Episode #132 – Gillan – Mr. Universe (Japanese Version)


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    • Nate the weatherman – USA – 5 stars!
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Lead up to the Album:

  • Lineup change: Bernie Torme comes in to replace Steve Byrd who returned to session work.
  • Phil Banfield comes onto the scene to work as Ian’s manager.
  • Ian and Phil went to the south coast to get the picture for the front of the UK album.
  • Gillan says: “He wanted a picture of me with only water behind, and, t o achieve the effect, he said I had to jump. So there I was, with my manager shoultin, ‘Jump,’ and I’d jump. Again and again. From that moment we agreed that when Phil says jump, I jump!”
  • In 1979 Phil got the band in front of audiences, booking the National Jazz Blues and Rock Festival which became known as the Reading Rock Festival.  Gillan were on the same bill as Steve Hcket, Think Lizzy, and Rory Gallagher.
  • ON September 20, 1979 the original version of this album was released in Japan by Toshiba-EMI.  This album was billed as Ian Gillan.  Australia and New Zealand got it later in the year.
  • That version of the album had a different track list.
  • Japanese version: https://www.discogs.com/Gillan-Mr-Universe/release/9594353 including tracks not on the UK release:
SideUK ReleaseJapanese Release
1Second Sight*Vengeance
1Secret of The Dance*Mr. Universe
1She Tears Me DownShe Tears Me Down
1RollerYour Sister’s On My List***
1Mr. Universe
2VengeanceStreet Theatre**
2Puget SoundRoller
2Dead of Night*Puget Sound
2Message in a Bottle*Move With The Times**
2Fighting Man*Sleeping On The Job**

*Tracks that does not appear on the Japanese version.

**Track that does not appear on the UK version but does appear on the 1993 “Gillan – The Japanese Album” compilation.

***Track unique to the Japanese version.

  • In 1993 RPM released a compilation called “Gillan – The Japanese Album” which combined the tracks from the Japanese “Mr. Universe” (except “Your Sister’s On My List”) album with the original Gillan “Japanese” album. 14 tracks in total.
  • Since we’ve already covered 4 of the tracks on the UK version we will focus on the Japanese release of Mr. Universe.
  • When you look at it the UK version is really more of a sort of compilation featuring 4 tracks previously released, one with a different lineup.  The Japanese version, however, is a brand new album.
  • Stargazer – Issue #20 from December of 1979 also breaks down the differences between the versions.
  • Simon Robinson states that he doesn’t detect any real difference between the duplicated tracks.

Personnel:

  • Bass, Mixed By, Arranged By – John McCoy
  • Drums, Arranged By – Mick Underwood
  • Guitar, Arranged By – Bernie Torme*
    • Played in a band called The Urge in the early 70s
    • Also played in a band called Scrapyard with John McCoy in the mid 70s
    • He then formed The Bernie Torme Band which released his first recorded work in 1979 – this was his only recorded credit prior to Gillan
    • Sadly he passed away in 2019
  • Keyboards – Colin Towns
  • Vocals – Ian Gillan

Technical:

Album Art & Booklet Review

  • Photography By – Mick Gregory
    • Photography for Deep Purple, Bernie Torme solo, Genesis
  • Photography By – Yuka Fujii
    • Visual for Bernie Torme, Iron Maiden (debut album),  
  • Photography By [UK Front Cover] – Victor Watts
    • Only credit on Discogs
  • Artwork [UK Sleeve Design] – Jubilee Graphics
    • Worked with Elton John, ELO, 
  • No Japanese credit for the cover design.
    • Cover is a pic from Ian Gillan at the Reading Festival in 1978 playing with the brand new Gillan

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Album Tracks:

Side One:

  1. Vengeance (Gillan, Towns)
  2. Mr. Universe (Gillan, Towns)
  3. She Tears Me Down (Towns)
  4. Your Sister’s On My List (Gillan, Towns)
    • Robinson: “… has lyrics which you would expect from a title like that! Musically it starts off sounding a little Zeppelin like (early stuff), just the way the riff is constructed and churned out.”
    • Robinson compares the ending of the track to an imitation of “Hard Lovin’ Man.”

