Category: Show Notes

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Episode #154 – Deep Purple & Iron Maiden

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Link to YouTube episode here: https://www.youtube.com/watch?v=CS9wBSqxazQ

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  • Coming in at the $25 “Uncommon Man” Tier
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    • You two provide endless enjoyment, honestly. 
    • We English pride ourselves on irreverent humour, but you gents manage to combine an emotionally deeply sincere intent with an endless sense of irony and irreverence. 
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  • United States
  • mike in cle – 5 stars!
  • Very knowledgeable guys
  • They are beyond devoted to this band. You will learn something, not just about Deep Purple, but other intersecting bands as well. By their very long friendship, these two hosts will entertain you thoroughly.

Postcards From The Edge . . . OF CONNECTICUT!

  • Peter Gardow sends in a postcard from the Dali museum in St. Petersburg, Florida, right by where Deep Purple played in February.

Deep Dive Podcast Network:

Welcome Jonatan Hedlin!

John’s history with Iron Maiden

Nate’s History with Iron Maiden

Nate, roaming the halls of Bulmershe College in his “Seventh Son of a Seventh Son” t-shirt (c. 1993.).

Influences:

  • Bruce Dickinson & Deep Purple: How Ian Gillan Influenced Bruce Dickinson’s Vocals
  • Guesting on The Rock Show With Johnny Walker’s “Rock God” segment aired on the BBC here, Iron Maiden frontman Bruce Dickinson named Deep Purple vocalist Ian Gillan as his personal rock god.
    • You can’t talk about Iron Maiden without first mentioning Deep Purple, a group that Dickinson first heard after accidentally stumbling upon their album In Rock: “I was walking up and down the corridor at boarding school and I heard this racket coming from behind a door,” Dickinson began. “I thought, ‘Oh my god, what is that?!’ So, I knocked on the door and this senior boy opened the door and looked at me with a big sneer on his face. I asked, ‘Who was that?’. He went, ‘Oh, it’s Deep Purple if you must know, ‘Speed King’’ and shut the door. That was that, I was hooked.”
    • Having said all that, I met Ian Gillan. Not only did I meet him, I actually went on tour with him when I was in a band called Samson.”
    • “I’m in a studio,” Dickinson continues. “We’ve done an album in Ian Gillan’s studio. We’ve all been at the pub and had a few pints, in walks my god Ian Gillan and goes, ‘Hey, what a great vocalist. Who’s the singer?’ At that moment, I felt the sudden urge to vomit. I ran out of the room, puked up for about 45 minutes in the toilet when in comes my idol, kicks the door and goes, ‘C’mon, mate, out you come. Let’s get you wiped down with a towel.’ He put me in a taxi and sent me home. I’ve never forgotten that, and he’s never let me forget it, either.”
  • Adrian Smith:
    • Adrian Smith Once Quit Fishing Because of Ritchie Blackmore
    • “When I was about 14 or 15, I was kind of a clueless, your usual type of teenager and I didn’t know what I wanted to do in my life. And I sort of wandered into my older sister’s bedroom to check out her albums, which were normally soul records — THE TEMPTATIONS and [other] Motown [artists]. And then I noticed she had some new records, and one of them was a DEEP PURPLE record called ‘Machine Head’. So I put the album on a little record player, and I just couldn’t believe what I was hearing. That was it, really. It sort of changed my life. I thought, ‘Well, I’d love to be out doing that one day.’ The fishing had kind of tapered off. In those days, I couldn’t imagine my heroes, like Ritchie Blackmore from DEEP PURPLE, and people like that going fishing. So I thought, ‘Well, I’ll give it up and I’ll give all my time to try and make it as a professional musician.’ So that’s what I did.”
  • The song Innocent Excile would ve worth listening to as an example of maiden at the Purplest sound.
  • Paul DiAnno auditioning en with “Lady Double Dealer” (not available to hear but, anyway)
  • Murders in the Rue Morgue and Lost in Hollywood drum resemblance. Clive’s and Nicko’s influence from Cozy and Paicey. Gangland another song example for this.
  • Iron Maiden – Murders in the Rue Morgue *HD*
  • Gangland (2015 – Remaster)
  • Interviews with members from both band must’ve occured, I know there is one with Paice and McBrain about cymbals ;p
  • PAISTE CYMBALS – 2 Legends 1 Sofa – Nicko McBrain (Iron Maiden) & Ian Paice (Deep Purple)

Best Albums according to Dickinson:

  • In Rock by Deep Purple (1970)
  • Are You Experience by Jimi Hendrix (1967)
  • Aqualung by Jethro Tull (1971)
  • Led Zeppelin IV by Led Zeppelin (1971)
  • Vol.4 by Black Sabbath (1972)
  • Rising by Rainbow (1976)
  • Live and Dangerous by Thin Lizzy (1976)
  • Van Halen by Van Halen (1978)
  • Live Bootleg by Aerosmith (1978)
  • Strangers In The Night by UFO (1979)
  • British Steel by Judas Priest (1980)
  • Blizzard of Ozz by Ozzy Osbourne (1980)
  • Back In Black by ACDC (1980)
  • Come An’ Get It by Whitesnake (1981)
  • Number of The Beast by Iron Maiden (1982)

Martin Birch Connection:

Deep Purple

Iron Maiden[edit]

Collaborations:

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Ian Paice of Deep Purple, Tony Iommi of Black Sabbath, Bruce Dickinson and Dave Murray of Iron Maiden (Photo by Leslie McGhie/WireImage)

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Episode #153 – Whitesnake – Come an’ Get It

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Video is banned in many territories this week. Click here to see you are able to view our YouTube episode:https://www.youtube.com/watch?v=YHb5bNJIG7E

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Apple Podcasts Reviews:

  • CDMorissette – Canada – 5 Stars!
  • A must for all music fans!
  • Whether you are a lifelong fan of Deep Purple or not this podcast is a must listen for all rock music fans!

Deep Dive Podcast Network:

Lead up to the Album:

  • This album came on the heels of the double live album “Live . . . in the Heart of the City.” That along with “Read an’ Willing” had both done very well.
  • The follow up, “Come an’ Get It” was recorded at Startling Studios, Tittenhurst Park.
  • Tittenhurst was a Georgian style country house on 72 acres of land in Berkshire.
  • Tittenhurst was owned by John Lennon before he sold it to Ringo Starr when he moved to the US permanently in 1973.
  • This is where Lennon recorded Imagine and where Marsden had just worked on a solo album.
  • Allegedly Lennon bought it for 145,000.  He sold it to Ringo.  The ex-president of the UAE bouthg it for 5 million.  Sheikh Khalifa bin Zayed Al Nahyan of the UAE for $105 million
  • Murray says they used the studio there but it wasn’t that big so they recorded the drums and keyboards.

Personnel:

Additional Personnel:

  • Coordinator – Magnet (9)
    • John Ward – used to work as a roadie for Led Zeppelin and Deep Purple before becoming Whitesnake’s tour manager.

