Episode 353 – Yacht Metal (Part 1)

Link to video episode on YouTube: https://www.youtube.com/watch?v=5P8bxo2X37U

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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Postcards From The Edge . . . OF CONNECTICUT!

  • Parcels from the Edge of Connecticut!
  • John, Nate, and Mark all receive packages from Peter containing South of the Border beer koozies.

John’s Toothbrush Signed by Alice Cooper:

Nate’s Package From Pete:

The Excel 2003 Bible to help Nate with the album rankings spreadsheets, a Gorbachev “Glasnote” pad, and a South of the Border beer koozie.
Germans, Grease, and Galactic Gadgets: The Tales of Peter Gardow

Album Art & Booklet Review

AI Attempts to recreate the album cover. Some better than others:

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Editorial Reviews

• The long awaited SS Iron Yacht finally sets sail with a crew of metal and rock legends navigating the seas of America’s most popular music genre, yacht rock!

• Your captains include Cherie Currie of The Runaways, Joe Lynn Turner and Graham Bonnet of Rainbow, Chris Poland of Megadeth, BulletBoys, Steve Morse, Vinnie Moore and lots more!

• Each of these incredibly popular yacht rock anthems are completely rebuilt from the hull up with powerful guitars, soaring vocals and thunderous drums to create a listening experience like no other!

Album Tracks:

  1. Lotta Love
  2. Magnet and Steel
  3. Escape (The Piña Colada Song)
  4. Ride Captain Ride
  5. Just the Two of Us

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Deep Dive Podcast Network:

Check out our website to find other like-minded shows taking deep dives into individual songs, bands, and albums.

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Episode 349 – The Deep Purple Podcast Christmas Special (2025)

Link to video episode on YouTube: https://www.youtube.com/watch?v=f3ykN4MAVvQ

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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  • hh

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Deep Purple Pics

Naughty & Nice

Steve

Mark

Pete

Naughty – JLT Stage Banter

Nice – Foxwoods Show

Scott

Rich

John

Nate

Nice – people we’ve met, meeting roger, 

Naughty – not seeing dp sooner, mitzi dupree, roadhouse blues

Deep Purple Christmas Songs

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Episode 339 – Gary Moore – Corridors of Power (with Rich Shailor)

Link to video episode on YouTube: https://www.youtube.com/watch?v=5y1lCNpy1Jk

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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Core Band:

Additional Musicians:

Technical:

Album Art & Booklet Review

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Album Tracks:

All songs by Gary Moore except where indicated.

Side One:

  1. Don’t Take Me for a Loser
  2. Always Gonna Love You
  3. Wishing Well (Rodgers, Kirke, Yamauchi, Bundrick, Kossoff)
    • Free cover
  4. Gonna Break My Heart Again
  5. Falling in Love With You

Side Two:

  1. End of the World
  2. Rockin’ Every Night (Moore, Paice)
  3. Cold Hearted
  4. I Can’t Wait Until Tomorrow

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Bustin’ Out The Spreadsheet

Reception and Charts:

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Check out our website to find other like-minded shows taking deep dives into individual songs, bands, and albums.

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Episode 338 – Alcatrazz – All Night Long in Japan 2019 – Down to Earth (with Scott Haskin)

Link to video episode on YouTube: https://www.youtube.com/watch?v=vxiV3MpUzwk

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

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  • Rich “Yngwie” Shailor
  • Jörg Planer
  • Norman Weischlebaum

Upcoming Rankings Show:

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    • Patron rankings needed by December 1st
    • Become a patron if you want to be invited to the live stream and submit your rankings!