Side Two:

  1. Street Theatre (Towns)
  2. Roller (Gillan, Towns)
  3. Puget Sound (Gillan, Towns, McCoy, Torme, Underwood)
  4. Moving With The Times (Gillan, Towns, McCoy)
  5. Sleeping on the Job (Gillan, Towns)
    • Released as the next UK single per Stargazer Issue #20 per Ian.
    • Song is about Leyland night workers
      • Found this article: https://www.aronline.co.uk/archive/sleeping-on-the-job-essay/
      • “The story first hit the headlines on 12 November 1979 when it was revealed that 14 night shift workers had been caught sleeping at a British Leyland plant. The men were found tucked up in sleeping bags when management swooped on the priming shop at the Range Rover plant in Solihull, near Birmingham.
      • “After two days of disciplinary hearings and appeals, BL dismissed 13 Land Rover car workers, who had been caught sleeping on the night shift. A Supervisor who was sleeping was also dismissed, along with a Foreman. The company refused to comment while a hearing was still continuing into charges against a Superintendent.”

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Reception and Review

  • The album reached No. 11 in the UK, selling over 2 million copies worldwide.
  • With all the craziness surrounding the track listing and versions of this album there is also another song from the Mr. Universe sessions that is considered lost.  The song is called “Parliament Square.” 

Reviews from Simon Robinson in Stargazer Issue #20, December of 1979:

Mr.Universe (UK) – Album Review
I recently rated the last studio album, issued only in Japan, as the best ex-purple disc to date. This comprises five tracks from it (three of which have been re-recorded), plus five new tracks. So how could they go wrong? Well they have. How they can honestly turn this out after that Jap. LP is beyond me. The material I can take, what I can’t take is the abysmal mix. It is just bloody terrible. Gillan’s vocals are buried, and though the drummer is presumably playing a whole kit, only the cymbals can be heard.
Mr.Universe (Japan) – Album Review
This contains five tracks from the UK edition (which sound the same to me), plus four new ones. Of those, ‘Your Sister’s On My List’ is quite catchy, and has lyrics which you would expect with a title like that! ‘Move With The Times’ is kept going by bass, drums and piano (sort of Pot Black style!). ‘Sleeping OnThe Job’ is very catchy, but not as good as the live version, because Gillan is mixed down too far. ‘Street Theatre’ is a short Towns instrumental, probably destined for a stage opener some day. Overall, that spark which made Gillan ‘Gillan’ outstanding is absent.
  • Robinson in Stargazer #20 says that the Japanese version is the best ex-purple disc to date.
  • Robinson speaks very unfavorably about the UK version, mostly having issues with the mix.
  • In the UK they promoted the album touring with Randy California.  Samson with Bruce Dickinson were also there.
  • Gillan: “I loved the band; Bernie and John galvanized audiences with their electrifying stage act, and, in John’s case he was described in one review as a ‘walking absurdity’ with a presence that oozed rock ‘n’ roll.”
  • Gillan’s story about meeting back up with Ritchie from “Child in Time” pages 139-140.

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Episode #131 – Whitesnake – Live… in the Heart of the City


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Lead up to the Album:

  • Live In The Heart Of The City (June 23-24, 1980)
  • Live At Hammersmith (November 23, 1978)
  • All songs recorded at The Hammersmith Odeon, London.
  • Sides 1 and 2 were done with the Rolling Stones Mobile Studio at the Hammersmith Odeon. 
  • Sides 3 and 4 are the previously-issued, Japan only, “Live At Hammersmith” which was not released in the UK.

