Month: January 2021

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Episode #93 – Gillan – Gillan

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    Jeff Breis Shares!

    This week: Trapeze and its German counterpart!Jeff Breis shares the Trapeze album “Hold On” and it’s German counterpart!

    Lead up to the Album:

    • There was concern that the image Island had given IGB was not working.
    • Ian Gillan was very upset and Colin Towns tried to write songs that would showcase Gillan and make him appear better than he viewed himself.
    • Towns: “I’m going to write something which shows Ian from one extreme to the other, show he’s a good singer as well as a good screamer, and all the things in between.”
    • When Gillan returned to the studio Towns showed him a song he’d been demoing and Gillan really liked it.
    • The two decided they needed to make some changes.
    • Ian Gillan kept on Colin Towns after dissolving Ian Gillan Band.
    • Towns: “The following day he rang round the menbers of the band and said it was over.  He said we’re not going to get any more out of the band, which was true.  It’s a shame.  If CLEAR AIR had been more successful it would have been good, but on the other hand it wasn’t any good for Ian.  There was too much music for it to be the Ian Gillan Band.”
    • Drummer Liam Genocky (the first to be recruited) joined the band with Richard Brampton on guitar.
    • Genocky gave Towns a list of suggestions including John McCoy for bass.
    • John McCoy’s bandmate Steve Byrd was brought in to replace Brampton early on.
    • Towns was the primary songwriter and wrote most of the album’s material which they completed recording in August of 1978.
    • They played the Reading Festival on August 16, 1978 still billed as Ian Gillan Band.
    • The band’s policy was “no-frills” and they soon changed the name to simply Gillan.
    • Album was released on October 5, 1978 in Japan only.  It would later be released in Australia and New Zealand but never saw release in the UK until the 1993 CD re-release.  It sold well in the UK as an import.

    Personnel

    • Bass – John McCoy
      • https://en.wikipedia.org/wiki/John_McCoy_%28musician%29
      • British bass guitarist. He also plays drums, trumpet, cello, double bass, and is an independent producer.
      • Alises: John Renn-McDonald, Stix Hoypolloy
      • Played with Maldoon with Clive Maldoon and Dave Curtiss .  Previously known as Maldoon Curtiss.  Curtiss wasn’t happy with their album so he asked that his name be taken off.
      • Also played in Zzebra.
    • Drums – Liam Genockey
      • Irish drummer who played with John McCoy in Zzebra
      • Would go on to play with Maldoon and McCoy in his self-named band.
    • Drums – Pete Barnacle
    • Flute – Colin Towns
    • Guitar – Steve Byrd
      • Played with Zzebra.
      • Went on to play with Samantha Fox, Billy Ocean, McCoy
    • Keyboards – Colin Towns
    • Vocals – Ian Gillan

    Album Art & Booklet Review

    Technical:

    • Producer – Ian Gillan, Paul Watkins
      • Also known as Chas Watkins
      • Did production for Spirit and Bernie Torme as well as Strapps and Ian Gillan Band
    • Producer, Arranged By – Colin Towns

    Album Tracks:

    All songs written by Ian Gillan and Colin Towns except where noted.

    Side One:

    1. Second Sight (Towns)
    2. Secret of the Dance (Gillan, Towns)
    3. I’m Your Man (Gillan, Towns)
    4. Dead of Night (Gillan, Towns)
    5. Fighting Man (Towns)
      • According to liner notes it was written by Colin Towns and he recorded who stayed behind with Chas Watkins and taped a vocal/piano demo.  This was in the IGB days and Ian had left the studio with low morale after they’d been trying to record a few tracks.
      • “I’d been thinking about ‘Twin Exhausted’ and I thought sod it, I’ll write something that I think is right.”