Core Band:

Thanks to Our Core Level Patrons:

  • The $6.99 “New Nice Price” Tier
    • Spike the Rock Cat’s Ghost
    • Sugar T
  • The Episode $6.66 Tier
    • Steve Coldwell
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  • The $6.65 “Almost Evil” Tier
    • Kenny Wymore
    • Richie Sucksmith
  • The 70 NOK Tier
    • Kai Rune “Yes, I’m Norwegian” Olsen –  🇳🇴
  • $5.99 The “Nice Price” Tier
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    • Raff Kaff
    • Coyote Bongwater
    • John Miceli
    • Sarah Sanders
    • Jellybean
    • Evan Robison
    • Purple Swede
    • Ralphie Lee

The Venue:

Setlist

  1. Eyes Of The World
  2. All Night Long
  3. Love’s No Friend
  4. Danger Zone
  5. Makin’ Love
  6. Since You Been Gone
  7. No Time To Lose
  8. Lost In Hollywood

Thanks To Our Foundation Level Patrons:

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    • Lord Longford
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    • Blackmore’s Tights
  • The $3.33 Half Way to Evil Tier
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  • $3 “Nobody’s Perfect” Tier
    • Peter Gardow
    • Ian Desrosiers
    • Mark Roback
    • Stuart McCord
    • Flight of the Rat Bat Blue Light
    • Øyvind Fjeldbu – 🇳🇴
    • Runar Simonsen – 🇳🇴
    • Ruinous Inadequacies
    • Corey Morrissette
    • Ashely { Still I hear, “Burn” } Rose
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    • Anders Engstrom
    • I see DC
    • Durple Purple
    • David Hattam
    • Graham Bonnet’s Disco Pants and Haircuts
    • Eddie Lion
    • Sicktone

Deep Dive Podcast Network:

Check out our website to find other like-minded shows taking deep dives into individual songs, bands, and albums.

Brendan Ashbrook – Logo Designer

For More Information:

Listener Mail/Comments

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Episode 337 – Bernie Marsden – Look At Me Now (with Jonatan Hedlin)

Link to video episode on YouTube: https://www.youtube.com/watch?v=GuN7upAOXSQ

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

Subscribe at Apple Podcasts, Spotify, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, Pocket Casts, or search in your favorite podcatcher! 

How To Support Our Show:

The Deep Purple Podcast is 100% listener supported and ad-free! If you receive value from our show please consider supporting us!

Patron Benefits:

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Thanks to Our Executive Level Patrons:

  • The “In Memorium” Tier
    • Gerald “Jerry” Kelly & Family
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    • Dr. Mike Kattan
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    • “Better Call” Saul Evans
    • Peter from Illinois
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    • Fielding Fowler

The Deep Purple Podcast Hall of Fame:

  • Rich “Yngwie” Shailor
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  • Norman Weischlebaum

Upcoming Rankings Show:

  • Deep Purple “Burn”
    • Patron rankings needed by December 1st
    • Become a patron if you want to be invited to the live stream and submit your rankings!

History:

  • Recorded at Britannia Row Studios, London between March 20 and April 14 1981.
  • This is the second of two solo albums Marsden recorded while in Whitesnake.
  • Between March 20th and April 14th 1981 Bernie worked on this album.
  • This album brings together many of the musicians he’d previously worked with on his first solo album “And About Time Too” as well as Cozy Powell’s album “Tilt.”
  • They recorded at Britannia Row in London.
  • EMI was annoyed at the Bernie Marsden albums that were being imported and offered to pick up the rights to the first album for UK release and urged him to release another album.
  • Bernie: “All the stuff was written and ready to roll. I stayed there for three weeks then gave the tapes to Guy and said ‘Mix it’ I never saw a copy until it came out – as you can see!”
  • Apparently Bernie was not happy with the cover art.

Technical:

  • Engineer [Assistant] – Mike Johnson*
    • Started work with Joy Division, worked with Jon Lord, Pink Floyd, and many more. Still active in the Liverpool music scene.
  • Engineer, Mixed By, Producer – Guy Bidmead
    • Worked with Yes, Pat Thrall, Camel, Noel Redding, and more.
  • Mastered By – Mike Jarratt
  • Producer – Bernie Marsden

Album Art & Booklet Review

  • Artwork – Malcolm Horton
    • https://www.malcolmhorton.co.uk/
    • Did artwork for Come An Get It.
    • Grew up in Birmingham and became good friends with Bill Ward. Eventually ended up touring with the band and doing a number of commissions for various rock stars including Alvin Lee (Ten Years After) , Ian Paice (Deep Purple and later Whitesnake), Ozzy Ozbourne (Black Sabbath) and George Harrison (The Beatles).
  • Album art was changed on the reissue.

