Episode #157 – Re-Machined: A Tribute to Deep Purple’s Machine Head

YouTube episode here: https://www.youtube.com/watch?v=G3fg-JM4jDo

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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Welcoming Our Newest Patron(s):

  • Scott Price (became patron starting on episode #156):
    • @DeepPurplePod currently going through your podcasts. On the butterfly ball episode. Never listened to it before but your love for it has become infectious! How have I left it so long to listen to it?? So impressed I’ve become a patron of your show! Keep up the good work x

Brendan Ashbrook – Logo Designer

Welcome Our Newest Patron:

  • Blackmore’s Tights! Joined last episode at the $1 Silly Made Up Name tier but here he gets his official welcome.  BT writes:
    • Hi, I’m replying to your message on Twitter. I’m @starscreenbass, I can’t seem to find a way of messaging you on there haha
    • If you need a funny name instead of my actual name for the $1 tier please refer to me as “Blackmores Tights” as you’ve gotta love a man in his 70s who can still wear tights.
    • In purple relatedness, I’m from a town outside of nottingham (where Ian Paice was born) but I’m currently in a pub in Chiswick which I’ve just remembered is where Ian Gillan was born……how’s that for some none interesting trivia.
    • Currently on the butterfly ball episodes so got lots of catching up to do. Keep up the good work. Scott x

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Patron Updates:

  • Zwopper The Electric Alchemist:
    • I had a car accident a few days ago when skid the car of the road and rolled down a slope into a tree and totaled it completely. I got a severe concussion and fractured a vertibra. When I got to the hospital they found some bleedings in my brain and later today, unrelated, a shadow on the images of the brain, so I’m in for more x-ray.
    • Anyhoooo…
    • During all this time while I was under surveillance, I listened back to 40 or so episodes of your pod and it kept me in a good spirit.
    • Thank you so much for what you do!
    • Say hi to John for me!
    • (I’m guessing that it’s Nate who reads this.)
    • I will attach a photo from when I was brought in to hospital.

Deep Dive Podcast Network:

Album Art & Booklet Review

  • Cover design by Peter Gardow?

Album Tracks:

  1. Smoke on the Water
  2. Highway Star
  3. Maybe I’m a Leo
  4. Pictures of Home
  5. Never Before

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  1. Smoke on the Water
  2. Lazy
  3. Space Truckin’
  4. When a Blind Man Cries
  5. Highway Star

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HaskinCast Episode 232 Album Review – Busta Rhymes – Part 2 – Extinction Level Event: The Final World Front w/ Nathan Beaudry

Part 2 finishing up the review with Scott and Nate!

Check out the episode of HaskinCast here: https://haskincast.podbean.com/e/episode-226-album-review-busta-rhymes-part-2-extinction-level-event-the-final-world-front-w-nathan-beaudry/

This week Nate joins Scott Haskin on his podcast for a deep dive review of Busta Rhymes’s 1998 album “Extinction Level Event: The Final World Front.” This is part 2.

For part 1 check out the following link:
https://haskincast.podbean.com/e/episode-226-album-review-busta-rhymes-pt-1-extinction-level-event-the-final-world-front-w-nathan-b/

Episode #156 – Deep Purple – On The Wings Of A Russian Foxbat

Link to video episode on YouTube: https://www.youtube.com/watch?v=JD9U5X1q4Ic

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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Welcoming Our Newest Patron(s):

  • $1 Made UP Name Tier
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Postcards From The Edge . . . OF CONNECTICUT!

  • Greetings from Ireland for St. Patrick’s Day
  • Parade Magazine from March 13, 2022 featuring 1972 and the storeis behind the year’s most unforgettable songs!

Deep Dive Podcast Network:

Lead up to the Album:

  • This recording is approximately two weeks before the final show the band would play which lead to the breakup.  For 8 years there would be no (official, anyway) Deep Purple.
  • Coverdale met with management after Blackmore’s departure and suggested they change their name.  His ideas: Good Company, Purple, The Deeps.
  • The show we are about to hear was originally broadcast on the King Biscuit Flower Hour, the American radio show.  It appeared in numerous forms over the years and explains why the audio quality is so good.
  • The King Biscuit Flower Hour was a weekly show which had also featured pefromahnces by Black Sabbath, Genesis, Jhon Lenon, The Who, The Stones, Elton John, etc.
  • Fans of the show called it “The Biscuit.”  It had debuted in February of 1973 and was named after a radio show from the 1920s which was sponsored by the King Buiscuit Flour Co.
  • The runners of the show recorded things a little differently.  A lot of other live radio shows would just take the mix off the sound board.  The King Biscuit Flower Hour multitrakced the cecordeing and let the artists take the tapes to mix any way they’d like.
  • They even used to have Quadrophonic recordings as they were sponsored by Pioneer who was trying to make that the standard int he industry.
  • The bootleg surfaced in America in 1977.  The bootleg became highly sought after due to its audio quality and the fine performance turned in by the band.  It soon became a legendary release.
  • In 1994 Deep Purple’s management acquired the tapes and put them out the following year as an official release.
  • Many people familiar with the many bootlegs feel this was one of the best shows on the US tour. This is quite possibly Mark 4 in their finest form.

Album Art & Booklet Review

  • First version – bootleg in the 70s
  • “On The Wings of a Russian Foxbat” – Great Britain – 1995 Double CD
  • “King Biscuit Flower Hour” – US – 1995 2CD
  • “King Biscuit Flower Hour” – US – 1995 version 2 “In Concert” 2CD
  • “Live in California, Long Beach Arena, 1976” – Japan – 2003 release
  • “Live at Long Beach” – Remastered Great Britain – 2009
  • “Live at Long Beach” – Great Britain – 2009 Remastered limited edition digi-pak with bootleg art
  • “Long Beach 1976” – International – 2016 release
  • Photography used by Fin Costello in most releases.
  • And what about the name? “On the Wings of a Russian Foxbat.”  Simon Robinson writes:
    • So go on then uncle simon [sic], why ‘On The Wings Of A Russian Foxbat’? Well, when that bootleg first came out, the Cold War was still raging. The U.S. military had just got wind of a new Rooskie MIG jet fighter which was said to knock the socks off anything they currently flew at the time. One day a Russian pilot defected, flying into a Japanese airport in one of the planes – codenamed “Foxbat.” ‘Of course you can have it back” came the cry, just as soon as we measure every damn nut and bolt on it! Well, that’s roughly the story. It was nearly twenty years ago, so don’t quote me.