    Side Two:

    1. Message in a Bottle (Gillan, Towns)
    2. Not Weird Enough (Gillan, Towns)
    3. Bringing Joanna Back (Gillan, Towns)
    4. Abbey of Thelema (Gillan, Towns)
    5. Back in the Game (Gillan, Towns)

    Reception and Review

    • The new album was promised for September of 1978 (though it likely came out in October).
    • The tapes were sent to Japan where they where they were mixed up until hours before it needed to be shipped.  The two IGB Budokan albums had done well in Japan so Gillan decided to captalize on that success.
    • In October they toured Japan to promote the album.  When they got back to the UK there was no way to buy the album locally without going through an importer.
    • Gillan was a huge change of direction for Ian Gillan.  The album sold well in the UK as an import despite only being released in Japan, Australia, and New Zealand.
    • The album received a good amount of positive press.
    • The band gigged consistently after the release and even got the attention of Ritchie Blackmore who joined them on stage at the London Marquee Club in December of 1978.  Afterward he would offer Gillan the job in Rainbow which Gillan refused.
    • Review from Stargazer, Issue #18, April 1979.
      • Eek. It’s good! Right from the word go it’s clear that this is a new band, and a new Gillan (or at least the old one revitalised!) Back is the raw, rough and ready sound which the IGB never had, and which Purple lost after ‘Fireball’. The band haven’t the technique or skill of Purple, but, by keeping things simple and doing straightforward songs with a minimum of solos they get away with it nicely. Compare this to ‘Long Live..’ or ‘Trouble’ and see how dated they sound.
      • Marquee, London. 27th December 1978 – Live Review
      • Blackmore also spent Christmas in Britain, probably to check out vocalists. He did take the chance to sneak down to Gillan’s opening date at The Marquee, and join in for an encore. Blackmore also asked Gillan to join Rainbow. Ian said no, but in return asked Blackmore to join his band! But Ritchie, according to Gillan, wants to start at the top, and work from America, whereas Gillan wants to begin at the bottom and work his way up. Some of you were lucky enough to be at The Marquee on the night in question (gnashes teeth!)……
      • “We were all at the front, crushed, waiting for an encore, when the whole place erupted. It was Blackmore. He just walked out, smelt Steve Byrd’s armpit, plugged in, and started.. He didn’t replace Byrd, just joined in. He broke into ‘Lucille’, it was total bliss.” Terry.
    • Genocky did not continue with Gillan as he had a previous commitment with Gerry Rafferty.  A new drummer, Pete Barnacle, joined the band.
    • The band replaced Genocky with Mick Underwood and Byrd with Bernie Torme.
    • They got to work on Mr. Universe with the new lineup.
    • The CD release has extra tracks:

    For Further Information:

    Listener Mail/Comments

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    Episode #92 – Deep Purple Live in Quebec with Randy California

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    Show Updates:

    • Comments from social media.
    • Tommy Bolin Memorial Statue Fundraiser
    • BreisHeim – The Mask
    • Email from Per Sørensen
      • Hi guys,
      • Thanks for a great site. Writing from DK I saw them at the following show in Odense on that tour and a year later in Feb 73 also in Odense. The end of MK 2 was coming.
      • Great memories. KB-Hallen would have about 4000+ in the audience and the other venues in DK (Odense + Aarhus) 3000-3500 at that time. We were allowed to be close, no chairs, but a lot of fun. Age between 14-18 and yes – we could smoke. KB-Hallen was a sports arena and that’s why the audience is everywhere – front and back.
      • I saw them in KB Hallen whenever they came and last time was 2009 there. They have since done bigger venues in CPH indoor and especially outdoor (5 coin on Amager with Morse). Nowadays they are doing bigger places (ValbyHallen 2017) and in Sept 2021 Royal Arena (?)
      • Even IG with Black Sabbath in KB Hallen as a guest in 1989 doing the encores SOTW and Paranoid.
      • The 72 show was recorded and broadcast by Danmarks Radio (DR)  – the Danish national TV broadcast station – and as you notice they didn’t quite know what to film and who did what in the band (RB missing a lot!!) It was shown prior to the 73 DK tour on TV, but only Child in Time and Lazy.
      • I bought the same shirt as IG was wearing which you could also get in DK, even in Odense, so I guess it was pretty mainstream. 
      • IG was the hero in the press, then RB being called the next Hendrix, then JL as the spokesperson delivering the facts.
      • in 72 Machine Head and Made in Japan went into the top 20 of the year in DK, even if MIJ came out in Dec 72. 
      • The opening act was Philip Goodhand-Tait, solo piano player, never appeared again. In 73 it was ELO in DK. They surely did – still popular here and easily selling 12000 tickets in CPH.
      • BR Per Sorensen
    • Jorg says: You asked for more connections 😉 John Lawton claimed too, that he was asked to join Deep Purple in 1973… And more a Whitesnake – Uriah Heep connection: Micky Moody did a number of shows with Uriah Heep back in 2010.
    • Apple Podcast Reviews:
      • 5 Stars!
      • BreisHeim , 01/03/2021
      • Heeere’s Johnny and Nate!
      • These guys are like the Johnny Carson and Ed McMahon of the podcast world, and I mean that as a great compliment.
      • Very entertaining show!