Notes

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Album Tracks:

Side One:

  1. Look At Me Now
    • Bass – Neil Murray
    • Drums – Ian Paice
    • Guitar, Vocals, Written-By – Bernie Marsden
    • Piano, Synthesizer [Polymoog] – Jon Lord
    • Bernie: “Looking back at it, some of those songs should have been Whitesnake songs – “Look At Me Now” would’ve sold truck loads, it’s a good tune.
  2. So Far Away
  3. Who’s Foolin’ Who
  4. Shakey Ground
    • Bass – Neil Murray
    • Drums – Cozy Powell
    • Guitar, Vocals – Bernie Marsden
    • Synthesizer – John Cook (4)
      • Very few entries on Discogs.
    • Written-By – Al Boyd*, Eddie Hazel, Jeff Bowen*
      • https://en.wikipedia.org/wiki/Shakey_Ground
      • Co written by Eddie Hazel of Funkadelic
      • Al Boyd was a soul singer and composer from Cleveland, Ohio.
      • Jeff Bowen worked with The Commodores, The Temptations, and more
      • On the original album there was a heavier typeface for this track. Originally the song in this place was called “Always Love You.”  Bernie said, “Always Love You So” was very very wimpish. It was almost a sixties pastiche and EMI said ‘er sorry Bernie but we really don’t think it’ll be good for your image’ and I agreed with them and said ‘what do you want me to do’?”
      • EMI offered to pay for a track to replace it and used the song “Always Love You” as a b-side for the single release.
  5. Behind Your Dark Eyes

Side Two:

  1. Byblos Shack: Part One (Thru The Doors)
  2. Byblos Shack: Part Two (Shown The Doors)
  3. Thunder And Lightning
  4. Can You Do It? (Rock City Blues)
  5. After All The Madness

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Reception and Charts:

  • When it was time to release the two albums EMI asked what label he’d like to be on and he said Parlophone and the resurrected the label especially for him.  The only other group on Parlophone at the time were The Beatles.
  • There were plans to do live shows in the UK to promote the albums but Bernie was too busy with Whitesnake.
  • There was a radio session in August of 1981 where four of the songs were covered with Coverdale coming in to sing.

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Episode 320 – Colosseum II – Electric Savage

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Postcards From The Edge . . . OF CONNECTICUT!

  • Memorabilia from the Graham Bonnet show featuring Crystal Fogg!

Lead up to the Album:

  • Their first album “Strange New Flesh” was not commercially successful leading Neil Murray to leave the band and Mike Starrs to be fired.
  • Their two follow up albums would feature Moore as lead vocalist on largely instrumental albums.

Core Band:

  • Bass Guitar [Fender Jazz] – John Mole
  • Drums [Rogers], Cymbal [Paiste], Gong [Paiste], Tubular Bells, Percussion [Latin], Producer, Directed By – Jon Hiseman
  • Electric Piano [Fender Rhodes], Grand Piano [Steinway], Synthesizer [Arp Odyssesy, Mini Moog, Arp Solina], Organ [Hammond], Clavinet – Don Airey
  • Guitar [Fender, Gibson], Vocals – Gary Moore

Technical:

  • Engineer – Dave Harris (3)
    • Worked with Donovan, The Temptations, Uriah Heep, Black Sabbath, Peter Gabriel
  • Engineer [Assistant] – Chris Tsangarides
  • Engineer [Assistant] – Nick Cook
    • Worked with many artists including Kate Bush and The Waves
  • Executive-Producer – Monty Babson
    • Singer and record producer who founded Morgan Records
  • Mastered By – HTM*

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Album Tracks:

Side One:

  1. Put It This Way (Moore, Hiseman)
  2. All Skin and Bone (Moore, Hiseman)
  3. Rivers (Moore, Hiseman)
  4. The Scorch (Moore, Airey)