Technical:

Album Art & Booklet Review

UK and US Album Cover Comparison:

  • UK Version
  • US Version

Album Tracks:

Side One:

  1. Come an’ Get It (Coverdale)
    • In Popoff’s book Bernie Marsden talks about claims of a Foreigner influence on this song.  He says that he liked “Feels Like The First Time” but doesn’t think any of the other guys were even aware of the band at that point.
  2. Hot Stuff (Coverdale, Moody)
  3. Don’t Break My Heart Again (Coverdale)
    • Marsden says he did one run through of the solo and that Birch said, “Okay, that’ll do.”  He said he thought he was just doing a run through.  He did it five or six more times but Birch insisted that they got it.  Marsden said he was like an additional member of the band being able to make great production decisions like that.
    • This song was about Coverdale’s daughter Jessica.
  4. Lonely Days, Lonely Nights (Coverdale)
  5. Wine, Women an’ Song (Coverdale, Moody, Marsden, Murray, Lord, Paice)
    • David, Bernie, and Micky do backing vocals.  Also known as “The Three Piece Suite.”

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Side Two:

  1. Child of Babylon (Coverdale, Marsden)
    • Marsden said he worked very closely with Lord on this one.  He said he explain to Jon what he wanted it to sound like and Jon fleshed it out.
    • Marsden talks extremely positively about Jon Lord.  He said he would always suggest alternative ideas that made songs better.  He said that he was very gracious and he said Jon should have gotten writing credits on a lot more songs (including this one) but Jon would shrug it off and say he wouldn’t have had those ideas if the ideas brought to him weren’t so strong.
  2. Would I Lie To You (Coverdale, Moody, Marsden)
    • Coverdale says this song title was from a pin a female fan of the band had given to him in Southampton.
    • Bernie says you’d think this was a love song but it was about their manager.  I think he said it as a joke.
    • Popoff asked Murray if there was Coverdale’s one-track-mind as far as writing ever got to the rest of them.  Murray said, “Ues amd you now, here’s tat stubborn mentality that if you criticize him for it he’ll do it more.
  3. Girl (Coverdale, Marsden, Murray)
    • Coverdale says Murray wrote this from more of a fusion perspective.
    • Marsden said it was about a girl they saw on the side of the road.
    • Coverdale says: “Most of the songs are about my old lady.”
    • Coverdale also says that most of the songs he’s been accused of being the most sexist in are about his daughter.
  4. Hit an’ Run (Coverdale, Moody, Marsden)
  5. Till the Day I Die (Coverdale)
    • Marsden says this was the peak of David’s writing.

Reception and Charts:

  • Went straight to No. 2 in the UK when it was released.
  • Coverdale said in interviews that after five years the band was trying to enter a more American approach to the music in the early 80s.
  • Murray says it’s between this album and “Ready an’ Willing” that are his favorites in Whitesnake along with the 1987 but given the choice he’s probably choose “Come an’ Get It.”

Reviews:

  • Martin Popoff says of this album: “Sacrilege perhaps in the utterance, but this one is utterly ruined by Martin Birch and Ian Paice, two nearly unassailable rock icons who should know better.”  He says this whole album seems stiff and classical in its approach.
  • A sampling of reviews courtesy of Jorg Planer.

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Episode #152 – Deep Purple in the Charts

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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Patron Updates:

  • Steve Coldwell writes: “Thanks to our February school vacation schedule, I just got around to listening to this episode on Friday while shoveling snow…just in time to encounter my own version of “the Dixie Dregs guy,” at a Dream Theater show in Boston, Friday night. This particular gentleman—who looked like he was solidly in his 70s— doubled down on your Dixie Dregs fan, and actually had TWO catchphrases that he was screaming at the top of his lungs: alternating between “Boston matters,” and the oddly off-brand for Dream Theater, “Git ‘er done!”

Listener Message regarding Florida Show Recap:

  • Michael reaches out regarding his reaction to our Florida show:

    Apple Podcasts Reviews:

    • Deep blackmore – USA – 5 Stars!
    • Great podcast!!!
    • Been a fan of deep purple for more years then I can remember recent episode for elf Carolina county ball / la59 album even if the hosts didn’t like the album this is the album that turned me on to the great Ronnie James Dio and the saw elf open for electric light orchestra and deep purple way back in 1974 in Indianapolis indiana keep up the great work

    Postcards From The Edge . . . of Connecticut!

    • Two postcards from the one and only Peter Gardow!

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    • Tim “Southern Cross” Johnson

