Episode #86 – Ian Gillan Band – Scarabus

Full video on Cocoscope this week: https://www.cocoscope.com/watch?v=74504

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

Subscribe at Apple Podcasts, Stitcher, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, or search in your favorite podcatcher! 

Thanks to Our Show Supporters – Three Ways To Show Your Support

  • The $25 “Super Trouper” Tier
  • The $20 “Shades of Deep Pockets” Tier
    • Ryan M
  • The $15 “Highball Shooter” Tier
    • Alan Begg
  • The Turn it up to $11 Tier
    • Frank Theilgaard-Mortensen
    • Clay Wombacher
    • Mikkel Steen
  • $10 “Some One Came” Tier
    • Gerald Kelly
  • The Episode $6.66 Tier
    • Richard Fusey – Paypal
  • $5.99 The “Nice Price” Tier
    • Fielding Fowler
  • $5 “Money Lender” Tier
    • Greg Sealby
    • John Convery
    • Arthur Smith
    • German Heindl
    • Adrian Hernandez – Paypal
    • Kenny Wymore
  • $3 “Nobody’s Perfect” Tier
    • Peter Gardow
    • Ian Desrosiers
    • Mark Roback
    • Anton Glaving
    • Will Porter
    • Andrew Meyer – NEW PATRON ALERT!!
      • Happy to be here! You guys are definitely helping me deal with the pandemic with more of a smile. Cheers from Philly!
  • $1 Made Up Name Tier
    • Ells Murders
    • Spacey Noodles
    • The “Frightful” Leaky Mausoleum
    • Michael Vader
    • Stephen Sommerville The Concerto 1999 Fanatic

Thanks to our Brothers at the Deep Dive Podcast Network:

Thanks to the Patron Saint and Archivist of The Deep Purple Podcast:

Show Updates:

Lead up to the Album:

  • We last left off with the “Clear Air Turbulence” album.
  • Gillan found himself at Island Records (we talked about Gillan playing pool with Bob Marley).  Former Uriah Heep singer, John Byron, also found a home there.
  • There seemed to be a distinct effort to make a harder rock approach after “Clear Air Turbulence.”
  • Scarabus came only six months after Clear Air Turbulence.
  • The goal on Scarabus was to bring a harder-rocking offering.  Clear Air Turbulence focused a lot on the musicianship, Scarabus was to put more of a focus on Gillan’s vocals.
  • Ten 3-4 minute songs vs six 6-7 minute songs.


Album Art & Booklet Review

  • The witch on the US sleeve comes from a movie poster for a 1976 horror movie called “The Witch Who Came From The Sea.”  That was based on a painting by Frank Frazetta.
    • Did covers for Molly Hatchet, Nazareth, and Yngwie Malmsteen.


Album Tracks:

All songs written by Gillan, Towns, Fenick, Gustafson, Nauseef.

Side One:

  1. Scarabus
  2. Twin Exhausted
  3. Poor Boy Hero
    • Gillan takes a look and processes the death of Elvis Presley, one of his childhood heroes.
  4. Mercury High
    • Single with Mad Elaine as the A-side.  Released in January of 1978.  Did not perform well.
  5. Pre-release

Side Two:

  1. Slags to Bitches
  2. Apathy
  3. Mad Elaine
    • Single with Mercury High as B-side.  Released in January of 1978.  Did not perform well.
  4. Country Lights
  5. Fool’s Mate

Reception and Review

  • Scarabus didn’t have a huge splash when it was released.  1977 saw punk and disco coming to a rise and hard rock had fallen a little out of favor.
  • Mad Elaine/Mercury High single did not perform well being released in January 1978 getting lost in the post-Christmas time period.
  • A five-track single-sided sampler was released to radio stations featuring Scarabus, Twin Exhausted, Slags to Bitches, Mad Elaine, and Fool’s Mate.
  • After the album release only Gillan and Towns would remain and they would reform as Gillan, focusing on the harder-rock direction they started with Scarabus.
  • In Child in Time Gillan says: “Although I was with fine musicians and great mates, the only thing they did not take seriously was rock ‘n’ roll, the whole group idea seemed to be about making music in a complicated and tricky way, instead of dealing with rock the way it should be — simple.”
  • Gillan admits that he had “no real control over the band.”
  • Nauseef would go on to work with Thin Lizzy, Gary Moore, and Phil Lynott solo.
  • Gustafson left to work with Gordon Gilstrap, who interestingly enough did an instrumental album called “The Peacock Party” which was based on the sequel to “The Butterfly Ball.”  Gustafson also worked with The Pirates and many other groups.  Additionally he’d recorded a solo album called “Goose Grease” in 1976 which didn’t see an official release until 1997.
  • Gillan speaks fondly of Gustafson, referring to him as one of his heroes from the Mersey Beats and complimenting his writing of the bass line on “Love is the Drug” by Roxy Music.
  • Ray Fenwick continued to be a prolific session guitarist.
  • Gillan tells a great story about Ray Fenwick being asked in Japan to sign a baby.
  • Island records, which had the rights to the Ian Gillan Band material, took advantage of Deep Purple’s reunion in 1984 buy issuing a best of album in 1986 called “What I Did On My Vacation.”
  • When Scarabus was released on CD it featured a nine-minute live version of “My Baby Loves Me.” It featured Ian Gillan Band and Gillan material.
  • Gillan says that the critics seemed to like Mercury High, Twin Exhausted, and Slags to Bitches but that the band was having trouble shaking the “jazz fusion” description.
  • Island was not pleased with the sales for Ian Gillan Band.  Part of the deal in leaving Island was that Gillan got to recover his catalogue and put it into Clear Air Music Publishing.

For Further Information:

Listener Mail/Comments

  • Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Leave a Reply