Side Two:

  1. Lament
  2. Desperado (Moore, Hiseman)
  3. Am I (Airey)
  4. Intergalactic Strut (Airey)

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Episode 318 – Rory Gallagher – Calling Card (with Mark Roback)

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  • The mystery of Ralphie from Nashville marches on . . .
Interview with Rory Gallagher (interview with Dennis McNamara) WLIR Broadcast; New York, New York, U.S.A. 11th September 1977

Core Band:

Technical:

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Album Tracks:

All tracks written by Rory Gallagher

Recorded and mixed at Musicland Studios in Munich, Germany

Side One:

  1. Do You Read Me
  2. Country Mile
  3. Moonchild
  4. Calling Card
  5. I’ll Admit You’re Gone

Side Two:

  1. Secret Agent
  2. Jack-Knife Beat
  3. Edged in Blue
  4. Barley and Grape Rag

1999 CD Release featured 2 bonus tracks: “Rue the Day” and “Public Enemy (B-Girl Version)

2012 CD release featured the bonus track “Where Was I Going To?”

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Episode 314 – Ian Gillan – Toolbox (Part 2)

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Album Tracks:

All tracks by Ian Gillan and Steve Morris except where noted. Notes from Ian Gillan’s Wordography where available.

  1. Dancing Nylon Shirt (Part 1)
    • https://gillan.com/wordography-20.html
    • One of the first ads on British TV was for ‘Raelbrook Poplin the shirt you don’t iron’ and the picture was of a row of freshly laundered shirts dancing happily whilst pegged to a washing line. These shirts never saw an iron in their entire lives. They went straight from the chorus line to the husband, and so everybody was very, very happy.
    • Of course that’s not really anything to do with the song, other than a symbolic trigger for another journey of lyrical wonderment. Very deep this one.
  2. Bed of Nails
  3. Gassed Up
  4. Everything I Need
  5. Dancing Nylon Shirt (Part 2)
  1. Dancing Nylon Shirt (Part 1)
    • https://gillan.com/wordography-20.html
    • One of the first ads on British TV was for ‘Raelbrook Poplin the shirt you don’t iron’ and the picture was of a row of freshly laundered shirts dancing happily whilst pegged to a washing line. These shirts never saw an iron in their entire lives. They went straight from the chorus line to the husband, and so everybody was very, very happy.
    • Of course that’s not really anything to do with the song, other than a symbolic trigger for another journey of lyrical wonderment. Very deep this one.
  2. Bed of Nails
  3. Gassed Up
  4. Everything I Need
  5. Dancing Nylon Shirt (Part 2)

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Bustin’ Out The Spreadsheet

Reception and Charts:

  • The album was released only in Europe, Brazil, and Japan on the German label EastWest.
  • After the album’s release on October 14, 1991, Ian Gillan embarked on a 10 month tour to promote the album.

