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After getting so much value from your show every time I drive to and from work listening on Spotify, I have now decided to upgrade my membership to the $3 tier. It will be so exciting what value it ends up being this time in cold hearted danish kroner Just filled out the “Burn ranking” and that was at tough one since I only knew the 3 song from Made in Europe. Mostly all the remaining was quite new to me, but have heard some of them on the show. Thanks for expanding my knowledge on the fantastic DP universe and keep up the good work. “Glædelig Jul” to you all
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“Nearly 12,000 rock fans filled the Budokan concert hall to see the new Deep Purple. The band had flown their producer, Martin Birch, in to supervise the recording of the album, and two film crews, one stationary and one mobile, were there to record the excitement on celluloid. Purple opened to pandemonium with “Burn” and with Tommy Bolin healthy again, they played their most explosive set of the tour. Jon Lord and Ian Paice dazzled the rock & roll ravers with an impromptu jam of “Woman From Tokyo”. Tommy Bolin mesmerized them with his echoplex during [sic] “Ode to G”.Glenn Hughes, one of rock’s funkiest bassists, had the girls screaming during his soulful rendition of “Georgia On My Mind” and David Coverdale was fully in command as he sang “Smoke on the Water”, the song that made Ian Gillan’s wail famous.” Peter Crescenti/Rolling Stone
Stargazer Issue Eleven, May / June 1977
Last Concert In Japan– Album Review
After I’d done a review of the ‘Get It While It Tastes’ bootleg from the same 15th December 1975 Tokyo concert, this arrived from Japan. Stripped of the bootleg’s atmosphere the music has very little to offer. There is always something missing in the sound – it’s like listening to an LP with one of the tracks mixed off.
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Photography By [Incl. The Front Cover] – Andy Seghers
From Jerry Bloom:
He did a brief tour of Austria and Switzerland on a bill with Bernie Marsden. The plan was to record the first two shows in Austria. I flew out the day before to spend some time in Munich, then I was going to move on to Vienna with my sound engineer flying in that day. However when I woke up that morning there was a text message saying she was stuck in London as flights had been cancelled. It turned out that a volcano in Iceland had erupted and the smoke was so bad that flights throughout Europe got grounded…
However we managed to record the second show as the in house engineer had a pro tools rig at the gig, so that was okay but we needed another show, just in case, so yes, the next show was in Hungary a few weeks later so I flew out there with another engineer and we got that recorded, then put the best of both nights to make the CD.
Happy memories. It was 15 years ago!
It was crazy. Initially it was just Northern Europe but the ash clouds were so bad it spread across the whole of Europe and eventually country by country was shutting down it’s flights. After the show in Switzerland we had to hire a car and drive the length of France and then get a ferry back to England. Nick me and a couple of others. Long journey!
Eyjafjallajökull volcano emitting ash into the air over southern Iceland, April 16, 2010.
Discogs indicate a band named Black-Out, a few Nick Simper recordings and Kiss Live & Loud from 2008.
Mixed at The Coach House, The Old Rectory, Colmworth.
Mastered at Fairview Studios, Willerby, Hull.
Project co-ordination and package design, Wymer UK.
Thanks to: Caroline Adcock, Rob Ayling, Anne-Marie Lavelle, Terry McDonald, Mike MacKechnie, Jerry Packer, Jörg Preiss, Gerald Knauseder, Janine Wenzel at Kanal 3 TV in Austria, Stefan Rachholz, Roger Newport, Kev and Will at Pure Music, and the masterful John Spence.
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Reportedly there were approximately 70,000 people in attendance but had secured a license for up to 120,000.
The security bill was quite high and lead to the show to almost be canceled a week prior.
Eventually the financials were worked out with the police and the show was allowed to proceed.
They did not get a license to serve alcohol so people were free to bring their own beverages.
The show was advertised to have no camping and no bottles but according to concertgoers both were plentiful.
There was a radio show the night prior in the order the musical acts would go on. Gillan was reportedly seen walking through the campsites the night before to drum up some exciting for the following day.
Tickets for the show had a face value of £12.50.
As the day wore on the mud got worse and worse and started sliding down toward the stage. After 12 hours outside people started getting a little restless. Mud and bottles were being thrown.
