The Deep Purple Podcast

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• The “In Memorium” Tier
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• The “Hughes-O-Ween by 2033” Tier
  • Fielding Fowler

Apple Podcasts Reviews:

• Xxstrawsome from the UK! – 5 Stars!
  • Great fun dp pod!
  • Been a dp fan since 88, my first album being nobody’s perfect (probably not many who started there!) Seen them countless times over the years but still have vivid memories of my first at Brixton in 93… anyway, a great pod with Nathan and John sharing their love of the band and its offshoots, often finding the absurdity in some of the goings on over the years! Highly recommended… Phill, in Ross on Wye, UK

Deep Dive Podcast Network:

Check out our website to find other like-minded shows taking deep dives into individual songs, bands, and albums.

• Deep Dive Podcast Network

Lead up to the Album:

• Jon Lord, in an interview on the special edition of the album released in 1994, said that the album was composed of songs that had “been rattling around in the old head for 4 or 5 years, which accounts for this slightly jokey title.”
• Jon says that four songs on the album were autobiographical “about specific instances,”, the other four were just about “just feelings that I’ve been wanting to put down on tape for some time.”
• Vocals on the album were done by her and her daughter Samantha, who likes to be called Sam, which was a mere stripping lass of 15 or 16, I think, and has again a delightful voice just like her mum’s.  
• Lord on doing an album with friends: “there’s a danger. You’re in there in that it could become a party rather than the serious business of getting down to something that you believe in onto tape. But they all know me well enough and respect me enough, I think, to to a do what I tell them to do and B know that it shouldn’t degenerate into a party. Although there’s a lovely little story about the track I did with Bad Company on here on this album. I did two with them in one night and the first one we got Down Perfect, which was the one on the album, and the second one was supposed to be this kind of really like heavy chugging song I’d written called Going Home, about something that happened to me when I was down out broke in London and Mum kept ringing me up and saying, Come home to Leicester, lad, you know, don’t live there in a big city and be broke and starving. And I fought against it, you know, Stay down here and stick up for what I believe in and all that rubbish. And I wrote this song about it and it was supposed to be real heavy. And well, by the time we got to that one, which was the second one, bad company had consumed a fair amount of various liquids. And instead of being junk, junk, junk, junk, it ended up ding, ding, ding, ding, ding, you know, sort of rather a rather jolly little ditty which didn’t fit the words at all.”

Technical:

• Engineer [Assistant], Mixed By – Mike Johnson*
  • http://www.tankfield.com/
  • Worked for Brittannia Row Studio
  • Worked with Joy Division, Bernie Marsden, Soft Cell
• Producer – Jon Lord
• Producer [Assistant], Engineer, Mixed By – Guy Bidmead
  • Worked with Yes, Noel Redding, Automatic Man (Pat Thrall’s band), Trapeze, Elvis Costello.

Album Art & Booklet Review

• Illustration [Cover] – Brett Ewins
  • https://en.wikipedia.org/wiki/Brett_Ewins
  • Only did a few album covers.
  • Best known for his work on Judge Dredd
  • Passed away in 2015.
• Photography By – Martyn Goddard
  • http://www.martyngoddard.com/
  • Worked with Blondie, Wham!, Genesis, UB40, Elton John, and many more.
• Art Direction, Design – David Larkhami
  • Worked with Elton John, Domenic Troiano, and many more.
• Art Direction, Design – Jo Mirowski
  • Worked with Pete Townshend, Pat Travers, Slade, and Rory Gallagher

Thanks to Our Core Level Patrons:

• The $7.77 KeepItWarmRat Tier
  • Michael Vader
• The $6.99 “New Nice Price” Tier
  • Spike the Rock Cat
  • Sugar T
• The Episode $6.66 Tier
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  • Arthur Smith
  • Anton Glaving
  • Charles Meadows
• The $6.65 “Almost Evil” Tier
  • Kenny Wymore
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• $5.99 The “Nice Price” Tier
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Recorded September 1981 and February 17 – March 4, 1982 at Britannia Row, London

https://www.discogs.com/label/268280-Britannia-Row-Studios

Studio founded by Pink Floyd and NIck Mason later assumed full ownership.

https://en.wikipedia.org/wiki/Britannia_Row_Studios

Album Tracks:

Side One

• Chance On A Feeling
  • Backing Vocals – Vicky Brown*
    • https://en.wikipedia.org/wiki/Vicki_Brown
    • Member of The Vernon Girls.
    • One of the UK’s most prolific backing vocalists.
    • Worked with Carly Simon, Nazareth, Manfred Mann, Murray Head, to name just a few.
    • Passed away in 1991.
  • Backing Vocals – Sam Brown
    • http://www.misssambrown.com/
    • https://en.wikipedia.org/wiki/Sam_Brown_%28singer%29
    • Best known for her 1988 single “Stop.”
    • Many credits for backing singing including David Gilmour, Adam Ant, The Firm, and many more.
  • Bass – Neil Murray
  • Drums – Ian Paice
  • Keyboards, Organ, Piano, Synthesizer [Mini Moog] – Jon Lord
  • Vocals, Guitar – Bernie Marsden
  • “Towards the end of Purple Deep variety, the the bass player was a gentleman called Glenn Hughes and he had a smashing girlfriend who I fancied something rotten mate, you know, and being a gentleman, I nicked her, didn’t I? Right from under his nose. And this is a kind of a very simple song about that rather complicated situation.”
  • Lord said they turned the guitar amp around, pointed it at the wall and leaned it back on some bricks to record the solo.
• Tender Babes
  • Bass – Neil Murray
  • Drums – Cozy Powell
  • Keyboards, Organ, Piano, Synthesizer [Mini Moog] – Jon Lord
  • “…it’s it’s based on a tune which was written about 400 years ago, which was called Tender Babes. And they think it was by a guy called Thomas Tallis, who was an English composer of, I think, the 16th century. But I could be wrong. It might be the 15th. I mean, who knows from that? Somebody will. But it’s it’s one of those good little early English tunes that to me cried out to be messed around with in my usual fashion. And all I could hear when I started routining it in my mind, as it were, at home, all I could hear was cozy. Who is the best thunderer in the business? Just thundering. So I decided to start with how it would have been played. I used a synthesizer to get the sound of recorders and lutes and so on, or lutes, which is kind of blown away by the drum intro. And then it comes back at the end, sort of disappearing into the mists of time as it would have sounded then. It’s a vaguely intellectual exercise, but only to me. I mean, it stands or falls on whether you like the way I play it.”
  • The song is all Minimoog with Polymoog doing the harpsichord sound being filtered.
  • Song is based on a 15th century tune by Thomas Tallis.
  • Hammond is being used with slow Leslie effects and is doubled by Minimoog.
• Hollywood Rock And Roll
  • Backing Vocals – Sam Brown, Vicky Brown*
  • Bass – Boz Burrell
    • https://en.wikipedia.org/wiki/Boz_Burrell
    • Was the bass player for King Crimson and was reportedly taught how to play the bass in two weeks by Robert Fripp.
    • Bass player for Bad Company
    • Passed away in 2006.
  • Drums – Simon Kirke
    • https://www.officialsimonkirke.com/
    • https://en.wikipedia.org/wiki/Simon_Kirke
    • Was in Free with Paul Rogers.
    • Went on to form Bad Company with Paul Rogers.
  • Guitar – Mick Ralphs
    • http://mickralphs.co.uk/
    • https://en.wikipedia.org/wiki/Mick_Ralphs
    • Founding member of Mott the Hoople and Bad Company.
  • Lord, responding to the interviewer’s desire to get Bad Company back together: “they are such a fine band and I believe, you know, just unique as far as British bands go, they’re very, very different. But I love that band. I was thrilled to have them on that track and I thought they played it extremely well. Simon Kirke, great backbeat drummer, wonderful, lazy, easy feel, which is quite unusual in English drummers.”
  • “Hollywood Rock and Roll is my reasonably friendly comment on the first time I ever came up against American A&R men. You know – you bring them an album on which you’ve slaved over and loved for months and honed to perfection (you think) and the first thing they say is “Is there a single on it?” However, to get the effect I wanted I got Tony Ashton to sing. He’s not a ‘technically qualified’ singer, but he is good and his style has a sort of throwaway humour. I purposefully did not fade out the track so that at the end you can hear us really enjoying it and all laughing.”
  • Jon: “The track is really Bad Company minus the singer: Mick Ralphs, Simon Kirke, Boz Burrell, with Tony Ashton singing. The polyphonic brass sound comes from the Opus – I like the synthesizer to suggest traditional instruments. Tony Ashton does the vocals in a sort of spoken/singing style (the Germans call it sprechgesan). I don’t like fade outs and I managed to find a good stopping place in this one.” 
• Bach Onto This
  • Bass – Neil Murray
  • Drums – Simon Phillips
  • Guitar – Bernie Marsden
  • Keyboards, Organ, Piano, Synthesizer [Polymoog, Mini Moog, Moog Source, Moog Opus, Micro Moog] – Jon Lord