    In The Charts

    • Hush
      • Peaked at #4 (#58 in the UK)
      • US Top 40 Singles for the Week Ending 28th September, 1968
      • TW LW TITLE –•– Artist (Label)-Weeks on Chart (Peak To Date)
      • 1 3 HEY JUDE –•– The Beatles (Apple)-3 (1 week at #1) (1)
      • 2 1 HARPER VALLEY P.T.A. –•– Jeannie C. Riley (Plantation)-6 (1)
      • 3 2 PEOPLE GOT TO BE FREE –•– The Rascals (Atlantic)-11 (1)
      • 4 4 HUSH –•– Deep Purple (Tetragrammaton)-7 (4)
      • 5 15 FIRE –•– The Crazy World Of Arthur Brown (Atlantic)-4 (5)
      • 6 8 THE FOOL ON THE HILL –•– Sergio Mendes and Brasil ’66 (A&M)-8 (6)
      • 7 5 1, 2, 3, RED LIGHT –•– 1910 Fruitgum Co. (Buddah)-10 (5)
      • 8 9 I’VE GOTTA GET A MESSAGE TO YOU –•– The Bee Gees (Atco)-7 (8)
      • 9 16 GIRL WATCHER –•– The O’Kaysions (ABC)-7 (9)
      • 10 13 SLIP AWAY –•– Clarence Carter (Atlantic)-12 (10)
    • Kentucky Woman
      • Peaked at #38 in the US (Did not chart in the UK)
      • Week Ending 14th December, 1968
      • 1 4 I HEARD IT THROUGH THE GRAPEVINE –•– Marvin Gaye (Tamla)-4 (1 week at #1) (1)
      • 2 1 LOVE CHILD –•– Diana Ross and the Supremes (Motown)-9 (1)
      • 3 3 FOR ONCE IN MY LIFE –•– Stevie Wonder (Tamla)-7 (3)
      • 4 7 ABRAHAM, MARTIN AND JOHN –•– Dion (Laurie)-8 (4)
      • 5 5 WHO’S MAKING LOVE –•– Johnnie Taylor (Stax)-8 (5)
      • 6 2 HEY JUDE –•– The Beatles (Apple)-14 (1)
      • 7 8 WICHITA LINEMAN –•– Glen Campbell (Capitol)-7 (7)
      • 8 9 STORMY –•– The Classics IV Featuring Dennis Yost (Imperial)-8 (8)
      • 9 11 I LOVE HOW YOU LOVE ME –•– Bobby Vinton (Epic)-7 (9)
      • 10 6 MAGIC CARPET RIDE –•– Steppenwolf (Dunhill)-11 (3)
      • …
      • 31 34 GOODBYE MY LOVE –•– James Brown (King)-6 (31)
      • 32 44 LO MUCHO QUE TE QUIERO (The More I Love You) –•– Rene and Rene (White Whale)-4 (32)
      • 33 50 PAPA’S GOT A BRAND NEW BAG –•– Otis Redding (Atco)-3 (33)
      • 34 25 QUICK JOEY SMALL (Run Joey Run) –•– The Kasenetz-Katz Singing Orchestral Circus (Buddah)-11 (25)
      • 35 29 CYCLES –•– Frank Sinatra (Reprise)-10 (23)
      • 36 49 SON-OF-A PREACHER MAN –•– Dusty Springfield (Atlantic)-3 (36)
      • 37 40 GOODY GOODY GUMDROPS –•– 1910 Fruitgum Co. (Buddah)-8 (37)
      • 38 38 KENTUCKY WOMAN –•– Deep Purple (Tetragrammaton)-6 (38)
      • 39 58 A RAY OF HOPE –•– The Rascals (Atlantic)-2 (39)
      • 40 63 IF I CAN DREAM –•– Elvis Presley (RCA Victor)-3 (40)
    • River Deep – Mountain High
      • Week Ending 25th January, 1969
      • Entered charts at #72 (Peaked at #53)
      • 1 1 I HEARD IT THROUGH THE GRAPEVINE –•– Marvin Gaye (Tamla)-10 (7 weeks at #1) (1)
      • 2 4 CRIMSON AND CLOVER –•– Tommy James and the Shondells (Roulette)-7 (2)
      • 3 2 I’M GONNA MAKE YOU LOVE ME –•– Diana Ross and the Supremes and the Temptations (Motown)-8 (2)
      • 4 3 SOULFUL STRUT –•– Young-Holt Unlimited (Brunswick)-9 (3)
      • 5 15 EVERYDAY PEOPLE –•– Sly and the Family Stone (Epic)-9 (5)
      • 6 5 HOOKED ON A FEELING –•– B.J. Thomas (Scepter)-11 (5)
      • 7 8 TOUCH ME –•– The Doors (Elektra)-5 (7)
      • 8 9 WORST THAT COULD HAPPEN –•– Brooklyn Bridge (Buddah)-6 (8)
      • 9 16 I STARTED A JOKE –•– The Bee Gees (Atco)-6 (9)
      • 10 10 SON-OF-A PREACHER MAN –•– Dusty Springfield (Atlantic)-9 (10)
    • Help! (France)
    • Emmaretta – Peaked at #128 in the US, did not chart in the UK
    • Hallelujah – Peaked at #108 in the US, did not chart in the UK
    • Black Night – Peaked at #66 in the US, #2 in the UK
      • Week Ending 5th December, 1970
      • Entered the US charts at #90
      • 1 1 I THINK I LOVE YOU –•– The Partridge Family (Starring Shirley Jones and Featuring David Cassidy) (Bell)-9 (3 weeks at #1) (1)
      • 2 2 THE TEARS OF A CLOWN –•– Smokey Robinson and the Miracles (Tamla)-8 (2)
      • 3 6 GYPSY WOMAN –•– Brian Hyland (Uni)-14 (3)
      • 4 3 I’LL BE THERE –•– Jackson 5 (Motown)-12 (1)
      • 5 4 WE’VE ONLY JUST BEGUN –•– The Carpenters (A&M)-13 (2)
      • 6 5 FIRE AND RAIN –•– James Taylor (Warner Brothers)-13 (3)
      • 7 25 ONE LESS BELL TO ANSWER –•– The 5th Dimension (Bell)-7 (7)
      • 8 24 NO MATTER WHAT –•– Badfinger (Apple)-6 (8)
      • 9 9 HEAVEN HELP US ALL –•– Stevie Wonder (Tamla)-8 (9)
      • 10 16 SHARE THE LAND –•– The Guess Who (RCA)-7 (10)
    • Speed King (Germany, Netherlands)
    • Strange Kind of Woman
      • Did not chart in the US, Peaked at #8 in the UK
    • Fireball
      • Did not chart in the US, Peaked at #15 in the UK
    • Never Before
      • Did not chart in the US, Peaked at #35 in the UK
    • Lazy (US/Canada)
      • Did Not Chart
    • Child in Time
      • Did Not Chart – released in select EU markets
    • Highway Star
      • Released in US/Canada and Japan
      • Did not chart
    • Woman From Tokyo
      • Did not chart in US or UK
      • Had success in assorted EU markets
    • Smoke on the Water
      • Debuted at #85 week ending May 25, 1973
        • P1 4 FRANKENSTEIN –•– The Edgar Winter Group (Epic)-12 (1 week at #1) (1)
        • 2 6 MY LOVE –•– Paul McCartney and Wings (Apple)-7 (2)
        • 3 5 DANIEL –•– Elton John (MCA)-8 (3)
        • 4 2 TIE A YELLOW RIBBON ROUND THE OLE OAK TREE –•– Dawn Featuring Tony Orlando (Bell)-15 (1)
        • 5 1 YOU ARE THE SUNSHINE OF MY LIFE –•– Stevie Wonder (Tamla)-11 (1)
        • 6 9 PILLOW TALK –•– Sylvia (Vibration)-10 (6)
        • 7 3 LITTLE WILLY –•– The Sweet (Bell)-19 (3)
        • 8 7 DRIFT AWAY –•– Dobie Gray (Decca)-14 (5)
        • 9 10 WILDFLOWER –•– Skylark (Capitol)-15 (9)
        • 10 13 HOCUS POCUS –•– Focus (Sire)-13 (10)eaked at #4 in the US
      • Peaked at #4 in the US – Week Ending July 28th, 1973
        • 1 1 BAD, BAD LEROY BROWN –•– Jim Croce (ABC)-15 (2 weeks at #1) (1)
        • 2 3 YESTERDAY ONCE MORE –•– The Carpenters (A&M)-9 (2)
        • 3 4 SHAMBALA –•– Three Dog Night (Dunhill)-11 (3)
        • 4 7 SMOKE ON THE WATER –•– Deep Purple (Warner Brothers)-10 (4)
        • 5 2 WILL IT GO ROUND IN CIRCLES –•– Billy Preston (A&M)-18 (1)
        • 6 11 DIAMOND GIRL –•– Seals and Crofts (Warner Brothers)-12 (6)
        • 7 5 KODACHROME –•– Paul Simon (Columbia)-11 (2)
        • 8 8 BOOGIE WOOGIE BUGLE BOY –•– Bette Midler (Atlantic)-12 (8)
        • 9 20 THE MORNING AFTER –•– Maureen McGovern (20th Century)-6 (9)
        • 10 6 GIVE ME LOVE (Give Me Peace On Earth) –•– George Harrison (Apple)-11 (1)
      • Did not chart in the UK
    • Super Trouper
      • Released in some EU markets
      • Did not chart anywhere
    • Might Just Take Your Life
      • Debuted at #99 for Week Ending March 23rd, 1974
      • Chameleon by Herbie Hancock debuted at #96 that same week
      • Peaked at #91 in the US
        • 1 3 DARK LADY –•– Cher (MCA)-10 (1 week at #1) (1)
        • 2 1 SEASONS IN THE SUN –•– Terry Jacks (Bell)-11 (1)
        • 3 4 SUNSHINE ON MY SHOULDERS –•– John Denver (RCA)-9 (3)
        • 4 2 BOOGIE DOWN –•– Eddie Kendricks (Tamla)-12 (2)
        • 5 6 MOCKINGBIRD –•– Carly Simon and James Taylor (Elektra)-8 (5)
        • 6 12 BENNIE AND THE JETS –•– Elton John (MCA)-6 (6)
        • 7 14 HOOKED ON A FEELING –•– Blue Swede (EMI)-6 (7)
        • 8 10 JET –•– Paul McCartney and Wings (Apple)-7 (8)
        • 9 11 ERES TU (Touch the Wind) –•– Mocedades (Tara)-11 (9)
        • 10 7 JUNGLE BOOGIE –•– Kool and the Gang (De-Lite)-16 (4)
      • Peaked at #55 in the UK
    • Burn
      • Released in US/Canada and JApan
      • Peaked at #105 in the US – does not show up in top 40 (I think it’s only the top 100)
      • Did not chart in the UK
    • You Can’t Do It Right
      • Released in US/Canada
      • Did not chart
    • Lady Double Dealer
      • Released in Japan
      • Did not chart
    • Stormbringer
      • Peaked at #26 in Italy
      • Did not chart elsewhere
    • Gettin’ Tighter (US/Canada)
      • Released in US/Canada
    • You Keep on Moving
      • Did not chart