    Lead up to the Album:

    • On December 22, 2020 a video was posted on YouTube:
      • Deep Purple 6 avril 1972 Québec + Randy California Blind Man
      • The video was sent to me by Jorg within an hour of being posted.
      • The video purported to be the long storied performance of “When a Blind Man Cries” the only time Deep Purple did it live in the 70s when Randy California subbed in for a sick Blackmore.
      • There was posted by Robert Lafontaine:
        • This is an extremely rare audio recording of a Deep Purple show with Randy California. I recorded it all in stéréo. Sadly, at the encore , somebody knocked down one mike and I stopped recording. So… no Lucille. The recording is a bit muddy at times ’cause people who were holding the mikes didn’t keep them horizontal, but upward facing the metal roof… 
        • Years later, I sent this recording to Randy and we chatted about music, his story, etc. He seemed to want to remix the show. In the vidéo there are many unreleased gems archives. The setlist was always wrong on a lot of websites. HERE’S THE REAL SETLIST FOR THIS RARE SHOW:
          • Strange kind of woman
          • Into the fire
          • Child in time
          • The Mule 
          • Lazy
          • When a blind man cry 
          • Space Truckin’
          • Lucille
        • Randy was called in because Deep Purple cancelled 2 shows before heading to Québec city; Ritchie was out. Some could say it’s The Saint Graal for Deep Purple fans as the songs were never played with Ritchie. Someday maybe, I’ll post the entire show. Enjoy this great archive in the meantime…
    • This show was never known to have a bootleg so this was big news.
    • There was a lot of debate as to the authenticity of the recording.
    • Of course fans WANT to believe but there were a lot of detractors citing the tone of Gillan’s voice, etc.  But listening to it it just seemed like it must be authentic.
    • On December 30, 2020 part one of the full concert was posted to Robert Lafontaine’s account:
    • On December 31, 2020 the final video of the remainder of the concert was posted:

    Deep Purple: Self-Evaluation Time Again

    Jon Lord: “Randy was brilliant, God bless ’em, but everything had gotten to be such a bitch that we had to go home. We just couldn’t take it any longer.”

    Personnel

    • Ian Gillan – Vocals
    • Roger Glover – Bass
    • Randy California – Guitars
    • Jon Lord – Organ
    • Ian Paice – Drums

    The Show:

    Articles (Translated by Ian Desrosiers):

    Deep Purple, 6 avril 1972…translation :

    A substitute in Québec

    On April the 6th 1972, Deep Purple stopped in Québec (City) with a singular formation. This night, instead of Ritchie Blackmore on guitar, the crowd saw Randy California getting up on stage. Blackmore was sick with hepatitis and the band felt they had a chance to impose themselves in this part/territory and they tried to finish the tour even with a substitute. “At the time, Randy California’s band, Spirit, was popular, so we approached him,” tells Roger Glover. “I think we rehearsed for just a couple of hours before getting on stage. He was a good guy, but, as talented as he was, it was not the right thing to do to pursue the tour so we stopped. It pushed back our chances to be recognized in America for 6 month or a year.”

    Deep Purple, 6 avril 1972…translation :

    Jon Lord Interview

    After the concert the wheel kept on spinning for Deep Purple. The band took a plane to New York the same night and it’s Jon Lord, harassed by the road manager, that gave us 10 minutes of his precious time.