Side Two:

• Before I Forget
  • Backing Vocals – Sam Brown, Vicky Brown*
  • Bass – Neil Murray
  • Drums – Ian Paice
  • Keyboards, Piano, Synthesizer [Polymoog, Mini Moog] – Jon Lord
  • “Yeah it’s about memory, you know, and about the I mean, it sounds awfully sued, to put it this way, but because actually I tried to say it in the music, but it’s really, it’s about memory and how it eludes you. Um, and it was originally going to be a song which I was hoping to get David to sing, but I couldn’t get the words right at all. I just couldn’t, you know, I’ve got a set of words which didn’t it didn’t work at all for me anyway. So I stuck with an instrumental and just let the ladies sing the title line.”
  • Lord said he used the Polymoog cello with the strings filter and the French horn sound from the minimoog. Also he used the flute with digital echo panning left adnr ight in the stereo field.
• Say It’s All Right (Lord, Gantry)
  • Backing Vocals – Sam Brown
  • Bass – Neil Murray
  • Drums – Simon Phillips
  • Guitar – Mick Ralphs
  • Keyboards, Piano, Organ, Synthesizer [Polymoog] – Jon Lord
  • Vocals, Backing Vocals – Vicky Brown*
  • “It’s a song I wrote and got stuck halfway through with the words. So I asked a guy called Elmer Gantry to help me with the words who sings another track on the album?  Voice, nice gravelly, lived in sort of voice, but he helped me with the words on it, which is why he’s credited on the album for doing so. And it’s a lovely lady called Vicki Brown singing it, and she’s marvelous.  Just a thing that happened to me once when I wasn’t very sure of myself in respect of my good lady. And that’s all really a confirmation that everything was A-okay. Yes. Really quite amazing that there are so many singers like Vicki Brown and others whose names I can’t remember. Corrie Josiah’s was one who sang on the Rick Wakeman single. Just around. It’s you see, they they tend to live in that session Singer world, which is a dead end street. And there they are, sort of lovely ladies with delightful voices who are being kind of said, okay, love you just sing in the background here, you know? There must be occasions when they go into a studio and they could probably blow away the person they’re supposed to be backing, many times, I would think. I would love to see that particular lady, Vicki Brown, get herself a solo deal because she does have a really quite remarkable voice. The only problem she has is she’s married to Joe Brown. Didn’t mean it, Joe. No, A great, great lady. Smashing voice.”
  • “. . . which is actually a chord sequence that I borrowed from Mr. [Edvard] Grieg. It is the way he puts two or three chords together which I liked, so I gently borrowed it.”
  • Lord said he was trying to get Vicki Brown a record deal.
• Burntwood
  • Bass – Neil Murray
    • Murray plays an Aria fretless bass.
  • Keyboards, Piano, Synthesizer [Polymoog, Mini Moog] – Jon Lord
  • “This is it’s where I live. In actual fact, it’s the name of the house I live in, and it’s surrounded by trees. And when the wind blows, it makes a lovely noise. And it’s a very romantic place to live in. So it’s a fairly romantic piece of music. 
  • Interviewer compared it to Vangelis and “Chariots of Fire.”  Lord said he wrote it before “Chariots of Fire” and it was based on where he lived and attempted to evoke the English countryside.  The beginning is white noise emulating the wind followed by the horn call, all done on a Minimoog.
  • People at EMI told Jon that they wished they’d had a film to put this on.
• Where Are You?
  • Keyboards, Piano, Synthesizer [Polymoog, Moog Source] – Jon Lord
  • Vocals – Elmer Gantry
    • Real name was David Terry
    • Performed with Elmer Gantry’s Velvet Opera
    • Was in a bogus Fleetwood Mac that toured the US in 1974. He said Mick Fleetwood was going to tour with them, something Fleetwood denied.
    • Worked with Cozy Powell and Alan Parsons Project
  • “This is a track I’ve actually played one track already from the album, which we played last night, and this is a superb song called Where Are You? And this was, I believe, a period when you were feeling less, less than wonderful in yourself and a little homesick for dear old Blighty. That’s how it started. I was snowed in in Philadelphia, of all places, in a couple of gigs being canceled. I was well fed up, and I had this little porter keyboard in my room, you know, and a pair of headphones, and I could sort of wallow away in my misery. And I came up with this chord sequence and a rough idea for a song which eventually became this song. It’s a homesick song. It’s a song about a lady. And I had to get someone with a lived in voice to sing it, because if I’d got someone with one of those awfully slick voices to sing it, it would have been a bit too cabaret because it’s, you know, it’s a it’s a fairly kind of sophisticated chord sequence. ET cetera. ET cetera. So I wanted someone to gravel it up, and I got Elmer Gantry to sing it for me. And I think he’s done a wonderful job and I’m thrilled with the song. “
  • Interviewer commented that it had a “Debussy type ending.”
    • “Well, again, he is a composer that i used to play quite a bit when I was a kid. Of course, you can listen to Chick Corea and hear Debussy and Ravel floating around – all those French impressionist ideas have had a lot of influence on modern jazz.”
  • Elmer Gantry wrote the lyrics.
  • Whistle effect is by Micromoog rarely used by Lord.
  • Backward piano was used to get into the Fugue.

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Bustin’ Out The Spreadsheet

Reception and Charts:

• When asked what his next step would be Lord said: “to I’m going to make another album in a year’s time or whatever. Um, I might make one the year after that as well.  
• His next solo album didn’t come until 1998’s “Pictured Within.”
• Jon Lord said this was the first solo album he ever made without an orchestra.

Reviews:

• Stargazer, Issue 26 – November 1982
  • “‘Chance On A Feeling’ is a lovely song, all about Jon stealing Glenn’s girlfriend during Mk 4 Purple days. ‘Bach Onto This’ is what Jon refers to as a piece of eight minute madness -the old Hammond swirling and letting rip. Great Stuff. ‘Before I Forget’ is the best track off the album, and one of the best things any member of Purple has ever done I think. ‘Say It’s Alright’ sounds like a combination of every Radio 2 ballad I’ve ever heard. ‘Burntwood’ is very like Aria off Sarabande. Overall a good album, with some lovely piano on the last track to finish with, and very Ashton like vocals from Elmer Gantry”. Richard Poustie.
  • Additionally there were rumors in this issue again about the Deep Purple reunion on the horizon.
• Howard Johnson review (from Kerrang?)

For Further Information:

• https://en.wikipedia.org/wiki/Before_I_Forget_(album)
• https://www.discogs.com/release/1719236-Jon-Lord-Before-I-Forget
• Stargazer, Issue 26  November 1982
• https://www.45worlds.com/vinyl/album/shsp4123

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Link to video episode on YouTube: 

Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you’d prefer a superior audio experience.

Subscribe at Apple Podcasts, Spotify, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, Pocket Casts, or search in your favorite podcatcher! 

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How To Support Our Show:

The Deep Purple Podcast is 100% listener supported and ad-free! If you receive value from our show please consider supporting us!

• Support Our Show

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Brendan Ashbrook – Logo Designer

Glenn Hughes Show Next Week!

• Last chance to go to the show!
• The Deep Purple Podcast will be there!
• Glenn Hughes Performs Classic Deep Purple
• September 19, 2023 – with Yngwie Malmsteen
• The Palladium – Worcester, MA
• Let us know if you’re going for a potential Deep Purple Podcast meetup!
• Buy Tickets
• Meetup info to come!

New Patron/Patron Upgrades:

• hh

Thanks to Our Executive Level Patrons:

• The $25 “Uncommon Man” Tier
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  • Purple Maniac
• The £15 “”Fifteen Squid” Tier
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• The £10 “Good Doctor” Tier
  • Dr. Gill Breis
  • Dr. Mike Kattan
• The Turn it up to $11 Tier
  • Clay Wombacher
  • Frank Theilgaard-Mortensen
  • Mikkel Steen
  • Will Porter, PhDPP
• $10 “Some One Came” Tier
  • Ryan M
  • Jeff Breis
  • Victor Campos
  • “Better Call” Saul Evans
• The “Hughes-O-Ween by 2033” Tier
  • Fielding Fowler
• The “In Memorium” Tier
  • Gerald “Jerry” Kelly & Family

Patron Updates:

• hh

Listener Email

• hh

Apple Podcasts Reviews:

• hhh

Other Support:

• hh

Postcards From The Edge . . . OF CONNECTICUT!