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    Posted on

    Episode #151 – Deep Purple – Slaves and Masters (Part 2)

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    • DP Fan in WA – USA – 5 Stars!
    • Enjoying the Show
    • Recently began listening and enjoying it quite well so far. I need to go back and listen to older episodes when I have time. I look forward to learning more about one of the bands I love best! Listening from Lake Tapps, WA area.

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    Album Tracks:

    1. Breakfast in Bed (Blackmore, Turner, Glover)
    2. Love Conquers All (Blackmore, Turner, Glover, Lord)
    3. Fortuneteller (Blackmore, Turner, Glover, Lord, Paice)
    4. Too Much Is Not Enough (Turner, Bob Held, Al Greenwood)
      1. Wicked Ways (Blackmore Turner, Glover, Lord, Paice)

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      • Tim “Southern Cross” Johnson

      Reception and Review

      • With Gillan out they changed the set list up quite a bit, even working in songs such as “Burn” that Gillan would have never agreed to sing.
      • The live set included six of the nine tracks form Slaves and Masters though “Wicked Ways” was dropped after only a few shows.
      • Fan reaction to this lineup and album was largely negative.
      • In “The Complete Deep Purple” Michael Heatley calls “Slaves and Masters” “the definitive Rainbow album.”
      • It entered the UK charts at number, seven places below, “Nobody’s Perfect,” which was not widely regarded as a success. Then it dropped out of the charts. It was their least successful album since Mark 1.
      • In the US it was number 87.
      • JLT says of this album in Kerrang that this album wasn’t as forced as the Rainbow albums he’d done.  What he means is that they were more of jams than composed.
      • JLT also says, “If I hear ‘Deep Rainbow’ again I think I’m gonna puke. Think of something else. There are four of the five member of Purple, three of five members of Rainbow.”

      Reviews:

      • The album was met with mixed reviews.
      • The press seemed to be largely positive about it but fans were not.
      • Simon Robinson in Darker Than Blue #40, November 1990:
        • “. . . I know damn well that if someone had sent it me out of the blue by a new group, it would have got the one play and be in the bin . . . by now.”
        • “With this new one it’s all ended. Nothing here demands of me that I should zoom to the record deck every so often to assault my senses with it. If this is really the way they think music should be going then we’ve reached the parting of the ways. Nobody wants to live in the past, but they’re damn well giving me little choice.”
        • He goes on to say he has nothing against JLT, considers him very competent. Just does not like his vocal style.
        • “It’s hard to listen to the album and ignore the JLT favor, but when you do much of it is pretty ordinary anyway.”
        • “The idea of evolving the album from jamming has given a laid back feel which might have been better tempered by a hard edge at times.”
        • On King of Dreams: “I’d like to hear mixed without vocals. Granted poor old Ian PAice sounds like he’s falling asleep (Maybe the dreams are his?) but it chugs along with some inspired keyboard work.”
        • He calls “Breakfast in Bed,” “Breakfast in Bed (Crumbs In The Duvet).
        • “. . . Ian Gillan has to be agreed with  when he says he found it almost impossible to get inspired by the stuff when he was being sent the first demos. The addition of his talent on some of the tracks might have cracked it, but elsewhere we’re looking at a group who seem to have lost all sense of purpose. Roger Glover has written off House of Blue Light as a totally wooden album in recent press articles and it makes me wonder if I’m going crackers. Sure it had its disappointments but Bad Attitude, Spanish Archer, STrangeways, and Dead or Alive wipe the floor with this one.”
      • Neil Jeffries writes in Kerrang:
        • “Deep Purple’s new studio album “Slaves and Masters” is OK . . . and no-one is more surprised than me. It does lat grab-you-by-the-throat impact but it’s not the disaster I had feared and expected.”
        • It may not sound at all like “In Rock”, “Machine Head” or even “Perfect Strangers” but it doesn’t really sound much like Rainbow either. In fact just like “In Rock”, “Burn”, “Come Taste The BAnd” or “Perfect Strangers” it sounds like a band making a fresh start.
      • JLT: “In my opinion the best of this album is still lying on the cutting room floor.  We’ve got some racks  you’d fuckin’ die for but we never finished them.”
      • One of the things they did on tour was to open up the set list, something Gillan had also wanted to do but Blackmore had fought him on.  Gillan felt like they were just playing Made in Japan every night. The set lists for this tour were much more adventurous.

      Merch:

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      Posted on

      Episode #150 – Deep Purple – Slaves and Masters (Part 1)

      Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

      Subscribe at Apple Podcasts, Stitcher, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, or search in your favorite podcatcher! 

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      Apple Podcasts Reviews:

      • Hans Lilja (Hank The Tank) – 5 Stars!
      • Hey! I wanted to leave a 5 star, but I can’t connect to Apple bla bla bla.. So, if this counts I’ll do it here. I really enjoy your show and I really want to hear that flexitone? or whatever the the name is.
      • It’s actually the only pod (besides Popoff) I listen to. Old (as fuck) Purple fan so I enjoy you guys talking about what I belive is the best band ever. Therefore, 5 star of course. Keep up the good work. Cheers
      • P.S. I started to play the drums because of Ian Paice.

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      • Runar Simonsen – Joining at the $3 “Nobody’s Perfect” Tier
      • I started listening to your show late last summer. Went on Spotify and wondered if there was a DP podcast and boy am I glad you called it ‘The Deep Purple Podcast’! Or else I don’t think I would have found you guys so easily. Never listened to a podcast before so you guys are my first.
      • Love the show! Nice to hear you discuss the music, musicians, events surrounding the different bands and recordings and the interviews with the musicians! 
      • I got into Deep Purple through my parents who both are in their late 50’s. I’m 32. 
      • My dad had made a mixed CD to my mom that she played in the car with songs from mark 2, 3 and 5. 
      • It was about 99/00 that I heard Jon Lord’s intro to Knocking At Your Back Door from Nobody’s Perfect and from that moment I was hooked. I went through every CD and LP that my parents owned.
      • In Rock (this I did not listen to!), Fireball, Machine Head, Burn, Stormbringer, Perfect Strangers, House Of Blue Light, Slaves and Masters, Battle Rages On, Purpendicular and Abandon. A couple of compilations and Nobody’s Perfect.
      • By the time I was 15 in 2004 I owned every studio album that they had released on CD. I bought In Rock that summer and I had heard Speed King, Child In Time and Black Night from the 24 Carat Purple compilation record before. 
      • But when I played In Rock in it’s entirety for the first time… I mean.. Come on! What. A. Record! The intensity of the band, Gillan’s singing, Jon and Ritchie’s solos! 
      • Bad production or not, it’s a epic and a groundbreaking record. 
      • Played that record on repeat the whole summer. 
      • Also! I can’t wait until you get to the Morse and Lord era of the band. Killer albums!
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      • What band/record/musician/concert should we do next?
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      • No matter what, I love your show and I enjoy listening to you guys and your guest host.
      • Keep up the good work and I’m exited for the next episode!
      • Cheers.