Setlist:

  1. Burn
  2. Lady Luck
  3. Gettin’ Tighter
  4. Love Child
  5. Smoke on the Water/Georgia On My Mind
  6. Lazy/Homeward Strut
    1. Many version incorrectly label this as “The Grind”
    2. Features Organ and Drum Solos

Thanks to Our Core Level Patrons:

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    • Zwopper The Electric Alchemist
    • Tim “Southern Cross” Johnson
  1. This Time Around
    1. It ends with “Owed to G” but never seems to be listed as such
  2. Tommy Bolin (Guitar Solo)
    1. My copy says “Tomy Bolin”
  3. Stormbringer
  4. Highway Star/ Not Fade Away

Thanks To Our Foundation Level Patrons:

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Reception and Charts:

  • They would only play four more shows on their US tour (San Bernadino, CA, Tempe, AZ [listed as ‘Tempe, CA’ in the liner notes’], Salt Lake City, UT, and Denver, CO) before a brief UK tour of five shows ending with the show in Liverpool which would be their last.
  • The original plan was to leave them time off to work on various solo projects after the US tour but that didn’t happen.
  • Official releases featured additional tracks from a partially recorded show in Springfield, Massachusetts a month earlier on January 26, 1976.
  • Coverdale: “
  • Lord:” What you had here was an astonishingly good bass player, even stoned; one of the world’s great rock drummers; and a Hammon next to the name of Mr. Hammond. I know what I was doing, I was feeling very strong with my abilities at that time. Just those three – it couldn’t have been bad. But then you get Coverdale, who was really finding himself by this time. And Tommy, playing smashing stuff.  It’s not surprising that it sounds good. The only thing that held it back was that it was called Deep Purple. If it had been a new band . . . my God, it would’ve set the world on fire.”

For Further Information:

Listener Mail/Comments

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Episode #155 – Gillan – Glory Road

Link to video episode on Youtube: https://www.youtube.com/watch?v=Jgs6Zt1tBL0

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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Show Update:

  • New Deep Dive Podcast Network Show
    • Back Tracks: Aerosmith Revisited

Deep Dive Podcast Network:

Lead up to the Album:

  • Between albums we had the incident in 1980 where Ritchie joined Gillan on stage after Ritchie had refused an offer to join Gillan and Gillan had refused an offer join Rainbow.
  • Shortly after this Ian got a call from Tim Rice asking him if he’d like to play the part of General Peron in his new musical Evita.  Gillan would refuse the offer to focus on Gillan.
  • The band changed to the Virgin label.
  • They had previously been with the label Acrobat and had to front all of the money for Mr. Universe themselves.  Proceeds for the new album were going to have to go to paying off their old debt.

Personnel:

Technical:

Album Art & Booklet Review

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    • Zwopper The Electric Alchemist
    • Tim “Southern Cross” Johnson

Album Tracks (UK Version):

Side One:

  1. Unchain Your Brain (Gillan, Torme, McCoy)
  2. Are You Sure? (Gillan, Torme, McCoy)
  3. Time and Again (Gillan, Torme, McCoy)
  4. No Easy Way (Gillan, Torme, McCoy)
  5. Sleeping on the Job (Gillan, Towns)

Side Two:

  1. On the Rocks (Gillan, Towns)
  2. If You Believe Me (Gillan, McCoy, Torme, Underwood)
  3. Running, White Face, City Boy (Towns)
  4. Nervous (Gillan, Towns)

Album Tracks (US Versions):

Manufactured and Marketed by RSO Records, Inc.

This is the USA version of Glory Road that comes in embossed/raised Gillan Logo and where two of the tracks “Unchain your brain” and “Running, White Face, City boy” were switched. A5 is different from other releases. Running times as given on the label. Those slightly differ from the running times given on the European and other countries versions.

Side One:

  1. Running, White Face, City Boy (Towns)
  2. Are You Sure (Gillan, Torme, McCoy)
  3. Time And Again (Gillan, Torme, McCoy)
  4. No Easy Way (Gillan, Torme, McCoy)
  5. Your Mother Was Right (Gillan, Town)
    1. Sleeping on the Job (Gillan, Towns) was on the UK Version which was previously on UK version of “Mr. Universe.”
    2. US version saw a track called “Your Mother Was Right.”
    3. This track was included on the UK double album version’s bonus LP “For Gillan Fans Only.”

Side Two:

  1. On The Rocks (Gillan, Towns)
    1. In an interview with DJ Phil Easton: “It’s basically one of my little hobby horses. It’s about how I think people have generally become de-animalised in modern society, and are conditioned to do certain things from a very early age. It’s summed up in “Once you were a flying thing, now you’re on the rocks with broken wings” which sums up mankind for me at the moment. It’s a sad song, but as always, there is a bit of optimism later on.”
  2. If You Believe Me (Gillan, McCoy, Torme, Underwood)
  3. Unchain Your Brain (Gillan, Torme, McCoy)
    1. Album opener on UK version.
  4. Nervous (Gillan, Towns)

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    • Sugar Tits

Reception and Charts:

  • The album reached No. 3 in the UK album charts.
  • In UK it was also released as a double album with the additional “For Gillan Fans Only.”
  • In 1989 the album was released on CD by Virgin with some tracks from For Gillan Fans Only.
  • In 2007 a 19-track double album version was rereleased by Edsel. The For Gillan Fans Only CD had two bonus tracks.
  • Gillan says that “Glory Road” was his best work since “Machine Head.”
  • The second part of the double album “For Gillan Fans Only” was given away as a freebie with the first 15,000 copies.
  • After the album came out the press was still hounding Gillan about a Deep Purple reunion.  Gillan told them they should ask David Coverdale the same thing.
  • After this a rumor circulated on Tommy Vance’s show (where they would later announced the official Deep Purple reunion) that reunion dates were being booked in America. This would have been a mention of Rod Evans’s failed Deep Purple revival act.

Reviews:

  • http://www.deep-purple.net/DPASmags/stargazer23.htm#gillan
    • Glory Road / For Gillan Fans Only – Album Review
    • Very workmanlike, somewhat unadventurous too, with many cuts taking a similar style and level. ‘Unchain Your Brain’ is a case in point, nothing too brilliant, but enjoyable. ‘Are You Sure’ is great. The track is less cluttered than many on the album, and Ian really seems to be enjoying it. ‘Running White Face City Boy’ is another which I like, very similar to many Gillan band tracks, but has as a little more drive to it than most. ‘Nervous’ seems quite adventurous, and Ian’s throaty scream suits the track.
    • The extra ‘For Gillan Fans Only’ album is a rag-bag collection of items mostly unavailable before. ‘Your Mother Was Right’ is a lengthy out-take which seems a bit unfinished, but interesting ideas abound all the way through. ‘Abbey Of Thelema’ includes the flute solo which was done live, while ‘Trying To Get To You’ is an oldie from Ian’s shelved 1974-75 solo album. It has the intro edited off for some reason. Colin Towns’ ‘Dragon’s Tongue’ is great, he’ll never be out of work with stuff like this! On the whole, Glory Road and ‘son of’ have things to pick up on, but still lack the sheer impact of the Japanese Gillan album.
  • Darker Than Blue ran a series of fan responses for the album:
    • Marcus Paisley: “Not keen on the cover. Why do they keep changing the logo?”
    • Andrew Ellesden: “. . . side one didn’t impress me much, but side two is brilliant . . . I’d rate it higher than all Gillan’s post Purple stuff except for the Jap LP and some of Clear Air. My fave overall is “On The Rocks,” then “Nervous” . . . Ian’s singing is particularly effective.

