Category: Show Notes

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• Hi Nate & John, 
• After being a patron for more than a year it is high time to introduce myself. Discovered your podcast in  spring 2020 and it helped to stay sane during the pandemic craze (although it was kind of soft here in Sweden). I’ve been a DP fan since the mid seventies, which kind of give away my age…  Anyway, love your podcast, keep up the good work.
• /Anders

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Postcards From The Edge . . . OF CONNECTICUT!

• A birthday package from THE GARDOW!

Musicians:

• Arranged By, Conductor – Graham Preskett
  • We’ve seen him most recently playing violin on our review of the 1999 concerto.
  • Did strings and arrangements for Roger Glover’s Mask album.
    
• Backing Vocals – Claire Torry*, Doreen Chanter, Irene Chanter, Jill Mackintosh, John Perry (7), Kay Garner, Tony Rivers, Vicky Brown*
  • Claire Torry*
    • https://en.wikipedia.org/wiki/Clare_Torry
    • Renowned British backing singer.
    • Hugely famous for singing the lead vocal on Pink Floyd’s “Great Gig in the Sky”
  • Doreen Chanter
    • https://en.wikipedia.org/wiki/Doreen_Chanter
    • Member of The Chanter Sisters
    • Backing vocals for David Coverdale on his solo “White Snake” album
  • Irene Chanter
    • Another member of The Chanter Sisters
    • Worked with Manfred Mann, Rod Stewart, backing vocals on both “White Snake” And “Northwinds”
  • Jill Mackintosh
    • Only a few other credits on Discogs
  • John Perry (7)
    • http://www.johnperry.co.uk/
    • Worked with Cliff Richard, Elton John, The Beatles (his website says he sang on “Hey Jude”
  • Kay Garner
    • https://www.spectropop.com/KayGarner/index.htm
    • Elton John, Jesus Christ Superstar, Dusty Springfield
  • Tony Rivers
    • Another who worked with Cliff Richard
  • Vicky Brown*
    • https://en.wikipedia.org/wiki/Vicki_Brown
    • Famous British singer, friend of Jon Lord, mother of Sam Brown.
    • Worked with Jon Lord, Roger Waters, Alvin Lee, Chris Farlowe, Steve Marriott, Cerrone, Gary Moore, Yvonne Keeley, Eric Burdon, Pink Floyd, Bryan Ferry, Olivia Newton-John, Robert Palmer, Elton John, and many more.
    • Sadly passed away in 1991 at 50.
• Bass – Graham Preskett, Mo Foster
• Drums
  • Barry De Sousa*
    • Played briefly with Curved Air, Eddie Hardin, Rosemary Clooney, Jeff Wayne (War of the Worlds), David Byron, and more.
  • , Dave Potts
    • Played mostly with NWOBHM band Praying Mantis
  • , Simon Phillips
    • 
      
• Flute – Ray Worley
  • Only a couple of Discogs mentions.
• Guitar – Mick Moody*
• Harp – Fiona Hibbert
  • Played on a few albums including Camel’s “Rain Dances”
• Keyboards
  • Mike Moran
    • Former Ian Gillan Band member
  • , Tony Hymas
    • https://en.wikipedia.org/wiki/Tony_Hymas
    • British jazz pianist, played with Frank Sinatra, Stan Sulzman, Stanley Clarke, Jeff Beck,
• Leader [Martyn Ford Orchestra] – Gavyn Wright
  • https://en.wikipedia.org/wiki/Gavyn_Wright
  • British violinist and conductor
  • Over 1500 credits on Discogs
  • He is best known for his orchestral arrangements for pop artists including Oasis, TIna Turner, Elton John, and Van Morisson to name a few.
  • He also known for movie scores including Stuart Little, 12 Monkeys, Shrek 1 & 2, Batman Begins, and many more.
• Orchestra – Martyn Ford Orchestra*
• Percussion – Ray Jones, Roger Glover
  • https://funkyvirginia.blogspot.com/2010/
  • 
    
• Steel Guitar – John Bidasio
  • Only a few other credits including working on the Soundtrack for the TV show L.A. Law.

Technical:

• Producer – Roger Glover
• Engineer – Bill Price
  • https://en.wikipedia.org/wiki/Bill_Price_(record_producer)
  • Worked at Decca and Wessex Sound Studios
  • worked with the Clash, the Sex Pistols, Guns N’ Roses, Sparks, the Jesus and Mary Chain, Nymphs, the Waterboys, Mott the Hoople

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Album Tracks:

Side One:

1. Ain’t That Just The Way
   • Written-By – Bruce Belland
     • https://en.wikipedia.org/wiki/Category:Songs_written_by_Bruce_Belland
     • Singer in The Four Preps
     • Wrote a song called “A Letter To The Beatles”
       1. https://en.wikipedia.org/wiki/A_Letter_to_the_Beatles
     • 200+ entries on Discogs
   • Written-By – Glen Larson
     • https://en.wikipedia.org/wiki/Glen_A._Larson
     • Also began as a vocalist of The Four Preps
     • Was a very prolific songwriter
     • He was best known as the creator of the following television programs: Alias Smith and Jones, Battlestar Galactica, Buck Rogers in the 25th Century, The Misadventures of Sheriff Lobo, Quincy, M.E., The Hardy Boys/Nancy Drew Mysteries, B. J. and the Bear, The Fall Guy, Magnum, P.I., and Knight Rider.
     • 400+ entries on Discogs
   • Written-By – Stu Phillips
     • https://en.wikipedia.org/wiki/Stu_Phillips_(composer)
     • Also best known for his work in television.
     • He is best known for composing the theme tunes to the television series McCloud, Battlestar Galactica, and Knight Rider.
     • 800+ entries on Discogs
     • Born in 1929 and is still alive at 95.
   • Huge hit in Scandinavia. Reaching #1 in Sweden, #2 in Norway, and #1 in Finland.
   • It was originally released as a B-side for Barbi’s 1975 single “Reverend Bob”
   • 1976 Version Vicky Rosti
     • Näinkö aina meille täällä käy – Ain’t That Just The Way
     • https://en.wikipedia.org/wiki/Vicky_Rosti
   • Spent 10 weeks at #1 in the Swedish charts
   • 1996 Cover by Lutritia McNeal  had success in Europe as well. Interestingly in 20-04 Lurtricia McNeal went on to pose in the German version of Playboy.
   • Also covered by the Swedish boy band E.M.D in 2010:
     • E.M.D. – Ain’t That Just the Way (HQ + lyrics in description)
     • https://en.wikipedia.org/wiki/Rewind_(E.M.D._album)
2. It’s Hard To Say Goodbye (It’s Hard To Say Hello)
   • Written-By – Randy Edelman
   • https://en.wikipedia.org/wiki/Randy_Edelman
   • Composer that worked with The Carpenters, Barry Manilow and Dionne Warwick.
   • Some of Edelman’s best known films scores include Twins, Ghostbusters II, Kindergarten Cop, Drop Dead Fred, Beethoven, The Distinguished Gentleman, Gettysburg, Angels in the Outfield, The Mask, Pontiac Moon, The Indian in the Cupboard, Dragonheart, Daylight, and XXX. He also wrote the theme of the popular television series MacGyver. Many of his musical pieces have been reused in television advertising, trailers, Disney movies, and award shows.
3. It’s A Long Way To Heaven
   • Written-By – Bill Martin, Jr. (2)
     • Only Credit found on Discogs.
   • Written-By – Graham Prescott*
4. Up In The Air
   • Written-By – Barbi Benton, David Coverdale, Roger Glover
5. Take Some And Give Some (And Leave Some Behind)
   • Written-By – Barry DeVorzon*
   • https://en.wikipedia.org/wiki/Barry_De_Vorzon
   • American singer
   • Also known for TV work
   • He also wrote the “Theme from S.W.A.T.” and co-wrote the Eagles‘ hit “In the City” with Joe Walsh. In 1979 he wrote the music for the movie The Warriors.
6. I Don’t Know If I’ll Ever Love Again
   • Written-By – Barry DeVorzon*

Side Two:

1. Isn’t It Always Love
   • Written-By – Karla Bonoff
   • https://www.karlabonoff.com/
   • https://en.wikipedia.org/wiki/Karla_Bonoff
   • Wrote songs for Bonnie Raitt, Wynonna Judd, and Linda Ronstadt
2. One Step From Your Arms
   • Written-By – Brian Cadd
   • https://briancadd.com/
   • Australian songwriter, pianist, composer
   • Co-owner and CEO of Streetwise Music Group
   • Member of The Groop, Axiom, and The Flying Burrito Brothers
3. Morning, Noon And Nightime
   • Written-By – Chris Sciarrotta
     • Written for Wolfman Jack, Kenny Rogers, and Marilyn Chambers
   • Written-By – Dick Monda
     • American Singer/Songwriter who wrote for Sammy Davis Jr., Glenn Yarbrough and more.
4. Close Your Eyes
   • Written-By – Bob Young
     • http://www.bobyoungticker.de/
     • https://en.wikipedia.org/wiki/Bob_Young_(musician)
     • Unofficial fifth member of Status Quo
     • He got to know Micky Moody when SNAFU supported Status Quo
     • Worked with Moody in Young & Moody before Moody joined Whitesnake
   • Written-By – Mick Moody*
5. Better Days
   • Written-By – Carol Bayer Sager*
     • https://en.wikipedia.org/wiki/Carole_Bayer_Sager
     • Known as a singer, songwriter, and painter
     • Wrote the song “A Groovy Kind of Love”
     • Worked with songwriter Melissa Manchester
   • Written-By – Melissa Manchester
     • https://melissamanchester.com/
     • https://en.wikipedia.org/wiki/Melissa_Manchester
     • Lots of TV work and appearances, many solo albums.

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Bustin’ Out The Spreadsheet

For Further Information:

• https://www.discogs.com/release/1664731-Barbi-Benton-Aint-That-Just-The-Way
• https://en.wikipedia.org/wiki/Ain%27t_That_Just_the_Way
• https://www.whosampled.com/Barbi-Benton/Ain%27t-That-Just-the-Way/
• https://www.45worlds.com/vinyl/album/pb420

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

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The Battle of Slaves and Masters Tracks

• The Battle of Slaves & Masters
• Ramshackle Man (1’44”)
• A Twist in the Tale (4’14”)
• Anya (6’30”)
• The Battle Rages On (instrumental) (2’27”)
• The Battle Rages On (Demo) (5’45”)
• Lick It Up (3’31”)
• Solitaire (3’01”)
• Fire In The Basement (4’08”) – this is an instrumental take with great Lord Hammond solo.
• Fortuneteller (4’28”) aka Love Me Like You Do
• Jam Session #1 (3’47”) aka Another Way (Beautiful Lady)

• Slow Downs Sister (Instrumental) (5’22”)
• Jam Session #2 (1’01”)

• Jam Session #3 (6’54”) aka RARE JAM SESSION-HEAVY GUITAR RIFF-SLOW DOWN SISTER? The track is actually two tracks and a Slow Down Sister jam is the basis of the last couple of minutes
• DEEP PURPLE – RARE JAM SESSION-HEAVY GUITAR RIFF-SLOW DOWN SISTER?- SLAVES & MASTERS
• King of Dreams (acoustic from radio show) (4’50”)
• Others (possibly from Demos in the Basement or Slaves & Masters Jammin’)
• Breakfast in Bed (different very rough lyrics) (4’24”)

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• The Long Goodbye (4’05”)
• DEEP PURPLE – THE LONG GOODBYE – VERY RARE-SLAVES & MASTERS OUTAKE.
• Like A Hurricane (7’48”)
• DEEP PURPLE-VERY RARE- ROCK LIKE A HURRICANE-JAM-AWESOME!
• Rocking Tonight (Like a Hurricane) (6’58”)
• DEEP PURPLE-VERY RARE- ROCKING TONIGHT (LIKE A HURRICANE)
• Your Love is Something (7’55”)
• DEEP PURPLE-VERY RARE- YOUR LOVE IS SOMETHING-JOE LYNN TURNER
• King of Dreams (instrumental) (2’52)

• Wonderful-Beautiful Instrumental Jam (7’35”)

• Like A Hurricane/Breakfast in Bed/Your Love Medley 29’42” (seen on CD sleeve but not found)
• Also Unreleased Song #1, #2 and #3 which may be The Long Goodbye etc above

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The Deep Purple Podcast

Show Notes

Episode #290

Whitesnake – Into The Light:The Solo Albums

November 4, 2024

Introduction Script:

Welcome to the Deep Purple Podcast, the first and only podcast devoted to one of the greatest bands in rock history — Deep Purple.  Today’s episode is [ — EPISODE #, EPISODE TITLE — ], and coming to you from the suburbs of Chicago I’m your host, Nathan Beaudry.