• Another card straight from THE GARDOW this time straight form Oktoberfest!

Hall of Fame Presentation:

• hh

Deep Dive Podcast Network:

Check out our website to find other like-minded shows taking deep dives into individual songs, bands, and albums.

• Deep Dive Podcast Network

Lead up to the Album:

• hh

Core Band:

• hh

Additional Musicians:

• hh

Technical:

• hh

Album Art & Booklet Review

• hh

Thanks to Our Core Level Patrons:

• The $7.77 KeepItWarmRat Tier
  • Michael Vader
• The $6.99 “New Nice Price” Tier
  • Spike the Rock Cat
  • Sugar T
• The Episode $6.66 Tier

• Steve Coldwell
• Arthur Smith
• Anton Glaving
• Charles Meadows

• The $6.65 “Almost Evil” Tier
  • Kenny Wymore
  • Michael Bagford
• $5.99 The “Nice Price” Tier

• Robert Smith
• Peter from Illinois
• Karl Hellberg

• The 60 Kroner “Scandinavian Nights” Tier
  • Knut Morten Johansen – 
• The $5.55 “What’s Goin’ On Here” Tier
  • Richard Fusey
• $5 “Money Lender” Tier
  • John Convery
  • German Heindl
  • Adrian Hernandez
  • Jesper Almén
  • Oleksiy The Perfect Stranger Slyepukhov
• Kev Roberts

• Percival Frequency
• Scott Zerns
• Cynthia Dube
• Raff Kaff
• Coyote Bongwater

The Venue:

• Performed live at Melbourne Park in Melbourne, Australia

Album Tracks:

Disc 1

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Disc 2:

1. hh

Album Tracks:

Side One:

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Side Two:

• hh

Album Tracks:

1. hjh

Setlist:

1. “Steve Morse Guitar Solo” – 11:37
2. “Smoke on the Water” – 5:57
3. “Lazy” – 8:50
4. “Perfect Strangers” – 6:19
5. “Speed King” – 15:14
6. “Black Night” – 6:17
7. “Highway Star” – 8:05

Thanks To Our Foundation Level Patrons:

• £3.50 “Deep Purple NY” Tier
  • Lord Longford
• The £3 “The Aromatic Feed” Tier
  • Simon Ford
• The $3.33 Half Way to Evil Tier
  • Stephen Sharpe
  • Duncan Leask
• $3 “Nobody’s Perfect” Tier
  • Peter Gardow
  • Ian Desrosiers
  • Mark Roback
  • Stuart McCord
  • Flight of the Rat Bat Blue Light
• Øyvind Fjeldbu –

• Runar Simonsen –
• JJ Stannard
• Ruinous Inadequacies
• John Miceli
• Michael Boyette
• Corey Morrissette

• The $1.71 “I Want My Own Tier” Tier
  • Rich “Yngwie” Shailor
• The 10 kr “” Tier
  • Carsten Lau
• $1 Made Up Name Tier
  • The “Black Fright” Leaky Mausoleum
  • Stephen Sommerville The Concerto 1999 Fanatic

• Hank the Tank
• Private Eyes
• Ashen Lionel
• Blackmore’s Tights
• Steve “Down to Earth” Koeller
• Zwopper The Electric Alchemist
• Anders Engstrom
• Ashely { Still I hear, “Burn” } Rose

Bustin’ Out The Spreadsheet

Reception and Charts:

• hh

Reviews:

• hh

Merch, Etc.

• Hh

For Further Information:

• https://en.wikipedia.org/wiki/Total_Abandon:_Australia_%2799
• https://www.45worlds.com/cdalbum/cd/eagcd477
• https://www.youtube.com/watch?v=67B5PGraCbk
• 
  
• 
  

Extra Thanks To:

• hh

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Laugh track perfect strangers

Ian gillan the rock

Subscribe at Apple Podcasts, Spotify, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, Pocket Casts, or search in your favorite podcatcher! 

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How To Support Our Show:

The Deep Purple Podcast is 100% listener supported and ad-free! If you receive value from our show please consider supporting us!

• Support Our Show

• Leave us a 5-Star Review on Apple Podcasts
• Buy Merch at Our Etsy Store!
• Become a Patron on Patreon
• Donate on Paypal (Donate one time or click “make this a monthly donation” box)
• Donate to $DPPOD Using Cash App
• Support Us on Ko-fi

Brendan Ashbrook – Logo Designer

Glenn Hughes Show Next Week!

• The Deep Purple Podcast will be there!
• Glenn Hughes Performs Classic Deep Purple
• September 19, 2023 – with Yngwie Malmsteen
• The Palladium – Worcester, MA
• Let us know if you’re going for a potential Deep Purple Podcast meetup!
• Buy Tickets
• Meetup info to come!

New Patron/Patron Upgrades:

• New Patron Alert!
  • Anders Engstrom joins us at the $1 Silly Made Up Name Tier
  • Ashley { Still I hear, “Burn” } Rose joins us at the $1 Silly Made Up Name Tier
    • Hey Nate & John! Let’s roll with Ashley { Still I hear, “Burn” } Rose. I Stumbled across this podcast looking for podcasts/interviews on Ronnie James Dio a few months ago and ever since have been making my way through all past & current episodes!

Thanks to Our Executive Level Patrons:

• The $25 “Uncommon Man” Tier
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• The £10 “Good Doctor” Tier
  • Dr. Gill Breis
  • Dr. Mike Kattan
• The Turn it up to $11 Tier
  • Clay Wombacher
  • Frank Theilgaard-Mortensen
  • Mikkel Steen
  • Will Porter, PhDPP
• $10 “Some One Came” Tier
  • Ryan M
  • Jeff Breis
  • Victor Campos
  • “Better Call” Saul Evans
• The “Hughes-O-Ween by 2033” Tier
  • Fielding Fowler
• The “In Memorium” Tier
  • Gerald “Jerry” Kelly & Family

Postcards From The Edge . . . OF CONNECTICUT!

• Another card straight from THE GARDOW!

Deep Dive Podcast Network:

Check out our website to find other like-minded shows taking deep dives into individual songs, bands, and albums.

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Lead up to the Album:

• First tour in Australia since December of 1985.
• This was the fourth of nine dates in Australia in 1999.
• After the tour of Purpendicular there was a brief break as Ian Gillan and Jon Lord finished work on solo albums before returning to the studio to record Abandon.
• In November negotiations began for Deep Purple to return to Australia and it was announced in January of 1999.
  • Commercial for Deep Purple’s return to Australia: https://youtu.be/67B5PGraCbk?si=aOmWC5_tZb352-fq&t=1000
• Gillan went to Australia directly after finishing playing in Argentina to explore Australia before their shows.
• Show was performed on April 20, 1999 at Melbourne Park in Melbourne, Australia
  • https://en.wikipedia.org/wiki/Melbourne_Park

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Setlist:

1. “Intro“
2. “Ted the Mechanic” – 4:34
3. “Strange Kind of Woman” – 6:21
4. “Bloodsucker” – 4:57
5. “Pictures of Home” – 8:18
6. “Almost Human” – 6:32
7. “Woman from Tokyo” – 6:25
8. “Watching the Sky” – 5:42
9. “Fireball” – 4:45
10. “Sometimes I Feel Like Screaming” – 7:05
11. “Steve Morse Guitar Solo” – 11:37
12. “Smoke on the Water” – 5:57
13. “Lazy” – 8:50
14. “Perfect Strangers” – 6:19
15. “Speed King” – 15:14
16. “Black Night” – 6:17
17. “Highway Star” – 8:05

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  • Anders Engstrom – NEW PATRON ALERT
  • Ashely { Still I hear, “Burn” } Rose – NEW PATRON ALERT

For Further Information:

• https://en.wikipedia.org/wiki/Total_Abandon:_Australia_%2799
• https://www.45worlds.com/cdalbum/cd/eagcd477
• https://www.youtube.com/watch?v=67B5PGraCbk

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

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Glenn Hughes Show in September!

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• The Palladium – Worcester, MA
• Let us know if you’re going for a potential Deep Purple Podcast meetup!
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Patron Updates:

• John Miceli writes in (regarding Episode #226 – Rainbow – Live in Passaic, NJ 1979)
  • Hey Nate this is John Tony Danza Miceli. My friend and I went to that show. We scalped tickets for the show. 50 dollars for 2. Met Ritchie for the first time and got his autograph. During the encore Ritchie threw his Strat at us but we couldn’t hold on. To bad any great show and memories. Keep Rocking Guys.

Postcards From The Edge . . . OF CONNECTICUT!