Personnel:

Technical:

Album Art & Booklet Review

  • Art Direction – John Pasche
    • http://www.johnpasche.com/
    • Designer of the Rolling Stones “Lips” logo, founder of Gull Graphics
    • Worked with Fleetwood Mac, The Rolling Stones, 
  • Artwork By [Cover Painting] – Jeff Cummins
  • Design – Shoot That Tiger!
    • Over 1,000 entries on Discogs
    • London based design company
    • Covers for Status Quo, Black Sabbath (Live at Last), Alkatrazz, Motorhead and many more
  • Photography [Back Cover] – Hiro Ohno
    • Work for early Whitesnake, Iron Maiden (Maiden Japan)
  • Photography [Insert] – George Bodnar

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Album Tracks:

Side One:

  1. Come On
  2. Sweet Talker
  3. Walking In The Shadow Of The Blues
  4. Love Hunter

Side Two:

  1. Fool For Your Loving
  2. Ain’t Conna Cry No More
  3. Ready An’ Willing
  4. Take Me With You

Side Three:

  1. Come On
  2. Might Just Take Your Life
  3. Lie Down
  4. Ain’t No Love In The HEart Of The City

Side Four:

  1. Trouble
  2. Mistreated

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Reception and Review

  • Charted at number 5 on the UK charts and number 146 on the Billboard 200.
  • From Jorg: “There is a clipping that says “release on Oct 20”. I’m not sure if that happened, I think it was postponed to November 3.”
  • Jorg: “Japanese release was Dec 5th, I don’t have a date for the US.”
  • Jorg: “The release caused some negative reactions from people who bought the Japanese “Live At Hammersmith” as import some monthes earlier and now they had to buy that 1978 part again. The Japanese release only had the 1980 part as single album, I think the North American releases were the same.”

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Episode #130 – Jon Lord – Sarabande

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Lead up to the Album:

  • Jon Lord is said to have worked on composing and scoring this album between January and August of 1975.
  • It was recorded between September 3-6 at Stadthalle Oer-Erkenschwick, near Düsseldorf, Germany.
  • Remixed at Musicland Studios, Munich.
  • This is the next in the progression of his “classical” works from The Concerto For Group and Orchestra, Gemini Suite, and Windows, to this.
  • The backdrop for the composition of this work is at the end of Deep Purple’s original run.  Blackmore had left the band in early 1975, playing their last few shows in the spring.  By summer of 1975 Jon Lord was scoring this album.
  • Immediately after they would have Tommy Bolin join the band and record their final album until the 1984 reunion.
  • Jon moved near Dusseldorf and recorded Sarabande between September 3-6 of 1975.  Eberhard Schoener would join him again, this time conducting the Philharmonia Hungarica.  Other rock musicians were invited to join for this recording. Unlike with Window this time none would be from Deep Purple.

Personnel:

Technical:

  • Engineer [Assistant] – Hans Menzel
  • Engineer, Mixed By – Martin Birch
    • Regular flavor Birch on this one.
  • Lacquer Cut By – Nick W.*
    • Worked for Abbey Road starting in 1968 with The Beatles
    • Almost 1,000 entries on Discogs

Album Art & Booklet Review

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Album Tracks:

Side One:

  1. Fantasia
    • This functions as a 3.5 minute overture in three sections.
  2. Sarabande
    • The Sarabande is a Spanish dance from the 16th century which originated in the East.
    • Sarabandes are often in triple time
  3. Aria
    • Scored for piano and synthesizer.
  4. Gigue

Side Two:

  1. Bouree
  2. Pavane
    • This is a courtly dance often associated with a Galliard in the early BAroque period. It fell out of favor in the seventeenth century.
  3. Caprice
  4. Finale

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Reception and Review

  • The turbulent final days of Deep Purple pushed off the release of Sarabande until October off 1976.
  • The album got a good amount of promotion.  The album sleeve was given a lot of care as they needed to catch the eye of Jon’s largely rock audience.
  • Sarabande is often mentioned as Jon Lord’s finest individual piece of work outside of Deep Purple.
  • A couple of years after this Shoener would join Summers in recording the debut album for The Police named “Outlands d’Amour” which Jon Lord says was one of his favourite albums.