Link to video episode on YouTube: 

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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<center></center>

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• hh

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• Hh

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Postcards From The Edge . . . OF CONNECTICUT!

• hh

Show Review

• hh

Hall of Fame Presentation:

• hh

Lead up to the Album:

• hh

Core Band:

• hh

Additional Musicians:

• hh

Technical:

• hh

Album Art & Booklet Reew

• hh

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• Sarah Sanders
• Jellybean
• Evan Robison

The Venue:

Setlist

1. hh

Album Tracks:

Side One:

1. hh

Side Two:

1. hh

Album Tracks:

1. hh

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  • Flight of the Rat Bat Blue Light
• Øyvind Fjeldbu –

• Runar Simonsen –
• Ruinous Inadequacies

• Corey Morrissette
• Ashely { Still I hear, “Burn” } Rose
• Weston-super-Mare pilgrim
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• Zwopper The Electric Alchemist
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• I see DC
• Durple Purple
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• David Hattam
• Graham Bonnet’s Disco Pants and Haircuts
• Eddie Lion

Bustin’ Out The Spreadsheet

Reception and Charts:

• hh

Reviews

• hh

Merch, Etc.

• h

For Further Information:

• https://whitesnake.com/into-the-light-solo-albums/

Extra Thanks To:

• hh

Listener Mail/Comments

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Meatballs

Another thing – ??

George lucas

Old man of the mountain

Meatballs

Online casinos

First in flight

Abraham lincoln

Larry Fine

Shemp

Alternate covers

Davdi’s version

hornies

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Lead up to the Album:

• Tom Galley spearheaded this project which took two years to complete.  His goal was to bring this forward as a concept album using music, words, film, and painting.
• He paired with a painter, Ian Lowe, to illustrate the songs on the album.
• A promo video was made to act as a trailer for the single “Dance With The Devil” in Europe.
  • Phenomena – Dance with the Devil
• For the US they made a video for “Kiss Of Fire.”  In Kerrang they said they were unsure whether it would be this track or “Still The Night.”
  • Phenomena Kiss Of Fire 1985
• They also announced in Kerrang that they were working on a 70-minute long form video. This doesn’t appear to ever have been completed.
• Tom Galley talks about there being a large number of cinemas where he grew up in Staffordshire, his mother working at one.
• Galley mentions movies such as “This Island Earth” (1955), “The Day The Earth Stood Still” (1951), and “Jack The Giant Killer” (1962) referencing them as classics.
• He was always into science fiction and fantasy adventures more than war movies or westerns.
• He references American culture’s input into movies being an influence as well.
• He also references E.T., Raiders of the Lost Ark, and Stephen King’s Dead Zone.
• Galley began scripting a storyboard for his ideas.
• Presented are nine songs which each encapsulate one of the fantasies or visions related to the songs.
• The plot is described in Kerrang as such:
  • The story concerns Professor Limit who has constructed a machine capable of transmitting telepathic energy created by the brain, aided by his nine-year-old daughter, Lucy, a natural telepath (the girl is actually the daughter of Limit’s wife and his former lab assistant, Chasen!). When the military becomes unhealthily interested in his experiment Limit seeks help from an influential friend called Frame to whom he demonstrates the machine’s power. In a further experiment Limit is killed and Lucy becomes inseparably linked to the machine. Frame calls on her natural father, Chasen, to rescue the girl by linking himself to the machine and leading her out of the world of fantasy into which she has plunged. The nine songs represent various confrontations through which they pass.
• Galley mentions the mirror scene in “Enter The Dragon” as a visual inspiration for the confrontation that Lucy has.
• The confrontations occur during the nine songs, each as a different struggle between good and evil.
• Tom said he thought the process would take a long time working with the people he was working with. He didn’t want to duplicate “War of the Worlds” and wanted to start looking at it in an audio/visual light.
• He felt himself getting carried away with the long form video so he enlisted Pete Winkleman of Arista Records who was interested in the project, Pete guided him to take it one step at a time.
• It mentions in the second issue of Kerrang that people such as Cozy Powell and Don Airey are not likely to be kicked out of their respective bands (ELP and Alaska) if the album isn’t a success. Tom Galley, on the other hand, is described as having his “every possession (house, wife, cat, record collection) has been placed in hock over the last couple of years in order to keep the project alive before a record company was prepared to step in and take up the financial reins and responsibilities.”
• They mention that the success of a future movie, etc. are dependent on how the album sells.
• Galley says he’d approached Ozzy Osbourne about doing the album and that he was going to do it but there was always some problem.