• Two new postcards!

Deep Dive Podcast Network:

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Lead up to the Album:

• The album was put together on a limited budget of $13,000.
• Satriani used two Kramer Pacer guitars and a modified Stratocaster where he changed the pickups to get different sounds.
• Guitar effects used were the Roland JC-120, a Marshall ‘68 half-stack and a Rockman.
• With the limited budget Satriani had to use whatever times and rooms were available.  With the limited time he added the effects to tape while he recorded.
• The album features a lot of drum machine, much like his debut, to save money.
• Jeff Campitelli overdubbed hi-hats, toms, cymbals, and snare.
• Recorded and mixed at Alpha And Omega Recording and Hyde Street Studios, San Francisco, California.

Core Band:

• Drum Programming, Performer [Sound Design], Percussion – Bongo Bob Smith
  • Percussionist.
  • Played with Whitney Houston, Aretha Franklin, James Brown, Clarence Clemmons.
• Drums, Percussion – Jeff Campitelli
  • Worked with Satriani in Squares.
• Guitar, Bass, Keyboards, Percussion, Drum Programming, Written-By, Arranged By – Joe Satriani
• Percussion, Engineer – John Cuniberti
  • http://johncuniberti.com/
  • Worked with Dead Kennedys, Tracy Chapman, Kevin Gilbert, PJ Harvey, Aaron Neville and the Grateful Dead.
• Programmed By [Pre-Production], Sound Designer – Jeff Kreeger
  • Only a couple of other entries on Discogs.

Technical:

• Producer – Joe Satriani, John Cuniberti
• Mastered By – Bernie Grundman

Album Art & Booklet Review

• Art Direction – David Bett
  • Currently works creative at Columbia Records. Formerly at Relativity, Lous, and Sony.
  • Worked with 24/7 Spyz (Gumbo Milennium), Steve Vai (Passion and Warfare), Additional albums with Joe Satriani, Peter Frampton, Easy E, Wu Tang Clan, Aerosmith (Honkin’ on Bobo), Vinnie Moore.
• Cover [Cover Concept] – Jim Kozlowski
  • Music label veteran.
  • Born and raised in East Hartford, CT.
  • Worked in New York City and for Relativity Records
  • Was the producer of the radio program Rock Around The World.
  • Sadly passed away in 2021: https://www.billboard.com/music/music-news/jim-kozlowski-dies-relativity-records-executive-9587615/
• Originally Joe was going to title the album ”Lord of Karma” but changed it at the suggestion of a British journalist who said that it would give listeners the wrong idea about the album.  Joe did his first interview about the album in the summer before it was released.  The journalist said, “I don’t understand why guitarists always go into some Indian spiritual thing.” Joe called the label and asked to change the title to “Surfing with the Alien” because everyone will know he has a sense of humor and doesn’t take himself too seriously.
• Satriani had a stipulation in his contract that his albums cannot have any negative or violent imagery.
• The album cover features the Silver Surfer with the hand of Galactus on the back cover. The artwork was licensed from the publisher and was taken from Silver Surfer #1. Artwork was drawn by John Byrne. Byrne did not receive a royalty for the use on the album cover.
• Satriani said he came up with the name and was unfamiliar with the comic book character.  His production manager, Jim Kozlowski, was a big comic book fan and had used the name “Silver Surfer” when he was a radio DJ. He suggested the album art.
• Marvel Comics later repaid Satriani by naming a planet “Satriani” in his honor.
• The licensing for the cover was limited and had to be renewed. In 2018 Marvel and Satriani could not come to an agreement so the cover art had to be redone. All digital retailers and deluxe editions feature the new artwork.
• The license was around $5,000 for 20 years.  Silver Surfer was not doing well and this album helped boost it.  Every year they kept “tightening the screws” on how much they charged to renew the artwork and eventually Joe had to just stop using the artwork.

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Album Tracks:

1. Surfing with the Alien
   • https://en.wikipedia.org/wiki/Surfing_with_the_Alien_(instrumental)
   • The solos were recorded with a Eventide H949 which was malfunctioning. As it was the end of the studio time they went with the recording giving it its distinct sound.
   • Satriani said this song was written because he was a huge fan of science fiction. He said in sci-fi aliens are always attacking or trying to kill us but wouldn’t it be cool if they wanted to do something fun like go surfing..
2. Ice 9
   • Written referencing the substance from Kurt Vonnegut’s 1963 book “Cat’s Cradle.”
3. Crushing Day
   • Joe said this was the only solo he worked out in advance. All others were improvised.
   • Satriani said he regretted this and felt like he had to play this solo as is when ion stage.
4. Always with Me, Always with You
5. Satch Boogie
   • https://en.wikipedia.org/wiki/Satch_Boogie
   • This was the only track that used live drums played by Campitelli. It was originally recorded using a drum machine.
   • The song fades out quickly at the end as the drum machine was being picked up by the amplifier.
   • This song was regularly played by Deep Purple in 1993-94 when Joe toured with them.
   • AllMusic calls this a “ZZ Top homage.”
6. Hill of the Skull
7. Circles
8. Lords of Karma
9. Midnight
   • A Casio CZ-101 was used to do the flute and orchestrations.
   • Joe uses two-handed tapping on this song.
10. Echo

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Bustin’ Out The Spreadsheet

Reception and Charts:

• The album peaked at #10 in Australia, #53 in Canada, #16 in New Zealand, and #29 in the US Billboard 200.
• The album was certified gold in Australia (35,000 copies), silver in the UK (60,000 copies) and platinum in the US (1,000,000 copies).
• From: satriani.com
  • On August 7th, 2007, Epic/Legacy Recordings celebrated the 20th anniversary of this groundbreaking album with the release of a new expanded edition of Surfing with the Alien. This meticulously restored two-disc set includes the newly remastered album and a previously never-before-seen live show filmed at the Montreux Jazz Festival in 1988. It also features new liner notes written by Joe and special deluxe packaging featuring photos, notes and other memorabilia from Joe’s personal archive.
  • On Nov 29th, 2019, Sony/Legacy released a Deluxe version in conjunction with Record Store Day, with new artwork and a bonus disc, Stripped — the Backing Tracks, featuring the songs with all guitar solos removed. This version received a wider digital release on Jan 14, 2020.

Reviews:

• Kerrang!
• AllMuisc:
  • Surfing with the Alien belongs to its era like Are You Experienced? belongs to its own — perhaps it doesn’t transcend its time the way the Jimi Hendrix Experience‘s 1967 debut does, but Joe Satriani’s 1987 breakthrough can be seen as the gold standard for guitar playing of the mid- to late ’80s, an album that captures everything that was good about the glory days of shred. Certainly, Satriani was unique among his peers in that his playing was so fluid that his technical skills never seemed like showboating — something that was somewhat true of his 1986 debut, Not of This Earth, but on Surfing with the Alien he married this dexterity to a true sense of melodic songcraft, a gift that helped him be that rare thing: a guitar virtuoso who ordinary listeners enjoyed. Nowhere is this more true than on “Always with Me, Always with You,” a genuine ballad — not beefed up with muscular power chords but rather sighing gently with its melody — but this knack was also evident on the ZZ Top homage “Satch Boogie” and the title track itself, both of which turned into rock radio hits. This melodic facility, plus his fondness for a good old-fashioned three-chord rock, separated Satriani from his shredding peers in 1987, many of whom were quite literally his students. But he was no throwback: he equaled his former students Steve Vai and Kirk Hammett in sweep picking and fretboard acrobatics and he had a sparkling, spacy quality to some of his songs — particularly the closing stretch of the Middle Eastern-flavored “Lords of Karma,” the twinkling “Midnight,” and “Echo” — that was thoroughly modern for 1987. The production of Surfing with the Alien is also thoroughly of its year — stiff drumbeats, sparkling productions — so much so that it can seem a bit like a relic from another era, but it’s fine that it doesn’t transcend its time: it captures the best of its era and is still impressive in that regard.
• I actually found a review. It’s from a Norwegian magazine called Street Fighter (issue from April/May 1988), which, by the way, was the precursor to Scream Magazine that still exists today, and where I have found a couple of reviews before. Just some useful information first: Street Fighter had a scoring system going from 0 – 100 points, 100 being (obviously) the best score. Surfing With The Alien got 65 points, which means that it was perceived as a really good album. I have included a photo of the review itself and the cover of the magazine. 
• Here’s a translation of the review: 
• This is an excellent album for guitar freaks. Joe Satriani is one of the greatest guitar players today, and he really proves his chops on his new solo-album. This is, like his previous album “Not Of This Earth”, a 100 % instrumental album. What is negative about that, is that it’s too boring with only instrumental songs through the whole album. I would have been much more satisfied if he had joined up with a good singer. But – of course – the guitar playing matters a lot on this album. The guitar playing alone is worth 90 points, but I don’t want to give such a high score for a purely instrumental album. But what could have been if a great vocalist could have sung most of the songs? Well, we must take this album as the study in great guitar work that it is. Joe Satriani has his distinctive style, and when a song starts, you can hear that it’s him immediately. Guitar freaks must buy this album. 