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      Lead up to the Album:

      • Gillan says that with “House of Blue Light” that as long as Blackmore was happy with the guitar parts then everyone was happen. Ian says that wasn’t good enough for him.
      • While RItchie recovered from a broken finger (the result of misjudging his timing when catching his guitar) Ian and Roger went to work on “Accidentally on Purpose.”
      • Gillan said that when the tour resumed that the spark had gone.
      • They had an odd route through their European tour and when asked about why at a press conference Ian Gillan said, “Because Bruce Payne is an asshole.” Something he regretted and said out of frustration.
      • Things were very tense between Gillan and Blackmore.  It all came to a head when Ritchie burst into Ian’s room holding a plate of spaghetti which had been covered in ketchup.  Given the tension between the two Blackmore assumed it was Gillan.  He said, “Did you do this?”  Gilland says before he could answer Blackmore had smashed the plate into Ian’s face “as if it were a custard pie.”
      • Gillan claims at that point Blackmore started dancing around holding up his fists and saying, “Come on! Come on!” To which Gillan replied, “I don’t want to hit you, Ritchie.”  He said he turned around and went into the bathroom where he cried with frustration.  He said, “I quit” out loud then changed his mind.
      • Ian had already started working on his side project “Garth Rockett and the Moonshiners” and there was the sense he wasn’t giving his all to Deep Purple.
      • After this they worked on Nobody’s Perfect.
      • After this Deep Purple returned to Stowe for sessions and Ian was invited not to attend.
      • Ian said he finally did show up at the sessions but ended up at the bar and was drinking very heavily.
      • Gillan burst in on Blackmore and his girlfriend who were having a fight and ended up falling onto a sofa and knocking over a huge glass shelf.  He was wearing nothing.
      • Darker Than Blue #38 for November 1989:
        • Article describing “Vocalist Wanted” advertisements in Kerrang! And speculating they may be for Deep Purple.  They’d previously speculated about Brian Howe from Bad Company being a potential vocalist.
        • Blackmore ended up playing on Howe’s solo album which Darker Than Blue said: “. . . to be cringingly called “Howe’d Business” (guaranteed to git it bargain bin status within weeks!)”
        • They also go on to say that Joe Lynn Turner has been on people’s minds as well as Ronnie Dio. Interestingly the Dio rumor came from none other than Don Airey who said he’d heard Dio was auditioning while he was woring with Whitesnake.
        • Coverdale also came to mind quickly to reprise his role replacing Gillan.  Whitrsnake wasn’t exactly stable but their latest album “Slip of the Tongue” was selling quite well.
        • Doug Pinnick of Kings X was also considered.
        • Word from MTV was that JLT had turned the job down.
        • Rumors were that Paul Rodgers auditioned and was “found lacking.”  Hard to believe with Blackmore’s admiration for Rodgers.
        • Jimmy Barnes was rumored to have taken the job as well.
        • The next name was Kal Swan from the band Lion.
        • Jamie Jamison from Survivor was another rumored name.
        • According to Sounds magazine Gillan was fired.  According to NME Gillan quit.
        • Jon said he’d like to work with Colin Hodgkinson again but couldn’t due to the BMG contract running until 1991.  There were so many delays from Deep Purple that Jon Lord ended up touring with him anyway with John Mayall.
        • Simon Robinson says that seeing JLT do Deep Purple material  made himn think they’d need to really rework the set to make it work.  HE said this is ironic considering this seemed to be the main stickign point with Gillan who really wanted to rework things.
      • ++++ Black Knight
      • Tensions were rising between Deep Purple and Polygram. In interviews Jon Lord said they got the impression that Polygram did not consider Deep Purple to be a current group.
      • IT was decided in 1989 they would take a break from touring and focus on a new album.
      • Lord stated they had six nearly completed songs and another six that they were working on.
      • Blackmore wanted this album to go into a more commercial direction.  Gillan wanted it to be something a little more quirky.
      • Gillan wanted to record in a New York studio.  Blackmore hated the idea and Lord said, “The idea of recording in New York fills me with dread.  This upset Gillan and lead to Blackmore calling a recording session without Gillan.
      • Raymond D’Addario: “You almost thought tha tIan wanted to be kicked out.  That’s the impression I got.”
      • Artie Hoar: “I was there when Gillan got fired. WE were in Vermont and Deep Purple was rehearsing. Rich and all of the other band members (except for Roger) went home without telling Gillan that he was going tobe replaced. I left with Rich so I guess Roger told him he was out.”
      • Blackmore had lead the charge in ousting Gillan but the rest of the band backed his decision.
      • Lord: “Ritchie is like a terrier or pit-bul, he gets hold of something and won’t let go. HE ahs a vision of what he wants, and he’ll fight and fight until he gets what he wants. He’s rarely wrong, and if he is wrong, he’ll admit it with utmost graciousness. Until he’s proven wrong, he won’t budge. I love him the way he is.”
      • Roger said in an interview in Kerrang! “Sacking Ian Gillan was not personality clash, it was not about behaviour, it was a decision taken by all of us in the band, however painful that was.”
        • Glover goes on to say it was a difference in songwriting. Gillan wanted to go in a different direction.  He also says it’s painful to talk about and they are still great friends but that his dismissal was necessary.  He concludes with: “In many ways, I miss him a lot.”
      • At a video shoot for MTV Jon Lord said he was glad that Ian had left and said it had gotten “as bad as it was the first time he left.” This caused Bruce Payne to shake his head as this was done on camera.  Several sources cite this including the Kerrang interview with Roger Glover as well as a few of the books.
      • In Colin Hart’s book “A Hart Life” he mentions that Bruce Payne sided with whoever had the most power in the band. At this moment it was Ritchie.  That would change in the future.
      • BMG was not happy about this change as they’d signed the Mark 2 lineup and now they did not have their signature singer to record their next album.
      • The remaining four members did not have any particular singer in mind to replace Gillan.  They auditioned potential singers.
      • It was during this period that Ritchie met Candice Isralow at a charity soccer match.
      • Jon took the opportunity to team up with Pete York and Tony Ashton and others and they toured Germany under the name Olympic Rock and Blues Circus. By the time the tour ended they still didn’t have a singer.
      • Some singers that were auditioned included Jimi Jamieson and Terry Brock.  The former was the singer in Survivor and allegedly was offered the job but refused it at the advice of his management.  Jon Lord said that’s who he really wanted but that Jimi was afraid of his managers.  He said they were “Italo-Americans; that says enough.” Brock was less well known from a band called Strangeways. There were rumors that he and Blackmore had a big altercation with Brock walking out.
      • Jimi Jamieson turned down the band, opting to go with a solo career.  He ended up doing the theme song for Baywatch.  In Colin Hart’s book he says, “Good choice, Jimi!”
      • It was at this point that Blackmore suggested Joe Lynn Turner. The other band members were initially not interested in this idea but eventually they relented, perhaps due to Ritchie’s pit-bull tendencies.
      • When Roger first heard of the idea his first reaction was “No Way! Absolutely Not!”  He went on to say that it wasn’t for any personal reasons but he just felt it was the wrong move.  He said he though the “Deep Rainbow” criticisms would be “flying thick and fast.”
      • Jerry Bloom states in Issue #32 of “More Black Than Purple” that these complaints could have been nullified given Lord and Paice joining Whitesnake and the sound staying relatively the same.  I would contest that that may have had something to do with neither of them taking much of a songwriting place with that band.
      • In a 1984 interview with Mick Wall Blackmore talks about the differences between Rainbow and Deep Purple.  “. . . I feel that although Rainbow did some good stuff, it didn’t ever have the identity that Purple has.”  He goes on to say that in Rainbow he was able to have everything exactly how he wanted it but it didn’t seem to appeal to the masses.  He admitted that him in 100% control didn’t equal the best results.  He then goes on to compliment Gillan: “Ian Gillan . . . will come up with melodies and lyrics to things I’ve written which I would never have thought of. That’s part of the chemistry and magic of Purple. Nobody has a voice like Ian Gillan’s and you can’t say that about the Journeys, Foreigners, Survivors or Rainbows.”
      • Joe says that when he walked in to her audition the band was playing and Ritchie went into “Hey Joe” by Hendrix and Turner got right on the mic.  It’s alleged that Roger Glover has a recording of this in his session tapes.  He goes on in Kerrang to say “I recorded that, I have it on a 12-track, and it was really good. One day I’d like to release that.”
      • Glover in Kerrang: “I don’t think the real test is how well Joe performs the old songs, it’s how well he performs the new songs and how much of a career we forge from here . . .”
        • Glover goes on to talk about whole Who Do We Think We Are didn’t produce any songs that translated into live numbers so they just went back to Machine Head which is just Made in Japan.  He really wanted to focus on getting back to some old 
      • Joe Lynn Turner goes on in interviews about how Ritchie was the band leader, he sided with Ritchie, and Roger and the others sort of did their own thing.  JLT has some somewhat unfavorable things to say about working with Jon Lord, a rarity in Deep Purple circles.  “I can remember Jon saying ‘Love Conquers All’ was shit and it wasn’t a good song and I said, ‘If you play it right I’m gonna sing the hell out of it and it’s going to be a great power ballad so just shut the fuck up and get started.”  He goes on to say that Ritchie had been wanting to say that to Jon for years
      • JLT described Lord as being critical but not very involved in the writing “Jon would never write and he’d be sitting there drinking his glass of wine reading his book listening to classical music.”
      • Despite the fight with Gillan about recording studios they ended up at Greg Rike Productions in Orlando, Florida to record “Slaves and Masters.”
      • This was their first time in a proper studio to record an album since “Come Taste The Band.”  Wonder if this made Gillan mad?
      • In an interview in Metal Hammer from December 1990 Jon Lord says (about why they went with an established singer instead of someone new like they’d done with Coverdale): “We area band of a certain age. And most singers we got audition tapes from were guys of 20-22 years. And two things would happen if we took a guy of that age. One it would look wrong. And two the poor guy would not stand the chance.”  He goes on to say that a young, inexperienced singer wouldn’t be able to “control the band from the front.”
      • Jon said in interviews that Ritchie was the leader of the band and it wasn’t Purple without Ritchie.
      • They played one show with Joe Lynn Turner but Jon Lord opted not to play as it was a very cramped venue.
      • After that Colin Hart arranged a location in Altamonte Springs, Florida, north of  Orlando called Greg Rike Productions. He mentions that the band was tired of the snow.
      • Colin Hart said it took six months to record.
      • Ian Paice: “The thing that’s different is that Joe has the ability to sing anything well, and because of that it opens up more possibilities than ther ewere before. I mean, I an was a great rock’n’roll singer, David was a great blues singer, but Joe has the ability to do anything and everything, so where there were certain limitations on what we could do before, at the moment anything we can think of he can do.”
      • During press conferences JLT wouldn’t miss an oppotunity to speak negatively about Malmsteen and pump up Blackmore.
      • JLT: “Before I joined there were certain restrictions and conditions that I flet had to be met. Ome was that I’m not just gonna come into the band singing someone elses’s drivel.”