Technical:

• Engineer [Assistant, Mixing] – Dave Kemp*
  • Worked with Uriah Heep.
• Engineer [Recording, Air Studios] – Jon Jacobs (tracks: A2)
  • https://www.the-paulmccartney-project.com/artist/jon-jacobs/
  • Worked with Geoff Emerick, George Martin, and Paul McCartney.
• Engineer [Recording, Magritte Studios] – Dan Priest (tracks: B2)
  • Producer. Worked with Paul Rodgers
• Engineer [Recording] – Paul Robbins (2) (tracks: A1, A3 to B1, B3 to B5)
  • Worked with Roger Chapman and Trapeze.
• Mixed By – Jon Jacobs
• Producer, Mixed By, Concept By – Tom Galley
• Recorded At – The Old Smithy Recording Studio
• Recorded At – Britannia Row Studios
• Recorded At – The Chocolate Factory
• Recorded At – Magritte Studios
• Recorded At – Air Studios
• Mixed At – Roundhouse Studios

Album Art & Booklet Reew

• Artwork [Front Cover] – Icon (21)
  • Founded by Andrew Chapman
  • Album Covers for Radiohead (Pablo Honey), Pink Floyd (Momentary Lapse of Reason), Abba (Gold), Krokus, The Who, Deep Purple’s Nobody’s Perfect.
• Artwork [Front Cover], Design [Book] – Richard Evans (7)
  • https://www.rdevans.com/
  • https://en.wikipedia.org/wiki/Richard_Evans_(designer)
  • Worked with Gentle Giant, The Who, Pink Floyd (Dark Side of the Moon, Animals), 
• Painting – Ian Lowe (2)
  • Did a previous album cover for Wishbone Ash.
  • https://www.marineartists.co.uk/Artists/__IAN_LOWE_(British,_Contemporary)__/20129/artist.aspx

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Album Tracks:

Side One:

1. Kiss of Fire (T. Galley, Bailey)
   • Vampirism; the ability of some creatures, terrestrial or alien, to hypnotize or entrance their captives in order to make their kill. The protagonist needn’t be a vampire as such, however.
   • Backing Vocals – Alison McGinnis, Pete Green*
     • https://en.wikipedia.org/wiki/Peter_Green_%28musician%29
     • Founding member of Fleetwood Mac
   • Bass – Neil Murray
   • Drums – Cozy Powell
   • Guitar – John Thomas (6)
   • Keyboards – Richard Bailey (3)
   • Lyrics By, Songwriter – Tom Galley
   • Songwriter – Richard Bailey (3)
   • Vocals – Glenn Hughes
2. Still the Night (Hughes, Thrall, Delph)
   • A conglomerate of all the different phenomena under investigation.
   • Backing Vocals – Pete Green*
   • Drums – Ted McKenna
     • https://en.wikipedia.org/wiki/Ted_McKenna
     • Worked with The Sensational Alex Harvey Band, Rory Gallagher, The Michael Schenker Group, Gary Moore, and many more.
   • Guitar – John Thomas (6), Mel Galley
     • https://en.wikipedia.org/wiki/Paul_Delph
     • Guitarist with Budgie and Voivod
   • Keyboards – Robin Smith
     • https://www.robin-smith.co.uk/
   • Songwriter – Pat Thrall, Paul Delph
     • https://www.pauldelph.com/
     • Worked with Suzi Quatro, Alice Cooper
     • Sadly passed away in 1996.
   • Vocals, Bass, Songwriter – Glenn Hughes
3. Dance with the Devil (T. Galley, M. Galley, Bailey)
   • The Dance of St. Vitus. Many evocations of spirts, demons and devils throughout the world begin with a ritual dance that builds to a frenzied crescendo.
   • Backing Vocals – Alison McGinnis, Pete Green*
   • Bass – Neil Murray
   • Drums – Cozy Powell
   • Fiddle – Rick Sanders*
     • https://en.wikipedia.org/wiki/Ric_Sanders
   • Guitar – John Thomas (6)
   • Guitar, Songwriter – Mel Galley
   • Lyrics By, Songwriter – Tom Galley
   • Songwriter – Richard Bailey (3)
   • Vocals – Glenn Hughes
4. Phoenix Rising  (T. Galley, M. Galley, Bailey)
   • Spontaneous human combustion. There have been numerous reports of such events, as if the soul itself had suddenly ignited from within to destroy the physical body.
   • Backing Vocals – Alison McGinnis, Pete Green*
   • Bass – Neil Murray
   • Drums – Cozy Powell
   • Guitar, Songwriter – Mel Galley
   • Keyboards, Songwriter – Richard Bailey (3)
   • Lyrics By, Songwriter – Tom Galley
   • Vocals – Glenn Hughes

Side Two:

1. Believe  (T. Galley, Bailey)
   • Exorcism. Here the conflict involved is contained within one body, the self wrestling against the evil spirit that attempts to claim possession of the body.
   • Backing Vocals – Alison McGinnis, Pete Green*
   • Bass – Neil Murray
   • Drums – Cozy Powell
   • Guitar – John Thomas (6)
   • Keyboards, Songwriter – Richard Bailey (3)
   • Lyrics By – Tom Galley
   • Vocals – Glenn Hughes
   • Vocals [Boy Soloist] – Neil Willars
     • Only Phenomena entries on Discogs
2. Who’s Watching You  (T. Galley, M. Galley)
   • Ghosts and spirits. Just like “Ghostbusters” – the humans watching the ghosts haunting the humans!
   • Drums – Ted McKenna
   • Guitar, Songwriter, Backing Vocals – Mel Galley
   • Keyboards – Don Airey
   • Lyrics By, Songwriter – Tom Galley
   • Vocals, Bass, Backing Vocals – Glenn Hughes
3. Hell on Wings (T. Galley, M. Galley, Bailey)
   • The Battle Of The Somme. Where a beleaguered force of British troops are said to have been led to safety, away from the battle zone, by the appearance of a group of angels. The apparitions are seen in particular at sites of great destruction and devastation.
   • Backing Vocals – Alison McGinnis, Pete Green*
   • Bass – Neil Murray
   • Drums – Cozy Powell
   • Guitar, Songwriter – Mel Galley
   • Keyboards, Songwriter – Richard Bailey (3)
   • Lyrics By, Songwriter – Tom Galley
   • Vocals – Glenn Hughes
4. Twilight Zone (T. Galley, Bailey)
   • (it sez ‘ere) ‘David Stride, aged 25, Outlander . . . Mother and Father killed by Trigon’s Guards . . . raised by Chinese grandfather from the age of three . . . The terrain is hostile, barren and rocky. Inside the city the buildings are dark, dank and decaying the streets are run-down and strewn with litter.’ This one still has me foxed.
   • Backing Vocals – Alison McGinnis, Paul Robbins (2), Pete Green*
   • Bass – Neil Murray
   • Drums – Cozy Powell
   • Guitar – John Thomas (6), Mel Galley
   • Keyboards, Songwriter – Richard Bailey (3)
   • Lyrics By, Songwriter – Tom Galley
   • Vocals – Glenn Hughes
5. Phenomena (T. Galley, Robbins)
   • The final optimistic choral triumph of good over evil.
   • Arranged By [Choral Arrangements], Songwriter – Paul Robbins (2)
   • Choir – Midland Boys Singers
   • Keyboards – Richard Bailey (3)
   • Lyrics By, Songwriter – Tom Galley
   • Music Director [Musical Director] – Alvena Grant, Peter Grant (4)
     • Only credits are on Phenomena releases
   • Vocals [Solo Vocalist] – Neil Willars