Merch, Etc.

  • Jeff Breis’s official tour jacket
  • Official Gillan Biography Tour Programme
  • No Easy Way Single
  • Glory Road 7”

For Further Information:

Listener Mail/Comments

  • Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Episode #154 – Deep Purple & Iron Maiden

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

Link to YouTube episode here: https://www.youtube.com/watch?v=CS9wBSqxazQ

Subscribe at Apple Podcasts, Stitcher, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, or search in your favorite podcatcher! 

How To Support Our Show:

Welcoming Our Newest Patron(s):

  • Coming in at the $25 “Uncommon Man” Tier
    • Ovais Naqvi – NEW PATRON ALERT!
    • You two provide endless enjoyment, honestly. 
    • We English pride ourselves on irreverent humour, but you gents manage to combine an emotionally deeply sincere intent with an endless sense of irony and irreverence. 
  • Coming in at the $1 made up name tier . . .
    • Sugar Tits!  – NEW PATRON ALERT!
    • From Fielding Fowler: Upgrade time!! I think my girlfriend Sam is feeling left out with Spike and I being Patrons of the best Deep Purple Podcast out there so I added a buck for her.  Her made up name will be what everyone calls her…..Sugar Tits!

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    • Ryan M
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    • “Better Call” Saul Evans

Apple Podcasts Reviews:

  • United States
  • mike in cle – 5 stars!
  • Very knowledgeable guys
  • They are beyond devoted to this band. You will learn something, not just about Deep Purple, but other intersecting bands as well. By their very long friendship, these two hosts will entertain you thoroughly.

Postcards From The Edge . . . OF CONNECTICUT!

  • Peter Gardow sends in a postcard from the Dali museum in St. Petersburg, Florida, right by where Deep Purple played in February.

Deep Dive Podcast Network:

Welcome Jonatan Hedlin!

John’s history with Iron Maiden

Nate’s History with Iron Maiden

Nate, roaming the halls of Bulmershe College in his “Seventh Son of a Seventh Son” t-shirt (c. 1993.).

Influences:

  • Bruce Dickinson & Deep Purple: How Ian Gillan Influenced Bruce Dickinson’s Vocals
  • Guesting on The Rock Show With Johnny Walker’s “Rock God” segment aired on the BBC here, Iron Maiden frontman Bruce Dickinson named Deep Purple vocalist Ian Gillan as his personal rock god.
    • You can’t talk about Iron Maiden without first mentioning Deep Purple, a group that Dickinson first heard after accidentally stumbling upon their album In Rock: “I was walking up and down the corridor at boarding school and I heard this racket coming from behind a door,” Dickinson began. “I thought, ‘Oh my god, what is that?!’ So, I knocked on the door and this senior boy opened the door and looked at me with a big sneer on his face. I asked, ‘Who was that?’. He went, ‘Oh, it’s Deep Purple if you must know, ‘Speed King’’ and shut the door. That was that, I was hooked.”
    • Having said all that, I met Ian Gillan. Not only did I meet him, I actually went on tour with him when I was in a band called Samson.”
    • “I’m in a studio,” Dickinson continues. “We’ve done an album in Ian Gillan’s studio. We’ve all been at the pub and had a few pints, in walks my god Ian Gillan and goes, ‘Hey, what a great vocalist. Who’s the singer?’ At that moment, I felt the sudden urge to vomit. I ran out of the room, puked up for about 45 minutes in the toilet when in comes my idol, kicks the door and goes, ‘C’mon, mate, out you come. Let’s get you wiped down with a towel.’ He put me in a taxi and sent me home. I’ve never forgotten that, and he’s never let me forget it, either.”
  • Adrian Smith:
    • Adrian Smith Once Quit Fishing Because of Ritchie Blackmore
    • “When I was about 14 or 15, I was kind of a clueless, your usual type of teenager and I didn’t know what I wanted to do in my life. And I sort of wandered into my older sister’s bedroom to check out her albums, which were normally soul records — THE TEMPTATIONS and [other] Motown [artists]. And then I noticed she had some new records, and one of them was a DEEP PURPLE record called ‘Machine Head’. So I put the album on a little record player, and I just couldn’t believe what I was hearing. That was it, really. It sort of changed my life. I thought, ‘Well, I’d love to be out doing that one day.’ The fishing had kind of tapered off. In those days, I couldn’t imagine my heroes, like Ritchie Blackmore from DEEP PURPLE, and people like that going fishing. So I thought, ‘Well, I’ll give it up and I’ll give all my time to try and make it as a professional musician.’ So that’s what I did.”
  • The song Innocent Excile would ve worth listening to as an example of maiden at the Purplest sound.
  • Paul DiAnno auditioning en with “Lady Double Dealer” (not available to hear but, anyway)
  • Murders in the Rue Morgue and Lost in Hollywood drum resemblance. Clive’s and Nicko’s influence from Cozy and Paicey. Gangland another song example for this.
  • Iron Maiden – Murders in the Rue Morgue *HD*
  • Gangland (2015 – Remaster)
  • Interviews with members from both band must’ve occured, I know there is one with Paice and McBrain about cymbals ;p
  • PAISTE CYMBALS – 2 Legends 1 Sofa – Nicko McBrain (Iron Maiden) & Ian Paice (Deep Purple)

Best Albums according to Dickinson:

  • In Rock by Deep Purple (1970)
  • Are You Experience by Jimi Hendrix (1967)
  • Aqualung by Jethro Tull (1971)
  • Led Zeppelin IV by Led Zeppelin (1971)
  • Vol.4 by Black Sabbath (1972)
  • Rising by Rainbow (1976)
  • Live and Dangerous by Thin Lizzy (1976)
  • Van Halen by Van Halen (1978)
  • Live Bootleg by Aerosmith (1978)
  • Strangers In The Night by UFO (1979)
  • British Steel by Judas Priest (1980)
  • Blizzard of Ozz by Ozzy Osbourne (1980)
  • Back In Black by ACDC (1980)
  • Come An’ Get It by Whitesnake (1981)
  • Number of The Beast by Iron Maiden (1982)

Martin Birch Connection:

Deep Purple

Iron Maiden[edit]

Collaborations:

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Ian Paice of Deep Purple, Tony Iommi of Black Sabbath, Bruce Dickinson and Dave Murray of Iron Maiden (Photo by Leslie McGhie/WireImage)

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HaskinCast Episode 226 Album Review – Busta Rhymes – Part 1 – Extinction Level Event: The Final World Front w/ Nathan Beaudry

And now for something completely different . . .

Check out the episode of HaskinCast here: https://haskincast.podbean.com/e/episode-226-album-review-busta-rhymes-pt-1-extinction-level-event-the-final-world-front-w-nathan-b/

This week Nate joins Scott Haskin on his podcast for a deep dive review of Busta Rhymes’s 1998 album “Extinction Level Event: The Final World Front.”

Episode #153 – Whitesnake – Come an’ Get It

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Apple Podcasts Reviews:

  • CDMorissette – Canada – 5 Stars!
  • A must for all music fans!
  • Whether you are a lifelong fan of Deep Purple or not this podcast is a must listen for all rock music fans!

