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Thanks to the Patron Saint and Archivist of The Deep Purple Podcast:
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- Comments from social media.
- Good morning, Nathan and John.
- Firstly, I hope you and your families are keeping well in these troubled times. We will all remember 2020 as a really terrible time for everyone but hopefully next year will be when we can get back to normal.
- Firstly, I am 62 years old and I have never been on Facebook, Twitter or any other social media site so it is quite a leap for me to contact you. I was prompted to do so after the last couple of your podcasts during which you mentioned the lack of recent reviews on Apple podcasts. I posted one on 19th October and I noticed another fan ( named “ Well Disguised“) had also posted a review recently. By following the link to Apple podcasts on your site, there are a number of reviews, but if you go direct via the Apple app, there are a number of other reviews. This seems strange to me, but maybe this is the way Apple works.
- In any case, I gave a very positive review as I have enjoyed your podcasts tremendously during this difficult period. I first became seriously interested in the music of Deep Purple (and a lot of other bands) at the relatively late age of 15, in 1973. Your reviews and discussions of all the “old stuff” I used to listen to have renewed my enjoyment of this great music. Personally, I prefer The Mark II version, but I also rate “Burn” as the equal of anything that the Gillan/Glover era produced (sorry but I think “Stormbringer” is Burn’s evil twin. I know you like this album a lot but I remember the disappointment I felt at the time when I first listened to it in late 1974).
- Your podcasts have really been one the few positives for me this year, as I have gone back to the start and listened to almost every episode. Growing up in a working class area of Glasgow in the early/mid seventies was not always great and whilst as kids we weren’t exactly forced to work up chimneys, we weren’t rich either. Sport and music were really important and I know now that I was really lucky to live though a time when a huge amount of creative music was being released. For me, it was all rock music and not at all defined by genres the way it has been for many years. So, it was easy to like diverse music by Deep Purple, Genesis, Pink Floyd, Free, Bad Company, Jethro Tull, Yes etc. It was all just great music.
- I have tried to be as brief as possible ( I could have said so much more!) but I wanted to let you know much enjoyment I have taken from the Deep Purple Podcast. I really like to listen to you go off on tangents. You are obviously long time friends and it’s nice to hear you talk about your shared experiences in Providence, Rhode Island. I was watching a quiz show on TV recently and one of the questions concerned a Providence tourist information film in 2016 which had to be withdrawn because it showed footage of landscapes in Iceland instead of Providence. That made me laugh.
- Please keep up the great work and stay well and safe.
- All the best,
- Robert (OldBloodsuckerBob) Smith from Glasgow, Scotland.
- Rhode Island tourism video ‘mistakenly’ uses footage of Iceland
- Tommy Bolin Memorial Statue Fundraiser
Lead up to the Album:
- Glover had been so busy producing and with Rainbow that he didn’t have much time for anything else. However, in 1983 he found some time to get into the studio and get to work on Mask.
- This seems to be called “The Mask” almost exclusively, even in the CD release liner notes, despite the fact that it says “Mask” on the original album cover.
- The album was released in June of 1984.
- The label put some heavy promotion behind it and the title track saw release as a single. However, it was launched a few months ahead of Perfect Strangers and got a little lost in the mix.
- Bass guitar, lead vocals, other instruments – Roger Glover
- Guitar – Dave Gellis,
- Also played with Meatloaf.
- Guitar – Joe Jammer
- He was a prolific and session player who worked with Martha Velez, Jimmy Witherspoon and toured with Maggie Bell.
- Keyboards – David Rosenthal*
- Played with Rainbow, Billy Joel, Steve Vai, Yngwie Malmsteen, Whitesnake.
- Keyboards – Jean Roussel
- Played with a group called Hanson (no, not that Hanson).
- Drums – Chuck Bürgi
- Worked with Blue Oyster Cult, Brand X, Hall and Oates, Rainbow.
- Drums, Simmons drums – Mark Conese
- Did technical work on “The Battle Rages On.”
- Saxophone – Charlie Dechant
- Played with Hall & Oates.
- Percussion – Nick Blagona
- Deep Purple engineer who passed away last year.
- Backing vocals – Craig Brooks
- Worked with Michael Bolton.
- Backing Vocals – Kate McGarrigle
- Mother of Rufus Wainwright and Martha Wainwright
- Backing Vocals – Denise Brooks
- Backing Vocals – Kim Romano
- Roger Glover: bass guitar/lead vocals/various other instruments
- Dave Gellis: guitar
- Joe Jammer: guitar
- David Rosenthal: keyboards
- Jean Roussel: keyboards
- Chuck Burgi: drums
- Mark Conese: drums, Simmons drums
- Charlie DeChant: saxophone
- Nick Blagona: percussion/dub
- Craig Brooks: backing vocals
- Kate McGarrigle: backing vocals
- Denise Brooks: backing vocals
- Kim Romano: backing vocals
Album Art & Booklet Review
- Art Direction – Bill Levy
- Did visual work for Jesus Christ Superstar, Gloria Gaynor, Rainbow’s Down to Earth.
- Art Direction – Peter Corriston
- Cheech & Chong, J. Geils Band’s Hotline, Led Zeppelin III, Uriah Heep’s “Sweet Freedom,”
- Artwork [Front Cover, Inner Sleeve Image] – Roger Glover
- Other [Mask Courtesy Of] – Nardin Fina Arts, Ltd
- Edited By – Rhonda Epstein
- Wendy Carlos & Weird Al
- Photography By [Back Cover] – Brian Hagiwara
- Free, Billy Joel, Alice Cooper, Steppenwolf
- Engineer – Nick Blagona
- Passed away on January 4, 2020.
- Tons of credits including Kate & Anna McGarrigle, Nazareth, Crack the Sky, Rainbow, and Deep Purple starting in 1984. Also Gillan & Glover.
- Engineer [Additional] – Jeffrey Kawalek*
- Blue Oyster Cult
- Engineer [Additional] – Mike Barry*
- Management – Bruce Payne
- Mixed By – Nick*, Roger*
- Producer – Roger Glover
- Divided World (Glover)
- Getting Stranger (Glover)
- The Mask (Glover, Roussel)
- From the album Mask, this song was written whilst Colin Hart was driving me to Le Studio, near Montreal. Rainbow had recently recorded there and Nick Blagona, the resident sound engineer, having seen some of my poetry, encouraged me to do a solo album. At first I demurred but he offered me four days of studio time on the understanding that only if something came of it, I would have to pay them. I took with me a few guitars, a sequencer, drum machine, and some half-baked ideas. It became obvious that I needed help so Nick introduced me to two local musicians, Joe Jammer on guitar and Jean Roussel on keyboards, who played on a couple of tracks. Eventually, I completed the album in New York. I couldn’t quite believe that the record company then offered to make a video (it was a time when MTV was huge), so I wrote the storyboard for it. Colin Hart and I flew to Los Angeles where I met some great people who helped make the video. Shot in two locations; the swimming pool of a house overlooking the city, and then at a wild animal training park a couple of hours from LA. I spent an amazing four days pretending that I was a film star. As you know, that fantasy didn’t last long. But the memory has.
- Fake It (Glover)
- Dancin’ Again (Glover, Gellis)
- You’re So Remote (Glover)
- Hip Level (Burgi, Gellis, Glover)
- Don’t Look Down (Glover)
- Comments about the show? Things you’d like us to cover? We’d love to hear from you. Send us an email at firstname.lastname@example.org or @ us on Twitter, Facebook, or Instagram.