@Perro666 shares story of Concerto and meeting Ian Gillan.
@SchildChris shares vintage Tommy Bolin articles.
@CoolOldSwag – original 1984 Deep Purple Promo Poster for Mk II reunion/Perfect Strangers LP
Notes From The Field:
Ronnie James Dio Hologram show review!
Album Art & Booklet:
Covers history of the end of mk1, beginning of mk2.
In Gillan says he almost laughed when meeting Ritchie, Ian, and Jon because of their bouffants. “They seemed dated to me, didn’t bear any relevance to what was going on in London at the time.”
They were appalled by the choice of Hallelujah as a single.
Talks about Ian and Roger playing remaining Episode Six gigs as well as Deep Purple gigs, including one where both bands were on the same bill.
Roger Glover celebrated signing the official contract with Deep Purple by putting a £2 deposit on a Spanish guitar.
Story about Roger Glover breaking down his own gear and the roadie yelling at him.
Glover talks about being heavily in debt so they were playing shows for money between recording sessions.
Paice talks about how the band didn’t think “Living Wreck” was good enough for the album. They shelved it then returned to it later and really liked it. Ritchie’s guitar sound was through an octave filter.
Roger talks about Jon making a really bad mistake while playing the organ intro to Speed King but he paused and made it work and they kept it.
Ian Gillan talks about bj in hallway.
Paice about Martin Birch saying you ended up getting his sound instead of your own but it was such a good sound that you didn’t mind.
Production madness with all of them all over the mixer touching faders. Gillan said he couldn’t hear the vocals and Blackmore says: “Who do you think you are, Tom Jones?” Ian Paice talks about moving the faders up during his good drum fills and moving them down when he messed something up.
Things put on hold for a couple of months while the band figured things out after Tetragrammaton collapsed.
Album Details and Analysis:
Black Night (Original Single Version)
Title taken from song “Black Night” by Arthur Alexander in 1964
They rushed to record a single at the end, prompted by the record company.
Ritchie told Roger in the studio that he lifted it from “Summertime” and Roger told him he couldn’t use it. Blackmore replied, “Why not? Have you ever heard of it?” Roger said, “No.” Ritchie said, “Fine!”
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Ian Gillan’s History
Roger Glover’s History
History of Episode Six:
Formed in July of 1964 from two bands, the Lightnings and the Madisons.
Both bands formed at the Harrow County Grammar School.
The carried on as the Lightnings but decided it was too old fashioned. They based the name on a novel called “Danish Episode.”
Frontman Andy Ross joined the band as singer.
Shortly after agreeing on “Episode Six” they went pro and found a lot of work.
Episode Six played gigs all the time earning a reputation as a great club act.
In April of 1965 they went to Frankfurt, Germany where they would play from 7pm to 3am.
Episode Six had their eyes on the singer of Wainwright’s Gentleman, and Ian Gillan joined in May of 1965
Ian Gillan states in “Child in Time” that they were to get £30,000 a year with a royalty agreement of 75 percent of 1 percent, rising to 75 percent of 3 percent after twenty-five years. Probably ended up being a good deal as Episode Six likely made most of their money after being released on CD in the 90s.
The band recorded their first tracks after that after being signed by Pye records.
First unreleased track:
My Babe (Demo featuring Andy Ross)
First single was “Put Yourself in My Place” a cover of a song by The Hollies.
They toured all over, ending up in Beirut where they spent Christmas and landed three singles in the Lebanese Top 10. It was great press but further research revealed this was based on sales from two record shops.
Ian Gillan meeting Angel Machenio
The band started to do more originals with Glover writing a lot of them.
They played regularly on Radio One on a show called Radio One Club.
Another single came out, “Love-Hate-Revenge.”
Glover on watching these recordings when they were released in the early 1990’s as quoted in “Smoke on the Water” by Dave Thompson:
“I love it. I unashamedly love it. I cringed a few times, but it brought back so many memories. Episode Six had more or else disappeared for me — yes, I remember the singles, and yes, I remember that we spent twenty years on the road over the period of a few months, but it brought a lot of lovely memories back.”
They began to plan recording an album in 1967 which would use this concept of having a group side and a “solo” side. There was pressure from the label that they needed a more successful single before they could do an album.
The single “Morning Dew” came out with Shields singing at the beginning.
Harvey Shield got unhappy with the group and quit to form a due with his Israeli Girlfriend. John Kerrison joined for a short time after performing with the Javelins and with Nick Simper in “The Pirates” formed after Johnny Kidd had died.