Deep Dive Podcast Network:

Lead up to the Album:

  • This album came on the heels of the double live album “Live . . . in the Heart of the City.” That along with “Read an’ Willing” had both done very well.
  • The follow up, “Come an’ Get It” was recorded at Startling Studios, Tittenhurst Park.
  • Tittenhurst was a Georgian style country house on 72 acres of land in Berkshire.
  • Tittenhurst was owned by John Lennon before he sold it to Ringo Starr when he moved to the US permanently in 1973.
  • This is where Lennon recorded Imagine and where Marsden had just worked on a solo album.
  • Allegedly Lennon bought it for 145,000.  He sold it to Ringo.  The ex-president of the UAE bouthg it for 5 million.  Sheikh Khalifa bin Zayed Al Nahyan of the UAE for $105 million
  • Murray says they used the studio there but it wasn’t that big so they recorded the drums and keyboards.

Personnel:

Additional Personnel:

  • Coordinator – Magnet (9)
    • John Ward – used to work as a roadie for Led Zeppelin and Deep Purple before becoming Whitesnake’s tour manager.

Technical:

Album Art & Booklet Review

UK and US Album Cover Comparison:

Album Tracks:

Side One:

  1. Come an’ Get It (Coverdale)
    • In Popoff’s book Bernie Marsden talks about claims of a Foreigner influence on this song.  He says that he liked “Feels Like The First Time” but doesn’t think any of the other guys were even aware of the band at that point.
  2. Hot Stuff (Coverdale, Moody)
  3. Don’t Break My Heart Again (Coverdale)
    • Marsden says he did one run through of the solo and that Birch said, “Okay, that’ll do.”  He said he thought he was just doing a run through.  He did it five or six more times but Birch insisted that they got it.  Marsden said he was like an additional member of the band being able to make great production decisions like that.
    • This song was about Coverdale’s daughter Jessica.
  4. Lonely Days, Lonely Nights (Coverdale)
  5. Wine, Women an’ Song (Coverdale, Moody, Marsden, Murray, Lord, Paice)
    • David, Bernie, and Micky do backing vocals.  Also known as “The Three Piece Suite.”

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Side Two:

  1. Child of Babylon (Coverdale, Marsden)
    • Marsden said he worked very closely with Lord on this one.  He said he explain to Jon what he wanted it to sound like and Jon fleshed it out.
    • Marsden talks extremely positively about Jon Lord.  He said he would always suggest alternative ideas that made songs better.  He said that he was very gracious and he said Jon should have gotten writing credits on a lot more songs (including this one) but Jon would shrug it off and say he wouldn’t have had those ideas if the ideas brought to him weren’t so strong.
  2. Would I Lie To You (Coverdale, Moody, Marsden)
    • Coverdale says this song title was from a pin a female fan of the band had given to him in Southampton.
    • Bernie says you’d think this was a love song but it was about their manager.  I think he said it as a joke.
    • Popoff asked Murray if there was Coverdale’s one-track-mind as far as writing ever got to the rest of them.  Murray said, “Ues amd you now, here’s tat stubborn mentality that if you criticize him for it he’ll do it more.
  3. Girl (Coverdale, Marsden, Murray)
    • Coverdale says Murray wrote this from more of a fusion perspective.
    • Marsden said it was about a girl they saw on the side of the road.
    • Coverdale says: “Most of the songs are about my old lady.”
    • Coverdale also says that most of the songs he’s been accused of being the most sexist in are about his daughter.
  4. Hit an’ Run (Coverdale, Moody, Marsden)
  5. Till the Day I Die (Coverdale)
    • Marsden says this was the peak of David’s writing.

Reception and Charts:

  • Went straight to No. 2 in the UK when it was released.
  • Coverdale said in interviews that after five years the band was trying to enter a more American approach to the music in the early 80s.
  • Murray says it’s between this album and “Ready an’ Willing” that are his favorites in Whitesnake along with the 1987 but given the choice he’s probably choose “Come an’ Get It.”

Reviews:

  • Martin Popoff says of this album: “Sacrilege perhaps in the utterance, but this one is utterly ruined by Martin Birch and Ian Paice, two nearly unassailable rock icons who should know better.”  He says this whole album seems stiff and classical in its approach.
  • A sampling of reviews courtesy of Jorg Planer.

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Episode #152 – Deep Purple in the Charts

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  • Michael reaches out regarding his reaction to our Florida show:

    Apple Podcasts Reviews:

    • Deep blackmore – USA – 5 Stars!
    • Great podcast!!!
    • Been a fan of deep purple for more years then I can remember recent episode for elf Carolina county ball / la59 album even if the hosts didn’t like the album this is the album that turned me on to the great Ronnie James Dio and the saw elf open for electric light orchestra and deep purple way back in 1974 in Indianapolis indiana keep up the great work

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    • Tim “Southern Cross” Johnson