For Further Information:

• https://en.wikipedia.org/wiki/Surfing_with_the_Alien
• https://www.discogs.com/release/1212371-Joe-Satriani-Surfing-With-The-Alien
• http://www.satriani.com/discography/Surfing_With_The_Alien/
• https://www.surfertoday.com/surfing/surfing-with-the-alien-the-story-of-a-non-surf-related-masterpiece
• Joe Satriani – Surfing With the Alien Tablature
• https://www.allmusic.com/album/surfing-with-the-alien-mw0000651425
• Street Fighter (issue from April/May 1988)
• How Joe Satriani album ‘Lords of Karma’ became ‘Surfing with The Alien’
• https://www.billboard.com/music/music-news/jim-kozlowski-dies-relativity-records-executive-9587615/

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

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Glenn Hughes Show in September!

• The Deep Purple Podcast will be there!
• Glenn Hughes Performs Classic Deep Purple
• September 19, 2023 – with Yngwie Malmsteen
• The Palladium – Worcester, MA
• Let us know if you’re going for a potential Deep Purple Podcast meetup!
• Buy Tickets
• Meetup info to come!

Thanks to Our Executive Level Patrons:

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Apple Podcasts Reviews:

• Daverooni from the US – 5 Stars!
  • Perfect Strangers no more
  • Ive always considered myself a casual Deep Purple fan and more of a Rainbow guy. I went into this podcast expecting to check in on the occasional episode. After a handful of Rainbow and Ozzy episodes, I knew that the format would lend itself to my enjoyment of the Purple albums I only ever glossed over. I’m now a hooked fan of both the podcast and the band. In middle school my lit class had a project where we got to make a three song soundtrack for this book we were reading. I chose Deep Purple’s Perfect Strangers even though it wasn’t relevant to the book. At the time I had a copy of Stone Cold Metal(a compilation Stone Cold Steve Austin’s favorite metal songs) and wanted to shoehorn that track in somewhere because I enjoyed it so much(and it was the entrance music to a wrestler that I liked, “The Franchise” Shane Douglas). The other two songs were Fly by Sugar Ray(as was the style at the time) and a techno remix of the X Files theme…one out of three aint bad. P.S. Stone Cold Metal features DPP alum Dio and Rainbow as well(here’s a loosely related episode for ya!

Other Support:

• Thanks to Joe “Dopefish” Siegler for his$6.00 donation on Ko-fi!
  • If you don’t use this towards actual coffee, there’s always beer which John can spill on the console. #KeepitWarmRat

Postcards From The Edge . . . OF CONNECTICUT!

• This week from Firenze!

Deep Dive Podcast Network:

Check out our website to find other like-minded shows taking deep dives into individual songs, bands, and albums.

• Deep Dive Podcast Network

Album Art & Booklet Review

• Review of album cover, booklet, and alternate cover.

Thanks to Our Core Level Patrons:

• The $7.77 KeepItWarmRat Tier
  • Michael Vader
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Album Tracks:

1. Black Night
   • Drums – Will Calhoun
     1. https://willcalhoun.com/
     2. https://en.wikipedia.org/wiki/Will_Calhoun
     3. Most well known as the drummer for Living Colour.
   • Guitar [Lead] – Vinnie Moore
     1. https://vinniemoore.com/
     2. https://en.wikipedia.org/wiki/Vinnie_Moore
     3. Solo artist, guitar with UFO.
   • Guitar [Rhythm & Lead] – Al Pitrelli
     1. http://www.alpitrelli.com/
     2. https://en.wikipedia.org/wiki/Al_Pitrelli
     3. Guitarist with Savatage, Blue Oyster Cult, Megadeth
   • Other [Street Scene] – Simon Gregory, T.M. Stevens, Van Romaine
   • Vocals – Joe Lynn Turner
2. Strange Kind of Woman
   • Drums – Will Calhoun
   • Guitar [Rhtyhm & Lead] – Al Pitrelli
   • Vocals – Richie Kotzen
     1. http://www.richiekotzen.com/
     2. https://en.wikipedia.org/wiki/Richie_Kotzen
     3. Solo artist. Guitarist in Mr. Big, Poison, Winery Dogs.
3. Fireball
   • Drums – Will Calhoun
   • Guitar [Funk Rhythm Guitar] – Richie Kotzen
   • Guitar [Lead] – Stevie Salas
     1. https://www.steviesalas.com/
     2. https://en.wikipedia.org/wiki/Stevie_Salas
     3. Native American guitarist.
     4. Performed George Carlin’s guitar at the end of Bill & Ted’s Excellent Adventure
     5. Did an album with guest artists including Glenn Hughes in 1993 called Stevie Salas Presents: The Electric Pow Wow
     6. Went on to work as guitarist and music director for Mick Jagger and other acts
   • Guitar [Rock Rhythm Guitar] – Al Pitrelli
   • Keyboards – Bernie Worrell
     1. https://bernieworrell.com/
     2. https://en.wikipedia.org/wiki/Bernie_Worrell
     3. Keyboard player with Funkadelic and Talking Heads
     4. Produced Fred Schneider’s 1984 solo album
     5. Sadly passed away in 2016
   • Vocals – Cory Glover*
     1. http://www.corey-glover.com/
     2. https://www.discogs.com/artist/322861-Corey-Glover
     3. Best known for being the lead singer of Living Colour
4. Smoke on the Water
   • Drums – Cindy Blackman
   • https://cindyblackmansantana.com/
   • https://en.wikipedia.org/wiki/Cindy_Blackman_Santana
   • Longtime drummer for Lenny Kravitz
   • Married to Carlos Santana. He proposed to her onstage in 2010 at a concert in Tinley Park, Illinois
   • Keyboards – Bernie Worrell
   • Other [Deep New York Funk Gang] – Richie Kotzen, T.M. Stevens, Will Calhoun
   • Vocals, Guitar [Rhythm & Lead] – Richie Kotzen
5. Child In Time
   • Drums – Will Calhoun
   • Guitar [Rhythm & Lead] – Richie Kotzen
   • Keyboards – Bernie Worrell
   • Vocals – T.M. “Sade” Stevens*
     1. Thomas Michael Stevens
     2. Inventory of the term Heavy Metal Funk
     3. Also known as Shaka Zulu
     4. Played with Steve Vai, Joe Cocker, James Brown, and many more.
   • Vocals – Tony Harnell
     1. https://en.wikipedia.org/wiki/Tony_Harnell
     2. https://www.tonyharnell.com/
     3. Worked with TNT, was singer in Skid Row briefly in 2015.
6. Woman From Tokyo
   • Drums – Will Calhoun
   • Guitar [Rhythm & Lead] – Richie Kotzen
   • Keyboards – Bernie Worrell
   • Vocals – Joe Lynn Turner, Richie Kotzen, T.M. Stevens, Tony Harnell
7. Space Truckin’
   • Drums – Cindy Blackman
   • Guitar [Rhythm & Lead] – Richie Kotzen
   • Vocals – T.M. Stevens, Tony Harnell
8. Stormbringer
   • Drums – Cindy Blackman
   • Guitar [Rhythm & Lead] – Richie Kotzen
   • Keyboards – Bernie Worrell
   • Other [Intro Thunder “scream”] – T.M. Stevens
   • Vocals – Joe Lynn Turner
9. Speed King
   • Drums – Will Calhoun
   • Guitar [Rhythm & Lead Guitar (left)] – Vinnie Moore
   • Guitar [Rhythm & Lead Guitar (right)] – Al Pitrelli
   • Vocals – Joe Lynn Turner
10. Burn
    • Drums – Van Romaine
      1. https://www.vanromaine.com/
      2. Drummer in the Steve Morse band, worked with Dio, Spencer Davis Group, Steve Vai, Kansas, the Dixie Dregs, and Blood, Sweat & Tears.. Played drums along with Deep Purple on the 1999 Concerto.
    • Guitar [Rhythm & Lead] – Simon Gregory
      1. Only a few credits on Discogs.
    • Other [Guitar (lead)] – Lars Y. Loudamp
      1. Alter ego of a certain Scandinavian neoclassical guitarist.
    • Vocals – Cory Glover*
11. Deep Purple NY
    • Composed By – T.M. Stevens
    • Keyboards – Bernie Worrell
    • Other [Deep Ny Funk Gang] – Richie Kotzen, T.M. Stevens, Will Calhoun
    • Vocals [Rap Vocal] – T.M. Stevens

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Bustin’ Out The Spreadsheet

For Further Information:

• https://www.discogs.com/release/3665425-Various-Black-Night-Deep-Purple-Tribute-According-To-New-York
• https://mikeladano.com/2017/04/28/review-t-m-stevens-black-night-deep-purple-tribute-according-to-new-york-1997/

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

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Glenn Hughes Show in September!