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Bustin’ Out The Spreadsheet

Reception and Charts:

• Oddly the only mention this album gets in Glenn Hughes’s autobiography is in the discography section.
• Kerrang lists this album as the most ambitious project since Hawkwind’s “Space Ritual” or Pink Floyd’s “The Wall.”

Reviews

• https://www.allmusic.com/album/phenomena-mw0000766750?1689813539412
• Phenomena Review by Greg Prato
• Supergroups have been common in the realm of hard rock for decades — some have worked wonders (Cream), while some, well, stunk (too many to mention). One of the more obscure ones to surface was the ’80s outfit Phenomena, who debuted in 1985 with a self-titled release, and featured contributions from the likes of Glenn Hughes (Deep Purple), Don Airey (Ozzy Osbourne), and a trio of ex-Whitesnake members — Mel Galley, Neil Murray, and Cozy Powell. Those expecting tough, rip-roaring heavy metal may be a bit disappointed by the album (which features a cover shot of a young girl quite reminiscent of Linda Blair circa The Exorcist). Keep in mind — the mid-’80s was the era of polished, keyboard-heavy, melodic rock, and Phenomena fit in with the musical climate, especially on such tracks as the album-opening “Kiss of Fire” and “Still the Night.” If GTR could have scored a hit or two around this time, with the right push, there’s no reason why Phenomena couldn’t have also.

For Further Information:

• https://en.wikipedia.org/wiki/Phenomena_(Phenomena_album)
• https://www.discogs.com/release/519266-Phenomena-Phenomena
• Kerrang No 97 – June 27 to July 10 1985
• Kerrang No 98 – July 11-24 1985
• http://www.deep-purple.net/tree/glenn-hughes/glenn-hughes-1.html
• https://www.allmusic.com/album/phenomena-mw0000766750?1689813539412
• https://www.allmusic.com/artist/phenomena-mn0000335359#biography
• https://web.archive.org/web/20050210195321/http://www.phenomenamusic.co.uk/page4.htm
• https://www.45worlds.com/vinyl/album/207044

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Postcards From The Edge . . . OF CONNECTICUT!

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Show Review

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Hall of Fame Presentation:

• hh

Lead up to the Album:

• hh
  • 
    

Core Band:

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Additional Musicians:

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Technical:

• hh

Album Art & Booklet Reew

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The Venue:

Setlist

1. hh

Album Tracks:

Side One:

1. hh

Side Two:

1. Hh

Album Tracks:

1. Push! (Hughes)
   • Guitar – Pat Thrall
   • Keyboards – Marc Hugenberger
   • Producer – Glenn Hughes
2. She Love Your Money (Hughes, Allison, Gowdy)
   • Guy Allison
     • http://guyallison.net/
     • https://en.wikipedia.org/wiki/Guy_Allison
   • Producer – Bruce Gowdy, Glenn Hughes, Pat Thrall
   • Rhythm Guitar – Pat Thrall
   • Soloist, Guitar – George Nastos
3. Speak Your Mind (Hughes, Rojas)
   • Guitar – George Nastos
   • Keyboards – Carmine Rojas, Marc Hugenberger
   • Producer – Glenn Hughes
4. Maybe Your Baby (Wonder)Talkin’ To Messiah (Gowdy, Hughes)
   • Drums, Percussion – Matt Sorum
   • Guitar – Bruce Gowdy
   • Keyboards – Bruce Gowdy
   • Producer – Bruce Gowdy, Glenn Hughes, Pat Thrall
   • Marc Fevre:Matt Sorum recording the drum part for “Talkin’…,” which had originally been built around a rhythm track that Glenn and Bruce Gowdy had worked out on a drum machine. It was a tricky piece, with some intricate time breaks, and Matt had to not only learn them all, but to embellish them as well. Obviously he did a great job, though, as the finished track will testify.
   • “(Glenn and Matt checking out Matt’s final take on ‘Talkin To Messiah’.”) I remember sitting with Glenn in the control booth for part of this session, watching him watch Matt. Matt was such a nice guy, and Glenn was so pleased to have him play on that song, to have him appear on the album, just to have him around, that at one point he turned to me, smiling, and said: “Marc, you’ve got to get lots of pictures with Matt. Lots of pictures.”
5. 
   
   • Keyboards – Greg Phillinganes
   • Producer – Glenn Hughes
   • Rhythm Guitar, Soloist, Guitar [1st Solo] – Pat Thrall
   • Soloist, Guitar [End Solo] – George Nastos
6. Holy Man (Coverdale, Hughes, Lord)
   • Guitar – George Nastos
   • Keyboards – Marc Hugenberger
   • Producer – Glenn Hughes
   • (“Gary and Glenn recording the rhythm section to ‘Holy Man [’95]’.”) What a team! The guys cut the rhythm tracks on this song live and in one take, too! Believe it or not, Glenn hadn’t played this number since 1974 or 75, and so he’d had to spend a couple of minutes before this session holed up in the control booth with Gary Ferguson listening to the original version off of the “Stormbringer” album a few times before going into the recording chamber, plugging in, and whipping this one out. Looking back on it, I remember how impressed we were, not only with Glenn, but with Gary as well, at how professional he was, building and then playing his parts with speed and efficiency. He was amazing really.