When it came time to do Graham Carter’s single he decided he wanted to use the name “Neo Maya.” Because of this it didn’t sell very well. “I won’t Hurt You”
They then began to work on the long-delayed Episode Six album.
One day, Underwood received call from his old friend Ritchie Blackmore (from “The Outlaws”) asking if he knew any singers.
Mick Underwood, knowing Ritchie, recommended Ian when he heard they may be looking for a new singer.
Lord and Blackmore dropped by the Ivy Loge Club in Woodford to watch Episode Six. Blackmore even joined them on stage.
Lord asked Gillan if he’d like to join Deep Purple and asked if he knew any bass players that may be interested.
Gillan and Glover played their remaining gigs with Episode Six.
Glover had a harder time leaving the group having played with them for much longer than Gillan.
They met with Lord and Blackmore and showed them some of their songs. Glover in an interview said:
We nervously played our songs . . . they were all about monkeys and lions. Monkeys always appeared in our lyrics in those days. But there nothing that interested him. And then he pulled out a demo of ‘Hallelujah’ and said ‘What do you think of that?”
The duo went on to play out the last few shows with Episode Six while Rod Evans and Nick Simper didn’t find out until later, playing a few more shows with Deep Purple even after this single had been recorded.
History After Ian and Roger Leave:
John Gustafson replaced Roger Glover on bass.
Sheila Carter even formed a group with John Gustafson, Mick Underwood, and J. Peter Robinson.
They were later billed as Episode Six with Sheila Carter, later the Sheila Carter Band. She was the constant until going into doing session work.
Graham Carter became a booking agent for hotels in the middle east.
Tony Lander went into business as a decorator after a sting with his own band.
Gloria Bristow was upset at her band being broken up and reached a settlement with Deep Purple’s management. She then used that money to support her new band Quatermass!
Episode Six 50th Anniversary Celebration
On December 6, 2015 they held a 50th anniversary celebration in north west London.
Award is from the Ivors Academy presented to Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord (posthumous) & Ian Pace of Deep Purple who have won an Ivor Novello Award for International Achievement
Malcolm Arnold won this same award in 1959 for his composition of the in the film “The Inn of the Sixth Happiness”
Joe Satriani’s first band “Squares” to release an album on July 12
@iandes76 on Twitter – “Nice discussion guys . . . keep the pods coming!” Also, “Still can’t wrap my head around Stormbringer and CTTB.”
@joeblackrock on Twitter – “Deep Purple Podcast, who knew?” Our calculations are correct, we may be the first!
@sabbathbloodypc on Twitter – “My prayers have been answered!!! Excited to go deep with this. Welcome to the community.”
Bill Berry on the Website – “Good to see someone has started a DP podcast. The first show was a good start! A few tech glitches but mostly good, honest conversation about the greatest hard rock band of all time. Congrats Nathan and John, I look forward to hearing what you have up your sleeves for next time.”
@perroju666 on Twitter – “Grizzly Adams GIF” of approval when finding out about a Deep Purple Podcast. High praise!
There were a few more, these were all received before episode #2 even released!
First week brings listeners from the US, Ireland, Canada, Chile, Brazil, the Philippines, Uruguay, Spain, Denmark, Norway, Poland, Estonia, and Serbia.
The Formation of Deep Purple
In September of 1967, Chris Curtis, former drummer for the band The Searchers, met with Tony Edwards (a London businessman) to found a band called Roundabout. There would be a rotating cast with only Curtis staying on as singer. Edwards like this and financed the venture with Ron Hire and Jon Coletta (who would be Deep Purple’s manager through 1976).
Curtis’s roommate happened to be Jon Lord who was playing with Artwoods. Art Wood, was the brother of Ronnie Wood. Jon Lord was also playing in “The Garden” which was the backing band for The Flower Pot Men with bassist Nick Simper and drummer Carlo Little.
They recommended Ritchie Blackmore who Curtis had been aware of while The Searchers played with The Outlaws in Hamburg.
Ritchie joined in December of 1967.
Curtis’s erratic behavior (citation) became a hindrance and HEC Enterprises dropped him entrusting Lord and Blackmore with the task of filling out the rest of the band.
Lord got Simper to join and Ritchie Blackmore got Bobby Woodman to join the band on drums.
Dave Curtiss, a friend of Woodman, was considered as singer but had other commitments.
Nick Simper is quoted as saying that Ian Gillan was contacted for an audition as singer but declined.
The band rented an old farmhouse in February of 1968 where they set up shop and continue to search for a singer. Rod Stewart was considered as he was managed by John Coletta as well.