    In The Charts

    • Hush
      • Peaked at #4 (#58 in the UK)
      • US Top 40 Singles for the Week Ending 28th September, 1968
      • TW LW TITLE –•– Artist (Label)-Weeks on Chart (Peak To Date)
      • 1 3 HEY JUDE –•– The Beatles (Apple)-3 (1 week at #1) (1)
      • 2 1 HARPER VALLEY P.T.A. –•– Jeannie C. Riley (Plantation)-6 (1)
      • 3 2 PEOPLE GOT TO BE FREE –•– The Rascals (Atlantic)-11 (1)
      • 4 4 HUSH –•– Deep Purple (Tetragrammaton)-7 (4)
      • 5 15 FIRE –•– The Crazy World Of Arthur Brown (Atlantic)-4 (5)
      • 6 8 THE FOOL ON THE HILL –•– Sergio Mendes and Brasil ’66 (A&M)-8 (6)
      • 7 5 1, 2, 3, RED LIGHT –•– 1910 Fruitgum Co. (Buddah)-10 (5)
      • 8 9 I’VE GOTTA GET A MESSAGE TO YOU –•– The Bee Gees (Atco)-7 (8)
      • 9 16 GIRL WATCHER –•– The O’Kaysions (ABC)-7 (9)
      • 10 13 SLIP AWAY –•– Clarence Carter (Atlantic)-12 (10)
    • Kentucky Woman
      • Peaked at #38 in the US (Did not chart in the UK)
      • Week Ending 14th December, 1968
      • 1 4 I HEARD IT THROUGH THE GRAPEVINE –•– Marvin Gaye (Tamla)-4 (1 week at #1) (1)
      • 2 1 LOVE CHILD –•– Diana Ross and the Supremes (Motown)-9 (1)
      • 3 3 FOR ONCE IN MY LIFE –•– Stevie Wonder (Tamla)-7 (3)
      • 4 7 ABRAHAM, MARTIN AND JOHN –•– Dion (Laurie)-8 (4)
      • 5 5 WHO’S MAKING LOVE –•– Johnnie Taylor (Stax)-8 (5)
      • 6 2 HEY JUDE –•– The Beatles (Apple)-14 (1)
      • 7 8 WICHITA LINEMAN –•– Glen Campbell (Capitol)-7 (7)
      • 8 9 STORMY –•– The Classics IV Featuring Dennis Yost (Imperial)-8 (8)
      • 9 11 I LOVE HOW YOU LOVE ME –•– Bobby Vinton (Epic)-7 (9)
      • 10 6 MAGIC CARPET RIDE –•– Steppenwolf (Dunhill)-11 (3)
      • 31 34 GOODBYE MY LOVE –•– James Brown (King)-6 (31)
      • 32 44 LO MUCHO QUE TE QUIERO (The More I Love You) –•– Rene and Rene (White Whale)-4 (32)
      • 33 50 PAPA’S GOT A BRAND NEW BAG –•– Otis Redding (Atco)-3 (33)
      • 34 25 QUICK JOEY SMALL (Run Joey Run) –•– The Kasenetz-Katz Singing Orchestral Circus (Buddah)-11 (25)
      • 35 29 CYCLES –•– Frank Sinatra (Reprise)-10 (23)
      • 36 49 SON-OF-A PREACHER MAN –•– Dusty Springfield (Atlantic)-3 (36)
      • 37 40 GOODY GOODY GUMDROPS –•– 1910 Fruitgum Co. (Buddah)-8 (37)
      • 38 38 KENTUCKY WOMAN –•– Deep Purple (Tetragrammaton)-6 (38)
      • 39 58 A RAY OF HOPE –•– The Rascals (Atlantic)-2 (39)
      • 40 63 IF I CAN DREAM –•– Elvis Presley (RCA Victor)-3 (40)
    • River Deep – Mountain High
      • Week Ending 25th January, 1969
      • Entered charts at #72 (Peaked at #53)
      • 1 1 I HEARD IT THROUGH THE GRAPEVINE –•– Marvin Gaye (Tamla)-10 (7 weeks at #1) (1)
      • 2 4 CRIMSON AND CLOVER –•– Tommy James and the Shondells (Roulette)-7 (2)
      • 3 2 I’M GONNA MAKE YOU LOVE ME –•– Diana Ross and the Supremes and the Temptations (Motown)-8 (2)
      • 4 3 SOULFUL STRUT –•– Young-Holt Unlimited (Brunswick)-9 (3)
      • 5 15 EVERYDAY PEOPLE –•– Sly and the Family Stone (Epic)-9 (5)
      • 6 5 HOOKED ON A FEELING –•– B.J. Thomas (Scepter)-11 (5)
      • 7 8 TOUCH ME –•– The Doors (Elektra)-5 (7)
      • 8 9 WORST THAT COULD HAPPEN –•– Brooklyn Bridge (Buddah)-6 (8)
      • 9 16 I STARTED A JOKE –•– The Bee Gees (Atco)-6 (9)
      • 10 10 SON-OF-A PREACHER MAN –•– Dusty Springfield (Atlantic)-9 (10)
    • Help! (France)
    • Emmaretta – Peaked at #128 in the US, did not chart in the UK
    • Hallelujah – Peaked at #108 in the US, did not chart in the UK
    • Black Night – Peaked at #66 in the US, #2 in the UK
      • Week Ending 5th December, 1970
      • Entered the US charts at #90
      • 1 1 I THINK I LOVE YOU –•– The Partridge Family (Starring Shirley Jones and Featuring David Cassidy) (Bell)-9 (3 weeks at #1) (1)
      • 2 2 THE TEARS OF A CLOWN –•– Smokey Robinson and the Miracles (Tamla)-8 (2)
      • 3 6 GYPSY WOMAN –•– Brian Hyland (Uni)-14 (3)
      • 4 3 I’LL BE THERE –•– Jackson 5 (Motown)-12 (1)
      • 5 4 WE’VE ONLY JUST BEGUN –•– The Carpenters (A&M)-13 (2)
      • 6 5 FIRE AND RAIN –•– James Taylor (Warner Brothers)-13 (3)
      • 7 25 ONE LESS BELL TO ANSWER –•– The 5th Dimension (Bell)-7 (7)
      • 8 24 NO MATTER WHAT –•– Badfinger (Apple)-6 (8)
      • 9 9 HEAVEN HELP US ALL –•– Stevie Wonder (Tamla)-8 (9)
      • 10 16 SHARE THE LAND –•– The Guess Who (RCA)-7 (10)
    • Speed King (Germany, Netherlands)
    • Strange Kind of Woman
      • Did not chart in the US, Peaked at #8 in the UK
    • Fireball
      • Did not chart in the US, Peaked at #15 in the UK
    • Never Before
      • Did not chart in the US, Peaked at #35 in the UK
    • Lazy (US/Canada)
      • Did Not Chart
    • Child in Time
      • Did Not Chart – released in select EU markets
    • Highway Star
      • Released in US/Canada and Japan
      • Did not chart
    • Woman From Tokyo
      • Did not chart in US or UK
      • Had success in assorted EU markets
    • Smoke on the Water
      • Debuted at #85 week ending May 25, 1973
        • P1 4 FRANKENSTEIN –•– The Edgar Winter Group (Epic)-12 (1 week at #1) (1)
        • 2 6 MY LOVE –•– Paul McCartney and Wings (Apple)-7 (2)
        • 3 5 DANIEL –•– Elton John (MCA)-8 (3)
        • 4 2 TIE A YELLOW RIBBON ROUND THE OLE OAK TREE –•– Dawn Featuring Tony Orlando (Bell)-15 (1)
        • 5 1 YOU ARE THE SUNSHINE OF MY LIFE –•– Stevie Wonder (Tamla)-11 (1)
        • 6 9 PILLOW TALK –•– Sylvia (Vibration)-10 (6)
        • 7 3 LITTLE WILLY –•– The Sweet (Bell)-19 (3)
        • 8 7 DRIFT AWAY –•– Dobie Gray (Decca)-14 (5)
        • 9 10 WILDFLOWER –•– Skylark (Capitol)-15 (9)
        • 10 13 HOCUS POCUS –•– Focus (Sire)-13 (10)eaked at #4 in the US
      • Peaked at #4 in the US – Week Ending July 28th, 1973
        • 1 1 BAD, BAD LEROY BROWN –•– Jim Croce (ABC)-15 (2 weeks at #1) (1)
        • 2 3 YESTERDAY ONCE MORE –•– The Carpenters (A&M)-9 (2)
        • 3 4 SHAMBALA –•– Three Dog Night (Dunhill)-11 (3)
        • 4 7 SMOKE ON THE WATER –•– Deep Purple (Warner Brothers)-10 (4)
        • 5 2 WILL IT GO ROUND IN CIRCLES –•– Billy Preston (A&M)-18 (1)
        • 6 11 DIAMOND GIRL –•– Seals and Crofts (Warner Brothers)-12 (6)
        • 7 5 KODACHROME –•– Paul Simon (Columbia)-11 (2)
        • 8 8 BOOGIE WOOGIE BUGLE BOY –•– Bette Midler (Atlantic)-12 (8)
        • 9 20 THE MORNING AFTER –•– Maureen McGovern (20th Century)-6 (9)
        • 10 6 GIVE ME LOVE (Give Me Peace On Earth) –•– George Harrison (Apple)-11 (1)
      • Did not chart in the UK
    • Super Trouper
      • Released in some EU markets
      • Did not chart anywhere
    • Might Just Take Your Life
      • Debuted at #99 for Week Ending March 23rd, 1974
      • Chameleon by Herbie Hancock debuted at #96 that same week
      • Peaked at #91 in the US
        • 1 3 DARK LADY –•– Cher (MCA)-10 (1 week at #1) (1)
        • 2 1 SEASONS IN THE SUN –•– Terry Jacks (Bell)-11 (1)
        • 3 4 SUNSHINE ON MY SHOULDERS –•– John Denver (RCA)-9 (3)
        • 4 2 BOOGIE DOWN –•– Eddie Kendricks (Tamla)-12 (2)
        • 5 6 MOCKINGBIRD –•– Carly Simon and James Taylor (Elektra)-8 (5)
        • 6 12 BENNIE AND THE JETS –•– Elton John (MCA)-6 (6)
        • 7 14 HOOKED ON A FEELING –•– Blue Swede (EMI)-6 (7)
        • 8 10 JET –•– Paul McCartney and Wings (Apple)-7 (8)
        • 9 11 ERES TU (Touch the Wind) –•– Mocedades (Tara)-11 (9)
        • 10 7 JUNGLE BOOGIE –•– Kool and the Gang (De-Lite)-16 (4)
      • Peaked at #55 in the UK
    • Burn
      • Released in US/Canada and JApan
      • Peaked at #105 in the US – does not show up in top 40 (I think it’s only the top 100)
      • Did not chart in the UK
    • You Can’t Do It Right
      • Released in US/Canada
      • Did not chart
    • Lady Double Dealer
      • Released in Japan
      • Did not chart
    • Stormbringer
      • Peaked at #26 in Italy
      • Did not chart elsewhere
    • Gettin’ Tighter (US/Canada)
      • Released in US/Canada
    • You Keep on Moving
      • Did not chart