      Personnel:

      Additional Personnel:

      Technical:

      Album Art & Booklet Review

      • Artwork [enhancement] – Ralph Wernli
        • Worked on album photography  for numerous others including Art Garfunkel and Kool Moe Dee. While a photographer he is credited with artwork on this album.
      • Photography – Didi Zill
      • Art Direction – Roger Glover

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        • Tim “Southern Cross” Johnson

      Album Tracks:

      1. King of Dreams (Blackmore, Turner, Glover)
        1. Glover says in Kerrang: “King of Dreams is a perfect case point. That came out of a couple of days of frustration, the atmosphere in the studio was like pea soup, everyone was really down in the mouth. Then Ritchie just started playing a completely different riff. He only played it once cos when we’d done it I said “That’s really good, let’s work on it’ – but Ritchie wouldn’t!  We came back to it a couple of weeks later, did a few overdubs, I got Joe in to work on a set of lyrics I’d got, then by the time the band came in we had a song. It’s not perfect by any means. We tried to improve it, but it wouldn’t be improved. It just lived the way it live . . .”
      2. The Cut Runs Deep (Blackmore, Turner, Glover, Lord, Paice)
        1. In Black Knight Joe Lynn Turner says that Jon Lord started playing the keyboard intro at his audition in Vermont and Turner started singing the vocal line “What about the heartache? What about the emptiness inside?”
      3. Fire in the Basement (Blackmore, Turner, Glover, Lord, Paice)
      4. Truth Hurts (Blackmore, Turner, Glover)

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      For Further Information:

      Listener Mail/Comments

      • Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.
      Posted on

      Episode #149 – Deep Purple Live in Florida (2022)

      Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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      • Jas (only available nickname( – 5 Stars!
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      • Another 5 star review?? You know what that means
      • 5 STARS! *flexatone goes absolutely ballistic* In all seriousness, a great show with the funniest Deep Purple fans in the world -J

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      • Richard Fusey upgrades to the $21.12 tier which we are dubbing “The Long Live Rock ‘n’ Roll” Tier

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      Deep Dive Podcast Network:

      Topics of Discussion:

      • Parents drop off
      • Irish pub
      • Ghost of Jon Lord
      • Back at house
      • Mike Airey and Mickey Lee soule
      • Roulette Roulette
      • Ian paice
      • “That wasn’t me, i’m not old enough. That was my father”
      • Steakhouses
      • “Promise me you won’t play roulette.”
      • “You’re a clever guy.”
      • John “that was the guy who was on Shades of Deep Purple!”
      • Did Ian Paice buy our drinks?
      • Nate drives back

      Thursday, February 10, 2022

      • Breakfast
      • Happy birthday John
      • Casino
      • Mickey Lee Soule (reprise)
      • Gillan breezing by
      • Lunch with Glover
      • Finding “The Gardow”
      • Gardow’s coaster tradition
      • “Angry Eagle”
      • Blue Oyster Cult
      • Peter Gardow stalking me