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Episode #129 – Rainbow – On Stage

Video episode not available this week. Please see Apple Podcasts or link below for audio episode.

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Lead up to the Album:

  • It’s a double live album recorded in late 1976 in Germany and Japan during the world tour for “Rising.”
  • The tracks are spliced together from multiple shows.
  • The order of the songs is not the normal order of the setlist because they had to try to fit the longer performances onto the four sides of vinyl.
  • Set list from Nippon Budokan in Tokyo, Japan for December 16, 1976:
    • Jingle Bells (James Lord Pierpont song)
    • Over the Rainbow (Harold Arlen song)
    • Kill the King
    • Mistreated (Deep Purple cover)
    • Sixteenth Century Greensleeves (Preceded by “Greensleeves” intro)
    • Catch the Rainbow (Preceded by “Jesu, Joy of Man’s Desiring” intro)
    • Man on the Silver Mountain (with “Lazy” and “White Christmas” intro, “Blues”, and vocal improvisation)
    • Starstruck (Followed by “Man on the Silver Mountain” reprise)
    • Stargazer (Preceded by keyboard solo)
    • Still I’m Sad (The Yardbirds cover) (With drum solo+”1812 Overture”)
    • Do You Close Your Eyes (Preceded by guitar solo)
  • A note from Norman Weischlebaum:
    • Hi Nate,
    • maybe this might be interesting to listeners:
    •  In Rainbow/Dio-Days you always see a Tape Recorder next to RB´s Marshalls.
    • Background:
    • RB was not satisfied with Echo-effectboards that were available at that time.
    • So he brought on his home-based AIWA TP-1011 tape recorder, that had one specific feature:
    • This machine had a socalled „Sound-on-Sound“ button, providing echo effect by pushing just one button that adjusted the tape speed.
    • 19 cm/sec or 9.5 cm/sec = 1/3 sec delay or 2/3 sec delay.
    •  That´s who these guys fixed problems back in those days…
    • Best
    • Norman

Personnel:

Technical:

Album Art & Booklet Review

  • Art Direction – Fin Costello
    • The everpresent Deep Purple and rock photographer.
  • Design – Ken Anderson (4)
    • Did album covers for Bill Withers, Sly & The Family STone, and Bing Crosby.
  • Photography By – Dieter Zill*
    • The legendary German photographer.
  • Photography By – Fin Costello
  • Photography By – Watal Asanuma
    • Photography credits for Queen, Elton John, Eric Clapton, The Police
  • Photography By – Watanabe
    • Only credit on Discogs

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  • Tim “Southern Cross” Johnson

Album Tracks:

Side One:

  1. Intro: Over the Rainbow
    • Nuremberg 28 September 1976 (first 1:03)
    • Munich 29 September 1976 (remainder of the song)
  2. Kill The King
    • Nuremberg 28 September 1976 (first 1:03)
    • Munich 29 September 1976 (remainder of the song)
    • This was the first release of the song “Kill the King.”  It was later released in 1978 on “Long Live Rock ‘n’ Roll.”
  3. Man on the Silver Mountain
    • Tokyo 16 December 1976 (Afternoon Show)
  4. Blues
    • Tokyo 16 December 1976 (Evening Show)
  5. Starstruck
    • Tokyo 16 December 1976 (Evening Show)
    • Man on the Silver Mountain reprise?
    • Tokyo 16 December 1976 (Afternoon Show)

Side Two:

  1. Catch The Rainbow
    • Osaka 9 December 1976

Side Three:

  1. Mistreated
    • Cologne 25 September 1976

Side Four:

  1. Sixteenth Century Greensleeves
    • Tokyo 16 December 1976 (Evening Show)
  2. Still I’m Sad
    • Nuernberg 28 September 1976

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    • Stephen Sommerville The Concerto 1999 Fanatic
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    • Spike, The Rock Cat
    • JJ Stannard
    • Hank the Tank
    • Flight of the Rat Bat Blue Light

For Further Information:

Listener Mail/Comments

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