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    Episode #151 – Deep Purple – Slaves and Masters (Part 2)

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    • DP Fan in WA – USA – 5 Stars!
    • Enjoying the Show
    • Recently began listening and enjoying it quite well so far. I need to go back and listen to older episodes when I have time. I look forward to learning more about one of the bands I love best! Listening from Lake Tapps, WA area.

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    Deep Dive Podcast Network:

    Album Tracks:

    1. Breakfast in Bed (Blackmore, Turner, Glover)
    2. Love Conquers All (Blackmore, Turner, Glover, Lord)
    3. Fortuneteller (Blackmore, Turner, Glover, Lord, Paice)
    4. Too Much Is Not Enough (Turner, Bob Held, Al Greenwood)
      1. Wicked Ways (Blackmore Turner, Glover, Lord, Paice)

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        • Kev Roberts – (courtesy of his wonderful children: Matthew, Gareth, and Sarah)
        • Will Porter
        • Zwopper The Electric Alchemist
      • Tim “Southern Cross” Johnson

      Reception and Review

      • With Gillan out they changed the set list up quite a bit, even working in songs such as “Burn” that Gillan would have never agreed to sing.
      • The live set included six of the nine tracks form Slaves and Masters though “Wicked Ways” was dropped after only a few shows.
      • Fan reaction to this lineup and album was largely negative.
      • In “The Complete Deep Purple” Michael Heatley calls “Slaves and Masters” “the definitive Rainbow album.”
      • It entered the UK charts at number, seven places below, “Nobody’s Perfect,” which was not widely regarded as a success. Then it dropped out of the charts. It was their least successful album since Mark 1.
      • In the US it was number 87.
      • JLT says of this album in Kerrang that this album wasn’t as forced as the Rainbow albums he’d done.  What he means is that they were more of jams than composed.
      • JLT also says, “If I hear ‘Deep Rainbow’ again I think I’m gonna puke. Think of something else. There are four of the five member of Purple, three of five members of Rainbow.”

      Reviews:

      • The album was met with mixed reviews.
      • The press seemed to be largely positive about it but fans were not.
      • Simon Robinson in Darker Than Blue #40, November 1990:
        • “. . . I know damn well that if someone had sent it me out of the blue by a new group, it would have got the one play and be in the bin . . . by now.”
        • “With this new one it’s all ended. Nothing here demands of me that I should zoom to the record deck every so often to assault my senses with it. If this is really the way they think music should be going then we’ve reached the parting of the ways. Nobody wants to live in the past, but they’re damn well giving me little choice.”
        • He goes on to say he has nothing against JLT, considers him very competent. Just does not like his vocal style.
        • “It’s hard to listen to the album and ignore the JLT favor, but when you do much of it is pretty ordinary anyway.”
        • “The idea of evolving the album from jamming has given a laid back feel which might have been better tempered by a hard edge at times.”
        • On King of Dreams: “I’d like to hear mixed without vocals. Granted poor old Ian PAice sounds like he’s falling asleep (Maybe the dreams are his?) but it chugs along with some inspired keyboard work.”
        • He calls “Breakfast in Bed,” “Breakfast in Bed (Crumbs In The Duvet).
        • “. . . Ian Gillan has to be agreed with  when he says he found it almost impossible to get inspired by the stuff when he was being sent the first demos. The addition of his talent on some of the tracks might have cracked it, but elsewhere we’re looking at a group who seem to have lost all sense of purpose. Roger Glover has written off House of Blue Light as a totally wooden album in recent press articles and it makes me wonder if I’m going crackers. Sure it had its disappointments but Bad Attitude, Spanish Archer, STrangeways, and Dead or Alive wipe the floor with this one.”
      • Neil Jeffries writes in Kerrang:
        • “Deep Purple’s new studio album “Slaves and Masters” is OK . . . and no-one is more surprised than me. It does lat grab-you-by-the-throat impact but it’s not the disaster I had feared and expected.”
        • It may not sound at all like “In Rock”, “Machine Head” or even “Perfect Strangers” but it doesn’t really sound much like Rainbow either. In fact just like “In Rock”, “Burn”, “Come Taste The BAnd” or “Perfect Strangers” it sounds like a band making a fresh start.
      • JLT: “In my opinion the best of this album is still lying on the cutting room floor.  We’ve got some racks  you’d fuckin’ die for but we never finished them.”
      • One of the things they did on tour was to open up the set list, something Gillan had also wanted to do but Blackmore had fought him on.  Gillan felt like they were just playing Made in Japan every night. The set lists for this tour were much more adventurous.