      Hollywood, FL – Seminole Hard Rock Hotel & Casino – February 10, 2022

      1. Mars, The Bringer of War
      2. Highway Star
      3. Pictures of Home
      4. Strange Kind of Woman
      5. Nothing at All (Live Debut)
      6. Uncommon Man
      7. Lazy
      8. Keyboard Solo
      9. Perfect Strangers
      10. Bass Solo
      11. Space Truckin’
      12. Smoke on the Water
      13. Caught in the Act
      14. Hush
      • Drinks with Roger
      • OJ Simpson cameo!
      • John tells Roger about his birthday
      • Glovers talks about adding “Throw My Bones” to Margaret show (they ran out of time)
      • Gardow has him sign coaster
      • Wawa & Sponch

      Friday, February 11, 2022

      • Breakfast biscuit incident
      • Drive to St. Petersburg
      • Rich told Bellhop NateI was famous and he asked if he was in Spider-Man then he said he wanted Nate’s autograph
      • Steak house
      • Glen chat

      Saturday, February 12, 2022

      • Saturday
      • Morning Starbucks
      • Dali fail
      • Teaki bar and walk down the pier
      • Meeting with Peter from Illinois
      • Beers from Doug MacBeath!
      • The Georgia Thunderbolts

      St. Petersburg, FL – The Mahaffey Theater – February 12, 2022

      1. Mars, The Bringer of War
      2. Highway Star
      3. Pictures of Home
      4. Strange Kind of Woman
      5. Nothing at All
      6. Uncommon Man
      7. Lazy
      8. Throw My Bones (Live Debut)
      9. Keyboard Solo
      10. Perfect Strangers
      11. Bass Solo
      12. Space Truckin’
      13. Smoke on the Water
      14. Caught in the Act
      15. Hush

      Sunday, February 13, 2022 – The Journey(s) Home

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      Episode #148 – Rainbow – Bent Out of Shape (with Chris L from Pod of Thunder)

      Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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        • I don’t have anything clever, but here are some thoughts you might be able to make a bit out of.
        • My first hard rock album was Machine Head, which my older brother gave me when I asked him for something heavier than Grand Funk Railroad, which was my previous step. I went from DP to Sabbath eventually. This was about 47 years ago.
        • I don’t think there any any heavy DP without Ritchie but would love to be proven wrong with an example album (big Ritchie fan)
        • I thought Jon’s scores on Moxy were way low!! Started listening to them.
        • Thanks also for the Dream Theater cover experience. That was awesome.

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      Lead up to the Album:

      • Chuck Burgi, a friend of Joe’s, and drummer with Hall and Oates. Colin Hart says Joe had a hand in getting Bobby out of the band and getting Joe to replace him.  Ritchie wasn’t sold on Burgi right away.
      • Bobby says he knew he was going to get kicked out so he quit.
      • Rosenthal says they had another drummer who he doesn’t remember the name of who did all the drum parts in Copenhagen.  Ritchie eventually decided to have Burgi come over and redo all the drum parts.
      • Chris Carroll seems to be the drummer that started sessions in Copenhagen.
      • Rasmussen says they “wasted three or four days” with the first drummer.  Everyone seems unwilling to name the drummer.
      • Joe increased his level of collaboration with Ritchie on the writing process.
      • They went up to Vermont to rehearse then over to Sweet Silence Studios in Copenhagen to record the album.
      • Ritchie insisted on writing outside of the studio for financial purposes. 
      • The album was recorded in five weeks.

      Personnel:

      Technical:

      Album Art & Booklet Review

      • Wikipedia says the album art was designed by Hipgnosis and that along with Led Zeppelin’s “Coda” were the last to be designed by Hipgnosis before they shut down in 1983.
      • Discogs credits this album differently.
      • Artwork [Sleeve Design And Concept] – STd (3)
        • Storm Thorgerson Designs – used this acronym to credit his work after Hipgnosis closed for business.  Shortly after this he formed StormStudios.
        • Discogs lists Storm as the designer and not Hipgnosis.
      • Photography By [Cover] – Derek Burnett
        • Only credit is this album and Kansas’s “In The Spirit of Things” featuring none other than current Deep Purple guitarist Steve Morse.
      • The title is an American expression and not a British one supporting the theory that this album was specifically marketed at American audiences.
      • Joe says it came from Clif Cooky Crawford, Ritchie’s guitar tech, who used to say “don’t get all bent out of shape” all the time.
      • The band originally wanted to call the album “Don’t Fuck Around with Love.”  As could be expected the record company wasn’t crazy about this album, hence the title it has.
      • We saw this sort of thing really annoy Ian Gillan a few years later when Blackmore said to Gillan ‘There’s no need to cop an attitude.’ This infuriated Ian Gillan who didn’t appreciate Blackmore’s adopting of American expressions or mannerisms.

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      • Tim “Southern Cross” Johnson

      Album Tracks:

      Side One:

      1. Stranded (Blackmore, Turner)
        • Turner says the song was written while looking out the window in Copenhagen and feeling like he was stranded.
      2. Can’t Let You Go (Blackmore, Turner, Rosenthal)
        • Second single released from the album with 
        • Released  “All Night Long” live as a B-side, other versions also contained “Stranded” live as well as “Drinking With The Devil” included in the Spanish single release.
        • Rosenthal wrote the intro. Ritchie told him he was looking for something like Bach’s “Toccata and Fugue.”
        • If you haven’t seen the video, you should definitely check it out. Future bonus episode material for sure.
        • Reached #43 on the UK Singles Chart.
        • Burgi says they couldn’t quite get this one right.  Ritchie got frustrated and left Roger, David, and Chuck and told them to try it as a trio.  They said they got it in the first take and Ritchie liked it and later overdubbed his guitar part.
        • Ritchie says this is the best Joe ever sang.
      3. Fool for the Night (Blackmore, Turner)
        • Turner says this song is autobiographical about being addicted to the rock and roll lifestyle.
      4. Fire Dance (Blackmore, Turner, Glover, Rosenthal)
        • Joe says this song is about dabbling in the occult with Ritchie.
        • JLT says they were into Wicca and Alestair Crowley.  He says he was “literally possessed” to write this song.
        • He also claims they used to do seances with Jimmy Page.
      5. Anybody There (Blackmore)
        • Joe Lynn Turner says this song was titled this way because the first three lines of any seance are “Is Anybody There?”
        • Ritchie says it’s a typo on the sleeve and there should be a question mark after the song title.
        • Ritchie says it’s based on Bach’s “Prelude in C.”