Excerpt from the Stevenage Gazette: “Dozens of music fans were treated for hypothermia at the midsummer pop festival at Knebworth on Saturday. Emergency services had to work through the night as wintry conditions caused havoc at the all-day event attended by 70,000 people. Inches of rain fell, turning the arena and car parks into a mud bath and keeping 12 ambulance crews at full stretch caring for casualties of the weather. Six tractors loaned by nearby farmers were put into action to drag bogged-down coaches from the fields used as parking areas. In all, about 300 spectators were treated for various injuries and the effects of the cold. Ten people were taken to the Lister Hospital in Stevenage, mainly suffering from the effects of alcohol, or from burns received from one of the fires lit in the bid to keep warm. Police made 12 arrests in the surrounding area with only one of those arising from an assault made in the park“.
All the bands playing that day (with the exception of Scorpions) gave the BBC permission to record and broadcast the show.
The show was broadcast the following Saturday, June 29th.
The show was not filmed but some short videos were recorded by a local TV news station.
Photo courtesy of Mark Taylor
By all accounts there was a gap of about 1 hour between Scorpions and Deep Purple. As many concertgoers had been there well over 12 hours and with the weather conditions being what they were the result was a lot of thrown mud and bottles including at Tommy Vance who took the mid between sets.
Sorry I can’t make the livestream for this one, that would have been fun having been there, I’m sure you’ll have others online to share their memories.
The road to Knebworth started, obviously, the previous year with the news of the reunion and the release of Perfect Strangers. I kind of agreed with Geoff Barton’s take on the album, it was a good album but not outstanding really. To me at the time it was enjoyable enough but sounded out of context in 1984, even by then things were changing and I thought Rainbow had sounded more modern.
Still I looked forward to the tour announcement and once again faced the slight disappointment that followed the announcement of just one concert in Britain way down in South East. I couldn’t persuade any of my other friends to go but nonetheless I bought a ticket and contacted my Aunt, a headteacher, who lived in North London who agreed I could stay at her place, even better she knew two of her younger female colleagues were going to the festival. She arranged that they would collect me and drop me back afterwards, all good.
At the time I had a job that had me working all around Scotland, the week before Knebworth I was in Aberdeen, drive back to my flat in Edinburgh on the Friday afternoon, repacked for the weekend and got on an overnight train from Edinburgh to London, not even a sleeper train. Any hope I might find myself accompanied by other Purple fans was quickly dispelled when I realise just about everyone else on the train was heading for Milton Keynes where U2 were also playing a huge gig on their Unforgettable Fire tour.
The day itself was as history records, the weather was awful and I was ill prepared for that, the facilities were also poor and food stands were very minimal. I can’t remember if we settled initially unwittingly amongst a gang of Hells Angels or if they arrived around us. Either way it was unsettling at first as that’s not really my look…., however they took to my Scottish accent and the fact I was there with 2 girls gave me an entirely unwarranted level of credibility; they were ultimately good company for the duration of the event.
The support acts seemed to drag, there were some big names, but a bit unremarkable to me, I didn’t really know their songs too well. The weather didn’t help and my companions’ main interest was Meatloaf, who even they admitted was awful, after that they’d have happily gone home but they were stuck with me and I had come a long way to see Purple.
The weather seemed to clear for them and again the set is a matter of record, I enjoyed it but saw very little beyond the light show, too far back. The next day was my 25th birthday and spent it on a slow train back to Edinburgh with incredibly muddy shoes. Back to work on Monday!
It was a bit of a haul but glad I went, not sure in retrospect how successful it was, I think the promoter went bust because of it. U2 were the band of the moment that weekend and the weather most likely put many off if they thought they might go along on the day, I don’t think it was sold out. A proper UK tour might be remembered a bit more fondly.
It did give me a better appreciation of Perfect Strangers though, I played it a lot afterwards for a while.
Look forward to revisiting it all when the episode comes out!
All the best
Arthur
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Reviews
Fayre Warning
Deep Purple at Knebworth
The rain-sodden, mud-splattered Kerrang! krew file a
front line report from the the recent Knebworth Fayre…
By MARK PUTTERFORD
(From Kerrang! No 98, July 11-24 1985, p. 42)
SO WHO doubted them then, eh? C’mon, WHO DOUBTED THEM!? As Deep Purple plugged into the driving power of ‘Highway Star’ and rocked rampantly through ‘Nobody’s Home’ with Ritchie Blackmore rolling in and out of some astounding solos, the years fell away meekly and the reincarnation of a legend exploded on us in a fireball of glory.
I can’t quite imagine that anyone expected the re-grouping of Blackmore, Gillan, Glover, Lord and Paice on the same stage to be a disappointment, but with a brain-boggling multitude of bare forearms thrusting rhythmically to a remarkable fresh recollection of the ancient ‘Strange Kind of Woman’, it all seemed faintly unreal. And when, after a short blues passage, Lord and Blackmore duelled viciously throughout a frighteningly pacey rendition of ‘A Gypsy’s Kiss’, it was distinctly lump in throat time. Twelve years? Sheesh!