• The Deep Purple Podcast will be there!
• Glenn Hughes Performs Classic Deep Purple
• September 19, 2023 – with Yngwie Malmsteen
• The Palladium – Worcester, MA
• Let us know if you’re going for a potential Deep Purple Podcast meetup!
• Buy Tickets
• Meetup info to come!

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Apple Podcasts Reviews:

• Bumble77 from the UK – 5 Stars!
  • Love this show
  • I discovered DP via my elder sisters record collection in the late seventies, specifically ‘Come Taste the Band’

Postcards From The Edge . . . OF CONNECTICUT!

• This week from “Westconsin” AND Hell, Norway!

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The Venue:

• Capitol Theatre
  • Opened in 1921
  • Closed in 1989
  • Demolished in 1991
  • John Scher, who was a rock promoter from West Orange, New Jersey, took advantage of the closure of the Fillmore East by transforming the Capitol Theatre into a rock venue.
  • Prior to the Fillmore closing on June 27, 1971, the rock promoter Bill Graham had a stipulation in his contract that acts that played at the Fillmore could not play at any theater within a 75 mile radius.
  • The first show at the Capitol Theatre was The J. Geils Band and Humble Pie on December 16, 1971.
  • Many notable acts performed at the theater including The Three Stooges, Frank Zappa, The Beach Boys, The Grateful Dead, Peter Frampton, The Rolling Stones, and many more.

Setlist:

1. Eyes Of The World
2. Love’s No Friend
3. Vielleicht das nachste Mal (*Maybe Next Time)
4. All Night Long
5. Lost in Hollywood
6. Guitar Solo
7. Keyboard Solo
8. Drum Solo
9. Lazy
10. Man On The Silver Mountain
11. Blues
12. Long Live Rock ‘n’ Roll
13. Kill the King

Watch The Concert Here:

• Rainbow – Full Concert – 12/01/79 – Capitol Theatre (OFFICIAL)
• Rainbow Capitol Theatre, Passaic, NJ, USA, december 1st, 1979 (in Color)

Thanks To Our Foundation Level Patrons:

• The £3 “The Aromatic Feed” Tier
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For Further Information:

• https://www.setlist.fm/setlist/rainbow/1979/capitol-theatre-passaic-nj-7bdff240.html
• https://www.concertarchives.org/concerts/rainbow-scorpions-9e592003-51a1-4b13-8c41-35c1c1d1e76e
• Rainbow – Full Concert – 12/01/79 – Capitol Theatre (OFFICIAL)
• Rainbow Capitol Theatre, Passaic, NJ, USA, december 1st, 1979 (in Color)
• https://purplehippies.com/2020/12/31/rainbow-1979-12-01-passaic-1979-colour-version-black-box/
• https://en.wikipedia.org/wiki/Capitol_Theatre_(Passaic,_New_Jersey)
• 
  

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Subscribe at Apple Podcasts, Spotify, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, Pocket Casts, or search in your favorite podcatcher! 

How To Support Our Show:

The Deep Purple Podcast is 100% listener supported and ad-free! If you receive value from our show please consider supporting us!

• Support Our Show

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Brendan Ashbrook – Logo Designer

Glenn Hughes Show in September!

• The Deep Purple Podcast will be there!
• Glenn Hughes Performs Classic Deep Purple
• September 19, 2023 – with Yngwie Malmsteen
• The Palladium – Worcester, MA
• Let us know if you’re going for a potential Deep Purple Podcast meetup!
• Buy Tickets
• Meetup info to come!
• August 26th, Purple Tribute

Thanks to Our Executive Level Patrons:

• The $25 “Uncommon Man” Tier
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• The £15 “”Fifteen Squid” Tier
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Listener Email

• Ron writes in to discuss Blues and Podcasting apps.
• This was never designed to be an old school blues record, this is white boys blues boogie hard rock. Think old school Aerosmith, big 10 inch, reefer headed woman , back back train!
• Stitcher fan who went to pocket cast.
• Excellent place to listen to you guys.

Apple Podcasts Reviews:

• LordGillers from the UK – 5 Stars!
  • Deep Purple and Beyond
  • This podcast is a must for all fans of classic rock. Using Deep Purple, and it’s members, as the starting point, the podcast covers some of the best music since the late 60s as it branches out to cover the works of Deep Purple and it’s ex-members. Hosted by Nathan and John, in a relaxed, humorous manner – you’ll come across some classics as well as music you’ve never heard before (or forgotten), Plus, you’ll have a laugh on the way.

Postcards From The Edge . . . OF CONNECTICUT!

• From Ireland
• And something from Connecticut, but it’s not a postcard!

Deep Dive Podcast Network:

Check out our website to find other like-minded shows taking deep dives into individual songs, bands, and albums.

• Deep Dive Podcast Network

Lead up to the Album:

• At college in 1962 Jon Lord formed a band called The Don Wilson Quartet. They played mostly covers all over including clubs, pubs, and weddings.
• After College Jon got a job but wanted to keep the musical end of things.
• The name of the group changed to Redd Bludd’s Bluesicians.  The musicians were Don Wilson on vocals and bass, Derek Griffiths on guitar, Jon Lord on piano, and Reg Dunnage on drums.
• At this same time Art Wood was working with his own group called The Art Wood Combo.  The band eventually boke up.  Wilson knew the group and suggested they form a new group using Wilson’s quartet.  This would have been in early 1964.
• They continued on as the Art Wood Combo for a time before changing the name to The Artwoods.
• Don Wilson bought a Lowry organ for Jon. The band advertised as “a great organ-ised” combo.
• Early on Don Wilson crashed the group’s van and broke both his legs.  He was replaced on bass by Malcolm Pool from the group The Roadrunners.
• Shortly after they were offered a recording deal for a single.
• Reg worked at Heathrow and didn’t want to quit his day job so they looked for a new drummer and found Keef Hartley.  He was reportedly found in the park clutching his drums. They auditioned him at The Tiles Club and he got the job.
• In October of 1964 they recorded their first single “Sweet Mary.” It was moderately advertised and didn’t sell particularly well.
• The band did a residence at the 100 Club in Oxford Street and Kooks Kleek in West Hampstead.
• It was just before this that Jon Lord was rumored to have done the piano track for The Kinks’ “You Really Got Me” though there is a lot of evidence that this is not correct.
• During this time Jon Lord sat in with Bo Diddley at the 100 Club.  Bo Diddley was interesting in recording with the band and was very complimentary of them.  The artist Little Walter said of the group “I thought white boys couldn’t play the blues, but they were playing the hell out of the music.”
• The group’s second single, “Oh My Love” did about as well as their first.
• In early 1965 they toured with P.J. Proby on two tours.
• When Mike Vernon at Decca heard their early studio recordings he proposed taht they use Decca’s studio and record with them.
• They recorded another single “I Take What I Want” which came out in May of 1966 and it made it into the Top 30.
• They toured Poland and Paris and Jon used his earnings to purchase his Hammond on hire purchase. He ended up cutting the organ into two pieces to make it e3asier to get in and out of the clubs they were playing.
• Jon paid £60 to have the organ cut in half. The manufacturers actually offered this as a service to make the instrument easier to transport. Jon said, “They cut it across just under the keyboard so that the generators are in one half and the amp and speakers are in the other. They modify it so that when you clip the two halves together the whole thing automatically connects. It means that it can be carried quite easily by two people, each one carrying a 1 ½-hundredweight section. It’s easier to pack in a can, too, and there is far less problem carrying it up and down stairs.” They even made padded carrying cases for the sections.
• During this time Jon lord became more analytical of his own playing. Of this ye said, “I realised I was just playing Jimmy smith cliches most of the time like a thousand others. It occurred to me that I could use some of my classical knowledge. I tired to fit Bach fugues into what we were playing, not note for note, but just getting the feel of it. I think we were one of the first groups to use little chunks of classical music as an introduction for songs. We used Tchaikovsky as an intro to Sam Cooke’s Shake.”