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Bustin’ Out The Spreadsheet

Reception and Charts:

• hh

Reviews

Glenn Hughes – Feel
	STYLE: RockRATING OUR PRODUCT CODE: 17856-27450LABEL: SPV 08589762FORMAT: CD AlbumITEMS: 1
Reviewed by Mike RimmerIn 1994 I reported the career revival of Glenn Hughes who was travelling the road of recovery from drug and alcohol abuse through the grace of God and various support agencies. His personal revival continues to be expressed not through radical Jesus lyrics but simply because this former incapacitated rock’n’roll casualty continues to have his life together on the road and in the studio. Through his Deep Purple heritage it sometimes feels as though fans’ expectations force Hughes into being more of a rock singer than he’d like. However, whether he’s bellowing out the heavier side of this album on “Big Time” or “Redline” or getting funky on “Coffee And Vanilla”, Glenn Hughes has one of the exceptional and versatile voices of British rock. Certainly on the funky stuff like the sublime “Speak Your Mind” and the sax enhanced “Save Me Tonight” where he soars off into the heights. As well as his voice, it’s good to hear Hughes slappin’ that bass again. Long time fans will be pleased to hear Pat Thrall reinstated on guitar duties and contributing subtle and not so subtle additions to the proceedings. A close inspection of the lyrics reveals a few carefully coded references that show Glenn is still aware of the source of his continued strength. Worth getting into just to check out the wonder of Glenn Hughes’ tonsils!The opinions expressed in this article are not necessarily those held by Cross Rhythms. Any expressed views were accurate at the time of publishing but may or may not reflect the views of the individuals concerned at a later date.

Feel – Album Review

Xero XRCN 1243 : JAPAN : July 1995 CDGlenn’s latest studio offering again came out in Japan far in advance of anywhere else. Eleven tracks plus a bonus re-re-cording of “Holy Man”. I have to admit that with so many advance reports stressing the mediocre nature of the material, it was a long time before I summed up courage to play it through properly. It saddens me to admit that most of what people were saying to me was right.The whole CD really lacks direction and drive. It has no real spirit or identity. Glenn seems to have had so little to fight against on here that he really goes through the motions. Yes it is wonderfully performed vocally but Glenn is so gifted in this department these days that one looks for a little more somehow. The rockier direction of his live shows has all but gone, yet the slower funkier material fails to catch fire – crying out for some really dirty bass and Bolinesque guitar, and also lacks basic melody much of the time. Elsewhere tracks like “Big Time”, the opening song, do have a lot more promise – a modern backing which manages to deliver something a little stronger for once. I dunno, I really feel Glenn needs some very good firm production help to begin to push him forward, for albums like this just won’t advance the cause one iota.

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For Further Information:

• https://en.wikipedia.org/wiki/Feel_(Glenn_Hughes_album)
• https://www.discogs.com/release/1250528-Glenn-Hughes-Feel
• https://www.glennhughes.com/feel.html
• https://www.glennhughes.com/makingoffeel.html
• https://www.discogs.com/release/6370771-Glenn-Hughes-%E3%82%B0%E3%83%AC%E3%83%B3%E3%83%92%E3%83%A5%E3%83%BC%E3%82%BA-Feel-%E3%83%95%E3%82%A3%E3%83%BC%E3%83%AB
• https://www.crossrhythms.co.uk/products/Glenn_Hughes/Feel/17856/
• Darker Than Blue Issue 48  January / February 1996
• Glenn Hughes The Autobiography: From Deep Purple to Black Country Communion by Glenn Hughes

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• hh

Listener Mail/Comments

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Lead up to the Album:

• In Hughes’s autobiography he talks about breaking up with his girlfriend, packing up, and moving to a hotel in Hermosa Beach that would become his home for a year.
• It was during this time in the early spring of 1995 that he would make the album “Feel” at Gary Ferguson’s studio.
• This is almost all Glenn says about this album in the book.  He follows up with a detailed account of a lapse in his sobriety.
• From: https://www.glennhughes.com/makingoffeel.html
  • all text and pictures (copyright 1995/1996) by Marc Fevre & glennhughes.com
  • Napa, CA, 1996 – It was back in March of 1995 that we went into the studio to begin work on what was to be Glenn’s “follow-up” to the musical groundwork he first laid out in 1977 on his initial solo album, “Play Me Out”.
  • Living For The Minute had been the most recent working title for this, Glenn’s sixth official solo effort but, as with both Against The Grain and Speak Your Mind before it, Living For The Minute was ultimately eschewed in favor of the title that came to best represent the album as a whole; namely, FEEL.
  • It had been Glenn’s intention for some time now to record an album that went back to his roots and which fused together the myriad of his own musical interests in a fresh, new, and exciting way. Jazz, soul, rhythm and blues, (and yes, rock, too), were all to be represented on this record, and shortly before Glenn finished writing the material that would comprise his new album, he decided that this time around he’d be doing things a little differently.
  • As opposed to writing and recording this album with a band in place, Glenn had decided that he’d work with a series of guest musicians instead, players who would come and go throughout the process, lending their talents to the songs for which they were best suited along the way.
  • “I’m going to be fitting the musicians to the songs this time out,” Glenn told me before we went into the studio, “and not the other way around. I think the songs will be the better for it. You know? Not compromising anything to fit solely within the abilities of a fixed band.”
  • And so it was in this way that friends and musicians like Matt Sorum, Richie Kotzen, Pat Thrall, Bruce Gowdy, and Gary Ferguson – to name but a few – would all come to be involved in the making of FEEL, and it would be their job to help Glenn fully realize his vision along the way. It would be my job to capture all of this on film.
  • Glenn and I had known each other for almost two years at this point, having first met one another back in 1993 to begin collaborating on an, as yet, ongoing project of mine; specifically, Glenn’s biography. It was in this capacity, as Glenn’s would-be biographer, that I myself came to be involved with the making of FEEL.
  • It had originally been my intention to cover some of the sessions for my book but, over the course of talking with Glenn about this, I was ultimately afforded the opportunity to do something more; that is, to photograph the better part of the project for inclusion in the album’s booklet art itself!
  • Glenn had had a definite idea at that time of what he wanted the album to look like, to feel like, and – in part inspired by the interior photography he’d seen included on Richie Kotzen’s own Mother Head’s Family Reunion album – Glenn had decided that what he wanted photographically speaking was to capture the feel, so to speak, of the album’s creation in the studio.
  • And so, over the course of the next seven days or so, I shot roll after roll of film, capturing the images of Glenn and his collaborators on film as they worked. It wasn’t always easy going. The studio was small, the lighting was at best difficult to work with, and the hours were oftentimes very long. Moreover, as with any recording session, there were moments of frustration and/or tedium, and the added pressure of having some guy lurking about with a camera just waiting to jump out and take your picture was bound to add to some of this. Still, it was a lot of fun, and by and large we had a good time, and, in the end, some great moments in and around the studio were captured on film.
  • Ultimately, however, when all was said and done, it was decided – perhaps by the label – that a more “high fashion” look was wanted for the whole of the album, and so my work was out and Burrn! photographer William Hames’ was in. For my part, while I felt ( and still feel) that the album ended up with a great look and sound, I couldn’t help but feel a bit disappointed as well. It would have been nice to have given Glenn’s fans a look behind the scenes at the making of this remarkable album – to say nothing of the self-satisfaction that would have come with seeing my work at home, sandwiched in between the covers of a Glenn Hughes album! – but, alas this time out it simply wasn’t to be.
  • Now, however, courtesy of the editors of Coast To Coast, some of my favorite photography from those sessions has at last found an outlet, and I couldn’t imagine a better home for them than this. I hope that you enjoy looking at these pictures as much as I enjoyed taking them.
  • 
    