With Ian Gillan looking and sounding healthier than he has for years, the epic brilliance of ‘Perfect Strangers’ revealed some flashing lasers during its haunting middle riff and ‘Under The Gun’ typified the fresh determination of a band revelling in the electric excitement of a truly momentous occasion.
Blackmore in particular appeared to be enjoying every note; dressed inevitably in black (including black wellington boots!) and with that familiar white strat riding on his slim hips, he stood with left knee twitching in a contentment confirmed with the occasional shake of the barnet, flicking elaborate hand-signals in all directions and blazing up’n’down the frets like only he can.
A nod of Blackmore’s machine head and Purple’s classic blues romp ‘Lazy’ unfolded into Ian Paice’s drum solo, the stage transformed into a titanic temple of technical excellence, swamped in colour and illuminated by the pumping adrenaline of a long-awaited homecoming. Say what you will, he’s still the best r’n’r drummer in the world for my money.
Next up, Lord’s eerie keys, Glover’s bobbling bass and Paice’s punching drums led the crowd into a massive cheer of recognition for ‘Knocking At Your Back Door’. And then Rainbow’s ‘Difficult To Cure’ instrumental found Jon Lord amusing himself like a mad professor in his lag during a lengthy, roaming solo. Finally, Ian Paice’s wispy hi-hat shuffled into the sprawling ‘Space Truckin” which, as the green pencil-thin lasers bounced off huge mirror balls spraying the thousands with a swirling mass of stars and a blinding array of lights flashed wildly, climaxed with Blackmore’s chaotic solo echoing savagely around the vast field like a violent thunderstorm.
After a dazzling deluge of sparks had showered the stage and more or lasers jerked sharply here and there, Purple returned with a ‘Woman From Tokyo’ and ‘Speed King’. Here, Lord and Blackmore stood shoulder to shoulder rifling riffs at each other and splashing about in wild abandon before charging back.
Masses of whizzing fireworks overhead threw light on the orgiastic ocean of bodies and heralded another encore in the shape of ‘Black Night’, and after what seemed like hours of cheering, the band trooped on yet again to play ‘Smoke On The Water’, with Blackmore and Glover swooping guitars halfway through. To cap it all, a firework display which made the Battle Of Britain seem like a total non-event mushroomed into the heavy, foreboding blanket of clouds, and hey… I didn’t even realise it was raining!
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Nate Experiments with Photoshop’s Generative AI
Nate offering you his hand.Nate’s power fist.Nate’s uncomfortably beefy arm.
As mentioned on the show Nate has manually been cropping and filling in shoulders for almost 6 years now. Could he harness the power of the latest Photoshop’s generative AI to make this task easier? Here’s what happened when he attempted to generate the remaining arm for his own picture.
In lieu of completing John’s arm int he picture it gave us a new “John” all together! Check out Nate’s Angels, the new co-hosts of the podcast! Let us know which co-host you want to see replace John!
This is what AI thinks John would look like with a crown. Something about John looks different. Must be the crown!
And, of course, a teaser for an upcoming episode. Behold “medieval king” John.
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I’ve seen Deep Purple (in this incarnation) live 3 times. Whoever said Ian Gillan isn’t getting any younger is right. He looks RIDICULOUS on stage in his khaki-cotton beach wear. Grandpa Gillan used to be the king of rock singers, but even Kings must abdicate the throne.
As for Steve Morse, the man is God.
I give this 3 stars…I’d give it 5, but I take 1 star off for Ian Gillan looking like a dork, and another star missing for the song selection which is a bit weak.
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Ashely { Still I hear, “Burn” } Rose upgrades to the $3 “Nobody’s Perfect” Tier
Hey Nate! Hope you’re doing well! Gotta be honest, I was laughing at John’s Jennifer Coolidge impression then was sold on the random painter calling to check in on the 911 alert. I Recently just got a good pay bump at work and seeing as all I do is listen to podcasts at work for 8-12 hours a day I have you guys to thank for my pay bump by keeping me occupied (and laughing) also felt fitting to upgrade on one of my favorite album episodes. Thanks for all you guys do and hope to catch you guys soon!
Purple Swede joins us at the $3.33 Halfway to Evil Tier
Did album covers for Pink Floyd (Animals), Wings (Venus and Mars), Led Zeppelin (Presence), Deep Purple (Nobody’s Perfect), Led Zeppelin’s 1990 box set.
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