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      Episode #150 – Deep Purple – Slaves and Masters (Part 1)

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      • Hey! I wanted to leave a 5 star, but I can’t connect to Apple bla bla bla.. So, if this counts I’ll do it here. I really enjoy your show and I really want to hear that flexitone? or whatever the the name is.
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      • I started listening to your show late last summer. Went on Spotify and wondered if there was a DP podcast and boy am I glad you called it ‘The Deep Purple Podcast’! Or else I don’t think I would have found you guys so easily. Never listened to a podcast before so you guys are my first.
      • Love the show! Nice to hear you discuss the music, musicians, events surrounding the different bands and recordings and the interviews with the musicians! 
      • I got into Deep Purple through my parents who both are in their late 50’s. I’m 32. 
      • My dad had made a mixed CD to my mom that she played in the car with songs from mark 2, 3 and 5. 
      • It was about 99/00 that I heard Jon Lord’s intro to Knocking At Your Back Door from Nobody’s Perfect and from that moment I was hooked. I went through every CD and LP that my parents owned.
      • In Rock (this I did not listen to!), Fireball, Machine Head, Burn, Stormbringer, Perfect Strangers, House Of Blue Light, Slaves and Masters, Battle Rages On, Purpendicular and Abandon. A couple of compilations and Nobody’s Perfect.
      • By the time I was 15 in 2004 I owned every studio album that they had released on CD. I bought In Rock that summer and I had heard Speed King, Child In Time and Black Night from the 24 Carat Purple compilation record before. 
      • But when I played In Rock in it’s entirety for the first time… I mean.. Come on! What. A. Record! The intensity of the band, Gillan’s singing, Jon and Ritchie’s solos! 
      • Bad production or not, it’s a epic and a groundbreaking record. 
      • Played that record on repeat the whole summer. 
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      Lead up to the Album:

      • Gillan says that with “House of Blue Light” that as long as Blackmore was happy with the guitar parts then everyone was happen. Ian says that wasn’t good enough for him.
      • While RItchie recovered from a broken finger (the result of misjudging his timing when catching his guitar) Ian and Roger went to work on “Accidentally on Purpose.”
      • Gillan said that when the tour resumed that the spark had gone.
      • They had an odd route through their European tour and when asked about why at a press conference Ian Gillan said, “Because Bruce Payne is an asshole.” Something he regretted and said out of frustration.
      • Things were very tense between Gillan and Blackmore.  It all came to a head when Ritchie burst into Ian’s room holding a plate of spaghetti which had been covered in ketchup.  Given the tension between the two Blackmore assumed it was Gillan.  He said, “Did you do this?”  Gilland says before he could answer Blackmore had smashed the plate into Ian’s face “as if it were a custard pie.”
      • Gillan claims at that point Blackmore started dancing around holding up his fists and saying, “Come on! Come on!” To which Gillan replied, “I don’t want to hit you, Ritchie.”  He said he turned around and went into the bathroom where he cried with frustration.  He said, “I quit” out loud then changed his mind.
      • Ian had already started working on his side project “Garth Rockett and the Moonshiners” and there was the sense he wasn’t giving his all to Deep Purple.
      • After this they worked on Nobody’s Perfect.
      • After this Deep Purple returned to Stowe for sessions and Ian was invited not to attend.
      • Ian said he finally did show up at the sessions but ended up at the bar and was drinking very heavily.
      • Gillan burst in on Blackmore and his girlfriend who were having a fight and ended up falling onto a sofa and knocking over a huge glass shelf.  He was wearing nothing.
      • Darker Than Blue #38 for November 1989:
        • Article describing “Vocalist Wanted” advertisements in Kerrang! And speculating they may be for Deep Purple.  They’d previously speculated about Brian Howe from Bad Company being a potential vocalist.
        • Blackmore ended up playing on Howe’s solo album which Darker Than Blue said: “. . . to be cringingly called “Howe’d Business” (guaranteed to git it bargain bin status within weeks!)”
        • They also go on to say that Joe Lynn Turner has been on people’s minds as well as Ronnie Dio. Interestingly the Dio rumor came from none other than Don Airey who said he’d heard Dio was auditioning while he was woring with Whitesnake.
        • Coverdale also came to mind quickly to reprise his role replacing Gillan.  Whitrsnake wasn’t exactly stable but their latest album “Slip of the Tongue” was selling quite well.
        • Doug Pinnick of Kings X was also considered.
        • Word from MTV was that JLT had turned the job down.
        • Rumors were that Paul Rodgers auditioned and was “found lacking.”  Hard to believe with Blackmore’s admiration for Rodgers.
        • Jimmy Barnes was rumored to have taken the job as well.
        • The next name was Kal Swan from the band Lion.
        • Jamie Jamison from Survivor was another rumored name.
        • According to Sounds magazine Gillan was fired.  According to NME Gillan quit.
        • Jon said he’d like to work with Colin Hodgkinson again but couldn’t due to the BMG contract running until 1991.  There were so many delays from Deep Purple that Jon Lord ended up touring with him anyway with John Mayall.
        • Simon Robinson says that seeing JLT do Deep Purple material  made himn think they’d need to really rework the set to make it work.  HE said this is ironic considering this seemed to be the main stickign point with Gillan who really wanted to rework things.
      • ++++ Black Knight
      • Tensions were rising between Deep Purple and Polygram. In interviews Jon Lord said they got the impression that Polygram did not consider Deep Purple to be a current group.
      • IT was decided in 1989 they would take a break from touring and focus on a new album.
      • Lord stated they had six nearly completed songs and another six that they were working on.
      • Blackmore wanted this album to go into a more commercial direction.  Gillan wanted it to be something a little more quirky.
      • Gillan wanted to record in a New York studio.  Blackmore hated the idea and Lord said, “The idea of recording in New York fills me with dread.  This upset Gillan and lead to Blackmore calling a recording session without Gillan.
      • Raymond D’Addario: “You almost thought tha tIan wanted to be kicked out.  That’s the impression I got.”
      • Artie Hoar: “I was there when Gillan got fired. WE were in Vermont and Deep Purple was rehearsing. Rich and all of the other band members (except for Roger) went home without telling Gillan that he was going tobe replaced. I left with Rich so I guess Roger told him he was out.”
      • Blackmore had lead the charge in ousting Gillan but the rest of the band backed his decision.
      • Lord: “Ritchie is like a terrier or pit-bul, he gets hold of something and won’t let go. HE ahs a vision of what he wants, and he’ll fight and fight until he gets what he wants. He’s rarely wrong, and if he is wrong, he’ll admit it with utmost graciousness. Until he’s proven wrong, he won’t budge. I love him the way he is.”
      • Roger said in an interview in Kerrang! “Sacking Ian Gillan was not personality clash, it was not about behaviour, it was a decision taken by all of us in the band, however painful that was.”
        • Glover goes on to say it was a difference in songwriting. Gillan wanted to go in a different direction.  He also says it’s painful to talk about and they are still great friends but that his dismissal was necessary.  He concludes with: “In many ways, I miss him a lot.”
      • At a video shoot for MTV Jon Lord said he was glad that Ian had left and said it had gotten “as bad as it was the first time he left.” This caused Bruce Payne to shake his head as this was done on camera.  Several sources cite this including the Kerrang interview with Roger Glover as well as a few of the books.
      • In Colin Hart’s book “A Hart Life” he mentions that Bruce Payne sided with whoever had the most power in the band. At this moment it was Ritchie.  That would change in the future.
      • BMG was not happy about this change as they’d signed the Mark 2 lineup and now they did not have their signature singer to record their next album.
      • The remaining four members did not have any particular singer in mind to replace Gillan.  They auditioned potential singers.
      • It was during this period that Ritchie met Candice Isralow at a charity soccer match.
      • Jon took the opportunity to team up with Pete York and Tony Ashton and others and they toured Germany under the name Olympic Rock and Blues Circus. By the time the tour ended they still didn’t have a singer.
      • Some singers that were auditioned included Jimi Jamieson and Terry Brock.  The former was the singer in Survivor and allegedly was offered the job but refused it at the advice of his management.  Jon Lord said that’s who he really wanted but that Jimi was afraid of his managers.  He said they were “Italo-Americans; that says enough.” Brock was less well known from a band called Strangeways. There were rumors that he and Blackmore had a big altercation with Brock walking out.
      • Jimi Jamieson turned down the band, opting to go with a solo career.  He ended up doing the theme song for Baywatch.  In Colin Hart’s book he says, “Good choice, Jimi!”
      • It was at this point that Blackmore suggested Joe Lynn Turner. The other band members were initially not interested in this idea but eventually they relented, perhaps due to Ritchie’s pit-bull tendencies.
      • When Roger first heard of the idea his first reaction was “No Way! Absolutely Not!”  He went on to say that it wasn’t for any personal reasons but he just felt it was the wrong move.  He said he though the “Deep Rainbow” criticisms would be “flying thick and fast.”
      • Jerry Bloom states in Issue #32 of “More Black Than Purple” that these complaints could have been nullified given Lord and Paice joining Whitesnake and the sound staying relatively the same.  I would contest that that may have had something to do with neither of them taking much of a songwriting place with that band.
      • In a 1984 interview with Mick Wall Blackmore talks about the differences between Rainbow and Deep Purple.  “. . . I feel that although Rainbow did some good stuff, it didn’t ever have the identity that Purple has.”  He goes on to say that in Rainbow he was able to have everything exactly how he wanted it but it didn’t seem to appeal to the masses.  He admitted that him in 100% control didn’t equal the best results.  He then goes on to compliment Gillan: “Ian Gillan . . . will come up with melodies and lyrics to things I’ve written which I would never have thought of. That’s part of the chemistry and magic of Purple. Nobody has a voice like Ian Gillan’s and you can’t say that about the Journeys, Foreigners, Survivors or Rainbows.”
      • Joe says that when he walked in to her audition the band was playing and Ritchie went into “Hey Joe” by Hendrix and Turner got right on the mic.  It’s alleged that Roger Glover has a recording of this in his session tapes.  He goes on in Kerrang to say “I recorded that, I have it on a 12-track, and it was really good. One day I’d like to release that.”
      • Glover in Kerrang: “I don’t think the real test is how well Joe performs the old songs, it’s how well he performs the new songs and how much of a career we forge from here . . .”
        • Glover goes on to talk about whole Who Do We Think We Are didn’t produce any songs that translated into live numbers so they just went back to Machine Head which is just Made in Japan.  He really wanted to focus on getting back to some old 
      • Joe Lynn Turner goes on in interviews about how Ritchie was the band leader, he sided with Ritchie, and Roger and the others sort of did their own thing.  JLT has some somewhat unfavorable things to say about working with Jon Lord, a rarity in Deep Purple circles.  “I can remember Jon saying ‘Love Conquers All’ was shit and it wasn’t a good song and I said, ‘If you play it right I’m gonna sing the hell out of it and it’s going to be a great power ballad so just shut the fuck up and get started.”  He goes on to say that Ritchie had been wanting to say that to Jon for years
      • JLT described Lord as being critical but not very involved in the writing “Jon would never write and he’d be sitting there drinking his glass of wine reading his book listening to classical music.”
      • Despite the fight with Gillan about recording studios they ended up at Greg Rike Productions in Orlando, Florida to record “Slaves and Masters.”
      • This was their first time in a proper studio to record an album since “Come Taste The Band.”  Wonder if this made Gillan mad?
      • In an interview in Metal Hammer from December 1990 Jon Lord says (about why they went with an established singer instead of someone new like they’d done with Coverdale): “We area band of a certain age. And most singers we got audition tapes from were guys of 20-22 years. And two things would happen if we took a guy of that age. One it would look wrong. And two the poor guy would not stand the chance.”  He goes on to say that a young, inexperienced singer wouldn’t be able to “control the band from the front.”
      • Jon said in interviews that Ritchie was the leader of the band and it wasn’t Purple without Ritchie.
      • They played one show with Joe Lynn Turner but Jon Lord opted not to play as it was a very cramped venue.
      • After that Colin Hart arranged a location in Altamonte Springs, Florida, north of  Orlando called Greg Rike Productions. He mentions that the band was tired of the snow.
      • Colin Hart said it took six months to record.
      • Ian Paice: “The thing that’s different is that Joe has the ability to sing anything well, and because of that it opens up more possibilities than ther ewere before. I mean, I an was a great rock’n’roll singer, David was a great blues singer, but Joe has the ability to do anything and everything, so where there were certain limitations on what we could do before, at the moment anything we can think of he can do.”
      • During press conferences JLT wouldn’t miss an oppotunity to speak negatively about Malmsteen and pump up Blackmore.
      • JLT: “Before I joined there were certain restrictions and conditions that I flet had to be met. Ome was that I’m not just gonna come into the band singing someone elses’s drivel.”

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      Album Art & Booklet Review

      • Artwork [enhancement] – Ralph Wernli
        • Worked on album photography  for numerous others including Art Garfunkel and Kool Moe Dee. While a photographer he is credited with artwork on this album.
      • Photography – Didi Zill
      • Art Direction – Roger Glover

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      Album Tracks:

      1. King of Dreams (Blackmore, Turner, Glover)
        1. Glover says in Kerrang: “King of Dreams is a perfect case point. That came out of a couple of days of frustration, the atmosphere in the studio was like pea soup, everyone was really down in the mouth. Then Ritchie just started playing a completely different riff. He only played it once cos when we’d done it I said “That’s really good, let’s work on it’ – but Ritchie wouldn’t!  We came back to it a couple of weeks later, did a few overdubs, I got Joe in to work on a set of lyrics I’d got, then by the time the band came in we had a song. It’s not perfect by any means. We tried to improve it, but it wouldn’t be improved. It just lived the way it live . . .”
      2. The Cut Runs Deep (Blackmore, Turner, Glover, Lord, Paice)
        1. In Black Knight Joe Lynn Turner says that Jon Lord started playing the keyboard intro at his audition in Vermont and Turner started singing the vocal line “What about the heartache? What about the emptiness inside?”
      3. Fire in the Basement (Blackmore, Turner, Glover, Lord, Paice)
      4. Truth Hurts (Blackmore, Turner, Glover)

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