      Side Two:

      1. Desperate Heart (Blackmore, Turner)
        • The LP has “Desperate Heart” at 4:00, whilst cassette and remastered CD have this track at 4:36, repeating the verse after the guitar solo.
      2. Street of Dreams (Blackmore, Turner)
        • Turner calls this song “Stone Cold Part II.”
        • First single released off of the album.  A couple of different versions including “Anybody There” as a B-side, “Power” live as a B-side.
        • There’s a video for this one as well directed by Storm Thurgerson, the cover artist.
        • The video was banned by MTV for a segment that was supposedly hypnotic.
        • Reached number 52 in the UK charts, #60 on the Billboard Hot 100, #2 on US Mainstream Rock.
        • Joe Lynn Turner said that this song was a “big story for me.”  He goes on to say, “It was a spiritual experience that I had. I’m a reincarnationist, and I believe we all lived before, and know people and places before.”
        • JLT says Ritchie was intimidated by some of the lyrics and the melody because he’d done such a great performance.  He says Ritchie “was like, ‘ Fuck, how am I supposed to play a lead? This vocal is so strong.”
        • Ritchie says this song is one of the best commercial songs he’s ever been involved with.
      3. Drinking With The Devil (Blackmore, Turner)
      4. Snowman (Howard Blake, arranged by Blackmore)
        • The instrumental “Snowman” is based upon “Walking in the Air“, a song written by Howard Blake for the 1982 animated film The Snowman based on Raymond Briggs‘ 1978 children’s book of the same name.
        • This song was based upon “Walking in the Air” by Howard Blake. This was from a 1982 animated movie called “The Snowman” based on Raymond Briggs’ 1978 children’s book.
        • Was nominated for a grammy for best rock instrumental performance in 1984.
        • Sting beat it out with his song “Brimstone and Treacle.”
        • Ritchie: “I think Sting won it, because they felt sorry for Sting. This is the story I heard. They felt sorry for him because he didn’t win in the vocal category. So they had to include him in something.”  He goes on to say. “That’s not a slight at Sting, but that’s how the story came back to me.”
      5. Make Your Move (Blackmore, Turner)
        • Similarly, “Make Your Move” is 3:56 on the LP, yet 5:25 on cassette and remastered CD, due to a reprise of a bridge section and a much longer playout. The first US CD edition (Polydor – 815 305-2) uses the LP version.
        • Joe says this is something he and Roger were saying to each other. They were at this point in their life where you have to do something different.  He likens it to the song “Power” from “Straight Between The Eyes.”

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      Reception and Review

      • Roger says this was the best sounding record sonically.
      • The album reached #11 in the UK Albums Charts and #34 on the Billboard 200 in the US.
      • Howard Johnson of Kerrang! magazine (No.51 – Sept 22-Oct 5, 1983) praised the album as “possibly Rainbow’s most complete work to date” and called “Desperate Heart” and “Street of Dreams” “two of this year’s finest tunes.”
      • Joe Lynn Turner tells this story of making a 10 foot line of cocaine in the studio and all of this excess.  Roger says he doesn’t recall any of this but says, “Sounds like a good story, though. And who am I to ruin a good story?”
      • They started the tour for this album in England supported by Lita Ford.  Joe and Lita quickly became romantically involved.
      • Ritchie: “I’ve come to realize that playing music that people can enjoy is not a sin. When I left Purple and started Rainbow in 1974, I was committed to making music I viewed as challenging. Regrettably, that style didn’t sell too many records. 
      • In 2006 “Street of Dreams” was recorded by Blackmore’s Night for their album “The Village Lanterne” and is sung by Candice Night.  There’s a special edition version of the album that features the song as a duet with Candice Night singing the track with Joe Lynn Turner.
      • By this point rumors were starting to swirl around about a Deep Purple Mark 2 reunion.
      • Joe Lynn Turner says they were on the verge of something greater and were really picking up traction but broke up right before it happened.

      For Further Information:

      Listener Mail/Comments

      • Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.
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      Episode #147 – Weird Versions of Smoke on the Water (Part 2)

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      • At the $3 “Nobody’s Perfect” Tier
        • Øyvind Fjeldbu (EYE-VIND FJELBOO)
        • “Thank you for doing this great show. Some time last year I searched the Internet for possible podcasts on Deep Purple, and your podcast naturally came up. I started listening and realized quickly that this was the perfect podcast for me as I’m a huge fan of DP and related bands and output. I thoroughly enjoy it, usually while walking our dog, and I learn and laugh a lot! Looking forward to the forthcoming episodes and especially when you reach the Morse era. Keep up the good work!”

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      See our original episode here:

      The Weird Versions:

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      Episode #146 – Elf – Carolina County Ball

      Our YouTube episode was blocked this week. Please see below for our audio episode or check our YouTube channel here for more episodes: https://www.youtube.com/channel/UCxcThTTLtAC_k7m9sTV5HIw

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      Apple Podcasts Reviews:

      • I love mags (from the UK)
      • 5 Stars!
      • Great fun podcast on Deep Purple
      • I found out about this excellent podcast by accident and I absolutely love it. It’s a great fun listen. I’ve only played a few episodes so have loads to catch up! The House of Blue Light review was interesting. I saw Purple on this tour at Wembley London UK. On that eve Blackmore refused to do an encore! So Lord and Glover played lead. It was definitely an interesting version of Smoke on the water! Having seen Gillan in mind blowing vocal form (the band) live in 81, it was noticeable Ian had lost some of his range/power by 87/88. Overall he was/is still great. Keep up the great work, thank you! Ps The latest “Accidentally on Purpose” episode was excellent, I had forgotten how good this album was. Like you l appreciate it more now. I bought it when it came out and wasn’t sure I liked it back then 🙂

      Big thanks to Brendan Ashbrook who designed our logo!

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      Show Update:

      Deep Dive Podcast Network:

      Lead up to the Album:

      • The first album had been recorded in the US but for the second album Roger Glover brought them over to England to record.
      • Recorded at The Manor which had opened in 1971 by Richard Branson.
      • Discogs lists over 1900 recordings taking place at The Manor.  This would have been one of the earlier recordings.
      • David Feinstein left the band after the first album and was replaced by Steve Edwards on this album.

      Personnel:

      Additional Personnel:

      Technical:

      Album Art & Booklet Review

      • Photography By – Fin Costello
        • Legendary rock photographer.
      • Art Studio – Nesbit Phipps and Froome LTD
        • Worked on Deep Purple In Rock and Burn. 
      • Original US and Japanese release as “L.A. 59”
        • Art Direction – Sheri Leverich
          • Worked on albums for The Osmonds
        • Elf Illustration – Nigel Brook
          • Couldn’t find any additional information

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      • Tim “Southern Cross” Johnson

      Album Tracks:

      Side One:

      1. Carolina County Ball
      2. L.A. 59
      3. Ain’t It All Amusing
      4. Happy

      Side Two:

      1. Annie New Orleans
      2. Rocking Chair Rock ‘N’ Roll Blues
      3. Rainbow
      4. Do The Same Thing
      5. Blanche

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      Reception and Review

      • On some European releases the first song is listed as “Carolina Country Ball.”

      For Further Information:

      Listener Mail/Comments

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      Episode #145 – BBC Sessions (January, 1969)

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      Show Update:

      Deep Dive Podcast Network:

      Lead up to the Recording

      • Recorded January 14th 1969.

      Tracks:

      1. 14:40 – Hey Bob A Rebop (Gloria?)
        • Group were invited to play on BBC TV on a show called “Late Night Line Up” to play this new track. Nigel Young, archivist, said this was the show they played. There are no tapes from the show that survived.
        • This song would eventually be reworked into “The Painter.”
      2. 18:10 – Emmaretta
        • They would be back in the studio three days later to record this one.
      3. 21:18 – Wring That Neck

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      1. 26:00 – Interview
      2. 27:29 – Hey Joe
        • The first live broadcast had an intro taken from ballet called “The Three Cornered Hat.”
      3. 31:31 – It’s All Over (version two)
        • Original by Ben E. King from the 1965 album “Seven Letters”

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        • Spike, The Rock Cat
        • JJ Stannard
        • Hank the Tank
        • Private Eyes
        • Ashen Lionel

      Listener Mail/Comments

      • Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.