Core Band:

• Vocals [All], Bass Guitar – Glenn Hughes
• Drums, Percussion – Gary Ferguson (tracks: 1 to 9, 11)
  • Session drummer who worked with Billy Preston, Eddie Money, Gary Moore.
• Drums – Matt Sorum (tracks: 10)
  • https://mattsorum.com/
  • https://en.wikipedia.org/wiki/Matt_Sorum
  • Played in Guns N Roses, The Cult, and The Power Rangers Orchestra
• Guitar – Bruce Gowdy (tracks: 2, 10)
• Guitar –  George Nastos (tracks: 9)
  • Most credits with Glenn Hughes
• Guitar – Pat Thrall (tracks: 1, 4 to 7)
• Keyboards – Bruce Gowdy (tracks: 2, 10)
  • https://en.wikipedia.org/wiki/Bruce_Gowdy
  • Founding member of band World Trade. Also in Stone Fury and Unruly Child.
• Keyboards – Carmine Rojas (tracks: 6)
  • https://en.wikipedia.org/wiki/Carmine_Rojas
  • Mostly known as a bass player
  • Carmine has also recorded, toured and played alongside Tina Turner, Keith Richards, Stevie Wonder, Ron Wood, Stevie Ray Vaughan, B.B. King, Mick Jagger, Eric Clapton, Joe Bonamassa, Eric Johnson, Peter Frampton, Al Green, Carly Simon, Ian Anderson, Paul Rogers, Noel Gallagher, John Waite, Steve Winwood, Billy Joel, Herbie Hancock, Lee Ritenour, Julian Lennon[2] (Musical Director/Bassist), Richie Sambora, Robert Randolph, Joe Don Rooney, Trace Adkins, Nancy Wilson, John Hiatt, Carole King, Beth Hart, Bobby Womack, Sam Moore, Billy Squier, Rob Hyman & Eric Bazilian, Olivia Newton-John, Michael Hutchence, Bernard Fowler, Blondie Chaplin, Billy Gibbons, Leslie West, Joe Lynn Turner, Carlos Santana, Todd Rundgren, Patti LaBelle, Nona Hendryx, Michael Bolton, Ivan Neville, Allen Toussaint, Phil Ramone, Kevin Shirley, Trevor Horn, Charlie Sexton, Jewel, Brandy, Dave Mason, Mike Patton, Glenn Hughes, Nektar, Belouis Some, Tetsuya Komuro, Hitomi, Ziroq, Modern Primitives, Simranking, Sass Jordan, Alphaville and others.
• Keyboards – Greg Phillinganes
  • https://en.wikipedia.org/wiki/Greg_Phillinganes
  • Stevie Wonder, Eric Clapton, David Gilmour and Toto, was musical director for Michael Jackson, and has released two solo studio albums.
• Keyboards – Marc Hugenberger (tracks: 3, 4, 6, 7, 9)
  • Worked with The Pointer Sisters on Garfield CD
    • https://www.discogs.com/master/41765-Various-Garfield-Am-I-Cool-Or-What
• Keyboards – Pat Thrall (tracks: 5)
• Keyboards – Todd Hunter (tracks: 1, 3, 4, 5)
  • https://en.wikipedia.org/wiki/Todd_Hunter
  • In the band Dragon, and Australian band in the 1970s..
• Saxophone – Pat Zicari (tracks: 4, 6)
  • Played Sax on the Ringo Starr Christmas Album “I Wanna Be Santa Claus”
  • Also a disco album by an artist named Daddy Dewdrop who appeared to be a pimp with a speaker surgically inserted in his chest
• Soloist, Guitar – George Nastos (tracks: 8, 11), Pat Thrall (tracks: 11)

Technical:

• Engineer – Dave Ahlert*
  • Worked at Ponderosa studios
  • Worked with Natalie Cole, Oingo Boingo, Dionne Warwick, Hughes Thrall, Donna Summer, Gordon Lightfoot
• Coordinator [Field] – Jon Finnegan
• Coordinator [Project], Management [Tour] – Bill Hibbler
• Management – Lynn M. Martin
• Management [For] – Bear Music, Ltd.
• Mastered By – Tom Baker (3)
• Mixed By – Dave Ahlert*
• Mixed By [Assisted By] – Greg Cathcart