    Quite happy by the reaction of the Québec crowd, Lord is surprised to learn that some fans blame the new direction of the band on recent albums. He says that at the beginning of their career Deep Purple suffered from the “studio sickness.” The band didn’t really know what to do and what looked like a precise direction from the outside, was in fact the result of a quasi-improvisation where Lord’s classical formation took an important place. The last albums, Fireball and Machine Head, give a more precise idea of the music that the band plays on stage. Deep Purple is essentially a “rock n’ roll band” and the classical experiments will be relegated to solo output like “Gemini Suite” released last fall under Lord’s name.

    This back to basics is not limited to only music, the lyrics are more simple, they could be judged as simplistic even, but Lord says that the band sees it as a way to get away from  a morbid intellectual movement that plagues the world of rock. The lyrics are parodies of the first rock songs, but it’s just a gentle way to mock things that we like.

    The simple stories found in Deep Purple’s lyrics translate, in a good way according to Lord, the band reality. Jon Lord doesn’t want to be seen as a demi god like some other musicians. His only responsibility on stage is to give the public what they paid for: music and good times.

    People often interpret lyrics in a way to find meanings or messages, and in this way, it’s with prejudice that the band was labeled as “speed freaks.” Up until recently, the word “speed” in England did not mean amphetamine, and it’s with a great surprise that the band found that some saw in “Speed King” a drug song that contributed to making it a hit.

    Lord says that drug taking is rare in English bands. The members of English groups consider themselves more like musicians than members of a big family of “smokers,” and this priority for the music is an element that helps make the English bands to be considered the best. We could not learn more; the wheel keeps on turning…

    Jacques Marois,

    special collaborator

    Concert review

    Deep Purple finally gave their concert in Québec (city), after waiting for eight months, a couple of snowstorms and lots of work.

    That’s it, Deep Purple comes up on stage. Ian Gillan gets in front and says that Ritchie Blackmore is sick and will be replaced by Randy California, but nobody listens. People whistle, people scream, THEY are finally here.

    The band starts with “Strange Kind Of Woman.” The sound is perfect, powerful and precise. But the musicians look hesitant (we will understand why, later after the concert, when we learn that California had only 2 days to rehearse with the band). But after “Into The Fire,” an old hit two years ago, we witness a high class of rockers and the guitar player is not here to take it easy.

    Gillan announces “Child In Time,” one of the most beautiful Deep Purple songs. A quiet beginning on the organ and the band launch themselves into a fast “boogie” : hard to describe, but those who already heard a good guitar solo played on a Strat going through two Marshall amps at 400 Watts know. A police officer inside the Colisée (it’s the old hockey rink for the Quebec’s Nordiques) says to a woman watching the show “It’s catchy. I want to dance.”

    Next, “The Mule.” Roger Glover (bass) and Ian Paice (drums) go crazy while Jon Lord gets some violin sounds from his organ. Ian Paice stays on stage alone and does a drum solo, that if he doesn’t dazzle by the complexity, surprises by his rapidity and energy. Paice doesn’t stop there and continues full speed into “Lazy” while Glover gives a demonstration of the way bass should serve hard rock.

    Roger Glover is, with Tim Bogert (Cactus) one of the best rock bassists that played here.

    Jon Lord had some problems with his organ. 

    The next number, “When A Blind Man Comes [sic]” is a really beautiful blues telling the story of a blind man abandoned by his mistress after knowing bliss with her. Gillan captures the atmosphere of the piece really well and shows that he’s truly a great singer knowing how to use his voice to the maximum effect in any musical genre.

    Randy California ends the blues with an excellent solo helped by a volume pedal. He is, finally, the surprise of the night, playing soberly and effectively (his playing and personality on stage reminds me of Rayburn Blake, ex-Mashmakhan). It’s a real tour-de-force accomplish by California to fit in a band with whom he rehearsed for only 8 hours with: knowing the band, we could only admire the guitarist.

    The concert ends with “Space Truckin’” on a rapid rhythm. Encore. “Lucille,” an old classic, and a guy dancing in front of the stage since the beginning of the concert finally finds himself on stage with Gillan.