Reviews

  • GILLAN. TOOLBOX. East West- : October 14th 1991 : UK LP/CD
  • Eagerly awaited or at least looked forward to with curiosity by many of you, IAN GILLAN’s new album hit the stores just as we were finishing the magazine. I shall be interested to see how people take to it. NAKED THUNDER got a better reaction within the DPAS than I’d expected, and I wonder if I’ll be the only one feeling a little unsure about this new one. The unease stems from the feeling that they’ve concentrated too much on one aspect of Ian’s style and in so doing sacrificed much of what it is most of us love about his work; the humour and unpredictability.
  • Not that they’ve done a bad job you understand, but it lacks (to my ears) something to lift it or mark it out as more than just another competent rock album. And rock album it certainly is; forget the often commercial edges with which Naked Thunder abounded (and made its lack of success even more disappointing), here Ian and the band just go straight down the line from start to finish. That’s not to say he doesn’t hit you in places; most of TOOLBOX is great fun (life is indeed a box of rocks!) but few of the tracks keep it up all the way through. For me the opening track CANDY HORIZON is the best of the “straightforward” rock numbers. The tingle factor is supplied by the start of DON’T HOLD ME BACK, you can forgive him anything for the first few moments of this number. It’s down to the Beastie Boy/Aerosmith influenced DANCING NYLON SHIRT to provide what is still for me the albums real highlight though. Part 1 is good and when Ian launches into his “come here boy”, we’re back on real Gillan form. But it’s the reprise at the end of the album which takes me off – Ian seems to shrug off any restraints and just lays in to the lyrics. It’s imaginative, you can feel the spark and hear the enjoyment. Brilliant.
  • The Collector’s Guide to Heavy Metal: 6/10
  • AllMusic:⅗ (User:⅘)
  • https://www.allmusic.com/album/toolbox-mw0000598982
  • Toolbox Review by Jason Anderson
    • Ian Gillan’s final solo outing before his second comeback with Deep Purple is possibly the singer’s most rocking solo collection. Originally a European release, Toolbox finally appeared in North American record stores in 1997. The disc is hampered by its ’80s production (complete with faux-Van Halen guitar licks and big reverb drum sounds) but Gillan’s personality and dynamic performances preserve Toolbox’s sharp rock & roll edge. Tracks like “Candy Horizon” and “Don’t Hold Me Back” have more than their share of questionable lyrics, but Gillan’s trademark screams easily overshadow any poetic shortcomings. Nothing can compare to the classic recordings Gillan was involved with in the early ’70s, but among his second-tier offerings, Toolbox is definitely one of the best.

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Episode 311 – Ian Gillan – Toolbox (Part 1)

Link to video episode on YouTube:  https://www.youtube.com/watch?v=Aj2jWGiSbHY

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Lead up to the Album:

  • Before setting about recording, Ian debuted his new live band in Russia, arriving in Moscow on June 27th. Just a handful of gigs to warm them up, done as a four piece. Ian, Steve Morris, plus new bassist Brett Bloomfield (from Starship), and drummer Leonard Haze from Y&T. In Augist, Gillan, as they now seem to be calling themselves, played a long standing engagement in Denmark; festivals in Odense on the 10th and Skanderborg the next day.
  • Rasmus Heide was at the shows – “It was a beautiful day, with the sun shining. Ian loved it but Steve wasn’t fond of playing outdoors in the daylight. Out of a set just over an hour long, they only did four old numbers, including ‘Maybe I’m A Leo’. While they were a little rough after just one rehearsal they sounded good. The bass player was a real livewire and Steve has grown immensely since the last tour, without keyboards or rhythm guitar he is working really hard and it sounds much better. At the second show Ian sensed the crowd were largely unresponsive, so they opened with ‘Smoke On The Water’ to get them going. ‘Black Night’ was also added.”
  • “Toolbox”was recorded in 1991 in Battery Studios in Willesden, with production by Grammy-nominated
  • Album released October 14, 1991

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Album Art & Booklet Review

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Album Tracks:

All tracks by Ian Gillan and Steve Morris except where noted. Notes from Ian Gillan’s Wordography where available.

  1. Hang Me Out to Dry (Gillan, Leslie West)
    • Leslie West
    • https://en.wikipedia.org/wiki/Leslie_West
    • I’d always admired the sound Leslie West got from his guitar; witness ‘Mississippi Queen’ by Mountain. So I invited him over to stay with me and do some work. This was the result. Another bout of lyrical introspection; however I feel comfortable with the words, even though I can’t remember exactly what inspired them (and it would be unfair to guess).
    • We recorded the tracks in London before Leslie had to go home. For some reason (technical if I remember rightly) there was a problem with the solo. Consequently it was replaced by a Steve Morris solo, and everyone was happy with the result. Everybody except Leslie that is, who went bonkers when I next saw him in Sweden and accidentally made my nose bleed when he gave me a friendly hug whilst screaming at the top of his voice….’what happened to my f…..g solo?’
    • It’s still a cool track in my book.
  2. Toolbox
  3. Dirty Dog
  4. Candy Horizon
  5. Don’t Hold Me Back
  6. Pictures of Hell

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