Album Art & Booklet Review

• Artwork [Imaging] – Ray Kachatorian
  • Did album covers for UFO, John Norum, and Craig Goldy
• Photography By, Design Concept [Visual Concept], Design – William Hames
  • https://www.wolfgangs.com/concert-and-band-photos/william-hames/
  • Visual for Julio Iglesias, Air Supply, R.E.M., and many more.
• Liner Notes – Glenn Hughes
• Liner Notes [対訳] – 山崎智之*
  • Tomoyuki Yamazaki
  • Music journalist
• Liner Notes [解説] – 伊藤政則*, 広瀬和生
  • Hirose Kazuo
  • Japanese magazine editor, author, critic

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Album Tracks:

1. Big Time (Hughes, Thrall)
   • Guitar – Pat Thrall
   • Keyboards – Todd Hunter
   • Producer – Pat Thrall
2. Livin’ For The Minute (Hughes, Gowdy)
   • Guitar – Bruce Gowdy
   • Keyboards – Bruce Gowdy
   • Producer – Bruce Gowdy, Glenn Hughes, Pat Thrall
3. Does It Mean That Much To You? (Hughes)
   • Favorite ballad – Does It Mean That Much To You?
   • Electric Guitar, Acoustic Guitar – Pat Thrall
   • Keyboards – Marc Hugenberger, Todd Hunter
   • Producer – Glenn Hughes
   • (“Todd Hunter recording the keyboard tracks for ‘Does It Mean That Much To You?’.”) Of Todd, I have to say this: like Gary Ferguson, the guy was a real quick study. I mean, Glenn was still composing this number when Todd came into the studio, and in like five minutes Todd had learned all of his parts already and was set to go. In fact, he even came up with a great part or two on the spot, and that just blew Glenn away. He was elated! Shortly thereafter, Gary – who, by the way, often plays with Todd in a local jazz combo – stepped into the recording chamber, worked out and rehearsed the hip-hop sounding drum track for a few minutes, and then “BOOM!”; they were off and running.
   • (“Pat Thrall ripping it up in between takes for ‘Does It Mean That Much To You?’.”) Pat, like Matt Sorum, was also a real pleasure to photograph, and a lot of fun to be around too! With his easygoing manner and everpresent grin, Pat had a way of lighting up any room he walked into. And his rapport with Glenn! Simply amazing. Glenn was never more relaxed during these sessions than when he was hanging out with Pat. It was a real pleasure watching the two of them work together again.
   • Favorite ballad – Does It Mean That Much To You?
4. Save Me Tonight (I’ll Be Waiting) (Hughes, Kentis, Rojas)
   • Guitar – Pat Thrall
   • Keyboards – Marc Hugenberger, Todd Hunter
   • Producer – Glenn Hughes
   • Saxophone – Pat Zicari
5. Redline (Hughes, Thrall)
   • Guitar – Pat Thrall
   • Keyboards – Pat Thrall, Todd Hunter
   • Producer – Pat Thrall
6. Coffee & Vanilla (Hughes, Rojas)
   • Favorite song – Coffee & Vanilla
   • Guitar – Pat Thrall
   • Keyboards – Carmine Rojas, Marc Hugenberger
   • Producer – Glenn Hughes
   • Saxophone – Pat Zicari
   • Favorite song – Coffee & Vanilla

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For Further Information:

• https://en.wikipedia.org/wiki/Feel_(Glenn_Hughes_album)
• https://www.discogs.com/release/1250528-Glenn-Hughes-Feel
• https://www.glennhughes.com/feel.html
• https://www.glennhughes.com/makingoffeel.html
• https://www.discogs.com/release/6370771-Glenn-Hughes-%E3%82%B0%E3%83%AC%E3%83%B3%E3%83%92%E3%83%A5%E3%83%BC%E3%82%BA-Feel-%E3%83%95%E3%82%A3%E3%83%BC%E3%83%AB
• https://www.crossrhythms.co.uk/products/Glenn_Hughes/Feel/17856/
• Darker Than Blue Issue 48  January / February 1996
• Glenn Hughes The Autobiography: From Deep Purple to Black Country Communion by Glenn Hughes

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

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Check out our website to find other like-minded shows taking deep dives into individual songs, bands, and albums.

• Deep Dive Podcast Network

Glenn:

• Mob Rules
• Sweet Leaf
• Symptom of the Universe
• Heaven and Hell
• Zero the Hero
• War Pigs

Gillan:

• Heaven and Hell
• Black Sabbath

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Dio

• Children of the Grave
• War Pigs
• War Pigs with Elf

Gillen

• Neon Knights

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  • September 17, 2024
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Postcards From The Edge . . . OF CONNECTICUT!

• From Vermont and elsewhere!

Deep Dive Podcast Network:

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  • Richard Fusey
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Album Tracks:

1. Drifter version 2
   • This was felt to lack the overall edge over the version used on disc I, but the ending is if anything even more powerful.
2. Sail Away riff
   • How did Tommy know this track from “Burn” we wondered? Then we saw the photograph of David with a Stratocaster on! Jon Lord makes a useful tutor too. Later David slips into an early rehearsal for the Coverdale/Page album….
3. You Keep On Moving (take one)
   • An early run-through of one of the best tracks on “Come Taste.” It’s hesitant, so it was left off “Days,” but it is interesting to hear how the track started out, and there’s some great bass from Glenn who along with David wrote the track.
4. Pirate Blues (jam)
   • There are over forty minutes of jamming on “Days.” This is a little shaky compared to those but does have its moments – once they get the riff right that is!
5. Say You Love Me
   • David Coverdale’s reaction upon Ritchie’s departure was to start writing a solo album. During the rehearsals Purple tried a version of this Coverdale number. The light hearted bits in the middle tend to detract from the song (which is why it didn’t go on “Days”), but it’s great singing. It didn’t make the Purple album but David later recorded it for his 1978 solo outing “Northwinds.”

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  • Eddie Lion

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.