Core Band:

• Bass Guitar – Malcolm Poole*
  • https://en.wikipedia.org/wiki/Malcolm_Pool
  • 
    
• Drums – Keef Hartley
  • https://en.wikipedia.org/wiki/Keef_Hartley
  • Keef was the replacement for Ringo Starr in Rory Storm & The Hurricanes
  • The Keef Hartley Band featured several members who went on to be involved in the Jesus Christ Superstar Project
  • They were also the first British band to play at Woodstock
• Guitar – Derek Griffiths
  • Went on to work with Chuck Berry on “The London Sessions” and a few other acts
  • Was part of the 69/97 European tour of The Rocky Horror Picture Show”
• Organ – Jon Lord
  • Need we say more?
• Vocals – Art Wood
  • Older brother of Ron Wood of Faces and The Rolling Stones.

Technical:

• Engineer – John Mackswith
  • https://en.m.wikipedia.org/wiki/John_Mackswith
• Producer – Mike Vernon
  • https://en.wikipedia.org/wiki/Mike_Vernon_(record_producer)
• Liner Notes – Pontius Elbows

Album Art & Booklet Review

• Printed By – Robert Stace

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Album Tracks:

Side One:

1. Can You Hear Me
   • Written-By – Allen Toussaint
   • Originally recorded by Lee Dorsey and released in 1965.
2. Down In The Valley
   • Written-By – Burns*, Burke*
   • Written by Bert Burns and Solomon Burke
3. Things Get Better
   • Written-By – Floyd*, Cropper*, Jackson*
   • Eddie Floyd, Steve Cropper, and Wayne Jackson
   • First recorded by Eddie Floyd in 1966.
4. Walk On The Wild Side
   • Arranged By – Nelson*
   • Written-By – Bernstein*, David*
   • Written by Elmer Bernstein and MAck David
   • Jon Lord: “This turned me on to the organ. I first heard it when I was a drama student and I didn’t even know what the instrument was making the sound.”
   • He also said: “It was Keef who wanted to do it; funnily enough it was one of our most popular numbers.”
   • Originally for the soundtrack of the movie of the same name.
5. I Keep Forgettin’
   • Written-By – Leiber; Stoller*
   • First released by Chuck Jackson in 1962
6. Keep Lookin’
   • Written-By – Burke*, Burke*, Burke*
   • Originally written by Solomon Burke and released in 1966

Side Two:

1. One More Heartache
   • Written-By – Tarplin*, Rogers*, White*, Robinson*, Moore*
   • https://en.wikipedia.org/wiki/One_More_Heartache
   • REcorded by Marvin Gaye and released 1966
2. Work, Work, Work
   • Written-By – N. Neville*
   • Written by Naolmi Neville (pseudonym for Allen Toussaint) using his mother’s modern name.
3. Be My Lady
   • Written-By – Jackson*, Jones*, Dunn*, Cropper*
   • The song Be My Lady was written by Booker T. Jones, Steve Cropper, Donald “Duck” Dunn and Al Jackson Jr. and was first released by Booker T. & The MG’s in 1965.
4. If You Gotta Make A Fool Of Somebody
   • Written-By – Rudy Clarke*
   • First recorded by James Ray in 1961.
5. Stop And Think It Over
   • Written-By – Nat Jones
   • First released by James Crawford in 1965
6. Don’t Cry No More
   • Written-By – D. Malone*
   • Released by Roy Head in 1966.

Thanks To Our Foundation Level Patrons:

• The £3 “The Aromatic Feed” Tier
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  • Steve “Down to Earth” Koeller

Bustin’ Out The Spreadsheet

Reception and Charts:

• The Artwoods were a popular live act on par with bands like The Animals.  Their record sales, however, were never strong.
• In early 1967 Hans Bregel and a Germany Symphony Orchestra from Frankfurt approached them about the idea of writing a special piece of music together.  This didn’t happen and the band wouldn’t last through 1967.
• The R ‘n’ B scene was starting to fade at this time giving rise to many more rock acts. Keef Hartley left the band and of it he says, “It was a nightmare, I was always unhappy and got the sack in April. I was given two weeks notice.” He was replaced by drummer Colin Martin.  The group set out to tour Denmark only to get there and find out it had been canceled.  The promoter got them some gigs at the last minute and the following year the new group Roundabout would connect with him to do the same.
• At the end the Artwoods recorded their last single “What Shall I Do” and even started writing their own material.
• A promoter named Jack Baverstock was looking for a band where he could capitalize on the gangster craze that had sparked up around the movie Bonnie & Clyde. The Artwoods accepted this and changed their name to The St. Valentines Day Massacre.  They recorded a cover of “Brother Can You Spare A Dime” which was their only release they’d have before disbanding.
• On the single they were dressed up like gangsters and holding tommy guns in pin-striped suits.  They had to wear these costumes on stage.  Of this Lord said, “I felt bloody ridiculous, wawe all did.
• After this they disbanded and Jon returned to session work and a few other projects but there will be more on that in future episodes.

For Further Information:

• https://www.discogs.com/release/1387088-The-Artwoods-Art-Gallery
• https://en.wikipedia.org/wiki/The_Artwoods
• http://www.deep-purple.net/tree/artwoods/artwoods.html
• 1995 CD Liner notes by Chris Welch

Listener Mail/Comments

• Comments about the show? Things you’d like us to cover?  We’d love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.

Subscribe at Apple Podcasts, Stitcher, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, or search in your favorite podcatcher! 

How To Support Our Show:

The Deep Purple Podcast is 100% listener supported and ad-free! If you receive value from our show please consider supporting us!

• Support Our Show

• Leave us a 5-Star Review on Apple Podcasts
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• Become a Patron on Patreon
• Donate on Paypal (Donate one time or click “make this a monthly donation” box)
• Donate to $DPPOD Using Cash App
• Support Us on Ko-fi

Brendan Ashbrook – Logo Designer

Glenn Hughes Show in September!

• The Deep Purple Podcast will be there!
• Glenn Hughes Performs Classic Deep Purple
• September 19, 2023 – with Yngwie Malmsteen
• The Palladium – Worcester, MA
• Let us know if you’re going for a potential Deep Purple Podcast meetup!
• Buy Tickets

Thanks to Our Executive Level Patrons:

• The $25 “Uncommon Man” Tier
  • Ovais Naqvi
  • Purple Maniac
• The £15 “”Fifteen Squid” Tier
  • Alan “Ain’t Too Proud To” Begg
• The £10 “Good Doctor” Tier
  • Dr. Gill Breis
  • Dr. Mike Kattan
• The Turn it up to $11 Tier
  • Clay Wombacher
  • Frank Theilgaard-Mortensen
  • Mikkel Steen
  • Will Porter, PhDPP
• $10 “Some One Came” Tier
  • Ryan M
  • Jeff Breis
  • Victor Campos
  • “Better Call” Saul Evans
• The “Hughes-O-Ween by 2033” Tier
  • Fielding Fowler
• The “In Memorium” Tier
  • Gerald “Jerry” Kelly & Family

Apple Podcasts Reviews:

• ChazMaTaz? – US – Five Stars!
• Pointed fun!
• These guys love music and you can hear it. Pointed commentary and laughs…a great listen with a fascinating catalog.

Postcards From The Edge . . . OF CONNECTICUT!

• This week from Long Island!

Deep Dive Podcast Network:

Check out our website to find other like-minded shows taking deep dives into individual songs, bands, and albums.

• Deep Dive Podcast Network

Album Tracks:

1. Shake the Ground (Hughes, Erickson)
   1. Lead Guitar [All] – Darren Housholder
   2. Bass – Tony Franklin
2. Hey Buddy (You Got Me Wrong) (Hughes, Erickson, Franklin, Varney)
   1. Guitar [First Solo], Soloist – Paul Pesco
   2. Guitar [Intro, Slide Fills & 2nd Solo], Soloist – Craig Erickson
   3. Bass – Tony Franklin
3. Have You Read the Book? (Hughes, Erickson)
   1. Guitar [First Solo], Soloist – Mick Mars
   2. Guitar [Intro, Outro & Fills] – Darren Housholder
   3. Bass – Tony Franklin
4. Life of Misery (Hughes)
   1. Lead Guitar [All] – Craig Erickson
   2. Glenn Hughes’s favorite song on the album.
5. Can’t Take Away My Pride (Hughes, Erickson)
   1. Slide Guitar [All] – Mick Mars
6. A Right to Live (Hughes, Kotzen)
   1. Lead Guitar [All] – Richie Kotzen

Thanks To Our Foundation Level Patrons:

• The £3 “The Aromatic Feed” Tier
  • Simon Ford
• The $3.33 Half Way to Evil Tier
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• $3 “Nobody’s Perfect” Tier
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  • Ian Desrosiers
  • Mark Roback
  • Stuart McCord
  • Flight of the Rat Bat Blue Light
  • Øyvind Fjeldbu –
  • Runar Simonsen –
  • JJ Stannard
  • Ruinous Inadequacies
  • John Miceli
  • Michael Boyette
  • Corey Morrissette
• The $1.71 “I Want My Own Tier” Tier
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• The 10 kr “” Tier
  • Carsten Lau
• The £1 Tier
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• $1 Made Up Name Tier
  • The “You Don’t Have To Save Me Anymore (Because I’m Dead)” Leaky Mausoleum
  • The “Have You Read the Epitaph?” Leaky Mausoleum
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  • Hank the Tank
  • Private Eyes
  • Ashen Lionel
  • Blackmore’s Tights
  • Steve “Down to Earth” Koeller

Thanks to Our Core Level Patrons:

• The $7.77 KeepItWarmRat Tier
  • Michael Vader
• The $6.99 “New Nice Price” Tier
  • Spike the Rock Cat
  • Sugar T
• The Episode $6.66 Tier
  • Steve Coldwell
  • Arthur Smith
  • Anton Glaving
  • Charles Meadows
• The $6.65 “Almost Evil” Tier
  • Kenny Wymore
  • Michael Bagford
• $5.99 The “Nice Price” Tier
  • Robert Smith
  • Peter from Illinois
  • Karl Hellberg
• The 60 Kroner “Scandinavian Nights” Tier
  • Zwopper The Electric Alchemist
  • Knut Morten Johansen – 
• The $5.55 “What’s Goin’ On Here” Tier
  • Richard Fusey
• $5 “Money Lender” Tier
  • John Convery
  • German Heindl
  • Adrian Hernandez
  • Jesper Almén
  • Oleksiy The Perfect Stranger Slyepukhov
  • James North
  • Mark Hodgetts
  • Kev Roberts
  • Percival Frequency
  • Scott Zerns
  • Cynthia Dube
  • Raff Kaff
  • Coyote Bongwater

Bustin’ Out The Spreadsheet

Reviews:

• Darker Than Blue Issue 45, July 1993
• A Blues Authority Vol 2 – Album Review
  • GLENN HUGHES – BLUES – LA BLUES AUTHORITY Volume 2 : Roadrunner RR 9088 2: Germany : March 1993 CD
    From what I can gather, advance orders for this CD were so good that Roadrunner had to delay the release here to avoid running out of stock almost immediately. It hasn’t set the charts alight true, but there are people out there who have been itching to go out and buy a Glenn Hughes album for years. Have they been rewarded? The general opinion is this will do very nicely to be going on with. If we accept it for what it is, a glorified session, then it works well. Glenn is in fine form. Beyond that, the disc lacks any real musical soul. No matter how hard Glenn works, the backings sound very pedestrian really, and lack the excitement that a proper group might have brought to the proceedings. So far it is the opening couple of cuts which impressed me the most, but we’ll see how it developes with a little more air-time.
  • “The title of this album is rather misleading. The style is actually more LA hard rock/ blues, due no doubt to the numerous hot-shot guitar proteges on show. To be fair some of the playing isn’t bad (Erikson for example), it’s just that a lot of the material cries out for a guitarist who understands the dynamics and subtleties of blues influenced music-someone like Jeff Healey, Jimmie Vaughan etc. Glenn’s vocal performance is naturally the highlight. Let’s hope it bodes well for the future, and next time puts together a band that can mesh into a more individual sound to match his undoubed talents”. Roy Davies
  • VARIOUS ARTISTS / L.A. BLUES AUTHORITY : Roadrunner RR 2398 3: Holland : 1992 5″ CD.
    Spotted by Pierre Caeiro, this three track single kicks off with the only track on the ORIGINAL album to feature Glenn Hughes (a version of “Messin’ With The Kid”), so as Pierre rightly points out, it saves us forking out for the full price CD! However I don’t think it’s been issued properly in the UK, so it might take some finding.

• Scream Magazine, Issue 14, 1993
  • Article not discussed on show as we got it after recording.
  • Translated by Øyvind Fjeldbu
  • Album received a 3 out of 6 score.
  • The journalist’s remarks are in bold, and Glenn’s answers are introduced by (Hughes) and put in brackets: 
  • That Glenn Hughes would do a comeback as a blues singer was probably not what most people would have expected. Even if the man has had a versatile career, he has – as far as I know – never been close to this kind of music. “Blues” contains – not surprisingly – clean and sharp blues! Very similar to what Gary Moore is doing, but maybe not so accomplished! Hughes’ vocal performance is impressive. The songs come and go, and it is difficult to highlight any one of them, even if the ballad probably is the best one. Essentially an album for die-hard fans and extreme blues freaks!
  • After some minor problems (the line was broken, my notes forgotten somewhere, bla, bla, bla…) I got to talk to a very stressed Glenn Hughes. I guess the man had had quite a few interviews earlier that day, as he seemed rather tense and tired. A completely awful phone line did not improve things at all! But I managed in the end to squeeze out of him the most important stuff, and I hope I can do a more relaxed interview with him when the “real” comeback record is released! Because “Blues”, as the current record is entitled, is just a foretaste of what is to come…
  • (Hughes) – “Yes, I made this record just for the fun of it, after Mike Varney asked me to sing lead on a song with L.A. Blues Authority. I did so, and had the idea to make a whole album with blues songs to have a break from the writing and recording of the other album. The fact is that it took me two weeks to write the songs, and two weeks to record them – so in a month the job was done. Very fun, indeed! The comeback album, as I have said I am currently working on, will be released at the end of the year.”
  • In other words, no reason to assume that Glenn will continue as a blues performer. This album is quite similar to what Gary Moore is doing, isn’t it?
  • (Hughes) – “Yes, correct. It probably is.”
  • The only difference is just that you sing better than him, right?
  • (Hughes) – “Of course”, he answers arrogantly.
  • The album is written with someone named Craig Erickson, a completely unknown in this game, and according to Glenn a fantastic guy. Other players on “Blues” is more or less every celebrity there is, for instance Mick Mars, John Norum, Richie Kotzen, Warren De Martini and many more! How did he get in touch with these people?
  • (Hughes) – “Well, they are all my friends, so as I kept writing songs I thought about who would fit the different songs in the best way, and then I simply asked them.”
  • Okay to have such friends, or what? Glenn Hughes performed a lot of the vocals on John Norum’s “Face The Truth” from last year. Is this something he can see himself continuing with?
  • (Hughes) – “No, I don’t think so. The thing is that at the moment I feel I’m finished singing on other people’s records. Now I want to do my own thing.”
  • So you don’t miss being a member in a band?
  • (Hughes) – “No! I want to be a solo artist.”
  • Glenn Hughes’ career has been long and characterized by good times and hard times. There is no hiding the fact that he has had huge drug and alcohol problems in his life, but these problems are now reportedly over. If we look at the bands and the projects he has been involved with, the list is infinitely long! Trapeze, Purple, Sabbath, Hughes/Thrall, Gary Moore, Phenomena, John Norum and KLF. When I ask him which one of these projects he values the most, he answers, surprisingly: 
  • (Hughes) – “The Hughes/Thrall period was probably the one I personally think was the best.”
  • He says why, too, but the noise in the telephone is now so intense that his voice simply disappears. Damn, that’s so irritating! The last thing I managed to catch from him was that he plans to do some shows in Sweden, but only the gods know who he is to play with!
  • According to himself, Glenn has no contact with his former bandmates in Purple etc. today. The man sure has some talent, so I guess it is just a matter of time before he gets a well-deserved comeback. We will find that out at the end of the year. In the meantime it is possible to hear him sing clean blues on this new album, which – as noted earlier – carries the very telling title “Blues”!

For Further Information:

• https://en.wikipedia.org/wiki/L.A._Blues_Authority_Volume_II:_Glenn_Hughes_%E2%80%93_Blues
• https://www.discogs.com/release/1249749-Glenn-Hughes-Blues-LA-Blues-Authority-Volume-II
• https://web.archive.org/web/20230330021104/https://www.glennhughes.com/discography.html
• https://www.glennhughes.com/blues.html
• Darker Than Blue Issue 45, July 1993
• Darker Than Blue, Issue 44, December 1992 (Print Version)
• Darker Than Blue Issue 45, July 1993 (Print Version)
• https://www.thehighwaystar.com/interviews/hughes/gh199405xx.html
• https://www.thehighwaystar.com/interviews/hughes/gh199305xx.html
• Fender Frontline magazine, Summer 1993 issue – Vol. 10
• Scream Magazine, Issue 14, 1993
• Help from the archives of Jeff Breis

Listener Mail/Comments

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