In his book, Deep Purple: A Matter of Fact, Jerry Bloom writes:
” Another vocalist considered was the lead singer with the Jeff Beck Group — Rod Stewart. The guys went to check him out at London’s Marquee club on 20 February . Blackmore was, and indeed still is to this day, a great admirer of Beck’s guitar skills, but none of the band was suitably impressed with Stewart to even offer him an audition. It’s probably worth mentioning that Stewart had also been one of the many vocalists to enter Joe Meek’s studios several years earlier but the maverick producer was also unimpressed with the self-proclaimed ‘Scottish’ singer!”
“Another interesting fact concerning STewart happened shortly after this. Simper recalled it was during Deep Purple’s tour in Denmark, but it possibly occurred at the 8th National Jazz & Blues Festival at Sunbury-on-Thames on 8th August where both bands were on the bill. According to Simper, Blackmore was chatting to Stewart, and recalling the night at the Marquee earlier in the year, drew the singer in hook, line and sinker when he commented: “It was really great.” Stewart apparently perked up, “yeah?” “Especially the beit when you went off stage for the band to do an instrumental.” Blackmore quipped, leaving BEck’s frontman somewhat deflated.”
They chose Rod Evans who was playing with The Maze. Evans brought along Ian Paice who Blackmore remembered from Germany.
Woodman had been unhappy with the direction the band was heading and Ian Paice slid into that spot.
Shades of Deep Purple
Blackmore asked friend, Derek Lawrence, to be the band’s producer.
Lawrence had worked with the Outlaws previously
Band recorded demos to send to record label
Band went on a promotion tour and played shows in Denmark and Sweden through April and May. They were booked as Roundabout but changed their name on the ferry ride to Tastrup, Denmark before their first show on April 20, 1968. They were named after Ritchie Blackmore’s favore song “Deep Purple” by Peter DeRose.
According to the book Deep Purple: A Matter of Fact by Jerry Bloom, this could be disputed.
A concert poster from “The Floral Hall” lists a band called “The Deep Purple” pas a support band for The Maze, Evans and Paice’s band at the time.
There’s evidence of another band called Deep Purple in 1967. Mike Wheeler was in this band which took its name from the 1933 song.
There is also evidence of several gigs being played elsewhere in England by a band called Deep Purple which cannot be attributed to either of these precursors or the Deep Purple we know.
Finally there was a fourth Deep Purple who was billed with Episode Six at “The Cobweb.”
They were signed upon returning by label Tetragrammaton. Their backers, HEC, had spent most of their budget on promotion and equipment so they were relieved.
They had booked studio time while on tour and on May 11, 1968 they went into the studio to recorded their new material. On Monday, May 13 they recorded “One More Rainy Day” and completed the album. They added sound effects from a BBC album as transitions and the album was mixed later that day.
Album Review: Shades of Deep Purple
And the Address (Blackmore, Lord)
Hush (Joe South)
One More Rainy Day (Lord, Evans)
Prelude: Happiness/I’m So Glad (Blackmore, Evans, Lord, Paice, Simper/Skip James)
Mandrake Root (Blackmore, Lord, Evans)
Help! (Lennon McCartney)
Love Help Me (Blackmore, Evans)
Hey Joe (Billy Roberts)
After the album was approved by the label they did a photo shoot. The cover was designed by Les Weisbrich and allegedly (according to the book “Smoke on the Water: The Deep Purple Star” by Dave Thompson) cost half a million dollars. This does not seem possible.
“Hush” released in June and was a huge success peaking at #4 on the US charts. It did not do as well in the UK. They did a lip sync’ed appearance on to the David Frost Show with Mick Angus standing in for Blackmore who was unavailable but this did not improve interest in the UK.
At the time of release the band focused on the US and their reception in the UK was a bit more critical.
From the book Smoke on the Water British music journalist Mick Farren described Deep Purple’s music as “a slow and pompous din, somewhere between bad Tchaikovsky and a B-52 taking off on a bombing run.”
There were criticised for being “too American” and “the poor man’s Vanilla Fudge.”
In the US they introduced them as “the English Vanilla Fudge.”
History looks a little more favorably on the first album.
In an issue of Observer Music Monthly (2013) Rick Wakeman chose “Shades of Deep Purple” as his favorite British record of all time.
Last night we recorded our first episode. It was a blast getting to talk about what got us into the band and our history with their music. With any luck we’ll have episode #1 posted this coming Monday. Keep a look out!