dio, Bain, Campbell)
  3. Breathless (Dio, Campbell)
  4. I Speed at Night (Dio, Appice, Bain, Campbell)
  5. One Night in the City (Dio, Appice, Bain, Campbell)

Side Two:

  1. Evil Eyes (Dio)
  2. Mystery (Dio, Bain)
  3. Eat Your Heart Out (Dio, Appice, Bain, Campbell)
  4. Egypt (The Chains Are On) (Dio, Appice, Bain, Campbell)

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Bustin’ Out The Spreadsheet

Reception and Charts:

  • From Wikipedia:
  • It became the band’s highest-charting album in both the UK and the U.S., reaching number 4 and number 23, respectively (Sacred Heart would later reach number 4 in the UK as well).
  • It was certified gold (500,000 units sold) by the RIAA on September 12, 1984, and was the first Dio album to be certified platinum, achieving the feat on February 3, 1987.[3] In the UK, it attained Silver certification (60,000 units sold) by the British Phonographic Industry, achieving this in January 1986, at the same time as Holy Diver.[4] To date, these are the only two Dio albums to be certified at least platinum.
  • In 2005, The Last In Line was ranked number 372 in Rock Hard magazine’s book of The 500 Greatest Rock & Metal Albums of All Time.[9]

Reviews

  • Kerrang’s alliteration-filled thoughts on the album.

For Further Information:

Listener Mail/Comments

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Episode #268 – Glenn Hughes – Burning Japan Live

This week’s episode is BANNED on YouTube.

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The Cicadas Are Here!

  • https://www.chicagotribune.com/2024/05/17/2024-cicada-emergence-chicago-illinois/
  • They’re loud, but they’re harmless. And some people even like to eat them.
  • Cicadas are beginning to emerge from the ground around Chicagoland and Illinois. Two broods will converge on the state in a historic emergence. They belong to Brood XIX, four species that appear every 13 years in the Southeast, and Brood XIII, three species that appear every 17 years in northern Illinois.
  • It will be the first time in 221 years that these two specific broods come above ground at the same time and in such proximity. The last time this happened was in 1803 when Thomas Jefferson was president, and Illinois had yet to become a state.

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Album Art & Booklet Review

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The Venue:

Setlist

  1. Burn
    • Deep Purple, Burn
  2. The Liar
    • From Now On…
  3. Muscle and Blood
    • Hughes Thrall, Hughes Thrall
  4. Lay My Body Down
    • From Now On…
  5. From Now On…
    • From Now On…
  6. Into the Void
    • From Now On…
    • Glenn says this is his favorite song on the album.
  7. Still in Love with You
    • Written right before the show!
    • Glenn says this is his favorite ballad on the album.
  8. Coast to Coast
    • Trapeze, You Are The Music, We’re Just The Band
  9. This Time Around
    • Deep Purple, Come Taste The Band
  10. Owed to G
    • Deep Purple, Come Taste The Band
  11. Gettin’ Tighter
    • Deep Purple, Come Taste The Band
  12. You Keep on Moving
    • Deep Purple, Come Taste The Band
  13. Lady Double Dealer
    • Deep Purple, Stormbringer
  14. I Got Your Number
    • Hughes Thrall, Hughes Thrall
  15. Stormbringer
    • Deep Purple, Stormbringer
Better view of the shirt from the album cover. Photo taken by Steve Clowes – October 11, 1994, Rio, Bradford, UK .
Link to more photos from that concert here: https://www.glennhughes.com/tourography/solo1994.html

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Reception and Charts:

  • https://www.glennhughes.com/discography.html
    • “Recorded in Tokyo in the Summer Of 1994. A brilliant concert, my band played incredibly, the audience was fantastic. I felt my Creator present while singing Still In Love With You on this live recording. It was one of those nights that was like a dream. The crowd gave me tremendous energy. My fans are my songs, they are my lifeblood. Turn this one up really loud!”
  • Message from Glenn Hughes:
  • Here’s the most relevant part of the latest message from Glenn, from 21. December 1994:
  • To all Deep Purple Fans
  • I would like to thank all of you, who purchased the Mark III and Mark IV albums which I performed on.
  • I am currently writing and in production for my next studio album to be released in the early summer of 95. My live album (currently on import) Burning in Japan [sic] will be out in the New Year. Six Purple songs are performed here to great satisfactory performances.
  • You must remember that Purple asked me to join to add a new dimension to the sound, which I did. I have the greatest respect for Ian and Roger. But David and myself are different writers, performers and singers. I wish all the Purple family the very best, and to you all Merry Xmas and a Happy New Year!
  • Glenn Hughes

Reviews

For Further Information:

Listener Mail/Comments

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Episode #267 – Nick Simper’s Fandango – Future Times

This week’s episode is BANNED on YouTube.

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Postcards From The Edge . . . OF CONNECTICUT!

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Core Band:

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Album Art & Booklet Review

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Album Tracks:

Side One:

  1. Pull Out & Start Again
  2. I’ll Never Get Over You
  3. Get Down, Lay Down
  4. She Was My Friend

Side Two:

  1. Future Times
  2. Undercover Man
  3. Something’s Burning
  4. Hard Drink & Easy Woman

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Bustin’ Out The Spreadsheet

Reviews

  • Nick Simper’s Fandango: Future Times Shark / lnterford 148.506: Germany: 1980. My German is not very good (well, non-existant really), but there does seem to be second album out by Simper’s current band. As the first LP (‘Slipstreaming’, reviewed some time ago) was poorly received, we thought the band had just fizzled out, but it looks as if they might have gone to ground in Europe to earn a living. I expect some import copies will surface here for those of you dedicated or curious enough to want it. It’s unlikely that Gull records will want to issue it here. There are nine titles listed:1/ Pull Out & Start Again, I’ll Never Get Over-You, Get Down Lay Down, She Was My Friend. 2/ Future Times, Undercover Man, Something’s Burning, Hard Drink & Easy Women. Jeez, the titles alone are enough to put me off it!

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Episode #266 – Deep Purple – Perihelion

Link to video episode on YouTube: https://www.youtube.com/watch?v=MRt2sx69xbA

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The Venue:

Setlist

  1. Woman From Tokyo
  2. Ted The Mechanic
  3. Mary Long
  4. Keyboard Solo
    1. Includes Resurrection Shuffle tribute to Tony Ashton
    2. Ashton had passed away the previous week on May 28, 2001 at the age of 55.
  5. Lazy
  6. No One Came
  7. Sometimes I Feel Like Screaming
  8. Fools
  9. Perfect Strangers
  10. Hey Cisco
  11. When a Blind Man Cries
  12. Smoke on the Water
  13. Speed King
  14. Hush
  15. Highway Star

Thanks To Our Foundation Level Patrons:

  • £3.50 “Deep Purple NY” Tier
    • Lord Longford
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  • $3 “Nobody’s Perfect” Tier
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    • Ian Desrosiers
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    • Flight of the Rat Bat Blue Light
    • Øyvind Fjeldbu –
    • Runar Simonsen –
    • JJ Stannard
    • Ruinous Inadequacies
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    • Weston-super-Mare pilgrim
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    • I see DC
    • Durple Purple
    • Purple Swede

Reviews

For Further Information:

Listener Mail/Comments

  • Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.