    Everyone got out of the Colisée with a smile on their lips.

    Listener Mail/Comments

    • Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.
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    Episode #91 – Deep Purple & Uriah Heep

    Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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    Thanks to our Brothers at the Deep Dive Podcast Network:

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    Episode #90 – Deep Purple – Denmark ’72

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    Thanks to Our Show Supporters – Three Ways To Show Your Support

    • The $50 “Soldier of Fortune” Tier
      • John Tramontanis — NEW PATRON ALERT!
        • I just came in today from my daily run after listening to #5, review of the album “Deep Purple”.
        • I have enjoyed the first 5 episodes and your “look back” at Mark I.
        • We all have our different opinions about the band and you all found much humor in these Mark I works, I do come at them with a different perspective.  I purchased “Shades” on vinyl in 1968 when I was 11 going on 12 years old.  Up till that point my LP collection consisted of mainly Beatles and Stones (great stuff) and assorted 45 singles from the AM radio playlist.  So when listening to these albums back then, there was no “In Rock” or “Burn” to compare them to at the time, and for that matter nothing else like it.  However, the DP vibe struck a strand of my DNA in these first 3 albums and has been with me ever since.  I can’t say that I disagree with your observations on Mark I, but, your observations are based on a different perspective.  But hey, I have been on internet boards for over 20 years discussing such differences and I am looking forward to listening to more of the DPP.
        • Put me down as a patron.
        • John Tramontanis
        • BTW – my only knit to pick is I feel you shortchanged “Why Didn’t Rosemary” in your review.  You moved on to the next track without giving a nod to the awesome shredding by RB during his 1:30+ solo, arguably the best Mark I guitar work (may have even heard 2 or 3 trills in there)   I rate 5 stars, easy.
        • Also, a shout out to John for pointing out what delineates Blackmore from most guitarists aside form his brilliant playing ability is the feeling he exudes from the instrument!!
        • Perhaps I will start listening to the more current episodes first, so I don’t hit you with these dated comments.
        • I really enjoy what your doing and appreciate your effort!!  It is so nice to hear talk about DP and the related tree.  Keep them coming.
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    Thanks to our Brothers at the Deep Dive Podcast Network:

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    Buy Merch at Our New Etsy Store!

    Show Updates:

    Lead up to the Album:

    • Live in Concert 1972/73
    • Scandinavian Nights
    • Live in Copenhagen 1972
    • Performed on March 1, 1972 at KB Hallen in Copenhagen, Denmark
    • Same stage Lars would see Deep Purple in February of 1973 at 9 years old. Where they held his tennis tournaments. (February 9, 1973)
    • On December 9 the Mark 3 lineup would debut on that same stage
    • Original building was destroyed in a fire in 2011 but was renovated and reopened in 2019.

    Article from CD booklet translated by Frederik Gonzalez Olsen.

    Superstar gets people to go to Deep Purple concerts The fact that Ian Gillan sings the role of Jesus on the album version of Jesus Christ Superstar is probably a significant reason for people showing up at the concerts of the beat group Deep Purple.

    That’s the opinion of the leader, Jon Lord, who was in transit at Kastrup Airport yesterday, before the concerts at K.B. Hallen tonight, Odense on Friday and Århus on Saturday. 10.000 audience members. How long the group will last, Jon Lord doesn’t know.

    He is betting on three years himself. Here, the group’s records are always among the most sold. As a part of a number of groups, he has visited Denmark 11-12 times himself, and finds the Danish audience to be open.

    The strange thing about Jon Lord is that he didn’t listen to beat music until he was 16. Earlier, it was just jazz. And he has written a symphony for 38 [can’t read the number properly] instruments (it took him eight months).

    – I feel the classical part of me is often expressed through my solos even though we play hard beat, but apparently that just adds colour, says Jon Lord, who plays the organ.

    Album Tracks:

    1. Highway Star
    2. Strange Kind of Woman
    3. Child in Time
    4. The Mule
    5. Lazy
    6. Space Truckin’
    7. Fireball
    8. Lucille
    9. Black Night

    Listener Mail/Comments

    • Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.